Partitions de Heugel pour Alto, Piano

Par MILHAUD DARIUS. Second of the series of ; Four Faces by Darius Milhaud, II. The Wisconsonian is a short piece for Alto and Piano. Easy to play, it requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music is cheerful and quite fast, with the Viola part playing mainly semisquavers alternating up and down every two bars. It is supposed to represent an American girl coming from Wisconsin. She is part of the four faces with: I. The Californian girl, II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He was also part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443./ Répertoire / Alto et Piano

Par MILHAUD DARIUS. First of the series of ; Quatre Visages by Darius Milhaud, I - La Californienne is a short piece for Viola and Piano. With some difficulties, it requires some intermediate technique of the instrument and some theory knowledge to read in different keys. The book includes the score for Viola and Piano and the part for Viola only. The music has moderate tempo and is quite expressive. It is supposed to represent an American girl from California. She is part of the four faces with: II. The Wisconsonian, III. La Bruxelloise and IV. La Parisienne. Darius Milhaud (1892-1974) was a French modernistcomposer and a teacher. He was also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443./ Répertoire / Alto et Piano

Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th Century as a member of 'Les Six'. His compositions remain highly regarded, Four Faces being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in Four Faces. The fourth of Four Faces, The Parisian Woman, is an alternative, exciting piece for advanced violists. Composed in 1943, Milhaud makes use of harmonics, complex rhythms, ornamentation, altering time signatures and clefs, double stops, variation in dynamics and a wide tessitura, among other aspects. Milhaud 's Four Faces is essential to all aspiring violists. / Répertoire d'Examen / Répertoire / Alto et Piano

Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Sonata No. 2 for Viola and Piano being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in Sonata No. 2. Composed in 1944, Sonata No. 2 for Viola and Piano is an alternative, exciting sonata made up of three movements; 1) Rural, 2) Dramatic, and 3) Rough. Milhaud makes use of variation in articulation, complex rhythms, chromaticism, accidentals, harmonics, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud 's Sonata No. 2 for Viola and Piano is essential to all advanced violists seeking modern and exciting repertoire./ Répertoire / Alto et Piano

Third of the series of “Quatre Visages” by Darius Milhaud III. La Bruxelloise is a short piece for Alto and Piano. Easy to play it still requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music quite slow is really delicate and is supposed to represent a Belgian girl coming from Brussels. She is part of the four faces with: I. The Californian girl II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. Hewas also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443.

French composer and teacher Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded Sonata No. 2 for Viola and Piano being no exception. Milhaud's compositions are influenced by jazz and polytonality as exemplified in Sonata No. 2. Composed in 1944 Sonata No. 2 for Viola and Piano is an alternative exciting sonata made up of three movements; 1) Rural 2) Dramatic and 3) Rough. Milhaud makes use of variation in articulation complex rhythms chromaticism accidentals harmonics altering tempos variation in dynamics and a wide tessitura amongst other aspects. Milhaud's Sonata No. 2 for Viola and Piano is essential to all advanced violists seeking modern and exciting repertoire.

1st Sonata was written by Darius Milhaud and is based on anonymous tunes of the XVIII century and was dedicated to Germain Prevost. Initially composed for Viola and Orchestra this score features the Viola and Piano scores. It is composed of four distinct parts:  1. Entrée 2. Française 3. Air 4. Final Fairly difficult this Sonata can be used for recitals and contests by upper-intermediate players. Born in 1892 Darius Milhaud became a professor at the Paris Conservatoire after the WWII and composed a wide musical repertoire. One of thecharacteristic of the music he composed was its polytonality and its numerous influences (mainly French Provence Jazz South American and Jewish).