Partitions de Heugel pour Fl�te traversi�re et Piano

Par MASSENET JULES. The instantly recognisable and ever-popular Meditation, from the opera Thaï s by Jules Massenet (1842-1912), remains a strong favourite in the classical repertoire, superbly arranged for Flute and Piano by French flautist, Paul Taffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas, of which he composed over thirty. Thaï s was first performed at the Opera Garnier in Paris in 1894 and continues to be one of the composer's most performed operas. The famous Meditation, isan intermezzo, originally for Violin and Orchestra, which has since been arranged for many different instruments, making it a frequent concert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel 's adaptions include breath marks, phrasing, changing octaves for some notes and articulation, among other aspects. Massenet 's Meditation is challenging through its use of lyricism in the upper register, yet it remains a favoured and popular piece in the Flute's repertoire. / Opéra-opérette / Répertoire / Flûte Traversière et Piano

Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Deux Esquisses being no exception. After a prominent career as a flautist with the Paris Opera, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Deux Esquisses for Flute and Piano, which is made up of two movements. The secondof these, Oriental, conveys many technical features including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms. Oriental from Deux Esquisses is a challenging yet exciting piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano

Flute Et Piano Cy133. Par PAGANINI NICCOLO / PATERO. Etude pour la Respirations et la Velocite/ Répertoire / Flûte Traversière et Piano

Flute Et Piano - Le Verseau. Par MIGOT GEORGES. / Répertoire / Flûte Traversière et Piano

Flute Et Piano - Le Verseau. Par ANCELIN PIERRE. / Répertoire / Flûte Traversière et Piano

Par CUI CESAR. Russian composer, Cesar Cui (1835-1918) was a member of 'The Five', a group of Russian composers dedicated to the production of a specifically Russian type of music. His 1916 composition for Flute and Piano, Scherzetto, also incorporates Russian characteristics. Cui composed for all genres, however, his style was often compared to Robert Schumann or Charles Gounod, rather than his Russian contemporaries, such as Mikhali Glinka. Whilst retaining nationalistic characteristics, Scherzetto makes use of a variety of musical features, including differing articulation, chromaticism, wide leaps and scalicpassages. For all intermediate flautists, Cui 's Scherzetto provides an exciting, chirpy and varied addition to the repertoire./ Répertoire / Flûte Traversière et Piano

Par PERILHOU. Written for Flute or Violin accompanied by a Piano, Ballade is a piece by Albert Perilhou (1846-1936), dedicated to Paul Taffanel. This piece is one of the most famous by this author and could be chosen as a contest or a recital work. Composed in 1903, Ballad is a one-movement piece which begins with a slow part and alternates with an Allegro section. This latter is the section of the main theme which demonstrates the range of the flute with expressive runs. The melody of the slow part keeps coming back along the piece, which finishes on it. The difficulty of this piece would suit upper-intermediatelevel players./ Répertoire / Flûte Traversière ou Violon et Piano