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Guitar Concerto Guitare
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(Guitar)
SKU: HL.50581706
Ricordi Paris. Hal Leonard #RP2299. Published by Hal Leonard (HL.50581706).
Instrumentation :
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Editeur :
Hal Leonard
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Couverture
Easy Baroque Pieces For Classical Guitar
17.78
Easy Baroque Pieces For Classical Guitar
Guitare notes et tablatures
Guitare classique
[Partition + CD]
-
Facile
Amsco Wise Publications
Easy Baroque Pieces for Classical Guitar is an outstanding introduction for the ...
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Easy Baroque Pieces for Classical Guitar is an outstanding introduction for the beginner to intermediate guitarist to the music of the Baroque period. Jerry Willard explains the intricacies of Baroque ornamentation (including trills, mordents and notes inégale in an easy-to-understand way, and performs each piece on the accompanying audio CD. Includes standard notation and tab. / Guitare et Guitare Tablatures
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Christopher Parkening: Parkening Duets & Concertos: Guitar Solo: Instrumental
25.99
Christopher Parkening: Parkening Duets & Concertos: Guitar Solo: Instrumental
Guitare
Guitare classique
Hal Leonard
Throughout his career Christopher Parkening America's preeminent classical gui...
(+)
Throughout his career Christopher Parkening America's preeminent classical guitarist has had the opportunity to perform with many of the world's leading artists and orchestras. This folio Duets and Concertos contains many selections from those collaborations and features a wide range of musical pairings which show the guitar at its versatile best: voice and guitar guitar duets chamber music and concertos. All of the pieces included here have been edited and fingered for the guitar by Christopher Parkening and to quote Christopher himself ???No compromise has been made in requirement of technique. All of these pieces are suitable for performance by the virtuosoguitarist.??? This folio contains 35 transcriptions.
25.99 GBP - vendu par Musicroom GB
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Guitar Concerto Guitare
Guitare
Guitare classique
Ricordi
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Ferdinando Carulli: Ferdinando Carulli - Two Guitar Concerti: Guitar Solo
16.99
Ferdinando Carulli: Ferdinando Carulli - Two Guitar Concerti: Guitar Solo
2 Guitares (duo)
Guitare classique
[Partition + CD]
Music Minus One
E Minor Op. 14 and A Major Op. 8a-Performed by Christian Reichert guitarAccompa...
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E Minor Op. 14 and A Major Op. 8a-Performed by Christian Reichert guitarAccompaniment: Rousse Philharmonic OrchestraConductor: Nayden TodorovFerdinando Carulli born in Naples but largely based in Paris was one of the most influentialfigures in the history of guitar and author of a famous 200-year-old method still in use today. He wrote hundreds of guitar works and these two concerti in E minor and A major rank at the top of his oeuvre! Beautiful melodiesand immense fun for the guitarist. So sit down with the orchestra and play to your heart's content!Contains a newly engraved authoritative printed solo part edited by soloist Christian Reichert; and two compactdiscs containing complete versions of each concerto with soloist; and accompaniments minus you! Also includes a special -20% slow-tempo practice version of the orchestral accompaniments for practice purposes.
16.99 GBP - vendu par Musicroom GB
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Mario Castelnuovo-Tedesco: Guitar Concerto No. 1 in D Major Op. 99: Guitar Solo
23.99
Mario Castelnuovo-Tedesco: Guitar Concerto No. 1 in D Major Op. 99: Guitar Solo
Guitare
Guitare classique
[Partition + CD]
Music Minus One
Performed by Christian Reichert guitarAccompaniment: Plovdiv Philharmonic Orche...
(+)
Performed by Christian Reichert guitarAccompaniment: Plovdiv Philharmonic OrchestraConductor: Nayden TodorovThis sumptuous guitar concerto written by the great Castelnuovo-Tedesco on the eve of World WarII quickly became a modern classic almost approaching the popularity of Rodrigo's 'Concierto de Aranjuez.' Its appreciation has grown with the ensuing years and it is now considered a 20th-century classic. Don't miss thislyrical masterpiece! This deluxe 2CD set includes a slow-tempo practice version to help you get up to speed with the concerto.Includes an authoritative newly engraved solo part printed on high-quality ivory paper;a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist and a second performance minus you the soloist; and a second compact disc containing a full-speed version of the completeversion as well as a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience.
