Schubert, Franz A Taste of Schubert for High Voice - Representative cross-section of Schubert Lieder for high and medium voice - Based on the Urtext of the ?New Schubert Edition? (edited by Walther Dürr ?) Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high, medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. ?A Taste of Schubert? presents one to three pieces from each volume to create a cross-section of Schubert?s complete lieder ?uvre. Lieder from his famous cycles are included as well as ?Sehnsucht?, a Lied in different settings from his own pen. Contrasting genres have also been taken into consideration, beginning with simple strophic songs, via the ballad ?Der König von Thule? through to his long Ossian Lied ?Cronnan?. Schubert, Franz A Taste of Schubert for High Voice - Representative cross-section of Schubert Lieder for high and medium voice - Based on the Urtext of the ?New Schubert Edition? (edited by Walther Dürr ?) ·Der König in Thule op. 5, 5 D 367 ·Wohin? op. 25, 2 D 795, 2 from Die schöne Müllerin ·Sehnsucht D 310 1st setting, 1st version ·Sehnsucht D 359 2nd setting ·Lied er Mignon op. 62, 4 D 877, 4 5th setting of Sehnsucht; from Gesänge aus 'Wilhelm Meister' ·An die Musik op. 88, 4 D 547 2nd version ·Wasserflut op. 89, 6 D 911, 6 from Winterreise ·Das Fischermädchen D 957, 10 from Schwanengesang ·Adelaide D 95 ·Die Sterne D 176 ·Die Mainacht D 194 ·Cronnan D 282 2nd version ·Die Nacht D 358 2nd version

for Piano Violin Viola Violoncello and Double Bass-Piano Quintet in A major Op.post.114 D 667 (Trout Quintet)for Piano Violin Viola Violoncello and Double BassDuring the summer months of the years 1819 1823 and 1825 Schubert spent several weeks with his friend and interpreter of his lieder Johann Michael Vogl in Vogl?s home town of Steyr in Upper Austria. Vogl made Schubert acquainted with the musical circles of the town particularly with the home and circle of Sylvester Paumgartner the musical patron of Steyr at that time. Schubert?s relations with Steyr and with Paumgartner in particular were vividly recounted by Schubert?s friend Albert Stadler who also came from Steyr in his memorandums addressed toFerdinand Luib in 1858. Stadler?s report is the only source concerning the origin of the Quintet.?You are probably familiar with Schubert?s Quintet for pianoforte violin viola violoncello and double bass with the variations on his ?Trout?. He wrote it at the express wish of my friend Sylvester Paumgartner who was utterly enchanted with the delightful little song. He wanted the piece to have the form and scoring of Hummel?s Quintet recte Septet still new at that time. Schubert finished the piece quickly and kept the score himself . . .?.This account shows that the piece was written upon Paumgartner?s suggestion but gives no information about the time and place of composition. However one can assume that Schubert composed it in 1819 for Steyr.Urtext of the New Schubert EditionPiano score & set of parts (BA5608) available for sale

Mittlere Stimme / Medium Voice-Schubert lieder for discerning musicians. The New Schubert Edition is the only scholarly-critical edition that will once completed include Franz Schubert's lieder in their entirety. In response to the rising expectations of performers and listeners alike all the lieder will be published over the next few years in performing editions containing the text of Walther Dürr the eminent Schubert scholar and former Managing Editor of the New Schubert Edition.Includes the definitive musical text from the New Schubert EditionNewly engraved with a spacious appearance and larger format (23 x 30 cm)Ideal page turnsEditorial decisions andconflicting readings from main sources are now identified in this performing editionAlternative versions are reproduced in the appendixIntroduction by Walther Dürr focuses on peculiarities in the genesis and performance history of each lied and provides solid information on performance practiceAdopts straightforward ordering principle from the New Schubert Edition: first by opus number then in chronological orderComplete transposition into three vocal registers finally allows every singer to work with the latest findings of Schubert scholarshipIncludes English translations of the lieder texts by Richard WigmoreThe edition is scheduled to consists of 13 volumes. Each volume will appear in three editions; one for high voice one for middle voice and one for low voice.

