Partitions de Mel Bay

First Lessons Clarinet introduces beginning students to the fundamentals of playing the Clarinet reading music caring for and maintaining the instrument musical techniques like articulation anddynamics.More than 40 exercises and melodies help to gradually integrate newly learned techniques. These include classical melodies from composers like Bach Beethoven Mozart and Dukas. Includes access to onlineaccompanying audio.

B Flat Instruments-Charlie Parker was arguably one of the most influential jazz musicians to have ever lived. This text presents numerous jazz lines in Charlie's style grouped by their application in a given harmonic content. Studentswill learn to connect lines to play over ii-V-I progressions turnarounds and other harmonic frameworks.To facilitate proficiency in all twelve keys each section of the book has a chordal play-along that modulates aroundthe circle of fourths. Some of the techniques used in the Charlie Parker style will also be discussed with examples provided. This will help musicians analyze each of the ideas presented further ensuring theirmastery.

This book is the first of a 3-volume series which presents solos for Clarinet and Piano with each volume scored at a specific grade level. This volume is intended to be used by the elementary Clarinet player in the first year toeighteen months of study. Some of the solos are scored primarily in the chalumeau register with only brief extensions in the clarion register. Other solos will be more challenging by having more phrases centered in the clarionregister. A few works have changes of register within the phrase which will require some extra attention. Alternate fingerings have been suggested in certain passages using the usual symbols. The music has been composed by mastercomposers who lived in the 18th and 19th centuries and the music has been adapted here for Clarinet performance. The music used represents a variety of musical styles thus giving the player a wide performance experience.Metronome markings have been suggested for each work to give the player a guideline for tempo.

Most duet books for clarinet consist of music from one historical period or feature the music of one composer. This volume has works arranged for two clarinets from each period starting with the Baroque and continuing into thetwentieth century. These duets are intended for the intermediate level clarinetist and can be played by junior and senior high school students. The music has been composed by well-known composers from about 1725-1900. These duetscan be performed on recital or at church school or festival occasions.

Easy Klezmer Tunes was created in response to many requests for a simplified version of Stacy Phillips' highly acclaimed 'Klezmer Collection'. Phillips has compiled a selection of pieces forbeginning instrumentalists from that classic book. Klezmer music originally came from the Jewish ghettoes of Eastern Europe of the 19th and early 20th Centuries. The style reflects its mix of heritages from Europe NearEast and Gypsy. These arrangements are based on some of the earliest classic recordings in Europe and America. As such they are a great introduction to this music which is now a world-wide phenomenon. Each number isarranged for C Bb Eb and Bass Clef instruments. Brass Reed Piano Flute and String players can receive instant gratification from these entry level arrangements. The accompanying audio demonstrates ensemble versions ofall the music performed at slow tempos by world class Klezmer artists on Clarinet Violin Guitar and Bass. Includes access to online audio.

This volume presents keyboard works and solos songs by Johannes Brahms arranged for solo clarinet with piano accompaniment. These nine works have been carefully chosen to stay within the abilities of the intermediate levelclarinetist. In most pieces the clarinet part makes only brief exxtensions into the altissimo register emphasizing instead notes in the lower two registers. As with all works of Brahms the accompanying parts (here the piano) areprominent and often are of equal importance with the solo part. For this reason the piano part will require a performer of equal ability to the clarinetist. The music presented here is of high quality and gives the intermediateclarinetist interesting literature to perform for contest or recitals. Includes a separate pull-out solo part.

Avrahm Galper Clarinet Series-Being a student of the clarinet is exciting. If you invest time at the beginning learning the basics of clarinet playing you will reap rewards for many years to come. Practicing the exercises in this book can help you master theclarinet. The exercises will help you refine your tone improve your technique and enhance your musical expression. These are the cornerstones of great clarinet playing. Time spent with these exercises will make you more able tohandle difficult passages and concentrate on the music rather than the technique.

Contains scales chords and routines which are written for the technical advancement of the intermediate-level clarinetist. The material is presented with varied articulations meters rhythms and dynamics in order to enhance theexperience of the clarinetist. The emphasis for most of the book is placed on materials in keys through four accidentals using the major and minor scheme. More advanced keys and scale patterns are presented later in the bookalong with routines which may be used as daily warmup material. Each of the scales chords and routines have suggested dynamic markings and breaths in order to make each item a musical experience. The stylistic content of themusic in this book reflects the musical styles prevalent in the eighteenth and nineteenth centuries. Mastery of this materials will provide the clarinetist with good technical facility to play music written before the twentiethcentury and will give a good technical background for playing contemporary music.

Easy to intermediate solos scored for clarinet with keyboard accompaniment. An ideal seasonal supplement to any clarinet method.

This collection of pieces gleaned from the unaccompanied works of Johann Sebastian Bach (1685-1750) will broaden the horizons of the amateur student and professional musicians alike. It is intended that these transcriptions serveas a teaching aid; helping in study of form phrasing style and other aspects of making music. In addition they may also be utilized for the purpose of performance. It should be noted that some register adjustments have beeninstituted to better suit the range limitations of the clarinet. I have tried my best to be as faithful as possible to Bach's original compositions striving for consistency and continuity of line. All editorial markings (trills dynamics articulations etc.) are solely the editors and are of course open to interpretation. The first set of pieces (Partita BWV 1013) is heavily edited to show that keeping within the standard performance practice of theBaroque style experimentation is expected and encouraged.

Media Type : Book/CD Set Level : Intermediate Musical Genre : Jazz Series : Essential Jazz Lines Number of pages : 48 Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along CD. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language.