23.99 GBP - vendu par Musicroom GB
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Concierto Festivo For Guitar And Piano
21.49
Concierto Festivo For Guitar And Piano
Guitare
Guitare classique
[Partition]
Bill's Music Shelf
/ Ensemble de guitare classique. Du Cordero ' Concierto Festivo 'pour orchestre ...
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/ Ensemble de guitare classique. Du Cordero ' Concierto Festivo 'pour orchestre de guitare et de la chaîne est son plus récent ouvrage, écrit en 2003. Il a été commandé par l'Université de Porto Rico pour célébrer le 100e anniversaire de sa fondation et la réouverture de son théâtre. Le concerto comporte trois mouvements, écrits dans un style modal et neo-romantique dans lequel les éléments contrapuntiques de la Renaissance espagnole combinent avec les harmonies contemporains, lui donnant une saveur distinctive qui est présente dans la plupart des oeuvres de Cordero. Comme dans ses précédents concertos, influences Afro-Antillais apparaissent parfois dans cette composition, avec leurs riches, rythmes somptueuses. Ernesto Cordero explore créative les ressources sonores de la guitare, il offre une fonctionnalité solo virtuose enrichie par les dialogues avec les autres instruments. Dans plusieurs sections lyriques de la pièce, les projets et brille de guitare romantique spirit, par le biais de belles phrases qui reflètent la passion du Cordero pour la vie et pour sa bien-aimée de Porto Rico. / Guitare Classique / 56 pages / niveau : Intermédiaire/Avancé / Partition - Format: 11 X 8,5
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Barrientos C. - Periwinkle Memories - Guitare
9.00
Barrientos C. - Periwinkle Memories - Guitare
Guitare
Guitare classique
Editions Orphee
The composer says: For years, my fellow guitarists have been asking me to compo...
(+)
The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles'the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won't kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, 'One man's remorse is another man's reminiscence.' Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bes
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Bach For Guitar
20.60
Bach For Guitar
Guitare
Guitare classique
Schott
Les avantages de la musique de Bach est qu'il est universel et dans une certaine...
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Les avantages de la musique de Bach est qu'il est universel et dans une certaine mesure indépendante des instruments pour lesquels il a été composé. Sa musique est structurée de telle manière brillante et claire que ça sonne bien sur n'importe quel instrument. Ces compositions de Johann Sebastian Bach certainement quelques-unes de ses oeuvres les plus connues et très populaire. Par conséquent, outre les guitaristes apprécieront certainement de pouvoir jouer cette musique magnifique sur leur instrument. Toutes les pièces sont faciles à jouer de la guitare et un atout précieux pour le répertoire de l'enseignement et de concert. / Guitare
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Manuel Ponce: Ponce: Concierto Del Sur: Guitar Solo: Instrumental Album
19.99
Manuel Ponce: Ponce: Concierto Del Sur: Guitar Solo: Instrumental Album
Guitare
Guitare classique
Music Minus One
Guitar Play-Along-Performed by Christian Reichert guitar Accompaniment: Plovdiv...
(+)
Guitar Play-Along-Performed by Christian Reichert guitar Accompaniment: Plovdiv Symphony Orchestra Conductor: Nayden Todorov Manuel Ponce's legendary Concierto del Sur remains one of the undisputed masterworks for guitar and orchestra and is arguably the greatest guitar concerto to emerge from Latin America. It is a vital part of the modern guitarist's repertoire. The concerto's unconventional melodic style and distinctly Latin American feel predominate integrating a near-perfect balance between guitar and orchestra. The writing for the guitar is brilliant forthright and leaves a strong impression on both player and audience. This Music Minus One edition presents a bravura performance of this20th-century classic from virtuoso guitarist Christian Reichert. Study his technique then you stand center-stage with the Plovdiv Symphony Orchestra under Maestro Nayden Todorov for your own Latin spectacular! Includes an authoritative newly engraved solo part printed on high-quality acid-free ivory paper containing the solo guitar part; a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist and a second performance minus you the soloist; and a second compact disc containing a full-speed version of the complete version as well as a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience.
