Partitions de Alry Publications

Par BUFFARDIN PIERRE GABRIEL. This Concerto in F Minor by Pierre Gabriel Buffardin was discovered by Wim Brabants in 2015 at the Saxon State and University Library in Dresden, Germany (Sächsische Landesbibliothek Dresden). In three movements: Allegro assai, Adagio, and Allegro non troppo. This listing is for the Flute and Piano reduction edition. / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Par FRANCK CESAR. Prelude, Fugue and Variation for Flute and Harp (or Piano), by Cesar Franck, here adapted for concert performance by Eugene Magalif, including further 'improvisatory' passages following the Prelude, the addition of another melody in the Fugue, and more solo material for the flute in the Variation. / Date parution : 2022-11-29/ Répertoire / Flûte Traversière et Cordes

for Two Alto Flutes and Bass Flute. Par BONONCINI GIOVANNI MARIA. / Date parution : 2022-11-29/ Recueil / 2 Flûtes Alto et Flûte Basse

Par STEENHUYSE-VANDEVELDE CHRISTA. Christa Steenhuyse-Vandevelde, born in Belgium, is a composer and piano teacher. Christa's composition style is tonal, harmonious and melodic - wonderfully expressed in this tender Romance for Alto Flute and Piano, reminiscent of the Romances by Schumann. The lyrical solo line floats over the rolling triplet accompaniment in the piano part. / Date parution : 2022-11-29/ Recueil / Flûte Alto et Piano

Par PAVAN CARLOS. Fantasias Concertantes for Bassoon and Guitar by Carlos Pavan. Composer and guitarist Carlos Pavan was born in Argentina and has lived in New York City since the year 2000. In three movements, After Bartók is inspired by Concerto for Orchestra's first movement (the trumpet's theme/quartal harmony/octatonic scale), After Hindemith is based on Symphonic Metamorphosis (2nd movement 'Turandot') using pentatonic/whole tone scale/contrary motion counterpoint, and After Stravinsky is inspired by The Rite of Spring and Symphonies of Wind Instruments, using mostly octatonic harmony and jazz concepts. / Date parution : 2022-11-29/ Répertoire / Basson et Guitare

Par CALDARA ANTONIO. Crucifixus by Antonio Caldara, arranged for Bassoon Choir by Matt Johnston. Instrumentation: 16 Bassoons. / Date parution : 2022-11-29/ Répertoire / 16 Bassons

Par MOLNAR-SUHAJDA ALEXANDRA. 'The Wild Hunt' by Alexandra Molnar-Suhajda for Low Flute Choir. Because of such a unique scoring for low flute ensemble, there are some additional transposed parts included for substitute instruments to be used as needed. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes Basses

for 10 Bassoons. Par GABRIELI GIOVANNI. Maria Virgo from 'Sacrae Symphoniae', Book 1, by Giovanni Gabrieli, arranged for Bassoon Choir by Matt Johnston. Instrumentation: 10 Bassoons. / Date parution : 2022-11-29/ Répertoire / 10 Bassons

21st Century Masterworks. Par . 21st Century Masterworks: Eleven Pieces for Flute Alone. Selections include: Vivian Fine - The Flicker, Vally Weigl - Oiseau de la Vie (Bird of Life), Anne La Berge - revamper, Jennifer Higdon - Song, Margaret Fairlie-Kennedy - Spirit Man, Cathy Collinge Herrera - Songs from the Willow, Fran Griffin - Blackheath, Sarah Bassingthwaighte - Left Behind, Gay Kahkonen - Kyrie, Judy Nishimura - Mood Swings, Leanna Keith - Home / Date parution : 2022-11-29/ Recueil / Flûte Traversière

Par CASTEREDE JACQUES. Cinq Bagatelles pour Quatre Flutes by Jacques Castérède: The Cinq Bagatelles for four flutes, composed in 1980, take up where Castérède left off nearly 20 years earlier with his Flu^tes en vacances. The composer requires a whole assortment of instruments, varying from movement to movement and included everything from piccolo to contrabass. Stylistically, these Bagatelles range from the strangely archaic sounds of the opening movement to the frilly neo-Classicism of the closing Scherzo. In five movements: Incantation, L'hésitante, Musique de nuit, Intermezzo, Scherzo. Instrumentation: Player 1: C Flute, Piccolo; Player 2: Alto Flute, C Flute, Piccolo; Player 3: Bass Flute, C Flute, Alto Flute; Player 4, Contrabass Flute, Alto Flute / Date parution : 2022-11-29/ Répertoire / 4 Flûte Traversières

Par ROZMAN ANZE. Two Dances for Oboe and Piano by Anze Rozman. Two contrasting dances by Slovenian composer Anze Rozman showcase the lyrical and technical abilities of the oboe: Dance of the Firefly and Tarantella. / Date parution : 2022-11-29/ Répertoire / Hautbois et Piano

Par COHEN JONATHAN. Springtide Exaltation for Flute and Piano by Jonathan Cohen. From the composer: 'Springtide Exaltation recalls scampering out of the house into the colors of a promising spring day, reveling in the new warmth, the fresh green appearing on the trees, the exploits of a carefree weekend. Out in nature, we sit in a favorite spot and, closing our eyes, slip into a reverie, the sun and slight breeze nearly coaxing us to sleep. Then, first quietly, then building, we are roused by the voice of adventure; we jump up and sprint with joy, our best friend at our side, into the boundless possibilities of a newborn season.' / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Par DE PADILLA JUAN GUTIERREZ. Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maestro de capilla of the Puebla Cathedral in 1628. His most well-known work, this 'Salve Regina' for double choir (SSAATTBB), has been arranged here for bassoon choir by Matt Johnston. / Date parution : 2022-11-29/ Répertoire / 8 Bassons

Par BEACH AMY MARCY. Three Browning Songs by Amy Beach, arranged for flute and piano by Virginia Broffitt Kunzer and Tammie Walker. Dedicated to the Browning Society of Boston, each of the songs (originally for voice and piano) consist of a libretto originally written by poet Robert Browning. Songs include: The Year's at the Spring; Ah, Love, but a day!; and I send my heart up to thee! / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Par MAGALIF EUGENE. Ave Maria for Flute Choir by Eugene Magalif. From the composer: 'The creation of a new Ave Maria requires a certain amount of courage from composers. There are many versions of Ave Maria in the world and it is very risky to compete with Schubert, Bach or Caccini (Vavilov). I did not begin to compose another aria, but composed a polyphonic version, in which the intertwining voices, harmony, unusual rhythm changes and a wide palette of shades play the main role. My Ave Maria turned out to be very unusual, but if you follow my instructions of tempo, dynamic shades, perform it very gently and without forcing the sound, then the piece will show its beauty.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes