Harp and violin - Level 4

SKU: VD.ED99633

Originaltonart. Composed by Louis Spohr. Edited by Helga Storck. Louis Spohr - Gesamtwerk für Harfe. Classical. Score, solo part. Composed 1811. 47 S. Part. + 10 S. Stimme pages. Verlag Dohr #ED99633. Published by Verlag Dohr (VD.ED99633).

ISBN 9790202006337. 11.69 x 8.26 inches.

Harp

SKU: KU.OCT-10019_HARF

Composed by Johann Baptist Krumpholtz. Edited by Felix Schroeder. Bach format (230 x 302). Staple Bound. Part. Op. 4/2. 31 pages. Edition Kunzelmann #OCT-10019_HARF. Published by Edition Kunzelmann (KU.OCT-10019_HARF).

Key: Bb major.

Harp

SKU: UT.MAG-80

Composed by Ferdinando Marcucci. Edited by Massimiliano Sala. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 80. Published by Ut Orpheus (UT.MAG-80).

ISBN 9790215306165. 8.26 x 11.69 inches.

Harp

SKU: UT.MAG-158

Vol. 1. Composed by Gioachino Rossini. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 158. Published by Ut Orpheus (UT.MAG-158).

ISBN 9790215309791. 8.26 x 11.69 inches. Transcribed by Robert Nicolas Charles Bochsa.

Piano pianissimo senza parlar; Ecco ridente in cielo; Largo al factotum della città; All’idea di quel metallo

Harp

SKU: UT.MAG-160

Vol. 3. Composed by Gioachino Rossini. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 160. Published by Ut Orpheus (UT.MAG-160).

ISBN 9790215309814. 8.26 x 11.69 inches. Transcribed by Robert Nicolas Charles Bochsa.

Tempesta ; Il vecchiotto cerca moglie; Freddo ed immobile come una statua; Di sí felice innesto

Harp

SKU: UT.MAG-183

Composed by Charles Bochsa and Robert Nicolas. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 183. Published by Ut Orpheus (UT.MAG-183).

ISBN 9790215313781. 9 x 12 inches.

Books and Journals; Harp

SKU: UT.LB-3

Composed by Mirella Vita. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 3. Published by Ut Orpheus (UT.LB-3).

ISBN 9788881094462. 6.5 x 9.5 inches.

«Sono stata un?arpista attiva per mezzo secolo. Come tutti i miei colleghi, ho dovuto affrontare le difficoltà create dalla leggenda che l?arpa non abbia né musica, né storia.
Fortunatamente, nel corso della mia carriera, ho potuto constatare che questa diceria è infondata e ho cercato di mettere in risalto almeno una piccola parte dell?immenso repertorio antico e moderno di questo strumento considerato un Paria della musica.
Il lavoro è stato piano e diretto per i libri che ho scritto sulla musica d?arpa italiana e svizzera, perché basato su precisi titoli e frontespizi; la ricerca sarebbe stata ugualmente scorrevole per i libri che non scriverò sulla musica d?arpa francese, tedesca, austriaca, britannica, boema, spagnola, portoghese e scandinava.
Per la musica olandese il cammino è un po? diverso: i pittori, i trattatisti e gli storici sono i testimoni e le guide che aiutano a ritrovare gli usi e i costumi musicali nei quali l?arpa aveva una parte importante.
Il concertista in cerca di pezzi potrà utilizzare così questo libro: dopo i trattati (capitolo II), i dipinti (capitolo III), la storia e la cronaca (capitoli IV-VII), autori e musiche (capitoli VIII e IX), biblioteche ed editori (capitoli X e XI), arriverà all?indice secondo le formazioni strumentali (capitolo XII).
Potrà cominciare dal cercare, in quest?ultimo capitolo, gli Autori adatti al suo gruppo e al suo programma; ritroverà i relativi dettagli nei capitoli VIII e IX; otterrà i pezzi seguendo le indicazioni dei capitoli X, XI e XII; e buona caccia, buono studio, buone prove!
Nel cercare di stabilire che cosa sia olandese o non-olandese nella musica antica è stata seguita l?abitudine corrente di considerare patrimonio comune dei Paesi Bassi l?arte e la storia anteriori alla separazione delle "Sette Province" nel secolo XVI; e specificamente olandese tutto ciò che accadde in quei coraggiosi territori da allora in poi.»