19.99 GBP - vendu par Musicroom GB
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Barrientos C. - Mambo For Mo - Guitare
8.00
Barrientos C. - Mambo For Mo - Guitare
Guitare
Guitare classique
Editions Orphee
The composer says: Several musical threads led to my writing this piece of musi...
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The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.
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Guillermo Diego: Album Of Pieces For Solo Guitar Volume 1: Guitar: Instrumental
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Guillermo Diego: Album Of Pieces For Solo Guitar Volume 1: Guitar: Instrumental
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Guillermo Diego's Album Pieces for Solo Guitar Volume I embody a collection of ...
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Guillermo Diego's Album Pieces for Solo Guitar Volume I embody a collection of original works conceived by this recognized Mexican composer for classical guitar. These pieces have being written with different musical languagesthat goes from the inspiration in Mexican styles to free pieces that use contemporary and different resources that belongs to the guitar concerto style. This works are plenty of musical colors and offers different challenges tothe guitarist. The writing is completely idiomatic very natural for the guitar; it is music in which one the professional finds an artistic meaning but also the students will find the elements to improve his technical and willnear them to original works that have being composed recently and inspired in Mexican and Latin American music. The publication of this book is a premiere and will give to the guitarist part of the knowledge of what it is happencurrently in Mexican classical guitar. Guillermo Diego is a well-known composer into the sphere of classical guitar who has being recognized for his contributions to the art of the guitar.
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Elias Barreiro: Vivaldi Concerto Op. 3 No. 10 - L'Estro Armonico: Guitar
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Elias Barreiro: Vivaldi Concerto Op. 3 No. 10 - L'Estro Armonico: Guitar
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The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmon...
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The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.
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Graciano Tarragó: Guitar Works - Volume 3: Guitar: Instrumental Album
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Graciano Tarragó: Guitar Works - Volume 3: Guitar: Instrumental Album
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Unión Musical Ediciones
For the first time this edition presents work for Guitar solo and for Guitar du...
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For the first time this edition presents work for Guitar solo and for Guitar duet by Graciano Tarragó grouped into different collections. Despite the fact that the composer published the set of works separately (with the exception of the collections of studies and the Catalan Christmas songs) it is not difficult to see that a natural classification surges from its formal structure from its source of inspiration and from its intent upon observing the works as a whole.The main objective of this revision was to update its presentation to meet the demands of the Guitar world today and to offer scores that ease the introduction to the study of this copious collectionof works. The works hold an indisputable musical beauty and demand technical virtuosic knowledge of the highest level.
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Collected Guitar Works Vinas Jose
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Collected Guitar Works Vinas Jose
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Concierto Andaluz (RODRIGO JOAQUIN)
32.75
Concierto Andaluz (RODRIGO JOAQUIN)
4 Guitares et Orchestre
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Eulenburg
Par RODRIGO JOAQUIN. Format: ETP large/ Répertoire / 4 Guitares et Orchestre
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Guitar Concertos 1 And 2 Op. 30, 36
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Guitar Concertos 1 And 2 Op. 30, 36
Guitare, Orchestre
Zen-on
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John Kiefer: Electric Baroque: Guitar: Instrumental Work
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John Kiefer: Electric Baroque: Guitar: Instrumental Work
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Mel Bay
This edition features modern electric Guitar transcriptions from the Baroque era...
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This edition features modern electric Guitar transcriptions from the Baroque era. The first section features 17 short repeatable passages from Baroque literature. Other sections include 16 unaccompanied solos 10 duets and 4multi-movement arrangements for electric Guitar and Piano including Pachelbel's Canon and the Vivaldi Mandolin Concerto in its entirety. The final section includes Guitar parts for the Piano - Guitar arrangements. Thetranscriptions are meant to be performed with a pick in a variety of techniques such as: alternate picking economy and circle picking sweep picking hybrid picking right handed tapping string skipping rest strokes and palmmuting. Many of the selections are available on video at www.youtube.com/johnkieferguitar in the electric baroque playlist.
