(Flötensonaten - Band 1)-Johann Sebastian Bach's?Flute Sonatas - Volume 1?includes three sonatas for Flute and Piano accompaniment. Sontatas included are Flute Sonata No. 1 in B minor BWV1030 Flute Sonata No. 2 in E flat major BWV1031 and Flute Sonata No. 3 in A major BWV1032.

For Flute, Oboe (or Violin) and Continuo Op. 5 (Livre Premier) nos. 1-3. Sonata in B minor, Op.5 no.2 Sonata in D minor, Op.5 no.3 Sonata in E minor, Op.5 no.1

for Flute or Violin and Continuo-?Methodical? was how Telemann?s six sonatas were described when they were published in 1732 because they included a second ornamented version of the simple melody line of the solo instrument for the slow opening movements andfor the second movement of the c-minor sonata. This is music that is both instructive and also a delight to play and G. Henle Publishers can highly recommend it to the flautists and violinists of today. This lavishly appointednew edition has separate solo and bass continuo parts that contain the other part in each case for orientation purposes. There is also an additional part featuring only the figured bass line. This edition includes the score whichalso features a historically faithful realisation of the figured bass. The first volume of ?Methodical Sonatas? has already been published (HN 1266); this means that all twelve of Telemann?s sonatas are now available as HenleUrtext editions.

Volume 1 of Bach's Sonatas for Flute. This book contains the sonatas in B Minor E Flat Major A major and the unaccompanied A Minor Sonata. They are edited with a realisation of the figured bass by Louis Moyse.

Flötensonate mit konzertierendem Cembalo-Johann Joachim Quantz was born in Oberscheden near Hanover on 30th January 1697 and died on 12th July 1773 the highly esteemed court composer and chamber musician to King Frededck II of Prussia. His life's work was based on the fute. He taught the fute which was to be become the fashionable instrument of the time to the young Crown Prince later King of Prussia. The present sonata is based on a manuscript in the Lower Saxony State and University Libraty at Göttingen. It deserves prominence amongst the more than 100 fute compositions by QUANTZ not least on account of its instrumentation of flute with accompanying cembalo which places it in efectively pleasant contrast tothe bulk of QUANTZ's fute sonatas with thorough-bass accompaniment.

Johann Ludwig Krebs (1713-1780) a été l'élève de Johann Sebastian Bach, qui ont grandement apprécié ses réalisations musicales et des connaissances scientifiques. Pendant son séjour à Zwickau (1737-43), Krebs a composé une collection de six trio sonates ' Denen Liebhabern der Instrumental-musique zum angenehmen Zeitvertreib ', le second dont la Sonate est publié ici. Bien que toujours dans la tradition formelle de la sonata da chiesa, la Sonate église de quatre mouvements, elle pointe déjà à l'époque Baroque de postes, notamment sur la mélodie, aux mouvements sentimentales gallant. Ce travail très charmant a été épuisé depuis longtemps et est maintenant republié dans le Schott Edition. / 2 Flûtes Traversières, Violoncelle (Ou Viole De Gambe) Et Piano (Ou Basse Continue)

11 beloved Bach pieces arranged as flute solos with both piano and harpsichord accompaniment on the CD. Includes: Sonata in A Major BWV 1032 2nd Movement ?Largo? ? Sonata in C Major BWV 1033 2nd Movement?Allegro? ? Sonata in C Major BWV 1033 3rd Movement ?Adagio? ? Sonata in C Major BWV 1033 4th Movement ?Menuetto I

This is an updated edition of Francis Poulenc's 1957 work Sonata For Flute And Piano, edited by Carl Schmidt. Featuring the full score and separate Clarinet part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks.After having begun a Sonata for Flute as early as 1952, questions arose over whether Poulenc would be able to complete this work on top of his various other compositions at the time. The piece was, thankfully, finally finished after being commissioned by Harold Spivacke, the Chief of the Music Division of the Library of Congress, for a festival in honour of Elizabeth Coolidge. The world premiere, at Poulenc's request, took place at the Strasbourg Music Festival, performed by renowned flautist Jean-Pierre Rampal, while the American premiere took place in the Coolidge Auditorium at the Library of Congress. This new edition includes an extensive introduction to the piece, a detailing of the different sources that were used, and the inherent difficulty of compiling such an edition as this, all in English, French and German. Furthermore, an in-depth discussion of the problems of authority, as well as a vast number of critical notes is included, giving a true sense of the care and attention that has gone into producing this new edition of Poulenc's Sonata For Flute And Piano. At all points, Schmidt has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended.What makes this edition of Sonata For Flute And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned flautist Michael Cox and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the flautist in your very own performance. This is a unique opportunity for flautists to learn from an authoritative score, and play along to a special backing track, with a work that, since its premiere, has become one of the most frequently-performed and well-loved works in the Flute repertoire.For flautist fans of Francis Poulenc, lovers of Les Six, or just players with a proclivity for stunning music, this edition of Sonata For Flute And Piano has been a long-time coming, and now it's available in this unique edition with accompanying download card. / Flûte Et Piano

This is the first of a set of twelve Sonatas for Flute and Continuo by Thomas Roseingrave published in 1728. This edition of the work has been edited and realised by Richard Platt.

