| Wolfgang Amadeus Mozart:
Missa brevis in F major
K.192: Mixed Choir: Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Barenreiter
The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (...(+)
The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (because of the Credo calls interspersed in the text of the third movement) is dated Salzburg 24 June 1774. This Mass intended for Sundays and minor feasts was in any case written for Salzburg Cathedral in the archives of which is preserved an authentic set of parts containing markings by Mozart and his father. When the master journeyed to Paris in 1777 he took the autograph of this work along with him leaving it with the canons of Heilig Geist Kloster in Augsburg to have parts copied out.According to Abert (who wrote a classic biography of Mozart) this work is considered 'by manyto be the high point of Mozart's 'youthful Masses'' and 'as far as the motivic unity of the individual movements and the strengthening of the contrapuntal element is concerned goes far beyond everything composed hitherto'.Urtext of the New Mozart EditionFull score performance material (BA4770) and vocal score (BA4770-90) available for sale.
19.50 GBP - vendu par Musicroom GB |
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| Song For St. Cecilia?s
Day (HAENDEL GEORG
FRIEDRICH) Soli, choeur mixte et accompagnement Barenreiter
Par HAENDEL GEORG FRIEDRICH. Handel Song for St Cecilia´s Day (HWV 76) (Vocal S...(+)
Par HAENDEL GEORG FRIEDRICH. Handel Song for St Cecilia´s Day (HWV 76) (Vocal Score) Following ?Alexander?s Feast? (1736), in 1739 Handel produced a second setting of the ?Ode to St Cecilia? (?Song for St Cecilia?s Day?). At its première it was combined with ?Alexander?s Feast?. Rather than a dramatic plot presentable in the theatre, the Ode, in its seven sections, offers a general hymn of praise to music and its impact. Accordingly, it largely consists of emotion-laden arias and festive orchestration. This edition, based on the Urtext from the ?Halle Handel Edition?, offers the version heard at the first performance ? the version preferred in today?s concert life. The foreword (Ger/Eng) provides many detailed notes on performance practice with regard to orchestration. - Urtext from the ?Halle Handel Edition? - Detailed notes on performance practice in the text section (Ger/Eng) - Straightforward piano reduction - Full Score (BA10722), vocal score (BA10722-90) and parts (BA10722) available for sale / Date parution : 2022-07-20/ Répertoire / Solistes, SATB et Orchestre
20.30 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Camille Saint-Saëns:
Samson et Dalila: Mixed
Choir A Cappella: Vocal
Score Soli, choeur mixte et accompagnement - Avancé Barenreiter 41.00 GBP - vendu par Musicroom GB Délais: Info (stock) sur le site |
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| Georg Friedrich Händel:
Giulio Cesare in Egitto
HVW 17: Vocal Solo: Score
Soli, choeur mixte et accompagnement Barenreiter
Opera in three acts. ?Giulio Cesare in Egitto? is by far Handel?s most frequentl...(+)
Opera in three acts. ?Giulio Cesare in Egitto? is by far Handel?s most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Handel?s lifetime the popular work was often staged and therefore adapted by Handel for each of the performance conditions. The editor Hans Dieter Clausen has succeeded in editorially defining and practically presenting these adaptations ? essentially four versions ? on the basis of a meticulous study of the sources within the framework of the ?Halle Handel Edition?. The new edition allows for a performance of each of the four versions. The version of 1725 is particularly noteworthy because Handel newly devised the role of Sesto for the famous tenor Francesco Borosini.
The libretto shows the Roman dictator Cesar in a friendly light. He instructs his enemy, the Egyptian tyrant Tolomeo, how to treat adversaries: he reconciles the widow and son of his enemy Pompeo who was murdered by Tolomeo: he is generous and just, hands on, but also diplomatic, thoughtful, aware of the limits of his power, and susceptible for art and nature. However, the actual protagonist of the opera is Cleopatra. In a masterly way Handel develops her character musically.
In his extensive Foreword Hans Dieter Clausen not only decribes the genesis, historical background, reception and the edition of the opera, he also examines the musical and dramaturgical reworking of individual numbers in ?Giulio Cesare?. Handel was such an expert in adapting arias for new purposes and other characters that he did not only meet the needs at hand but often the new version surpassed the original. In this way, the reader gains, in passing, a well-founded insight into Handel?s work methods when designing and redevising his characters. The detailed Critical Commentary includes information on the comprehensive and highly complex source situation as well as on individual editorial decisions.
