für Cembalo (Pianoforte) and Viola da Gamba, herausgegeben von Thomas Fritzsch und Günter von Zadow. Diese Kammermusiken von Johann Christian Bach waren lange verschollen und wurden 1992 von dem griechischen Reeder Kulukundis bei Sotheby?s ersteigert. Erstausgabe. Edition Güntersberg / Viole de gambe / Guntersberg

talian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this second volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti\'s Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The second volume, comprising Sonatas 53-103,includes the popular and recognised Sonatas in F minor (K. 69) and B minor (K. 87). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in theservice of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Partitions classique / Piano - instruments à clavier / Clavecin / HEUGEL

Édition critique de Emilia Fadini
Le 10e volume de la Sonate per clavicembalo de Domenico Scarlatti représente un jalon crucial de cette série, à savoir les trente Essercizi per gravicembalo (Londres, 1738-1739) au c?ur de la production du compositeur. Pendant longtemps, le style de ces sonates et leur rôle dans l'histoire de la musique pour clavier ont été débattus. Mais personne n'avait jamais examiné à fond les aspects clés de la critique textuelle, conçue non seulement comme une reconstruction détaillée du texte, mais comme une étude philologique avec une portée complète. Ce volume est le premier pas dans cette direction. Le texte musical de cette édition est le résultat d'une comparaison systématique de toutes les sources imprimées et manuscrites du XVIIIe siècle préservant les précieux Essercizi de Scarlatti. Dans certains cas, l'édition présente une version alternative de la même sonate, basée sur l'examen des sources et montrant parfois un réseau complexe de variantes d'auteur. Les Notes Critiques détaillées prennent en compte toutes les variantes transmises par les sources. De nombreux sujets sont abordés dans la riche Introduction, en premier lieu le contexte historique et la genèse des sonates de Scarlatti. Par ailleurs, d'autres thèmes importants sont investigués, tels que : la relation entre les Essercizi et l'édition londonienne rivale de Roseingrave : le rôle et la chronologie des éditions françaises contemporaines, connues sous le nom de Boivin : les premières interventions d'interprètes anonymes. / Partitions classique / Piano - instruments à clavier / Clavecin / RICORDI

6 suites of lessons for the Claveçin (lp60). Par Chilcot aux éditions Leduc. Partition / Livre de chansons pour Claveçin

Collection Le Pupitre (LP23) The third volume of Couperin's Pieces for Harpsichord does not contain a date of publication, however it is thought to have been composed during 1716-1717, due to the address which the composer gave on his other Harpsichord compositions. Yet, the compilation remains a favourite. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works have picturesque titles. Examples of this in his third volume of Pieces for Harpsichord include, La Langueur (Languor), Le Petit-Rien (The Little-Nothing) and L'Artiste (The Artist). Couperin's moods are expressed through choices of keys, adventurous harmonies and discords. With a significant amount of variation and inspiration, these Pieces for Harpsichord are essential to the repertoire of aspiring players of the instrument.

Six Partitas BWV 825-830-Each one of Bach?s Six Partitas features seven great single movements predominantly in the sequence: Präludium - Allemande - Courante - Sarabande - [two free dances] - Gigue. These partitas canjustifiably be described as Bach?s ?ultimate? cycle of suites. As regards the artistic and manual demands it goes far beyond its ?English? (HN 100) and ?French? (HN 71) siblings that are also frequently played. It is nocoincidence that Bach only had these six partitas printed (1731) and what is more as ?Opus 1'.

Second volume of the second tome and fourth book of the Complete Harpsichord Work by Johann Jakob Froberger this volume is a set of twenty-five pieces for Harpsichord. Edited by Howard Schott the book has its preface and information in French English and German. It features eighteen suites numbered from Suite XIII to Suite XXX as well as seven other works including three guigues and four other pieces. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667) is a German Baroque composer. He was a famous musician among hispeers and influenced many of them.

These four volumes contain all of Purcell's secular solo songs not associated with stage productions. Taken from the authoritative Purcell Society Editions the songs appear in their original keys and are most suitable for high voice.

6 suites of lessons for the Claveçin (lp60). Par Chilcot aux éditions Leduc. Partition / Livre de chansons pour Claveçin

The complete Harpsichord work - Volume 2 by Louis Couperin is the second of a series of volumes with suites for Harpsichord. Composed in a Baroque style the whole series features 133 pieces for advanced players. Louis Couperin (1626-1661) was a French composer and performer who created many pieces for Organ and for Harpsichord who later became musician at the court. He invented the genre of Unmeasured Prelude for which he created a form of notation where the harpsichordist can choose how long each note lasts. François Couperin Louis’ nephew is also a very famous musician who played the Harpsichord.