| Messe C-Dur Op. 86
(BEETHOVEN LUDWIG VAN) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Arrangeur: Andrea Campora. Par BEETHOVEN LUDWIG VAN. Beethoven’s sacred works ...(+)
Arrangeur: Andrea Campora. Par BEETHOVEN LUDWIG VAN. Beethoven’s sacred works include two settings of the Mass. The “Mass in C major”, completed and premiered in 1807, has been unjustly described as a preliminary step towards the great “Missa solemnis”. Yet it is a self-contained and, for its time, decidedly modern piece of church music. Drawing on the rich body of sources, Beethoven specialist Barry Cooper suggests practical solutions to the work’s musical and interpretative problems. His deep study of the sources convinced him to include a fully realized organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. Rounding off this Urtext edition are a Foreword on the work’s genesis and a detailed Critical Commentary. - Score with realization of the organ part - Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) - Idiomatic piano reduction Features of the Barenreiter Urtext edition of Beethoven 's Mass In C Major : Score with realisation of the Organ part Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) Straight-forward Piano reduction Full score and performance material (BA9039) and Vocal score (BA9039-90) available for sale Amongst Beethoven ’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctly modernpiece of sacred music. Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the original sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary. / Messe / Répertoire / Solistes, Choeur Mixte et Orchestre
98.30 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Orgelwerke (HAENDEL GEORG
FRIEDRICH) Orgue Barenreiter
Par HAENDEL GEORG FRIEDRICH. In terms of layout and musical text, this scholarly...(+)
Par HAENDEL GEORG FRIEDRICH. In terms of layout and musical text, this scholarly-critical performing edition of George Frideric Handels Complete Organ Works is based on the complete edition volumes of the composers keyboard music edited by Terence Best as part of the HalleHandel Edition (HHA). The HHA Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel works for which it can be solidly argued that they were composedfor the organ. The centre piece is a set of twelve handwritten fugues deriving directly from his immediate surroundings and published here, for the first time, as a unified cycle. Secondly, our edition presents plausible alternative readings fromvarious sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. - A detailed Foreword contains a description of the sources, followed by comments on the individual works. In addition this edition includes contemporary organ dispositions and a Critical Commentary. - Scholarly-critical edition based on the Urtext of the Halle Handel Edition (HHA) - First single-volume edition of Handels organ works - Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA - Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) - With contemporary organ dispositionsContents:Fuga I in C minor HWV 610Fuga II in G minor HWV 605Fuga III in B-flat major HWV 607Fuga IV in F minor HWV 433/2Fuga V in E minor HWV 429/1Fuga VI in G major HWV 606Fuga VII in D minor HWV 428/2Fuga VIII in A minor HWV 609Fuga IX in B minor HWV 608Fuga X in F-sharp minor HWV 431/3Fuga XI in F major HWV 427/4Fuga XII in F major HWV 611“Fuga in E major” HWV 612“O the pleasure of the plains” in G major HWV 474“Jesu meine Freude” in G minor HWV 480 A scholarly-critical performing edition of George Frideric Handel 's Complete Organ Works based on the Halle Handel Edition (HHA). First single-volume edition of Handel 's Organ works Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) With contemporary Organ dispositions In terms of layout and musical text, this Barenreiter edition is based on the complete volumes of the composer's Keyboard music edited by TerenceBest as part of the HHA. The Halle Handel Edition's Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel 's works for which it can be solidly argued that they were composed for the Organ. The centre piece is a set of twelve handwritten fugues deriving directly from the composer's immediate surroundings and published here, for the first time, as a unified cycle. Secondly, this Barenreiter edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. Contents: Fuga I in C minor HWV 610 Fuga II in G minor HWV 605 Fuga III in B-flat major HWV 607 Fuga IV in F minor HWV 433/2 Fuga V in E minor HWV 429/1 Fuga VI in G major HWV 606 Fuga VII in D minor HWV 428/2 Fuga VIII in A minor HWV 609 Fuga IX in B minor HWV 608 Fuga X in F-sharp minor HWV 431/3 Fuga XI in F major HWV 427/4 Fuga XII in F major HWV 611 Fuga in E major HWV 612 O the pleasure of the plains in G major HWV 474 Jesu meine Freude in G minor HWV 480/ Répertoire / Orgue
42.29 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Ludwig van Beethoven:
Mass In C Op.86: Mixed
Choir: Part Soli (SATB), Chor (SATB) und Orchester Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...(+)
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.