Harp

SKU: UT.MAG-83

Composed by Ferdinando Marcucci. Edited by Massimiliano Sala. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 83. Published by Ut Orpheus (UT.MAG-83).

ISBN 9790215306196. 8.26 x 11.69 inches.

Harp

SKU: UT.MAG-85

Composed by Charles Bochsa and Robert Nicolas. Edited by Eddy De Rossi. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 85. Published by Ut Orpheus (UT.MAG-85).

ISBN 9790215306219. 9 x 12 inches.

Harp

SKU: UT.MAG-81

Composed by Roberto Solci. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 81. Published by Ut Orpheus (UT.MAG-81).

ISBN 9790215306172. 8.26 x 11.69 inches.

Harp

SKU: UT.MAG-102

Composed by Robert Gallenberg. Edited by Grazia Mendaro. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 102. Published by Ut Orpheus (UT.MAG-102).

ISBN 9790215306820. 8.26 x 11.69 inches.

Harp; Chamber Music for Strings

SKU: UT.MAG-231

Composed by François-Joseph Naderman. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 231. Published by Ut Orpheus (UT.MAG-231).

ISBN 9790215318571. 9 x 12 inches.

Harp

SKU: UT.MAG-210

Composed by Luigi Concone. Edited by Cristiana Passerini. Saddle stitching. Magadis. Classical. Score. Ut Orpheus #MAG 210. Published by Ut Orpheus (UT.MAG-210).

ISBN 9790215316164. 9 x 12 inches.

Harp

SKU: UT.MAG-141

Composed by Karl Oberthür. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 141. Published by Ut Orpheus (UT.MAG-141).

ISBN 9790215308961. 9 x 12 inches.

Harp

SKU: UT.MAG-212

Composed by Christian Hochbrucker. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Score. Ut Orpheus #MAG 212. Published by Ut Orpheus (UT.MAG-212).

ISBN 9790215316188. 9 x 12 inches.

Harp

SKU: UT.MAG-222

Composed by Martin-Pierre Dalvimare. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 222. Published by Ut Orpheus (UT.MAG-222).

ISBN 9790215318489. 9 x 12 inches.

Harp

SKU: UT.MAG-184

Composed by Marie-Martin Marin. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 184. Published by Ut Orpheus (UT.MAG-184).

ISBN 9790215313798. 9 x 12 inches.

Harp

SKU: UT.MAG-84

Composed by Théodore Labarre. Edited by Luca Lévi Sala. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 84. Published by Ut Orpheus (UT.MAG-84).

ISBN 9790215306202. 8.26 x 11.69 inches.

Harp; Violin

SKU: UT.MAG-214

Composed by Charles Bochsa, Robert Nicolas, and Rodolphe Kreutzer. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 214. Published by Ut Orpheus (UT.MAG-214).

ISBN 9790215316201. 9 x 12 inches.

Harp; Violin

SKU: UT.MAG-217

Composed by Charles Bochsa, Robert Nicolas, and Rodolphe Kreutzer. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 217. Published by Ut Orpheus (UT.MAG-217).

ISBN 9790215316232. 9 x 12 inches.

Harp

SKU: UT.MAG-221

Composed by Martin-Pierre Dalvimare. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 221. Published by Ut Orpheus (UT.MAG-221).

ISBN 9790215318625. 9 x 12 inches.