Description The 'Sonata d'arpeggione' was originally written for the guitarre d'amour or arpeggione - a kind of enlarged guitar that could be bowed cello-style. The instrument did not survive longer than a few years, but this piece by Schubert is a lovely reminder. This edition is transcribed for flute by James Galway and edited by Phillip Moll for the Great Performer's Edition series. The opening Allegro Moderato is built around a wistful melody. A second theme proceeds in gentle gusts of semiquavers (the arpeggione could not play fast notes with much volume at all, and so the Sonata's quicker portions are almost always marked piano or pianissimo). The Adagio is a rich but introverted musing on an almost hymn-like subject, at the end Schubert invites the soloist to improvise a brief transition into the final, multi-sectioned Allegretto . Songlist Sonata (Per Arpeggione)

From among Reinecke?s abundant oeuvre, a very few works have from the beginning maintained their position in the concert repertoire. First and foremost among these is the Flute Sonata op. 167 with the sobriquet ?Undine?, composed in 1882 and inspired by the eponymous fairy tale by Friedrich de la Motte-Fouqué about the ill-fated love of a mermaid. It is not, however, meant programmatically, but rather, like Schumann?s poetic titles, as a framework of associations for this highly romantic, in places very virtuoso sonata in traditional, four-movement form. As the autograph is lost, the printed editions form the basis for the new critical edition of this sonata, which is solidly anchored in the flute repertoire and is now finally available as a Henle Urtext edition.

Written in 1747 while C P E Bach was in Berlin probably for his then employer Frederick the Great or for Frederick's teacher J J Quantz this work was not printed until 1763. Like his father J S Bach C P E Bach chose the key of A minor for his only compositon for solo Flute but it's structure is quite different to that of Bach senior. Like J. S. Bach's Partita in A minor (BWV 1013) the sonata edited here is considered one of the most important works for solo Flute of the eighteenth century. In contrast to J. S. Bach's composition which still represents the traditional polyphonic and figurative style the work of the youngBach displays great sensitivity and occasionally an almost romantic expressiveness. This new edition of C. P. E. Bach's Sonata in A minor is based on a copy in the anthology 'Musikalisches Mancherley'; the editor owes his thanks to the Zurrich Central Library.

The 'Sonata d'arpeggione' was originally written for the guitarre d'amour or arpeggione - a kind of enlarged guitar that could be bowed cello-style. The instrument did not survive longer than a few years but this piece by Schubert is a lovely reminder. This edition is transcribed for flute by James Galway and edited by Phillip Moll for the Great Performer's Edition series.The opening Allegro Moderato is built around a wistful melody. A second theme proceeds in gentle gusts of semiquavers (the arpeggione could not play fast notes with much volume at all and so the Sonata's quicker portions are almost always marked piano or pianissimo). The Adagio is a rich but introverted musing on an almost hymn-like subject at the end Schubert invites the soloist to improvise a brief transition into the final multi-sectioned Allegretto.

This volume contains Johann Sebastian Bach's Sonata in B minor for Flute and Harpsichord BWV 1030. The work belongs to the newly created genre of sonata with melody instrument and obbligato harpsichord in which the harpsichord functions as an equal partner rather than simply filling in the figured bass. This is a completely revised volume with an updated DOWANI 3 Tempi Play Along recording of the harpsichord accompaniment at all three tempi. Flute and Harpsichord. 2CDs

Flute and Piano-A respected pianist violinist and composer the career of Sweden's Amanda Maier (1853-1894) was tragically cut short from tuberculosis. Her musical activities brought her into contact with the likes of Brahms Grieg and Reinecke and her own style exudes the Romantic spirit of her time. Her Sonata for Violin and Piano in b minor (1878) is a brilliant and substantial work which is finally gaining the recognition it deserves. This new edition makes the work available to flutists for the first time with very few alterations to the original violin part. We hope that this edition will make this unjustly neglected sonata accessible to students performers and music lovers.