711.00 GBP - vendu par Musicroom GB |
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| Estrella De Soria
(Teilband A Bis C) Soli, choeur mixte et accompagnement Barenreiter 1155.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Bastien Und Bastienne Soli, choeur mixte et accompagnement Barenreiter 131.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Georg Friedrich Händel:
Anthem For The Funeral Of
Queen Caroline HWV 264:
Mixed Soli, choeur mixte et accompagnement [Partition] Barenreiter
When Queen Caroline the wife of King George II of England died on 20 November ...(+)
When Queen Caroline the wife of King George II of England died on 20 November 1737 Handel was commissioned to write an anthem for her funeral service. She was buried in King Henry VII's Chapel Westminster Abbey on the evening of 17 December 1737 with Handel's work performed after the funeral service.To emphasize the solemnity of the occasion he used a roughly 100-piece Orchestra and 80 Choristers. The piece is a so-called 'full anthem' consisting of an instrumental Introduction ('Symphony') and thirteen interlinked choruses. The words were written by Edward Willes the Sub-Dean of Westminster at that time using passages from the King James Bible and theBook of Common Prayer albeit sometimes departing from the original wording.The absence of sections for solo voice has made this anthem a favourite among ambitious choruses and a highlight of any concert programme. Our edition contains the original unabridged version with English text. Martin Focke's Piano reduction follows the Urtext of the Halle Handel Edition.Original unabridged version.Urtext from the Halle Handel Edition.Straightforward easy-to-play Piano reduction.Full score performance material (BA4267) and Vocal score (BA4267-90) based on the Urtext Halle Handel Edition available for sale.
49.00 GBP - vendu par Musicroom GB |
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| Johann Sebastian Bach:
Cantata No. 21 - BWV 21:
Mixed Choir: Part Soli, choeur mixte et accompagnement Barenreiter
Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bek?mmernis - Lord My Go...(+)
Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bek?mmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ???Ich Hatte Viel Bek?mmernis??? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach???s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach???s best-known cantatas.- Urtext based on the ???New Bach Edition???.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) and performance material (BA10021) available for sale.
17.50 GBP - vendu par Musicroom GB |
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| Gioachino Rossini: Petite
Messe solennelle: Mixed
Choir: Part Soli, choeur mixte et accompagnement Barenreiter
The 'Petite Messe Solennelle' is the finest work of Rossini's late years. He com...(+)
The 'Petite Messe Solennelle' is the finest work of Rossini's late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the 'Stabat mater' the mass is one of the composer's most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini's day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series 'Works of Gioachino Rossini'.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.
28.50 GBP - vendu par Musicroom GB |
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| Felix Mendelssohn
Bartholdy: Der 42. Psalm
- Wie der Hirsch schreit
op. 42: Soli, choeur mixte et accompagnement Barenreiter
Psalm with a large Orchestral scoring in an Urtext edition.Bilingual foreword (G...(+)
Psalm with a large Orchestral scoring in an Urtext edition.Bilingual foreword (Ger/Eng).Original German as well as English text.Includes a Piano reduction by the composer.The setting of Psalm No.42 Op.42 Wie der Hirsch schreit nach frischem Wasser (As the hart pants after the waterbrooks) for Soloists mixed Choir and full Orchestra dates back to 1837. The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account. This Urtext edition is rounded off by a detailed criticalcommentary (Ger/Eng). The Piano reduction is by Mendelssohn and is an authentic part of this edition.
43.50 GBP - vendu par Musicroom GB |
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| Marc-Antoine Charpentier:
Te Deum H 148: Mixed
Choir: Vocal Score Soli, choeur mixte et accompagnement [Partition] Barenreiter
The Te Deum H 148 is the last of the six settings of this text by Marc-Antoine...(+)
The Te Deum H 148 is the last of the six settings of this text by Marc-Antoine Charpentier (1643–1704) whose death is now being commemorated three centuries later.Unlike the better known and relatively lavish Te Deum of the “Eurovision Fanfare” (H 146) this version reduces the ensemble to four-voice chorus and basso continuo. Thanks to its relatively simple fabric it is thus ideally suited for church choirs and small amateur ensembles.Despite its reduced forces this Te Deum proves to be an impressive work of great effect in performance.- Urtext based on the latest scholarly research-Straightforward continuo- Four-voice chorus (SATB) without vocal soloists- Duration: approx. 6 minutes- Separate organ part available (BA7591-67)
12.50 GBP - vendu par Musicroom GB |
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| Bohuslav Martinu: Field
Mass H 279: Ensemble:
Score Soli, choeur mixte et accompagnement Barenreiter
The Spectre's Bride H 214 I A
268.00 GBP - vendu par Musicroom GB |
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| Johann Sebastian Bach:
Cantata No. 10: Mixed
Choir: Vocal Score Soli, choeur mixte et accompagnement Barenreiter
Cantata for the Feast of Visitation B. V. M.-Now My Soul Exalts The Lord BWV 10:...(+)
Cantata for the Feast of Visitation B. V. M.-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
8.00 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
Gloria: Mixed Choir Soli, choeur mixte et accompagnement [Vocal Score] Barenreiter
Vocal score based on the Halle Handel Edition. By George Frideric Handel. Edited...(+)
Vocal score based on the Halle Handel Edition. By George Frideric Handel. Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For Soprano solo Violin 1 Violin 2 Basso continuo. Piano Reduction/Vocal Score. HWV deest. Duration 16'. Published by Baerenreiter-Ausgaben (German import). (BA4248 90) ISBN M006520121.
