Jazz Sonata Saxophone Alto ou Baryton et Piano[Partition + CD] Advance Music
This composition is in its own way meant to be a tribute dedicated to Paquito D'...(+)
This composition is in its own way meant to be a tribute dedicated to Paquito D'Rivera showing the author's appreciation for this musician as an exponent of Cuban music of the past and present century, who represents a stronghold and example for all musicians - in particular for saxophonists and clarinetists - not only in his capacity as a performer and composer but also as a cultivator of both sound worlds, the so-called classical music and its popular counterpart in its most ample interpretative spectrum. The piece consists of four movements: Allegro Moderato, Lento, Allegretto and Allegro con Fuoco. Its outstanding feature is the fusion of elements of jazz (such as the improvisation in the first and fourth movements, parts of which are accompanied by the piano with its interpretation being based on concepts characteristic of jazz or the 'tumbaos” to be found in Cuban music) and classical music. The second movement starts off with a short recitativo, followed by a mixture of phrases borrowed from contemporary music, Afro-Cuban styles and jazz, whose distinctive rhythmic cells and articulations clearly define the character of the movement and finally culminate in tempo primo. The third movement shows a certain 'casualness” and tranquility in its melody as well as in its accompaniment, including a cadenza the musician may execute at will - the movement then culminates either in an improvisation ad lib or in the mere execution of the melody as notated. The fourth movement is charged with spiritual energy. Saxophone and piano frequently trade phrases, and there is an abundance of improvised passages and jazz phrases. The movement finally ends in unison forte together with the piano. / Jazz / Recueil / Saxophone Alto ou Baryton et Piano
Par ADOLFO ANTONIO. Phrasing is the way the elements of music (melody, harmony a...(+)
Par ADOLFO ANTONIO. Phrasing is the way the elements of music (melody, harmony and rhythm) are interpreted by different cultures (or different musicians, including vocalists). In Phrasing In Brazilian Music, Antonio Adolfo demonstrates through written and recorded musical examples on the piano, how the different elements of music play an important role when musicians are performing Brazilian Music. The book covers Phrasing in different Brazilian styles in two beat and is enhanced by a very didactic text. Despite almost all examples have been played on the piano (many times accompanied by shaker), the book will be of much interest for any musician of any instrument. / Méthode / Méthode / Tout Instrument
This volume is a step-by-step approach to improvisation in jazz, rock and pop mu...(+)
This volume is a step-by-step approach to improvisation in jazz, rock and pop music. Based on an easy music which can be practised together with a band on the play-along CD, each chapter comes with brief explanations as to which notes sound best when improvising and why. Solos by experienced musicians serve as examples for the player's own attempts at improvisation.The textbook can also be used by a band at schools or music schools (for pupils with at least 2 years of instrumental lessons). / Instruments En C
This volume is a step-by-step approach to improvisation in jazz, rock and pop mu...(+)
This volume is a step-by-step approach to improvisation in jazz, rock and pop music. Each chapter is based on easy music which can be practised together with the play-along CD. The textbook can also be used by a band at schools or music schools (for pupils with at least 2 years of instrumental lessons). / Contrebasse
This volume is a step-by-step approach to improvisation in jazz, rock and pop mu...(+)
This volume is a step-by-step approach to improvisation in jazz, rock and pop music. Each chapter is based on easy music which can be practised together with the play-along CD. The textbook can also be used by a band at schools or music schools (for pupils with at least 2 years of instrumental lessons). / Guitare
Helmut Eisel is regarded as one of the best and most versatile klezmer clarinett...(+)
Helmut Eisel is regarded as one of the best and most versatile klezmer clarinettists in Europe. There are only few musicians like him who are able to tell stories on their instrument, each of them born of the moment and addressed directly to their audience.'Talking Clarinet' for the first time contains some of Helmut Eisel's improvisations. Faithfully transcribed, they allow fascinating insights into the current klezmer music and invite you to play these improvisations. The accompanying texts, exercises and music shall encourage you to find your own style and tell your own stories. For music is language, yet it says so much more.The volume is accompanied by an additional C part. / Clarinette
For Quartet With Opt. String Accompaniment. Par CURTIS MIKE. Compatible with the...(+)
For Quartet With Opt. String Accompaniment. Par CURTIS MIKE. Compatible with the following arrangements:06401 (String Quartet), 08405 (Woodwind Quartet), 08406 (Clarinet Quartet)
