Par ELLIOTT CATHERINE. The award-winning \'Essential String Method\' offers an exciting advance in the teaching of stringed instruments, integrating musical awareness, creativity and technical development from the outset. Making their way through the series, pupils encounter an attrractive selection of new tunes and arrangements on which to build their repertoire. The material is presented as a logical progression of musical activites involving both the instrument and the voice. These make learning fun and are easily incorporated into instrumental lessons, simultaneously developping the pupil\'s technical and musical abilities while reinforcing aspects of the school music curriculum. Developed by leading string teachers, \'The Essential String Method\' provides a proven framework that draws on recognised concepts in good teaching practice, laying reliable foundations for future musical development. / Date parution : 2023-01-07/ Méthode / Contrebasse

for Double-Bass and Piano. Par SCONTRINO ANTONIO. / Date parution : 2022-07-23/ Répertoire / Contrebasse et Piano

4 pièces faciles. Par MASSARD DANIEL. / Niveau : Cycle 1 / Date parution : 2022-07-20/ Répertoire / Contrebasse et Piano

Par . Cet ample volume contient des ?uvres originales et des transcriptions connues des époques baroque, classique et romantique de Bottesini, Capuzzi, Dragonetti, Eccles, Fauré, Koussevitzky, Lulier, Saint-Saëns, Simandl, Sperger et autres. Le répertoire convient à l'enseignement, aux auditions, aux examens et aux concours. Tous les morceaux sont imprimés en accordage normal de l'orchestre, et des accompagnements de piano pour le jeu en accordage solo sont en outre disponibles en téléchargement. Ainsi, le volume peut être utilisé de manière flexible dans des cours au niveau supérieur des écoles de musique ainsi que dans les études. / Date parution : 2022-05-20/ Recueil / Contrebasse et Piano

für Kontrabassklarinette. Par STABLER GERHARD. / Date parution : 2022-04-01/ Répertoire / Clarinette Contrebasse

Par D'ADAMO DANIEL. “Ombres portées” was commissioned by Radio France for the radio program Alla Breve. The piece is dedicated to Florentin Ginot. Performed without interruption, each of the five pieces of this cycle highlights certain characteristics and specific resources of the double bass, as are the natural harmonic sounds, the instrumental spectrum, the bowing techniques or those of the left hand, the possibility of sliding every sound, the natural inertia and speed of the instrument, its heaviness and its lightness, etc. “Ombres portées” was first performed by Florentin Ginot on February 29, 2017, as part of the Présences/Radio France Festival. / Date parution : 2022-02-03/ Répertoire / Contrebasse

Par PIAZZOLLA ASTOR. / Date parution : 2022-03-16/ Répertoire / Piano, Bandonéon, Violon, Guitare et Contrebasse

Par . David Walter demonstrates each of these wonderful advanced-level solos on double bass. These solos help you make all necessary adjustments to professional-level interpretation and technique. Includes a printed music score annotated with performance suggestions and online audio with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist. Includes works by Milton Weinstein, Antonio Capuzzi, Giovanni Bottesini, Domenico Dragonetti, and Paul Hindemith. Performed by David Walter, double bass Accompaniment: Judith Olson, piano The audio is accessed online using the unique code inside each book and can be streamed or downloaded.The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Niveau : Intermédiaire / Recueil / Divers

für Violoncello Solo, 2 Violinen, Viola and B.C.. Par VIVALDI ANTONIO. / Date parution : 2021-12-09/ Répertoire / Violoncelle, 2 Violons, Alto et Basse Continue

Dirt Simple Upright Bass. Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, 'Going Down the Road Feeling Bad,' author Nate Sabat reveals his creative process in crafting effective basslines from the song's melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Don't this Road Look Rough and Rocky\', Long Journey Home, I Am a Pilgrim, and Angel Band.Nate's warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. You'll not only want to back Nate up'but sing harmony with him too! The impulse to sing can't help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, you'll soon be able to play along with the book's 50 companion online recordings.With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If you've hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, you'll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.

A Song Of Departure. Composed for the Schubert Ensemble?s farewell tour and modelled on ?Abschied? from Schubert?s Schwanengesang, this four-minute piece gives each player a brief solo before the work?s close. A light-hearted piece that is ideal for the end of a concert programme or as an encore.