6.00 GBP - vendu par Musicroom GB |
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| Ludwig van Beethoven:
Mass In C Op.86: Mixed
Choir: Part Soli (SATB), Chor (SATB) und Orchester Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...(+)
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.
6.00 GBP - vendu par Musicroom GB |
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| Ludwig van Beethoven:
Mass In C Op.86: Mixed
Choir: Part Soli, choeur mixte et accompagnement Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...(+)
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven???s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work???s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work???s genesis and a detailed critical commentary.
14.00 GBP - vendu par Musicroom GB |
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| Ludwig van Beethoven:
Mass In C Op.86: Mixed
Choir: Part Soli (SATB), Chor (SATB) und Orchester Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...(+)
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.
6.00 GBP - vendu par Musicroom GB |
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| Ludwig van Beethoven:
Mass In C Op.86: Mixed
Choir: Vocal Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...(+)
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.
12.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Ludwig van Beethoven:
Mass In C Op.86: Mixed
Choir: Part Soli (SATB), Chor (SATB) und Orchester Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...(+)
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.
6.00 GBP - vendu par Musicroom GB |
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| Ludwig van Beethoven:
Mass In C Op.86: Mixed
Choir: Parts Soli, choeur mixte et accompagnement Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...(+)
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven???s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work???s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work???s genesis and a detailed critical commentary.
55.50 GBP - vendu par Musicroom GB |
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| SCHUMANN CLARA - ROMANTIC
PIANO MUSIC VOL.1 Barenreiter
Clara Schumann's Romantic Piano Music.This first volume contains: Three Prelu...(+)
Clara Schumann's Romantic Piano Music.This first volume contains: Three Preludes and Fugues op. 16 Variations from a theme about Robert Schumann op. 20 Romance Gminor op. 21/3 / Piano / Barenreiter
16.50 EUR - vendu par Woodbrass Délais: Sur commande |
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| RAMEAU J-P - LES INDES
GALANTES SYMPHONIES Barenreiter
The new scholarly-critical edition of the score of Rameau’s “ballet héroïq...(+)
The new scholarly-critical edition of the score of Rameau’s “ballet héroïque” Les Indes galantes finally clears up its convoluted source history. At the first performance,on 23 August 1735, it consisted of a prologue and three acts: Le Turc généreux, Les Incas du Pérou and Les Fleurs. But Les Fleurs already proved controversial in the early performances, and from 11 Septemberof that same year it was given a wholly new form. For the revival on 10 March 1736 Rameau and Fuzelier added an entirely new act Les Sauvages, and in the years that followed, the “ballethéroïque”was presented either complete (1743, 1751 and 1761) or abridged with a prologue, Les Incas du Pérou and Les Sauvages (1751–73).With regard to the instrumental movements (dances anddescriptive pieces), the present publication is based on the complete edition Opera Omnia Rameau (OOR) volumes IV/2 and IV/7 edited by Sylvie Bouissou. It includes not only the orchestral pieces in the version deemedvalid by Rameau in 1736 (with version 2 of Les Fleurs and Les Sauvages), but also those from the first version of Les Fleurs (1735) as well as its 1743 and 1773 revisions. Performers are thus given a complete selection ofall the orchestral numbers from one of Rameau’s central stage works for use also in concert performance.– Based on Opera Omnia Rameau (OOR) Series IV/2 and IV/7– Well-presented layout in aformat of 23.7 x 33 cm / Grand format / Barenreiter
60.00 EUR - vendu par Woodbrass Délais: Sur commande |
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| WEISS and NETTI - THE
TECHNIQUES OF SAXOPHONE
PLAYING - OCCASION Saxophone Barenreiter
Détails du produit d'occasion : Petite trace de café dans un des coins. Le pro...(+)
Détails du produit d'occasion : Petite trace de café dans un des coins. Le produit n'est pas abimé, les partitions sont lisibles.1 seul produit disponibleDescriptif valable uniquement pour le modèle vendu neuf.In the last few years several publications have been devoted to advanced playing techniques for wind instruments in contemporary music. Despite this, players have continued to request a more comprehensive resource with a better systematic approach, using practical examples from the repertoire.Following the enormous success of books on oboe and flute techniques, which have quickly become standard reference works, two renowned authors have written a further volume in the series, now for saxophone. The book is intended for both performers and composers and therefore it was natural that two experts came together to work on it ? the saxophonist Marcus Weiss and the composer Giorgio Netti . The most important playing, fingering and technical possibilities in sound for soprano, alto, tenor and baritone saxophone are systematically explained. These techniques are illustrated with the help of appropriate examples and practice instructions, and at the same time any special notational features are explained. Links to sound clips on the internet specially compiled for this book enable players to compare their own results with Marcus Weiss?s recording.The book is an essential, practical performing tool for interpreters, teachers and composers.- Comprehensive, systematic description of all important playing techniques for contemporary music on the saxophone- Clear explanation of special tonal effects and practice tips to try out- With internet links to all important sound excerpts- Tried and tested on all common makes of soprano, alto, tenor and baritone saxophones- Text in two languages (Ger/Eng) / Saxophone / Barenreiter
55.00 EUR - vendu par Woodbrass Délais: En Stock |
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| NOTES - THE MUSICIANS'
CHOICE - RED Papeterie [Portée vierge] Barenreiter
Par . A handsome as well as practical Notebook in attractive Mozart red. Inside ...(+)
Par . A handsome as well as practical Notebook in attractive Mozart red. Inside you will find alternate pages with musical staves on the left and writing lines on the right.
