Partitions de Megido Publications

Par JOPLIN SCOTT. The Ragtime Dance by Scott Joplin originated as a short ragtime folk ballet, accompanied by narration and choreography. It was first performed in 1899, but because of hesitation concerning the marketability of such a work, it was not published until 1902. As was feared, it was a commercial failure, however this led to a later 1906 publication in a solo piano arrangement. It is this piano solo version which has been arranged here for flute choir by Shaul Ben-Meir. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

for Flute Choir. Par BRAHMS JOHANNES. The Symphony No. 2 of Johannes Brahms was composed in 1877, premiered in December of that year. The Allegretto grazioso (3rd movement), arranged here for flute choir, is reminiscent of the Slavonic Dances of Antonin Dvorak. The flute orchestra version is arranged for six C flute parts, two alto flutes, two bass flutes and a contrabass flute. Increasing the number of players in each section will give added depth to the full and rich sound of this arrangement. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par VERDI GIUSEPPE. Othello (or Otello) is an opera in four acts composed by Giuseppe Verdi, premiered in February 1887. As was customary at the time, a short ballet sequence was composed for the opera, to be inserted into Act III, just prior to the entrace of Lodovico, ambassador to the Venetian Republic. When Verdi sent the original manuscript to his publisher Ricordi, he included this detailed description of the scenario: 'Looking at the splendid, colonnaded scene of the Third Act, I decided to make the music go as follows: At the very beginning, to the sound of horns, a group of Turkish slave-girls dance with reluctance and ill-humor because of the very fact they are slaves. Then, hearing the strains of the Arab Song, they grow livelier and at the end dance quite wildly... At the Invocation to Allah, they all fall to the ground... Just then a group of beautiful Greek girls appears among the columns, and four measures later another similar group; at the thirteenth measure these two groups join in a quiet, aristocratic, classical dance. The next motif is that of La Muranese, which heralds the appearance of a 'group' (!) of Venetians... Eight measures later, another group of Venetians enters and at the eighteenth measure (fortissimo) these two groups meet and dance at the front of the stage. After the fortissimo there is a passage of very light music in F-sharp, which should be danced by couples. This motif is repeated, louder, and then all the Venetians dance together. The 6/8 motif reappears, and here I should like to see another group of Venetians come forward. The War Song should be danced by men alone. At the recurrence of the first motif, all the Venetians dance again, then at the più mosso, Venetians, Turks, Greeks, and the rest all dance together... Amen.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par TCHAIKOVSKY PYOTR ILYICH. Peter Ilyich Tchaikovsky composed the incidental music for Aleksandr Ostrovsky's musical drama, The Snow Maiden, in 1873. This movement, the Melodrama takes place in Act II, intimately scored only for strings. This music was used again as the Entr'acte to Act III of Tchaikovsky's incidental music for Hamlet, Opus 67a. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par MOZART WOLFGANG AMADEUS. Cosi Fan Tutte, K. 588, by Wolfgang Amadeus Mozart, the overture arranged here for Flute Choir by Shaul Ben-Meir. Mozart composed Cosi Fan Tutte in 1789, an opera buffa in two acts, premiered at the Burgtheater in Vienna, Austria, on January 26, 1790. The title, Cosi fan tutte, literally means 'So do they all', but is usually translated into English as 'Women are like that.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par DVORAK ANTONIN. Antonin Dvorak?s symphonic poem Vodnik (The Water Goblin) was inspired by a poem penned by 19th century Czech poet Karel Jaromir Erben and consists of seven themes, representing characters in the poem. This flute choir arrangement by Linda Kirkpatrick includes four of the themes, opening with the theme of the title character, the water goblin, and closing with the theme representing the misery of the underworld. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes