SKU: HL.14015014

SKU: VD.ED12601

ISBN 9790202026014. 12 x 9 inches.

SKU: VD.ED20193

ISBN 9790202041932. 10.63 x 7.48 inches.

SKU: M7.DOHR-20192

ISBN 9790202041925. Latin.

Missa in C o.op. für Chor und großes Orchester Satzfolge: Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Orchesterbesetzung: 2 Flöten 2 Oboen 2 Klarinetten (in C, B, A) 2 Fagotte 2 Hörner (in C, D, Es, E, G) Pauken Streicher Messe C-Dur op. 104 für Chor und Orgel ad lib. Satzfolge: Kyrie Gloria Credo Sanctus Benedictus Agnus Dei.

SKU: CA.2380193

Text language: German. Text: Schiller, Friedrich.

It's about 200 years since Beethoven scribbled down a theme in D minor in his sketch book, which he later used, slightly altered, in the 2nd movement of his 9th Symphony. Beethoven had thought of setting Schiller's Ode to Joy much earlier. As early as 1803 Ferdinand Ries mentioned a complete setting of the text by Beethoven which no longer survives. The vocal score of the finale of the 9th Symphony is based on the vocal score made by Carl Reinecke around the end of the 19th century. The version by Reinecke, popular worldwide, closely reflects the sound of the orchestral writing, yet at the same time is remains playable. Stefan Schuck has revised this historic vocal score, in the process taking into account recent research findings. The new Carus vocal score contains rehearsal letters from all current versions of the orchestral material, and is thus compatible with all available music editions. In the presentation of this edition, particular attention has been paid to the practical needs of (choral) singers and repetiteurs.

SKU: CA.2380191

Text language: German. Text: Schiller, Friedrich.

It's about 200 years since Beethoven scribbled down a theme in D minor in his sketch book, which he later used, slightly altered, in the 2nd movement of his 9th Symphony. Beethoven had thought of setting Schiller's Ode to Joy much earlier. As early as 1803 Ferdinand Ries mentioned a complete setting of the text by Beethoven which no longer survives. The vocal score of the finale of the 9th Symphony is based on the vocal score made by Carl Reinecke around the end of the 19th century. The version by Reinecke, popular worldwide, closely reflects the sound of the orchestral writing, yet at the same time is remains playable. Stefan Schuck has revised this historic vocal score, in the process taking into account recent research findings. The new Carus vocal score contains rehearsal letters from all current versions of the orchestral material, and is thus compatible with all available music editions. In the presentation of this edition, particular attention has been paid to the practical needs of (choral) singers and repetiteurs.