Klezmer is the centuries-old, celebratory music of the Eastern European Jews. Long associated with old-world style weddings and the dancing that follows, this music has experienced a major revival as part of a global fascination with world music. A Klezmer Wedding is a set of four dances, newly-composed but based on traditional models.The Doina is an expressive chant for three successive soloists - it twists and turns with the wailing lament of a shepherd´s pipe. Next follows the Hora, a slow Rumanian dance in three with a mood that reflects the wedding´s solemn vows. A Chusidl, with a moderate speed and bouncy rhythms, gets the party to the dance floor. The concluding Freylach (happy, but still in a minor key!) takes the bride, groom, and guests to the edge of frenzy. / Musique klezmer / Recueil / Quatuor avec Opt. Cordes
Par PROSSER STEVE. Steve Prosser?s Intervallic Ear Training for Musicians is the...(+)
Par PROSSER STEVE. Steve Prosser?s Intervallic Ear Training for Musicians is the product of 35 years studying and teaching interval awareness in music. The text provides a step-by-step method for assimilation of, as well as graded exercises for, each interval. Each Chapter concludes with Mastery Exercises and Etudes. After adequate study of the text, the student will be able to hear, recognize, read and write music through the use of musical intervals. This skill is particularly helpful in dealing with music that is extremely chromatic, tonally ambiguous or rapidly modulating. / Méthode / Méthode / Tout Instrument
A basic ear training text with examples and suggested self-study curriculum. Ar...(+)
A basic ear training text with examples and suggested self-study curriculum. Armen Donelian, prominent pianist and composer, has condensed the essence of 25 years of teaching experience into Training the Ear. These ear training exercises were created for use in entry-level college classes and for private study. While this book focuses on the specific musical needs of jazz improvisers, students of all kinds of music can benefit from the exercises presented here. The aural abilities may be developed by singing, tapping, naming, analyzing, transcribing, reading and playing a series of progressively more challenging musical exercises. These practices will help you to process music with ease and confidence. By fully mastering each step along the way, a reliable structure is established which can always be called upon to support your growth. This is the beginning of real musical freedom. Since 1986, Donelian has taught in the Jazz and Contemporary Music Studies Program at The New School for Social Research in New York City, where he heads the Ear Training curriculum.
Par SNIDERO JIM. The Essence of Bebopis the new series by critically acclaimed N...(+)
Par SNIDERO JIM. The Essence of Bebopis the new series by critically acclaimed New York saxophonist Jim Snidero. The Essence of Bebop reveals the heart and soul of this groundbreaking jazz style and is the first real \'manual\' for mastering bebop. The 10 enjoyable-to-play studies are inspired by Miles Davis, Charlie Parker, John Coltrane, Sonny Rollins and many more, offering a unique basis for study and analysis. Historical insights as well as recommended listening and reading make this edition an indispensable part of jazz education. The soloist Anders Bostrom is known, among other things, as a versatile flutist in numerous Broadway productions.
?But what if you aren?t a student or a professional' The Essence of Bebop still has immense value to those interested in bebop and hard bop. By encouraging readers to understand the music?s intent, slow down their listening, and focus on the swinging, the series can help a jazz newcomer dig this cerebral, often pulse-pounding music.? - Morgan Enos, Discogs / Date parution : 2021-12-09/ Etude / Piano et Guitare
C Instruments. Par WENIGER PETER. This CD (including music booklet) has not espe...(+)
C Instruments. Par WENIGER PETER. This CD (including music booklet) has not especially been worked out for the use in musical education. It is, on the contrary, an audio CD which has been recorded for sale as a trio CD under my name. Mixing the recordings at the studio, however, gave us the idea to offer this CD Legal Paradizer also as a play along CD. For this reason I have never taken a pedagogic approach to the musical conception of the pieces performed, which, in my opinion, is exactly what makes these recordings so unique. The structure of none of the pieces is, for instance, as simple as that of the tunes on some other play along CDs. Therefore, I have taken the liberty of adding a short explanation and/or comment on every piece meant to make it easier for you to follow the road map of the tunes. Additionally I have explained some stylistic features to help you interprete the individual pieces. Working with my students has shown me how much fun it can be to also offer groove and funk oriented music on a CD to play along. In most of the pieces you do not necessarily have to follow the changes - you should rather develop simple ideas 'in time'. A real strong emphasis is here placed on the term 'groove'./ Recueil / Instruments Mélodiques en Do ou Flûte Traversière