This study score of Franz Schubert’s complete string trios (Violin Viola and Violoncello) takes its text from the New Schubert Edition. It also includes Schubert’s very first essay in the genre which only resurfaced in 1997: the draft trio in B-flat major D 111A (1814). Besides this draft two other trios in B-flat major written a short while later have come down to us: D 471 and D 581. The first is likewise a fragment as it breaks off in m. 39 of the second movement. D 581 survives in two versions the first based on the autograph score the second on a set of parts prepared and thoroughly revised by Schubert. Both versionsprovide useful performance alternatives that differ widely in their form rhythm articulation and dynamics. - All of Schubert's string trios- All drafts and alternative versions for the first time in a study score- Urtext from the New Schubert Edition Contents:- Trio in B-flat major D 471 (movement 1)- Trio in B-flat major D 581 (versions 1 and 2)- Incomplete first movement to Trio in B-flat major D 111A- Incomplete second movement to Trio in B-flat major D 471

Edited on the basis of the New Schubert Edition.Newly engraved scholarly-critical performing edition.Notes on performance practice (Ger/Eng)Access to Schubert???s drafts on the B?renreiter website.New foreword (Ger/Eng) and a Critical Commentary (Eng).Schubert composed his great Piano Sonata In A Major just a few months before his untimely death in 1828. The balance this work strikes between lyrical melody emotional intimacy and pianistic brilliance makes it a highlight among his sonatas not least because of its poetic Andantino.This scholarly-critical edition by Walburga Litschauer is basedon the Urtext of the New Schubert Edition and uses the autograph manuscript as the prime source. The edition is rounded off by a new foreword valuable notes on performance practice as well as a Critical Commentary with information on performance-relevant alternative readings and Schubert???s notation of accents.Schubert???s drafts of the A major Sonata can be accessed on B?renreiter???s website.This new edition replaces the existing edition BA 5633.

In autumn 1827 Schubert composed eight 'Impromptus' for publication as a complete collection by Haslinger in Vienna. When the plan fell through Schubert offered his 'Impromptus' to Schott as pieces which 'could be issued individually or all four together'. The name of the works probably originated from the publisher Haslinger and Schubert also used it for his collection published later as op. posth. 142. The lyrical-romantic works are suitable for advanced piano students and have the character of sonata movements. Robert Schumann who regarded them as parts of a four-movement sonata drew attention to the second collection published by Diabelli in 1839 in hisreview.For the first time this scholarly-critical Urtext edition presents the musical text of the 'New Schubert Edition' in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert’s time as well as performance on the modern concert grand piano into consideration.A detailed foreword suggestions for performance and notes on the evaluation of the primary sources complete the edition.- Scholarly-critical editions based on the Urtext of the New Schubert Edition taking all known sources into account- Newly engraved editions with optimum page-turns- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer- With a detailed foreword (Ger/Eng) and critical commentary (Eng)Mario Aschauerstudied piano historical keyboard instruments conducting and musicology in Linz Salzburg and Vienna. He performs as a soloist and chamber musician with groups including the Austrian Calamus Consort presenting a wide-ranging repertoire on fortepiano harpsichord and organ. Four Impromptus op. 90 - D 899: I. Impromptu C minorII. Impromptu E flat majorIII. Impromptu G flat majorIV. Impromptu A flat majorFour Impromptus op. post. 142 - D 935: I. Impromptus F minorII. Impromptus A flat majorIII. Impromptus B flat majorIV. Impromptus F minor Critical Commentary

Volume 9 of the new Urtext edition of Schubert?s lieder contains lieder composed during the spring and summer of 1816 some of which follow upon series started in 1815. They are available in separate books for high medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In the summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart(?Grablied auf einen Soldaten? and 'An mein Klavier?) the author of the words to one of his most famous songs ?Die Forelle?/ 'The Trout? (see Volume 2).Based on the Urtext of the ?New Schubert Edition?Clear and uncluttered engravingForeword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/Eng)Includes English translations of the lieder texts by Richard Wigmore

Complétant les éditions du Bärenreiter des oeuvres pour violon et piano, basée sur l'Urtext de la ' nouvelle édition Schubert, ' vient de Schubert totalement charme Rondo en la majeur pour violon Solo et cordes. Le Rondo, daté de 1816 est une oeuvre d'un mouvement contenant solo lyrique ainsi que virtuose des passages et peut également être effectuée avec chaînes seul ou avec un plus grand ensemble à cordes. Notre nouvelle édition contient une introduction informative (Ger/Eng) par érudit de Schubert Michael Kube, qui est aussi l'arrangeur de la réduction du piano. -Une nouvelle édition de Schubert peut-être plus charmant des travaux pour violon - comprend idiomatique réduction pour piano - Urtext de la ' nouvelle édition de Schubert ' / Violoncelle Ou Contrebasse

