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Schubert
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Schubert: Mass in G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) Vocal Score
Schubert: Mass in G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) Vocal Score
$10.00
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Piano solo
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Franz Schubert
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Roar Kvam
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KVAMusic Edition
Schubert: Moment Musicaux for String Quartet
Schubert: Moment Musicaux for String Quartet
$49.95
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String Quartet: 2 violins, viola, cello
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Franz Schubert
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James M
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jmsgu3
Schubert: MASS in G Major (Version for SSAA choir, SAA soli, strings and organ) set of orchestra par
Schubert: MASS in G Major (Version for SSAA choir, SAA soli, strings and organ) set of orchestra par
$25.00
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Franz Schubert
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Roar Kvam
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KVAMusic Edition
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• Schubert, Ferdinand Lukas
• Schubert, Franz Peter
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Rondo For Violin And Strings A Major D 438
Violon I
Barenreiter
Complétant les éditions du Bärenreiter des oeuvres pour violon et piano, basÃ...
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Complétant les éditions du Bärenreiter des oeuvres pour violon et piano, basée sur l'Urtext de la ' nouvelle édition Schubert, ' vient de Schubert totalement charme Rondo en la majeur pour violon Solo et cordes. Le Rondo, daté de 1816 est une oeuvre d'un mouvement contenant solo lyrique ainsi que virtuose des passages et peut également être effectuée avec chaînes seul ou avec un plus grand ensemble à cordes. Notre nouvelle édition contient une introduction informative (Ger/Eng) par érudit de Schubert Michael Kube, qui est aussi l'arrangeur de la réduction du piano. -Une nouvelle édition de Schubert peut-être plus charmant des travaux pour violon - comprend idiomatique réduction pour piano - Urtext de la ' nouvelle édition de Schubert ' / Violon I
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Franz Schubert: Sonate A Arpeggione: Clarinet: Instrumental Work
Clarinet and Piano
[Score and Parts]
Barenreiter
Sonata In A Minor D 821 'Arpeggione' arranged for Clarinet & Piano.This volume i...
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Sonata In A Minor D 821 'Arpeggione' arranged for Clarinet & Piano.This volume is based on the Urtext of the New Schubert Edition; the solo part has been arranged for performance on the clarinet while the Piano part is identical to Schubert´s original as presented in the New Schubert Edition.The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert's music.
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Trockne Blumen Op.160 (SCHUBERT FRANZ)
Violin and Piano
[Score and Parts]
Universal Edition
Introduktion und Variationen D802. Par SCHUBERT FRANZ. Originally for flute and ...
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Introduktion und Variationen D802. Par SCHUBERT FRANZ. Originally for flute and piano, Schubert's reworking of 'Trockne Blumen' - the eighteenth song in his song cycle Die schöne Müllerin - is here adapted for the violin. It was quite common in Schubert's own time for composers to write works 'for flute or violin' and in keeping with this practice, violinist Jacqueline Ross has prepared this edition, along with notes on the musical background and critical commentary on the violin editing. Her research into 18th and early 19th century performance practice has been widely recognised and has influenced her recordings of baroque and classical repertoire. This includes the Naxos release of the complete works of Schubert, recorded on historical instruments, in which this adaptation of 'Trockne Blumen' is featured. Violinists will welcome this adaptation intended primarily for performers, as a vibrant and substantial addition to the repertoire. o Originally for flute and piano, Schubert's reworking of 'Trockne Blumen', the eighteenth song in his song cycle 'Die schöne Müllerin', is here adapted for the violin by Jacqueline Ross o Notes on the musical background and critical commentary on the violin editing are included o A vibrant and substantial addition to the repertoire/ Répertoire / Violon et Piano
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Franz Schubert: Ave Maria: Vocal: Vocal Work
High voice, Piano
Santorella Publications
Masterpiece Edition-Franz Schubert was born in Vienna in 1797. He was involved ...
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Masterpiece Edition-Franz Schubert was born in Vienna in 1797. He was involved in music at an early age learning music theory and many different instruments including piano violin organ and voice. During his brief but prolific life he wrote a wide variety of music. His compositions included symphonies piano sonatas piano duets operas masses chamber works and several hundred songs. Among the hundreds of songs the most loved and revered is Ave Maria. Ave Maria was first published in 1826 under the German title Ellen's Gesang 111: Hymne and die Jungfrau (Ellen's Song 111: Hymn to the Virgin). The text used was taken from a novel written by Sir Walter Scott entitled 'Lady of the Lake'. It was then translated into German as it appeared in Schubert's song. After Schubert's death in 1828 the Latin text began being used and eventually surpassed either the use of the German or English text. 'Antiphon of the Blessed Virgin' is a text which has been used in religious contexts since the beginning of Christianity. This vocal classic was originally envisioned as a devotional piece but over time the magnificent beauty of both music and text has made this song equally popular for secular performances. Schubert's Ave Maria arranged for High Voice is recommended for Soprano or Tenor ranges. We have included a separate vocal line with lyrics written in Latin just above the piano accompaniment stave(s). The English translation is also included to explain this fabled story. This Minstrel Press Edition of Schubert's Ave Maria for High Voice is exclusively distributed by Santorella Publications.