The paper quality of the cover andinside pages matches the quality of Barenreiter's Urtext editions.
Format: A 6
(10.5 cm x 14.8 cm / 4.1 inches x 5.8 inches)
32 pages, binding: stapled / Date parution : 2023-05-23/ Livre / Carnet de portées
1.20 EUR - vendu par LMI-partitions Délais: En Stock |
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| MOZART W.A. - CONCERTO EN
LA MAJEUR KV 622 -
CLARINETTE SIb, PIANO Clarinette et Piano Barenreiter
In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? a...(+)
In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622, known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler, and themusic follows the three-part structure of Allegro, Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire,and remains a popular work to the present date. / Clarinette / Barenreiter
20.95 EUR - vendu par Woodbrass Délais: Sur commande |
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| BEETHOVEN L.V. - LEONORE
OUVERTURE N°3 - SCORE Orchestre Barenreiter
Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of t...(+)
Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of the ?Leonore? overtures- Based on the G. Henle Complete Edition of the ?Works of Ludwig van Beethoven?- Orchestral parts in an enlarged format (25.5 cm x 32.5 cm)Of the four overtures that Beethoven composed for his only opera, the ?Leonore Overture? No. 3 is the most popular. The first reviewer found fault with it for its ?incessant dissonances and overblown fluttering of the violins? (Wiener Theater-Zeitung, 1806), but it soon became famous as ?one of the most imposing, difficult, yet richest and strangest of compositions? (Allgemeine Musikalische Zeitung, 1810). This version of the ?Leonore Overture? quickly established itself independently of the stage in the concert hall and has found a lasting place in the symphonic repertoire.The editor has devoted herself to the complex genesis of the various ?Leonore Overture? versions, in particular the question whether the trumpet call in measures 272?277 and 294?299 should be played by one or two instruments. The edition is based on the Complete Edition of the ?Works of Ludwig van Beethoven? issued by the G. Henle publishing company. / Grand format / Barenreiter
46.95 EUR - vendu par Woodbrass Délais: Sur commande |
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| HANDELG.F. - ZADOK THE
PRIEST HWV 258 - VOCAL
SCORE Piano, Voix [Vocal Score] Barenreiter
HANDELG.F. - ZADOK THE PRIEST HWV 258 - VOCAL SCORE / Choeur et ensemble vocal ...(+)
HANDELG.F. - ZADOK THE PRIEST HWV 258 - VOCAL SCORE / Choeur et ensemble vocal / Barenreiter
5.95 EUR - vendu par Woodbrass Délais: Sur commande |
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| MOZART W.A. - MASS IN C
MINOR KV 427 - VOCAL
SCORE Piano, Voix [Vocal Score] Barenreiter
MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE / Choeur et ensemble vocal /...(+)
MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE / Choeur et ensemble vocal / Barenreiter
18.50 EUR - vendu par Woodbrass Délais: Sur commande |
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| DVORAK A. - SYMPHONIE
N°9 OP.95 SYMPHONIE DU
NOUVEAU MONDE -
CONDUCTEUR Orchestre [Conducteur d'étude / Miniature] Barenreiter
Dvorák, Antonín Symphony no. 9 in E minor op. 95 New World - Groun...(+)
Dvorák, Antonín Symphony no. 9 in E minor op. 95 New World - Groundbreaking Urtext edition taking new sources into consideration - Offers solutions for controversial musical questions - With an informative Foreword (Eng/Cz/Ger) and a detailed Critical Commentary (Eng) The ?New World? Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of surviving sources, some of which have never been taken into account before. Among them are several musical examples in Dvorák?s hand known to have been used in a lecture he held at Columbia University shortly after the première given by the New York Philharmonic under the baton of Anton Seidl. Del Mar thus sheds light, for example, on the frequently debated rhythm of the horn entrance in measure 4 of the opening movement and illuminates Dvorák?s vague instructions on the use of mutes in movement 2. / Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
97.10 EUR - vendu par Woodbrass Délais: Sur commande |