This volume is a step-by-step approach to improvisation in jazz, rock and pop mu...(+)
This volume is a step-by-step approach to improvisation in jazz, rock and pop music. Based on an easy piece which can be practised together with a band on the play-along CD, each chapter comes with brief explanations as to which notes sound best when improvising and why. Solos by experienced musicians serve as examples for the player's own attempts at improvisation. The textbook can also be used by a band at schools or music schools (for pupils with at least 2 years of instrumental lessons). / Instruments En Bb
Par WENIGER PETER. This CD (including music booklet) has not especially been wor...(+)
Par WENIGER PETER. This CD (including music booklet) has not especially been worked out for the use in musical education. It is, on the contrary, an audio CD which has been recorded for sale as a trio CD under my name. Mixing the recordings at the studio, however, gave us the idea to offer this CD Legal Paradizer also as a play along CD. For this reason I have never taken a pedagogic approach to the musical conception of the pieces performed, which, in my opinion, is exactly what makes these recordings so unique. The structure of none of the pieces is, for instance, as simple as that of the tunes on some other play along CDs. Therefore, I have taken the liberty of adding a short explanationand/or comment on every piece meant to make it easier for you to follow the road map of the tunes. Additionally I have explained some stylistic features to help you interprete the individual pieces. Working with my students has shown me how much fun it can be to also offer groove and funk oriented music on a CD to play along. In most of the pieces you do not necessarily have to follow the changes; you should rather develop simple ideas in time. A real strong emphasis is here placed on the term groove./ Recueil / Instruments en Sib
10 great studies in the style and language of bebop. Par SNIDERO JIM. The Essenc...(+)
10 great studies in the style and language of bebop. Par SNIDERO JIM. The Essence of Bebopis the new series by critically acclaimed New York saxophonist Jim Snidero. The Essence of Bebop reveals the heart and soul of this groundbreaking jazz style and is the first real 'manual' for mastering bebop. The 10 enjoyable-to-play studies are inspired by Miles Davis, Charlie Parker, John Coltrane, Sonny Rollins and many more, offering a unique basis for study and analysis. Historical insights as well as recommended listening and reading make this edition an indispensable part of jazz education. The soloist Anders Bostrom is known, among other things, as a versatile flutist in numerous Broadway productions.
?But what if you aren?t a student or a professional' The Essence of Bebop still has immense value to those interested in bebop and hard bop. By encouraging readers to understand the music?s intent, slow down their listening, and focus on the swinging, the series can help a jazz newcomer dig this cerebral, often pulse-pounding music.? - Morgan Enos, Discogs/ Etude / Flûte Traversière
Tabla For All Percussion[Partition + CD] Advance Music
Tabla For All is a complete learning method for Indian Tabla percussion set, int...(+)
Tabla For All is a complete learning method for Indian Tabla percussion set, intended to gradually develop the Tabla player's skills, from the beginner stages of playing position and tuning, to more advanced levels of interpretation. It is also designed for musicians and general public who are interested in learning how the Industani Tala system of rhythmic cycles works. With a simple and novel system based on the onomatopoeic syllables commonly used in the Industani music, it is accessible for anyone, even without prior knowledge of traditional music notation.Tabla For All includes plenty of graphics, pictures and 2 CDs with 70 audio examples, analyzing in detail the intricate fascinating Tabla technique skills: strokes, vocal percussion, different time signatures, fixed compositions and variations, etc. / Tabla
Par MINTZER BOB. A three-movement piece which combines orchestral vocabulary wit...(+)
Par MINTZER BOB. A three-movement piece which combines orchestral vocabulary with a variety of groove oriented music such as Latin, jazz, and American folk music. Medium advanced/ Répertoire / Saxophone Ténor et Piano
As Professor Emeritus of Jazz Studies at the University of Miami, Ron's music ha...(+)
As Professor Emeritus of Jazz Studies at the University of Miami, Ron's music has been performed and/or recorded by Red Rodney, Jerry Bergonzi, Pat Metheny, Stan Getz, John Abercrombie, Billy Hart and many more. This stylistically diverse collection of 40 of his favorite and most popular tunes in lead sheet format features music from all periods of his writing career (1962-2002). A written description of each tune provides helpful performance suggestions and background information. / Instruments Mélodiques en Do Et Guitare, Piano