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Rondo For Violin And Strings A Major D 438
Violon II
Barenreiter
Complétant les éditions du Bärenreiter des oeuvres pour violon et piano, basÃ...
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Complétant les éditions du Bärenreiter des oeuvres pour violon et piano, basée sur l'Urtext de la ' nouvelle édition Schubert, ' vient de Schubert totalement charme Rondo en la majeur pour violon Solo et cordes. Le Rondo, daté de 1816 est une oeuvre d'un mouvement contenant solo lyrique ainsi que virtuose des passages et peut également être effectuée avec chaînes seul ou avec un plus grand ensemble à cordes. Notre nouvelle édition contient une introduction informative (Ger/Eng) par érudit de Schubert Michael Kube, qui est aussi l'arrangeur de la réduction du piano. -Une nouvelle édition de Schubert peut-être plus charmant des travaux pour violon - comprend idiomatique réduction pour piano - Urtext de la ' nouvelle édition de Schubert ' / Violon II
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Franz Schubert: German Mass D 872: SATB: Parts
Divers
Barenreiter
Franz Schubert’s popular German Mass of 1827 follows in the footsteps of ...
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Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.- Urtext from the New Schubert Edition- Standard work in the church music repertoire- Can be accompanied by organ or wind instruments- No vocal soloists necessary
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Franz Schubert: German Mass D 872: Mixed Choir: Score
Chor, Blasorchester und Orgel
[Sheet music]
Barenreiter
Franz Schubert’s popular German Mass of 1827 follows in the footsteps of ...
(+)
Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.Urtext from the New Schubert EditionStandard work in the church music repertoireCan be accompanied by organ or wind instrumentsNo vocal soloists necessary
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Franz Schubert: Symphony No.10 In D: Orchestra: Score
Orchestra
[Score]
Faber Music Limited
Dating from the Autumn of 1828 Schubert's 10th Symphony is arguably the compose...
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Dating from the Autumn of 1828 Schubert's 10th Symphony is arguably the composer's final creative endeavour. Using Schubert's extensive piano sketches - substantially complete for movements two and three and containing the principle material for the movement - the renowned Schubert scholar Brian Newbould has realised the work as Schubert himself might have done. The editor's judicious and sensitive realisation born out of a life-long study of the composer's workings has resulted in a fascinating and rewarding addition to the symphonic repertoire. The 10th Symphony offers a unique insight into the startling pioneering style of Schubert on the threshold of his fourthdecade.
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Franz Schubert: Rondo For Violin And Strings In A D.438: Violin: Instrumental
Violin and Piano
[Sheet music]
Barenreiter
Complementing Bärenreiter's editions of the works for violin and piano based on...
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Complementing Bärenreiter's editions of the works for violin and piano based on the Urtext of the 'New Schubert Edition' comes Schubert's utterly charming Rondo in A major for Solo Violin and Strings. The Rondo dated 1816 is a one movement work containing lyrical as well as virtuoso solo passages and can equally be performed with single strings or with a larger string ensemble.Our new edition contains an informative introduction (Ger/Eng) by Schubert scholar Michael Kube who is also the arranger of the piano reduction.- A new edition of Schubert's perhaps most charming work for violin- Urtext of the 'New Schubert Edition'Barenreiter No. BA5653A
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Franz Schubert: String Trio D471: String Trio: Parts
TRIO/CHAM::Trio, Chamber Group
[Sheet music]
S J Music
This String Trio was only partly written by Schubert and has been finished by t...
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This String Trio was only partly written by Schubert and has been finished by the Schubert expert Brian Newbould. It is a charming work and Newbould has done a wonderful job in creating a full length trio in the style of Schubert and using quotations from other Schubert works as Schubert himself did on occasion. A full note about the creation of this piece is included as a preface in the printed music.
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Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
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Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale
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String Quartet A Minor Op. 29 D 804 Rosamunde
String Quartet: 2 violins, viola, cello
G. Henle
The quartet in a minor is one of the chamber music works with which Schubert wan...