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Ludwig van Beethoven: Adagio De La Sonata Patetica: Guitar: Instrumental Work
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Ludwig van Beethoven: Adagio De La Sonata Patetica: Guitar: Instrumental Work
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Unión Musical Ediciones
Ludwig van Beethoven (1770 1827) was a German composer and pianist and arguab...
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Ludwig van Beethoven (1770 1827) was a German composer and pianist and arguably the most famous composer of all time. He was the last great figure of the Classical era and helped pave the way for the Romantic style that followed. His compositions include 9 Symphonies 5 Piano Concertos 1 Violin Concerto 32 Piano Sonatas and 16 String Quartets. Beethoven?s Adagio from his Piano Sonata No. 8 in C minor ?Pathetique? (Op. 13) is one of his most celebrated compositions. It has been arranged for the Guitar by the Spanish guitarist pianist and composer Francisco Tárrega (1852-1909). Tárrega is known for revolutionisingclassical Guitar technique and also for transcribing many keyboard works for Guitar from the great classical composers including Beethoven Mendelssohn and Chopin.
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Dyens Roland - Lettres (20) + Cd - Guitare
36.00
Dyens Roland - Lettres (20) + Cd - Guitare
En Français
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Facile
Lemoine, Henry
Partition pour guitare Niveau : 2 Voici une bonne quinzaine d'années (et troi...
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Partition pour guitare Niveau : 2 Voici une bonne quinzaine d'années (et trois semaines) que j'espérais pouvoir écrire un jour ces pièces pour guitare à l'adresse de la plupart d'entre vous. C'est aujourd'hui fait. Cependant - et c'est là la principale raison de ce délai important - la conjugaison d'une certaine qualité musicale et d'une relative aisance d'exécution me semble toujours tenir de la plus haute difficulté en matière d'écriture. Et si j'ignore encore si ces 20 lettres remporteront ce défi-là, je sais au moins que je l'aurais tenté, répondant ainsi aux nombreuses voix amies qui depuis longtemps m'avaient invité à orienter mes travaux dans cette direction (très intimidant, cela dit et peut-être davantage que la composition même d'un concerto !). Aujourd'hui, au terme de ces quelques semaines de travail, ce qui probablement me ravit le plus est l'idée que ma musique puisse enfin être abordée par cette frange majoritaire de guitaristes qui, pour des raisons techniques compréhensibles, se sentait un peu exclue de la plupart de mes compositions. Cette lacune, je l'espère, fera donc désormais partie du passé. Contenu : Lettre à Sydney - Lettre à la Seine - Lettre noire - Lettre à soi-même - Lettre française - Lettre mi-longue - Lettre latine - Vénézuelettre - Lettre à Claude et Maurice - Lettre à la vieille Angleterre - Lettre Nordestine - Lettre à demain - Lettre et le néant - Lettre au calme - Lettre à Jacques Cartier - Lettre à Isaac, Emilio et les autres - Lettre encore - Lettre à la Saudade - Lettre à Julia Florida - Lettre à Monsieur Messiaen
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Ludwig van Beethoven: Fingerpicking Beethoven: Guitar Solo: Instrumental Album
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Ludwig van Beethoven: Fingerpicking Beethoven: Guitar Solo: Instrumental Album
Guitare notes et tablatures
Guitare classique
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Intermédiaire
Hal Leonard
This songbook contains 15 Beethoven masterpieces arranged for solo guitar in sta...
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This songbook contains 15 Beethoven masterpieces arranged for solo guitar in standard notation and TAB. The arrangements in this book are carefully written for intermediate-level guitarists. Each solo combines melody and harmony in one superb fingerpicking arrangement. The book also includes an easy introduction to basic fingerstyle guitar. Songs include: Bagatelle Op. 119 No. 1 • Für Elise • Minuet in G Major • Piano Sonata No. 14 in C# Minor (?Moonlight?) Op. 27 No. 2 First Movement Theme • Ode to Joy • Piano Sonata No. 8 Op. 13 (?Pathetique?) 2nd Movement • Symphony No. 6 in F Major (?Pastoral?) First Movement Excerpt • Turkish March • Violin Concerto in D Major • and more!