9.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Laudate Dominum K.339:
SATB: Score Soli, choeur mixte et accompagnement [Partition] Barenreiter
Mozart’s famous and beloved “Laudate Dominum” from the Vespera...(+)
Mozart’s famous and beloved “Laudate Dominum” from the Vesperae solennes de Confessore (K.339) is now available as a separate movement with performance material and a vocal score.This melodious setting of the text from Psalm 116 captivates with the simplicity of its soprano solo whose pastoral flavor returns when the words “Gloria patri” are repeated by the chorus.Thanks to its straightforward compositional fabric the soprano solo can easily be sung by a member of the chorus thereby making this effective piece ideal for small church choirs.- Urtext from the “New Mozart Edition”- Straightforward andeasy-to-play piano reduction- Full score parts (BA5339) and vocal score (BA5339-90) available for sale
4.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Marc-Antoine Charpentier:
Messe de Minuit pour
Noël (Christmas Mass):
SATB: Soli, choeur mixte et accompagnement [Partition] Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier?s best-known composition after the Te Deum H 146. The special appeal of this ?Mass for the Midnight Service on Christmas Eve? lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier?s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups ? one group of two sopranos and two groups each comprising alto tenor and bass ? which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier?s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score and parts (BA7592) and vocal score (BA7592-90) available for sale
24.00 GBP - vendu par Musicroom GB |
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| Felix Mendelssohn
Bartholdy: Psalm Non
nobis Domine op. 31:
Mixed Choir: Score Soli, choeur mixte et accompagnement Barenreiter
Nicht unserm Namen Herr-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' O...(+)
Nicht unserm Namen Herr-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale
39.00 GBP - vendu par Musicroom GB |
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| Hector Berlioz: Grande
messe des morts: Mixed
Choir: Score Soli, choeur mixte et accompagnement Barenreiter
Requiem-The Grande mess des morts (Requiem) was composed in 1837 as the result o...(+)
Requiem-The Grande mess des morts (Requiem) was composed in 1837 as the result of a commission from the French Minister of the Interior Adrien de Gasparin. By means of annual commissions of this kind Gasparin intended to 'restore sacred music to the prestige which it had long ago lost in France'.Urtext of the New Berlioz EditionFull score (BA5449) vocal score (BA5449-90) and study score format 22.5 x 16.5cm (TP332) available for salePerformance material (BA5449-72) available for hire
180.00 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa In C Major K.257:
SATB: Vocal Score Soli, choeur mixte et accompagnement [Partition] Barenreiter
Credomesse (C)-This Mozart Mass (together with BA 7521 - BA 7522) have been arra...(+)
Credomesse (C)-This Mozart Mass (together with BA 7521 - BA 7522) have been arranged for solo voices chorus and organ from the Urtext of the ?New Mozart Edition? thereby making them accessible in all their beauty to choruses and church choirs with limited financial means at their disposal.Martin Focke has based the ?concertante? organ parts on the orchestral writing doing full justice to the timbre of the original. The solo parts and choruses of course leave the Urtext of the ?New Mozart Edition? entirely untouched.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt the like-named movement. Dating from the end of 1776 this Mass isremarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Our arrangement successfully patterns the idiosyncrasies of the orchestral writing.The solo and choral writing leaves the Urtext of the ?New Mozart Edition? entirely untouched.Self-contained version with organ instead of orchestra.Straightforward and easy-to-play organ part.Ideal for church services and concert performances.
16.50 GBP - vendu par Musicroom GB |
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| Georg Philipp Telemann:
Gelobet sei der Herr:
Vocal Score Soli, choeur mixte et accompagnement Barenreiter
Oratorium zum Johannistag TVWV 1 : 602/1216-Interesting addition to the repertoi...(+)
Oratorium zum Johannistag TVWV 1 : 602/1216-Interesting addition to the repertoire for church as well as concert choirs.Urtext edition based on the Telemann Musical Works.Performance practice orientated vocal score (Ger).Bilingual preface (Ger/Eng).Georg Philipp Telemann?s two-part oratorio for St. John?s Day appeared as part of the ?great oratorio year? of 1730/31. Originally performed in two parts before and after the sermon in the Divine Service Telemann?s work now belongs rather to the concert hall repertoire. This hitherto unknown work which lasts 45 minutes is richly scored for soloists including 2 sopranos alto tenor and 3basses accompanied by Strings Flutes Oboes Horns and Timpani with further soloists and choirs also being employed.
