SKU: BT.EMBZ8160
Liszt Separate Editions are published with scholarly authenticity and are based on the New Liszt Edition. Their musical scores and presentation correspond to the complete edition, yet their extent is far smaller and they cost much less than the larger volumes of the full set. Liszt Separate Editions provide the same quality as the complete edition, while also fully meeting practical requirements.
SKU: BT.EMBZ14967
Hungarian-English-Germ an-French.
Sonatina s form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classical piano sonatas, they are technically and musically simpler and typically shorter. However, they still convey the basic elements of Classical style: the relation of melody to accompaniment, articulation, stylistically authentic playing, and correct interpretation. For the two volumes of Giraffe Piano, the most favoured and instructive of the sonatinas have been chosen. Volume 1 contains simpler pieces and Volume 2 is compromised of moderately difficult ones. Correct interpretation of the pieces is facilitated by added performance and fingeringmarks. Learning is helped along by clear presentation of the score, carefully placed page turns, and by inspiration from colour images showing the keyboard instruments of the 1720-1820 period for which the pieces were written. The most notable of them is the giraffe piano, after which the collection is named. Im Lehrstoff für Anfänger und fortgeschrittene Klavierschüler auf Mittelstufenniveau sind Sonatinen unverzichtbar. Sie sind technisch und musikalisch einfacher und vor allem kürzer als die großen klassischen Klaviersonaten, zugleich kann man an ihnengut die Grundelemente des klassischen Stils, das Verhältnis von Melodie und Begleitung, eine klare, stilgetreue Vortragsweise und die richtige Formgebung üben.
In den zwei Bänden des Giraffenklaviers haben wir die beliebtesten und auch für den Unterricht am meisten geeigneten Sonatinen zusammengestellt. Im 1. Band befinden sich leichte, im 2. mittelschwere Stücke. Den richtigen Vortrag der Stücke unterstützt der Herausgeber mit HIlfe von Artikulations- und Vortragszeichen sowie Fingersätzen. Über das klare Notenbild und die sorgsam gewählten Stellen zum Umblättern hinaus machen farbige Bilder von zeitgenössischen, zwischen 1720 und1820 gebauten Tasteninstrumenten, für die auch Stücke des Bandes geschrieben wurden, ihre Aneignung zu einem besonderen Erlebnis. Das eigentümlichste unter ihnen war das auf dem Umschlag abgebildete Giraffenklavier, das dem Album auch seinen Namen gab.
SKU: BT.EMBZ13777
SKU: BT.EMBZ15194
Italian.
SKU: BT.EMBZ14439
SKU: BT.EMBZ5412
English-German.
SKU: BT.EMBZ14019CD
You can find all pieces and excercises of the Piano ABC on this recording. The CD contains only the Primo part of the four-handed pieces.
SKU: BT.EMBZ2656
SKU: BT.EMBK265
SKU: BT.EMBZ5269
English-German-Hungari an.
SKU: BT.EMBZ5756
SKU: BT.EMBZ12925
Der Franzose Henri-Jérôme Bertini, ein Schüer von Muzio Clementi, schrieb über 5 Etüden. Ausgewählte Stücke daraus sind auf 36-4 Seiten pro Band in diesen drei Bänden enthalten.
SKU: BT.EMBZ14601
The activities of Ittzés (b. 1967) as performer and composer in the field of ragtime have resulted in many successful concerts both in Hungary and abroad and numerous CD recordings, and have earned him several international awards both as a composer and as a performer. The present volume, containing Teke Rag, (Roaming Rag), Kakadu Rag (Cockatoo Rag), Tom Turpin s Rag and Ed s Running Rag, is recommended for intermediate level pianists. Die künstlerischen Tätigkeiten des 1967 geborenen Komponisten im Bereich des Ragtimes hatten mehrere in- und ausländische Konzerte, zahlreiche CD-Aufnahmen und einige internationale Komponisten- und Interpretenpreise zur Folge. Den jetzt ausgegebenen Band, der die Stücke (Teke-Rag, Kakadu Rag, Tom Turpin’s Rag, Ed’s Running Rag) beinhaltet, empfehlen wir unseren mäßig fortgeschrittenen Klavierspielern.