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The Best Of Niccolò Paganini
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The Best Of Niccolò Paganini
Guitare
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Eschig
Le légendaire violoniste génois Niccolò Paganini (Gênes, 27 octobre 1782 - N...
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Le légendaire violoniste génois Niccolò Paganini (Gênes, 27 octobre 1782 - Nice, 27 mai 1840) est probablement l'unique grand compositeur du passé à avoir voué une attention constante à la guitare et, quoiqu'il n'en ait jamais joué dans des concerts publics, divers témoignages nous sont parvenus sur son habileté de guitariste. La guitare a représenté pour le maître génois l'instrument harmonique et accompagnateur par excellence, au point qu'elle occupe dans sa production le rôle que les compositeurs de son temps confiaient normalement au piano. Paganini a écrit 140 pièces pour guitare seule et presque toutes ses oeuvres pour cordes (pour violon, principalement : sonates, duos, trios, quatuors et même certains concertos pour violon et orchestre) furent conçues avec un accompagnement de guitare. Le choix anthologique est basé sur l'intention d'extraire de cette surabondance dispersive les pièces qui représentent au mieux l'esprit et l'originalité de Paganini. De nos jours il faut, pour rendre cette musique accessible à n'importe quel interprète, la compléter par une réalisation polyphonique des parties : cette édition se conforme au style des éditeurs viennois de l'époque de Mauro Giuliani, c'est-à-dire qu'elle écrit séparément la voix supérieure et la basse, reliant tous les remplissages harmoniques à ces deux voix principales. C'est du reste à ce type d'écriture, que s'appliquent toutes les pratiques d'exécution en vigueur à cheval entre la fin du XVIIIe et les premières années du XIXe siècle. / Guitare
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Ludwig van Beethoven: Beethoven for Guitar: Guitar Solo: Instrumental Album
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Ludwig van Beethoven: Beethoven for Guitar: Guitar Solo: Instrumental Album
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Edward B. Marks Music Company
Guitar Solo-A marvelous collection of music for guitar arranged at the easy to i...
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Guitar Solo-A marvelous collection of music for guitar arranged at the easy to intermediate level of difficulty. All pieces are arranged for flat picked style guitar. Contents: Piano Concerto No. 3 Op. 37 · Leonore Overture No. 3 Op. 72A · Violin Concerto Op. 61 · Symphony No. 3 Op. 55 · Symphony No. 9 Op. 125 · Symphony No. 6 Op. 68 · Coriolan Overture Op. 49 No. 1 · Piano Sonata Op. 49 No. 1 · Piano Sonata No. 14 Op. 27 · Die Ehre Gottes In Der Natur Op. 48 No. 4 · Piano Sonata No. 8 Op. 13 · Piano Concerto No. 1 Op. 15 · Piano Concerto No. 2 Op. 19 · Piano Concerto No. 1 Op.15 · Piano Sonata No. 1 Op. 2 No. 1 · Ich Liebe Dich · An Die Ferne Geliebte Op. 98 No. 3.
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Challenge The Masters
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Challenge The Masters
Guitare notes et tablatures
Guitare classique
[Partition + CD]
Hal Leonard
inspiré par le mouvement néoclassique avec des stars comme Yngwie Malmsteen et...
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inspiré par le mouvement néoclassique avec des stars comme Yngwie Malmsteen et Randy Rhoads, cet ouvrage fournit des notes, onglet et doigtés aux classiques par Bach, Mozart, Paganini, Vivaldi et plus encore ! Les enregistrements de présentent des interprétations fraîches de chaque pièce dans le livre, avec explications et jouer des conseils sur les techniques suivantes: - le hybrides Tapping - cordes à sauter - Position Shifting - remplaçant picking - picking - Sweep picking - pédale points. Brancher aux techniques plus récentes de roche et branchez-vous sur le génie des maîtres classiques ! accompagnement sonore de 35 minutes. / Guitare / Partition Cd
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Heitor Villa-Lobos: Chôros No 1 - Simples - Valsa Concerto No 2 Op. 8: Guitar
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Heitor Villa-Lobos: Chôros No 1 - Simples - Valsa Concerto No 2 Op. 8: Guitar
Guitare
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Durand
Critical Edition by Frederic Zigante-Les �ditions Max Eschig présentent le ...