20.00 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn: The
Creation: Mixed Choir:
Score Soli, choeur mixte et accompagnement [Partition] Barenreiter
German/English Urtext Edition edited A. Oppermann.The oratorio The Creation rep...(+)
German/English Urtext Edition edited A. Oppermann.The oratorio The Creation represents not only a crucial point in Joseph Haydn's compositional output but at the same time marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century Haydn broke with the traditional dominance of the arias giving the chorus a distinctly greater significance. This opened the way for a new kind of choral oratorio which became one of the standard features of developing bourgeois concert life.The text translated from the English original by Baron van Swieten Prefect of the imperial court library in Vienna combinesprose texts of the creation story in Luther's translation of the Bible with complementary excerpts from John Milton's Paradise Lost.Instrumentation: Soprano solo Tenor solo Bass solo Mixed Choir-SATB Orchestra
77.50 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
Israel in Egypt HWV 54:
Mixed Choir: Vocal Score Soli, choeur mixte et accompagnement [Vocal Score] Barenreiter
Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe version...(+)
Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe versions of the 1739 and 1756?7 performancesThe distinguishing feature of our new edition is that it reproduces Israel in Egypt in its complete three-part form: The Lamentation of the Israelites for the Death of Joseph Exodus and Moses? Song. It was in this form that the work was given at its London premiere on 4 April 1739.Handel made extensive changes for the second performance. The reason is often said to have been the audience?s dissatisfaction with the work?s unusual design. However he may possibly only have wanted to satisfy the whims of asoprano who felt under-represented with solo material.Israel in Egypt is made up of a series of contrasting and artfully constructed choruses separated only by a few numbers for solo voice. Part 1 is entirely given to the chorus Part 2 largely so and Part 3 while containing most of the solo numbers still gives ample room to the chorus. Handel shortened several choral numbers and may have taken the opportunity to alter the opening of Exodus. He also added five arias and a recitative for the soprano Elisabeth Duparc. These arias had already been written for insertion in other works of the 1730s and two of them had been sung a short while previously in An Oratorio (1738). There is no libretto containing the changes introduced at the second performance. All the insert arias are reproduced in Appendix 1 of Volume I/14 of the complete edition.The next performance of the piece did not occur until 1756. Handel now compiled an entirely new Part 1 containing a balanced proportion of choral and solo numbers by selecting items from Solomon the Occasional Oratorio and the Peace Anthem. The two other parts retained their original form apart from a few cuts in the choruses and the addition in Part 3 of the aria ?Hope hope a pure and lasting treasure? from the second version of Esther (for both 1756 and 1757) and the aria ?Toss?d from thought to thought? from Alexander Balus (for 1757).Our new edition makes it possible for the first time to perform Israel in Egypt in three different versions: that of the premiere
48.00 GBP - vendu par Musicroom GB |
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| Felix Mendelssohn
Bartholdy: Psalm Non
nobis Domine op. 31:
Mixed Choir: Vocal Soli, choeur mixte et accompagnement Barenreiter
Nicht unserm Namen Herr-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' O...(+)
Nicht unserm Namen Herr-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale
9.00 GBP - vendu par Musicroom GB Délais: En Stock |
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| Georg Philipp Telemann:
Die Auferstehung Und
Himmelfahrt Jesu: SATB:
Score Soli, choeur mixte et accompagnement Barenreiter
Oratorio edition of selected works Urtext edition-Composed around 1760 Die Au...(+)
Oratorio edition of selected works Urtext edition-Composed around 1760 Die Auferstehung und Himmelfahrt Jesu is one of Telemann’s last large-scale vocal works. The libretto by Karl Wilhelm Ramler recounts the Biblical events from the Resurrection to the Ascension in seven sections.Alternating between recitative da capo arias and festive choruses Telemann succeeds in producing a vivid and effective musical interpretation of the libretto.Our edition of this oratorio is based on the Urtext from Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part. The work is ideal for performances in church and concert hallalike.Complete scholarly-critical edition based on Georg Philipp Telemann Musical WorksAn attractive addition to the repertoire with a view to the Telemann Year 2017Bilingual Foreword (Ger/Eng)Idiomatic Piano reductionFull score (BA5851) and vocal score (BA5851-90) available for salePerformance material (BA5851-72) available for hire
187.50 GBP - vendu par Musicroom GB |
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