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| RAVEL MAURICE - SONATE /
BERCEUSE SUR LE NOM DE
GABRIEL FAURE - VIOLON
and PIANO En Français Violon et Piano Barenreiter
Ravel, Maurice Sonata / Berceuse sur le nom de Fauré for Violin and Piano<...(+)
Ravel, Maurice Sonata / Berceuse sur le nom de Fauré for Violin and Piano - New scholarly-critical edition of Ravel?s famous sonata - First scholarly-critical edition of the ?Berceuse sur le nom de Fauré? - Foreword on the historical context and performance practice issues (Eng/Ger) as well as a Critical Commentary (Eng) Ravel worked on his Sonata for Violin and Piano for four years (1923?1927) which was longer than he took for any other composition. According to the composer, the reason for his difficulties was the ?fundamental incompatibility? of these two instruments. However, the interplay between two quite different partners is precisely what makes this sonata so charming. The violin and piano are independent, sometimes playing alongside each other and at other times with each other: here in a lyrical Allegretto, there in a jazz-inspired second movement, finally in a ?perpetuum mobile? finale. This new edition edited by Douglas Woodfull-Harris corrects numerous inconsistencies of earlier editions. It also includes the ?Berceuse sur le nom de Fauré? which is available for the first time in a scholarly-critical Urtext edition. This lullaby for violin and piano consists of variations on a theme derived from the letters of Fauré?s name. / Partitions classique / Cordes / Violon / BARENREITER
28.00 EUR - vendu par Woodbrass Délais: Sur commande |
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| COUPERIN FRANCOIS - LES
CONCERTS ROYAUX (1722) Musique de chambre BARENREITER
Couperin, François Concerts Royaux for one or two Treble Instruments, Bass...(+)
Couperin, François Concerts Royaux for one or two Treble Instruments, Bass Viol, Bassoon and Harpsichord - First separate Urtext edition of the “Concerts royaux” for chamber ensemble, based on the pioneering new edition of Book III of the “Pièces de clavecin” (BA 10846) - Preserves essential features of the original notation as well as Couperin’s original embellishment signs - Notes on historical performance practice, glossary, Couperin’s table of embellishments and symbols (Fr/Eng) and detailed Critical Commentary (Eng) This edition contains Couperin’s four “Concerts royaux”, which were published in 1722 as part of Book III of his “Pièces de clavecin”. For the first time it makes these pieces, scored for chamber ensemble, separately available in an Urtext edition. It is based on the musical text of the solo harpsichord version found in the pioneering new edition of “Pièces de clavecin III” (BA 10846). The editor has painstakingly evaluated the many impressions of the original print, most of which he himself discovered in libraries throughout the world. The preface (Fr/Eng) contains informative details on historical performance practice and on the conception of the “Concerts royaux”, which Couperin expressly intended to be performed either by solo harpsichord or with accompanying ensemble. The modern engraving preserves essential features of the original print, which largely avoids page-turns within the pieces. It thereby brings today’s players close to the special sound of this music in a fascinating way. Couperin’s table of embellishments and symbols as well as a glossary (Fr/Eng) and a detailed Critical Commentary (Eng) round off this long-overdue Urtext edition. / Partitions classique / Ensemble et orchestre / Musique de chambre / BARENREITER
31.20 EUR - vendu par Woodbrass Délais: Sur commande |
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| DVORAK ANTON - FIVE
MORAVIAN DUETS B 107 Choeur et ensemble vocal BARENREITER
Dvorák, Antonín Five Moravian Duets B 107 Arrangement for 4 Female V...(+)