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The quartet in a minor is one of the chamber music works with which Schubert wanted to 'pave the way to the great symphony? in spring 1824. At the same time he was paving his way to a wider audience, as the 'Rosamunde? Quartet was the first and only string quartet that was not only publicly performed in Schubert's lifetime but also published in parts. It is fortunate for us that this was the case because the autograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies, as the parts exhibit some inaccuracies regarding the articulation and dynamics. They have had to be carefully resolved, something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert's incidental music to the play Rosamunde, which can be heard at the beginning of the Andante. Quite a few people might, however, be reminded of the Impromptu in B flat major op. post. 142 #3, in which Schubert later once again took up the beautiful melody. / 2 Violons, Alto Et Violoncelle
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Franz Schubert: Lieder - Volume 5: Voice: Vocal Album
Medium voice, Piano
[Partitur]
Barenreiter
Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of th...
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Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. Thefirst eleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104
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Franz Schubert: Piano Trios: Piano Trio: Study Score
Piano Trio: piano, violin, cello
[Study Score / Miniature]
G. Henle
Urtext Edition-Les deux trios avec piano de Schubert peuvent indubitablement êt...
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Urtext Edition-Les deux trios avec piano de Schubert peuvent indubitablement être comptés au nombre de ses ?uvres les meilleures. Composés tous les deux en 1827 c?est-à -dire un an avant sa mort ce sont des ?uvres caractéristiques de sa maturité riches d?une grande invention mélodique alliée à une forte puissance créatrice formelle et une profonde expressivité. Si le trio en Mi bé-mol majeur op. 100 D 929 fut vendu à l?éditeur de Leipzig Probst (il ne parut cependant que juste après la mort de Schubert) le trio en Si bémol majeur op. 99 D 898 ne fut pas imprimé du vivant du compositeur. L?adagio en Mi bémol majeur op. post. 148 D 897 reproduit en annexe et connu plus tard sous letitre de Notturno fut conçu à l?origine comme mouvement lent du trio en Si bémol majeur. Schubert pourrait l?avoir considéré comme impropre à la publication du fait de son caractère sombre et expressif jusqu?au désespoir. Il ne parut d?ailleurs qu?en 1846. En annexe de ce recueil figure également le premier essai dans le genre du trio composé par Schubert à l?été 1812 alors qu?il était âgé de 15 ans.
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Chamber Symphony Bb Major (SCHUBERT FRANZ)
Clarinette, Basson, Cor, 2 Violons, Alto, Violonce
Simrock
After The Piano Sonata D 960. Par SCHUBERT FRANZ. Sonate dernier pour piano de S...
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After The Piano Sonata D 960. Par SCHUBERT FRANZ. Sonate dernier pour piano de Schubert dans une version de Symphonie de chambre pour octet classique : conscient qu'aucun travaux vraiment adéquate de l'instrumentation même n'existence qui pourraient compléter un programme de concert avec singulier Octet opus Schubert 166, Heribert Breuer a choisi la Sonate de Piano majeur en Bb majeur, publié à titre posthume, d'une nouvelle version de l'instrumentation. Breuer appelle sa version une 'Symphonie de chambre' pour exprimer l'idée de base symphonique de ce travail extraordinaire dans le titre. Il n'échappera pas à l'avis de l'expert qu'en instrumentation et articulation, un pont est construit dans le mouvement lent à l'adagio de la quintette à cordes également créé en 1828, l'année de la mort de Schubert: ' Fülle des Wohllauts './ Répertoire / Clarinette, Basson, Cor, 2 Violons, Alto, Violonce
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Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
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Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale
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Franz Schubert: 100 Songs - High Voice: Vocal and Piano: Vocal Album
High voice, Piano
Hal Leonard
The most useful collection of Schubert songs available! Unlike international edi...
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The most useful collection of Schubert songs available! Unlike international editions these new songbooks contain only a few favourite songs from Die Schöne Müllerin and Die Wintereisse rather than the rarely-used entire song cycles; this leaves room for many more wonderful individual songs not normally found in Schubert collections.As in the other volumes in The Vocal Library each song features introductory notes including information about the composition the song's biographical context in Schubert's life early performances and comments about poets. The contents for the High Voice and Low Voice editions are almost the same: theHigh Voice volume uniquely includes Der Hirt auf dem Felsen (with removable clarinet part) and Auf dem Strom (with removable horn part); the Low Voice volume uniquely includes Das Abendrot and Romanze. The cover is adorned with a charming 1821 watercolour depicting Schubert and friends at a summer gathering in Atzenbrugg.All songs have been newly edited and researched based on the most current historical material available. German singing text.
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Franz Schubert: Alfonso und Estrella D 732: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 Act...