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Critical Edition by Frederic Zigante-Les Ã?ditions Max Eschig présentent le quatrième volume de lâ??édition critique des oeuvres pour guitare du compositeur brésilien Heitor Villa-Lobos dirigée par Frédéric Zigante. Les oeuvres proposées sont le célèbre Chôros n° 1 pour guitar et engrande première deux oeuvres de jeunesse inédites Simples (1911) et Valsa Concerto n° 2 op. 8 (1904).Cette édition est le fruit dâ??une étude de lâ??ensemble des sources disponibles et est enrichie dâ??une longue préface au caractère historiqueet musicologique (en français en anglais et en italien) accompagnée dâ??un commentaire qui propose toutes les autres versions existantes du Chôros n° 1.
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Concert Works
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Concert Works
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Castelnuovo-Tedesco Concerto No.1 for Guitar and Orchestra in D Major, Op. 99
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Music Minus One
For Guitar. 'Includes an authoritative, newly engraved music score printed on hi...
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For Guitar. 'Includes an authoritative, newly engraved music score printed on high-quality ivory paper, containing the solo guitar part; a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist, and a second performance minus you, the soloist; and a second compact disc containing a full-speed version of the complete version as well as a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience. Published by Music Minus One.
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CARULLI Two Guitar Concerti (E minor, op. 140 and A major, op. 8a)
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Music Minus One
CARULLI Two Guitar Concerti (E minor, op. 140 and A major, op. 8a) by Ferdinando...
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CARULLI Two Guitar Concerti (E minor, op. 140 and A major, op. 8a) by Ferdinando Carulli (1770-1841). For guitar. Instrumental Solo Part and CD. Published by Music Minus One
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Mauro Giuliani: Guitar Concerto No. 1 in A Major, Op. 30 - Music Minus One
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Music Minus One
Composed by Mauro Giuliani (1781-1829). Op. 30. Accompaniment CD/sheet music pie...
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Composed by Mauro Giuliani (1781-1829). Op. 30. Accompaniment CD/sheet music piece for guitar solo. With solo part and standard guitar notation. A Major. Published by Music Minus One.
(1)
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Christopher Parkening - Duets and Concertos
Guitare notes et tablatures
Guitare classique
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Hal Leonard
By Christopher Parkening. Guitar Recorded Version. Softcover. Guitar tablature. ...
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By Christopher Parkening. Guitar Recorded Version. Softcover. Guitar tablature. 234 pages. Published by Hal Leonard.
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Christmas Pastorale (2 guitars)
2 Guitares (duo)
Guitare classique
[Partition + CD]
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Mel Bay
By Michael Newman and Laura Oltman. For Guitar (Classic). duets. Christmas. Leve...
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By Michael Newman and Laura Oltman. For Guitar (Classic). duets. Christmas. Level: Intermediate. Book/CD Set. Size 8.5x11. 80 pages. Published by Mel Bay Publications, Inc.
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Beethoven for Guitar
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Intermédiaire
Edward B. Marks Music Company
Composed by Ludwig van Beethoven (1770-1827), arranged by Leon Block. Guitar sol...
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Composed by Ludwig van Beethoven (1770-1827), arranged by Leon Block. Guitar solo book (no tablature) for guitar. With standard guitar notation. 16 pages. Published by Marks.
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Great Classical Themes - Easy Guitar
Guitare notes et tablatures
Guitare classique
[Partition]
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Facile
Hal Leonard
For guitar. Format: easy guitar tablature songbook. With guitar tablature, stand...
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For guitar. Format: easy guitar tablature songbook. With guitar tablature, standard notation, chord names and guitar chord diagrams. Baroque, classical period, romantic period and impressionistic. 48 pages. 9x12 inches. Published by Hal Leonard.