Martin-Pier re Dalvimare, born in 1770, in Dreux (Eure-et-Loir), from a distinguished family, learnt music as an entertainment art, and was obliged to make it a resource for his existence, after the troubles of the Revolution in 1789. He had acquired a remarkable talent for the harp; when he arrived in Paris he made a very good impression. Then, man of the world, knowledgeable in many fields, which is rare for a musician, he was welcome everywhere, and very soon came in friendly terms with some of the most renowned artists and men of letters of his times. The marriage certificate of the poet Legouve (15 pluviose of the year XI, or February 1803, 12th municipality of Paris), shows that Dalvimare was one of his best men and that at the time he was thirty-two years old. He became harpist of the Opera in the year VIII (1800), and was definitively confirmed in the month of fructidor of the year IX. At the time of the institution of the emperor Napoleon's private music, M. Dalvimare was appointed as his harpist. In September 1807 he obtained the title of harp master of the empress Josephine. A lucky change of his fortune allowed this artist to renounce to practise his talent for living, he resigned from all of his positions on March, 12th, 1812, and he retired in Dreux, where he still was living in 1837. For a peculiar weakness, he does not like to speak about his artist career, which had been entirely honourable, and he would like to forget his success too. His first composition was a symphonie concertant for harp and horn, which he composed with Frederic Duvernoy, and published in the year VII (1798); notwithstanding, he counted as his first opus a collection of romances with accompaniment of piano or harp, which he later published with Pleyel.

In 1809 Dalvimare composed, for the theatre Feydeau, a one-act opera-comique called The Marriage for Imprudence. The music was weak; the work did not succeed, and people used to say that the greatest imprudence had been the one of the authors who had it performed. Nevertheless, the score of this opera was published in Paris by erard. (Francois-Joseph Fetis).

Harp; Violin

SKU: UT.MAG-198

Composed by Charles Bochsa and Robert Nicolas. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 198. Published by Ut Orpheus (UT.MAG-198).

ISBN 9790215315457. 9 x 12 inches.

Harp

SKU: UT.MAG-220

Composed by Martin-Pierre Dalvimare. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 220. Published by Ut Orpheus (UT.MAG-220).

ISBN 9790215318403. 9 x 12 inches.

Required piece of the 18th International Harp Contest in Israel 2012.

Harp

SKU: UT.MAG-182

Composed by Charles Bochsa and Robert Nicolas. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 182. Published by Ut Orpheus (UT.MAG-182).

ISBN 9790215313774. 9 x 12 inches.

Books and Journals; Harp

SKU: UT.LB-4

Composed by Mirella Vita. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 4. Published by Ut Orpheus (UT.LB-4).

ISBN 9788881094479. 6.5 x 9.5 inches.

â??During my career spanning half a century, like all my fellow harpists I constantly had to grapple with the commonly held view that the harp has neither music nor history of its own.
Fortunately, over the years I have been able to give the lie to this myth and have tried to bring to light some of the vast repertoire, both early and modern, expressly composed for this instrument which has been treated somewhat as an outsider in the musical world.
The research work for my books on Italian and Swiss harp music was plain sailing because source materials were specific titles and title pages. Were I to write books on French, German, Austrian, British, Bohemian, Spanish, Portuguese or Scandinavian harp music, the work involved would be equally smooth and straightforward.
Howev er, where Dutch music is concerned, the approach is rather different, because here it is the painters, treatise-writers and historians who provide the evidence and guidance necessary to discover the musical customs and traditions where the harp played a significant part.
Performers looking for pieces of music may use this book as follows: chapter II deals with treatises, chapter III with paintings, chapter IV with history and research accounts. Chapters V and VI are concerned with confusions in terminology. Chapter VII describes recent developments and chapters VIII and IX cover composers and pieces of music. Libraries and publishers are listed with their addresses in chapters X and XI, and finally chapter XII consists of the index based on the various groups of performers.
In this last chapter harpists will find the composers most suited to their programme, and can then turn to chapters VIII and IX for details. The actual pieces can be obtained by consulting chapters X and XI. I wish you every success in your search, in your rehearsals and in your concerts !
In order to define what is Dutch or non-Dutch in early music, I have followed the current approach, i.e. all art and history prior to the separation of the â??Seven Provin­ces in the 16th century is the common heritage of the Low Countries, whereas everything pertaining to those courageous lands from then onwards is specifically Dutch..

Harp

SKU: UT.MAG-224

Composed by Federigo Fiorillo. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 224. Published by Ut Orpheus (UT.MAG-224).

ISBN 9790215318502. 9 x 12 inches.

Harp

SKU: UT.MAG-157

Composed by Charles Bochsa and Robert Nicolas. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 157. Published by Ut Orpheus (UT.MAG-157).

ISBN 9790215309784. 9 x 12 inches.