Dvorák, Antonín Five Moravian Duets B 107 Arrangement for 4 Female Voices a cappella by the Composer - First scholarly-critical edition - The popular “Moravian Duets” in an arrangement by the composer - Ideal for professional as well as amateur singers (female choir) - With Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor Dvorák composed the cycle “Moravian Duets” for two female voices with piano accompaniment at the request of the Prague wholesale merchant Jan Neff in 1876. This was a turning point in the career of the then still unknown composer: it marked the beginning of his lifelong collaboration with the Simrock publishing house and opened the way to international recognition. In March 1880, Dvorák arranged five songs from this cycle for four female voices a cappella. The occasion was a concert to support the construction of the Prague National Theatre, at which the composer conducted his own works. The “Five Moravian Duets” now appear for the first time in a scholarly-critical edition. The autograph serves as the main source; secondary sources consist of transcriptions by an unknown hand which include corrections by the composer. / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / BARENREITER
12.70 EUR - vendu par Woodbrass Délais: Sur commande |
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| MENDELSSOHN F. -
LOBGESANG OP.52 -VOCAL
SCORE Opéra Barenreiter
Mendelssohn Bartholdy, Felix Lobgesang / Hymn of Praise op. 52 MWV A 18 (+)
Mendelssohn Bartholdy, Felix Lobgesang / Hymn of Praise op. 52 MWV A 18 A Symphony-Cantata after Texts from the Holy Scriptures - Urtext edition taking all sources into account - Piano reduction by the composer including his piano version of the ?Sinfonia? - Extensive Foreword (Ger/Eng) and detailed Critical Commentary (Eng) Mendelssohn?s contemporaries frequently mentioned his ?Hymn of Praise? in the same breath as Beethoven?s Ninth ? and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name ?symphony-cantata?. Later he added a secular counterpart with ?Die Erste Walpurgisnacht?. Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work?s performance, e.g. tempo, articulation and dynamics. For the first time the piano reduction includes Mendelssohn?s authorised version of the ?Sinfonia?, based on the first edition of No. 1 for piano solo. / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / BARENREITER
15.80 EUR - vendu par Woodbrass Délais: Sur commande |
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| Slavonic Rhapsody In A
Flat Major Op. 45/3
(DVORAK ANTONIN) Orchestre [Partition] Barenreiter
Op 45 No. 3. Par DVORAK ANTONIN. Dvorak composed the 'Slavonic Rhapsodies' op. 4...(+)
Op 45 No. 3. Par DVORAK ANTONIN. Dvorak composed the 'Slavonic Rhapsodies' op. 45 in 1878, launching his so-called 'Slavonic period'. When they were issued by the publisher Simrock the following year, these three self-contained orchestral pieces in D major, G minor and A-flat major were gathered together into a single opus.
The 'Slavonic Rhapsodies' are now available in separate scholarly-critical editions and editor Robert Simon has taken the original print as the principal source, which was authorised by the composer.
To complement these editions, Barenreiter now publishes study scores to each 'Slavonic Rhapsody'. / Date parution : 2019-06-20/ Répertoire / Orchestre
18.30 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Magnificat (BACH JOHANN
SEBASTIAN) Chorale SATB [Partition] Barenreiter
Par BACH JOHANN SEBASTIAN. Study score format 22. 5 x 16. 5 cm; With an introduc...(+)
Par BACH JOHANN SEBASTIAN. Study score format 22. 5 x 16. 5 cm; With an introduction in English and German by Alfred Dürr. The 2nd version with the 4 inserts from the E-flat major version (transposed into D major). Barenreiter Urtext: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account, thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter, “Urtext” ismore than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research, enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions, and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye./ Répertoire / Partition de Poche
13.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Sextet In G Major Op. 36
(BRAHMS JOHANNES) Trio à Cordes: violon, alto,
violoncelle [Partition] Barenreiter
Study Score. Par BRAHMS JOHANNES. Après l'édition Urtext nouveau sextuor à co...(+)
Study Score. Par BRAHMS JOHANNES. Après l'édition Urtext nouveau sextuor à cordes de Brahms en op si bémol majeur. 18 (BA 9419, publié en Février 2011), Barenreiter présente maintenant l'édition Urtext nouvelles du sextuor à cordes en sol majeur op. 36.