SKU: BT.EMBZ8152
SKU: BT.EMBZ12268
The first of the Supplement volumes to be iussed is Part 3 of the Technical Studies, the manuscript of which, after enduring many vicissitudes and lying hidden for decades, turned up in Weimar only in 1975, and appeared in print in 1983. The thematic index provides an overview of the entire material of all three volumes of the Technical Studies. This publication is available in two versions: bound in blue linen, or in grey boards. Only the former version contains the descriptions of sources and the critical notes.Der erste Band innerhalb der Reihe der Supplementbände enthält den 3. Teil der Technischen Studien, deren Jahrzehnte lang verschollenes Manuskript erst 1975 in Weimar auftauchteund 1983 im Druck erschien. Der thematische Index bietet eine Übersicht über das vollständige Material in allen drei Bänden.
SKU: BT.EMBZ14499A
Of this series of twenty-four études planned by Liszt only twelve were actually written, but the contemporary printed editions of the completed pieces (in the hope of a continuation) appeared with the series title 24 grandes études. By publishing these 12 concert studies it makes the earlier and technically more difficult version of the Transcendental Studies available for the first time since 1911 for study by performers and those engaged in music research. Contrary to the 1911 edition among the volumes of the first complete Liszt edition, NLE will publish also the text variants of some studies, an album leaf in F sharp major in facsimile and in transcription considered asthe 13th study planned by Liszt for the series, and the earlier versions of the so-called Mazeppa and Ab irato studies. In the volume will be published the puzzling album leaf, the so-called ''Prélude omnitonique'' and some similar album leaves, too. Von den 24 Etüden dieser Serie, die Liszt ursprünglich geplant hatte, wurden tatsächlich nur 12 fertig, die zeitgenössischen gedruckten Ausgaben erschienen in der Hoffnung auf eine Fortsetzung dennoch unter dem Serientitel ‚24 große Etüden'. Mit der Veröffentlichung dieser zwölf Konzertetüden wird die frühere und technisch schwierigere Version der Transzendenten Etüden seit 1911 erstmalig für die Interpreten und Forscher zugänglich. Im Gegensatz zur 1911 als Band der ersten Liszt-Gesamtausgabe erschienenen Ausgabe werden in der NLA auch die Textversionen mancher Etüden publiziert, ebenso wie das Fis-Dur Albumblatt (als Faksimile und moderne Transkription), welches auch alsSkizze der geplanten dreizehnten Etüde angesehen werden kann, außerdem die früheren Versionen der sog. Mazeppa- und Ab irato-Etüden. Auch das geheimnisvolle Albumblatt, das sog. ‚Prélude omnitonique' wurde, ebenso wie weitere ähnliche Albumblätter in diesen Band aufgenommen.
SKU: BT.EMBZ14763A
Supplement Volume 14 of the New Liszt Edition contains mostly unpublished early versions of piano works from the last two decades of the composer s life. The bulk of the volume comprises pieces from Volume 3 of Années de pelerinage and the Weihnachtsbaum cycle. Of the latter, two complete early versions are extant. One of these consists of pieces which are shorter and more condensed than the final version. For performer and listener alike, it is an exciting experience to become familiar with this set of pieces in its early form.Among the individual pieces in this volume, the autograph version of the beautifully evocative Schlummerlied im Grabe is also published here forthe first time. Finally, Liszt s characteristically economical attitude to composing can be studied in the original form of what can be considered as the common starting point for La lugubre gondola I and II.The latest volume of the New Liszt Edition also contains a detailed preface in German, English, and Hungarian, including new results of research, five manuscript facsimiles, and critical notes. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition s contents are identical to those of the hardcover edition, except for the omission of the critical notes.
SKU: BT.EMBZ12461
SKU: BT.EMBZ13840
SKU: BT.EMBABA032
German.
SKU: BT.EMBZ8858A
SKU: BT.EMBZ14888
English-Hungarian.
Aulos to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ãgnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures(imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. Aulos is composed for more advanced students who have studied piano for at least three years. Aim is a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation anddiminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies withdemonstrative illustrations the polyphonic procedure he introduces. Orbáns explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - whilethey perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play.
SKU: BT.EMBZ14111PACK
Hungarian.
SKU: BT.EMBZ14207
This series is designed to serve two purposes: on the one hand it aims to make accessible (collected in separate volumes) the best-known pieces that form the backbone of the music school curriculum, and also to provide teachers and students with lesser-known works with which to extend this basic repertoire.
SKU: BT.EMBZ12096
SKU: BT.EMBZ7324
SKU: BT.EMBZ7028
German-Hungarian.
SKU: BT.EMBZ7280
SKU: BT.EMBZ1736
SKU: BT.EMBZ8166