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Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 ActsIn late September or early October 1821 Schubert and his close friend Franz von Schober vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle which belonged to the Bishop of St. Pölten (a close relative of Schober?s) after which they moved on to St. Pölten itself. Roughly a year earlier two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann who blamed the press for the indifferent reception the two works weregiven by the audience. Schubert and Schober now decided it would seem to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.Not until 24 June 1854 was the opera finally performed in Weimar under the baton of Franz Liszt. It only achieved success however in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881 2 allegedly with 'brilliant acclaim'.Urtext of the New Schubert EditionFull score (BA5540) and vocal score (BA5540-90) available for salePerformance material (BA5540-72) available for hire
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Franz Schubert: Lieder Volume 8 - High Voice D 262 - D 323: High Voice: Vocal
Piano, Voice
Barenreiter
Hohe Stimme / High Voice-Walther Dürr presents Volume 8 of the new Urtext editi...
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Hohe Stimme / High Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice. This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume. Based on the Urtext of the “New Schubert Edition” Clear and uncluttered engraving Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng) Includes English translations of the lieder texts by Richard Wigmore
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Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
(+)
Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.Urtext of the New Schubert EditionFull score performance material (BA5621) and vocal score (BA5621-90) available for sale
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Franz Schubert: String Quartet A Minor Op. 29 D 804: String Quartet: Parts
String Quartet: 2 violins, viola, cello
G. Henle
The quartet in a minor is one of the chamber music works with which Schubert wan...
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The quartet in a minor is one of the chamber music works with which Schubert wanted to “pave the way to the great symphony” in spring 1824. At the same time he was paving his way to a wider audience as the“Rosamunde” Quartet was the first and only string quartet that was not only publicly performed in Schubert’s lifetime but also published in parts. It is fortunate for us that this was the case because theautograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies as the parts exhibit some inaccuracies regarding the articulation anddynamics. They have had to be carefully resolved something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert’s incidental music to the play Rosamunde which can be heardat the beginning of the Andante. Quite a few people might however be reminded of the Impromptu in B flat major op. post. 142 no. 3 in which Schubert later once again took up the beautiful melody.
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Eivind Buene: Schubert Singt II: Mixed Choir and Accomp.: Choral Score
Choral
Wilhelm Hansen
Schubert Singt II. Schubert Singt II is part of my ongoing work with the voice a...
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Schubert Singt II. Schubert Singt II is part of my ongoing work with the voice and Schubert's songs. I have worked with juxtaposing my own untrained voice with trained classical voices in pieces like Schubert Lounge (ensemble version premiered in Stuttgart in 2019).
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Franz Schubert: Messe G D167: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
[Sheet music]
Peters
Schubert's Mass No.2 in G D167 for SATB choir and Piano accompaniment.Franz Schu...
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Schubert's Mass No.2 in G D167 for SATB choir and Piano accompaniment.Franz Schubert composed his ?Mass No. 2 in G major? in less than a week (March 2 to 7 1815). Schubert was an Austrian composer who was extremely prolific during his lifetime ? despite dying at 31 his output consists of over six hundred secular Vocal works (mainly Lieder) seven complete symphonies sacred music operas incidental music and a large body of chamber and Piano music. Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the mostfrequently performed composers of the early nineteenth century.
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Franz Schubert: Piano Trios: Piano Trio: Instrumental Album
Piano Trio: piano, violin, cello
[Sheet music]
G. Henle
Piano Trios-Les deux trios avec piano de Schubert peuvent indubitablement être ...
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Piano Trios-Les deux trios avec piano de Schubert peuvent indubitablement être comptés au nombre de ses ?uvres les meilleures. Composés tous les deux en 1827 c?est-à -dire un an avant sa mort ce sont des ?uvres caractéristiques de sa maturité riches d?une grande invention mélodique alliée à une forte puissance créatrice formelle et une profonde expressivité. Si le trio en Mi bé-mol majeur op. 100 D 929 fut vendu à l?éditeur de Leipzig Probst (il ne parut cependant que juste après la mort de Schubert) le trio en Si bémol majeur op. 99 D 898 ne fut pas imprimé du vivant du compositeur. L?adagio en Mi bémol majeur op. post. 148 D 897 reproduit en annexe et connu plus tard sous letitre de Notturno fut conçu à l?origine comme mouvement lent du trio en Si bémol majeur. Schubert pourrait l?avoir considéré comme impropre à la publication du fait de son caractère sombre et expressif jusqu?au désespoir. Il ne parut d?ailleurs qu?en 1846. En annexe de ce recueil figure également le premier essai dans le genre du trio composé par Schubert à l?été 1812 alors qu?il était âgé de 15 ans.
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