(5)
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Basix: Guitar Tab Classical Favorites
Guitare notes et tablatures
Guitare classique
[Partition + CD]
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Facile
Alfred Publishing
Collection for guitar solo. With guitar tablature, guitar tab glossary and intro...
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Collection for guitar solo. With guitar tablature, guitar tab glossary and introductory text. Series: Basix. 143 pages. Published by Alfred Publishing.
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Mozart for Guitar
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Schott
(32 Transcriptions for Guitar). Composed by Wolfgang Amadeus Mozart (1756-17...
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(32 Transcriptions for Guitar). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Martin Hegel. For Guitar (Guitar). Guitar. Softcover. Schott Music #ED21856. Published by Schott Music
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Joaquin Rodrigo: Concierto madrigal 2 Guitarras
2 Guitares (duo)
Guitare classique
Editorial de Musica Boileau
By Joaquin Rodrigo. For 2 Guitarras. Published by Editorial de Musica Boileau (S...
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By Joaquin Rodrigo. For 2 Guitarras. Published by Editorial de Musica Boileau (Spanish import). 2 guitars
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Johann Sebastian Bach: Bach for the Guitar
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Edward B. Marks Music Company
Composed by Johann Sebastian Bach (1685-1750), arranged by Leon Block. For guita...
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Composed by Johann Sebastian Bach (1685-1750), arranged by Leon Block. For guitar solo. Format: guitar solo songbook. With standard guitar notation. Baroque. 16 pages. 9x12 inches
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Mozart for Acoustic Guitar
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[Partition + CD]
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Mel Bay
By Wolfgang Amadeus Mozart arranged by Ben Bolt. For Guitar (Classical and Finge...
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By Wolfgang Amadeus Mozart arranged by Ben Bolt. For Guitar (Classical and Fingerpicking). Solos. Acoustic Guitar Series. Classic. Level: Intermediate. Book/CD Set. Size 8.5x11. 128 pages. Published by Mel Bay Publications, Inc.
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Classical Guitar Wedding
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By Various. Guitar Solo. With notes and tablature. Size 9x12 inches. 64 pages. P...
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By Various. Guitar Solo. With notes and tablature. Size 9x12 inches. 64 pages. Published by Hal Leonard.
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25 Solo Guitar Arrangements. Musicians Institute Press (Instruction taken from the curriculum of MI). Softcover with CD. With notes and tablature. Size 9x12 inches. 48 pages. Published by Musicians Institute Press.
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Easy Classic Guitar Solos
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Mel Bay
by Mel Bay and Castle Joseph. For Guitar (Classical). solos. Classic. Level: Beg...
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by Mel Bay and Castle Joseph. For Guitar (Classical). solos. Classic. Level: Beginning. Book. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.
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Classical Guitar Music Volume 2
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Subito Music
CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals...
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CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.
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Music Minus One
Music Minus One Guitar. Composed by Joaquin Rodrigo (1901-1999). Music Minus One...
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Music Minus One Guitar. Composed by Joaquin Rodrigo (1901-1999). Music Minus One. 20th Century, Spanish and Play Along. Softcover Audio Online. With standard guitar notation, fingerings and introductory text. 23 pages. Music Minus One #MMO3616. Published by Music Minus One
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Recorded by Christian Reichert, composed by Manuel Ponce (1882-1948). Instrument...
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Guitar Solo. Performed by Liona Boyd. By Various. Arranged by Liona Boyd. Guitar...
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(with Guitar Accompaniment). By Michael Lemma. For Mandolin. Solos & Duets. Bill's Music Shelf. Classic. Intermediate. Book + Online PDF. 56 pages. Published by Mel Bay Publications, Inc
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Concerto in G Major for 3 Guitars (Konzert G-Dur RV 532). By Antonio Vivaldi (1678-1741). Arranged by Peter Lohse. For Guitar. Gitarren-Archiv (Guitar Archive). From Concerto for 2 Mandolins. Score and Parts. 34 pages. Schott Music #GA498. Published by Schott Music
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By Ludwig van Beethoven (1770-1827). For Guitar. Guitar Solo. Softcover. Guitar tablature. 40 pages. Published by Hal Leonard
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