Ces deux sextuors à cordes de Johannes Brahms figurent parmi les points forts de la chaîne de répertoire romantique et certains de la musique de chambre les plus populaires de tous les travaux.
Christopher Hogwood a pris toutes les sources connues en considération, y compris les versions pour piano à deux et quatre mains par le compositeur écrit ainsi que d'un ensemble de pièces contemporaines du spectacle qui offre variantes et des idées en pratique la performance durant la vie de Brahms.
Le score étude inclut les pages de télécopie, un avant-propos (Ger / Eng) et un commentaire critique (Eng) sur le travail et l'histoire de la composition.
/ Répertoire / Violon, Alto et Violoncelle
20.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Le Quattro Stagioni / Die
Vier Jahreszeiten (Les
quatre saisons) (VIVALDI
ANTONIO) Violon, Instruments à Cordes et
Basse Continue [Partition] Barenreiter
Par VIVALDI ANTONIO. One of the best-loved and most endearing works of the late ...(+)
Par VIVALDI ANTONIO. One of the best-loved and most endearing works of the late Baroque, Vivaldi's set of Violin Concertos The Four Seasons Op. 8 are presented here in an authoritative Barenreiter Urtext edition. This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi’s circle and represents an alternative (in many cases, more explicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725. The Manchester source has until now not been used as the primary basis for a modern performing edition, andoffers new readings and evidence for players and listeners alike. With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons./ Répertoire / Violon, Instruments à Cordes et Basse Continue
10.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Mass In B Minor Bwv 232
(BACH JOHANN SEBASTIAN) Orchestre [Partition] Barenreiter
Organ Part. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives ...(+)
Organ Part. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.:
Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris.
Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets.
'/ Répertoire / Orchestre
52.30 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Sextet In G Major Op. 36 2 Violinen, 2 Violen und 2
Violoncelli [Set de Parties séparées] Barenreiter
Après l'édition Urtext nouveau sextuor à cordes de Brahms en op si bémol maj...(+)
Après l'édition Urtext nouveau sextuor à cordes de Brahms en op si bémol majeur. 18 (BA 9419, publié en Février 2011), Barenreiter présente maintenant l'édition Urtext nouvelles du sextuor à cordes en sol majeur op. 36.Ces deux sextuors à cordes de Johannes Brahms figurent parmi les points forts de la chaîne de répertoire romantique et certains de la musique de chambre les plus populaires de tous les travaux.Christopher Hogwood a pris toutes les sources connues en considération, y compris les versions pour piano à deux et quatre mains par le compositeur écrit ainsi que d'un ensemble de pièces contemporaines du spectacle qui offre variantes et des idées en pratique la performance durant la vie de Brahms.Le score étude inclut les pages de télécopie, un avant-propos (Ger / Eng) et un commentaire critique (Eng) sur le travail et l'histoire de la composition. / 2 Violons, 2 Altos Et 2 Violoncelles / Partition
54.90 EUR - vendu par LMI-partitions Délais: En Stock |
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| Musikalisches Opfer (BACH
JOHANN SEBASTIAN) Partition de Poche [Partition] Barenreiter
Par BACH JOHANN SEBASTIAN. High quality Barenreiter Urtext Study Score of Bach's...(+)
Par BACH JOHANN SEBASTIAN. High quality Barenreiter Urtext Study Score of Bach's Musical Offering BWV 1079 for chamber orchestra./ Répertoire / Partition de Poche
17.60 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Le Quattro Stagioni / Die
Vier Jahreszeiten (Les
quatre saisons) (VIVALDI
ANTONIO) Violon, Instruments à Cordes et
Basse Continue [Partition] Barenreiter
Par VIVALDI ANTONIO. One of the best-loved and most endearing works of the late ...(+)
Par VIVALDI ANTONIO. One of the best-loved and most endearing works of the late Baroque, Vivaldi's set of Violin Concertos The Four Seasons Op. 8 are presented here in an authoritative Barenreiter Urtext edition. This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi’s circle and represents an alternative (in many cases, more explicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725. The Manchester source has until now not been used as the primary basis for a modern performing edition, andoffers new readings and evidence for players and listeners alike. With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons./ Répertoire / Violon, Instruments à Cordes et Basse Continue
10.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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