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.- Urtext from the New Schubert Edition- Standard work in the church music repertoire- Can be accompanied by organ or wind instruments- No vocal soloists necessary

Tiefe Stimme / Low Voice-Continuing the new Urtext edition of Schubert?s Lieder editor Walther Dürr now presents Volume 6 for Low Voice. While volumes 1 to 4 of this series contain mostly Lieder that Schubert had published during his lifetime volume 5ff. contain the remaining songs which are presented basically chronologically in the order of their Deutsch catalogue number.The Lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With ?Nachtgesang? (D 119) and ?Trost in Tränen? (D120) Schubert turns to the?Strophenlied? in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Geothe. Schubert during this period an assistant teacher at his father?s school orientated himself towards the so-called ?Berliner Liederschule? particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.- Based on the Urtext of the ?New Schubert Edition?- Newly engraved clearly presented musical layout- Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger)- Includes English translations of lieder texts by Richard Wigmore

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.- Urtext from the New Schubert Edition- Standard work in the church music repertoire- Can be accompanied by organ or wind instruments- No vocal soloists necessary

The Fantasie in C major Op. 15 popularly known as the Wanderer Fantasy is a four-movement fantasy for solo Piano composed by Franz Schubert?in 1822. The whole work is based on one single basic motive from the lied ?The Wanderer? and the four movements are played without a break.?It is widely considered to be?Schubert's most technically demanding composition for the Piano. Schubert?himself said 'the devil may play it ' in reference to his own inability to do so properly. It is the perfect challenge for any proficient pianist and the effort will be appreciated byaudiences upon hearing this marvellous piece!Franz Schubert?was an Austrian composer who was extremely prolific during his short?lifetime(he died at the age of 31). His output consists of over six hundred secular vocal works seven complete symphonies sacred music operas incidental music and a large body of chamber and Piano music. Today?Schubert?is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century.

Introduktion und Variationen D802. Par SCHUBERT FRANZ. Originally for flute and piano, Schubert's reworking of 'Trockne Blumen' - the eighteenth song in his song cycle Die schöne Müllerin - is here adapted for the violin. It was quite common in Schubert's own time for composers to write works 'for flute or violin' and in keeping with this practice, violinist Jacqueline Ross has prepared this edition, along with notes on the musical background and critical commentary on the violin editing. Her research into 18th and early 19th century performance practice has been widely recognised and has influenced her recordings of baroque and classical repertoire. This includes the Naxos release of the complete works of Schubert, recorded on historical instruments, in which this adaptation of 'Trockne Blumen' is featured. Violinists will welcome this adaptation intended primarily for performers, as a vibrant and substantial addition to the repertoire. o Originally for flute and piano, Schubert's reworking of 'Trockne Blumen', the eighteenth song in his song cycle 'Die schöne Müllerin', is here adapted for the violin by Jacqueline Ross o Notes on the musical background and critical commentary on the violin editing are included o A vibrant and substantial addition to the repertoire/ Répertoire / Violon et Piano

Complétant les éditions du Bärenreiter des oeuvres pour violon et piano, basée sur l'Urtext de la ' nouvelle édition Schubert, ' vient de Schubert totalement charme Rondo en la majeur pour violon Solo et cordes. Le Rondo, daté de 1816 est une oeuvre d'un mouvement contenant solo lyrique ainsi que virtuose des passages et peut également être effectuée avec chaînes seul ou avec un plus grand ensemble à cordes. Notre nouvelle édition contient une introduction informative (Ger/Eng) par érudit de Schubert Michael Kube, qui est aussi l'arrangeur de la réduction du piano. -Une nouvelle édition de Schubert peut-être plus charmant des travaux pour violon - comprend idiomatique réduction pour piano - Urtext de la ' nouvelle édition de Schubert ' / Violon II

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.Urtext from the New Schubert EditionStandard work in the church music repertoireCan be accompanied by organ or wind instrumentsNo vocal soloists necessary