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iyo he, iyo he
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Vous avez sélectionné:
iyo he, iyo he
Partitions à imprimer
8 partitions trouvées
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1
Tribute to the Trail of Tears
Tribute to the Trail of Tears
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Chorale SATB
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AVANCÉ
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Barron Brothers
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iyo he, iyo he
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Tribute to the Trail of Tears
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Barron Brothers
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: ...
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: Interactive Download. Folk,World. Octavo. 25 pages. Duration 281. Barron Brothers #6JvK5OaFLfcELYSz4fsbms. Published by Barron Brothers (A0.726326). Key: Ab major.**NJMEA Finalist Composition** Sun Tracks The track of the Sun across the sky leaves its shining, eternal message Illuminating, strengthening, warming... all of us who are here It shows us we are not alone. We are not alone. We are yet alive. And this fire, our fire shall not die! *- Atoni* Iyo he, iyo he; iyo he, iyo he; He, he, he, iyo he. - *Choctaw war dance* ...... Tribute to the Trail of Tears is an original SATB choir song commemorating my Choctaw heritage. When I wrote this song, I wanted to look at the Trail of Tears from the Choctaws' eyes. I did this by emphasizing the contrast between their anger with the shouting taken from a Choctaw war chant and hope with a Choctaw Sun Prayer (the sun is an important figure of hope in Choctaw spirituality), their English traditions forced upon them and their true Choctaw nature, and the betrayal of a government that was supposed to protect them. This song is designed to be slow and relaxed (~70bpm for the first part and ~85bpm for the piu mosso), with the bends representing relaxed glissandos in the voice. The last three chords are meant to be sensitive and should be taken very slowly. Keep in mind that this piece should not only be meaningful but convey the emotions to spread the Native awareness that is so direly needed in America.
$3.75 ≈
3.45€
Abiyoyo
Abiyoyo
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Traditional South African
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Pam Asberry
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Abiyoyo
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Pamela C Asberry
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.904907 Composed by Traditional South African. Arranged by Pam Asberry. African,Children,Contemporary,New Age. Score. 3 pa...
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Piano Solo - Level 3 - SKU: A0.904907 Composed by Traditional South African. Arranged by Pam Asberry. African,Children,Contemporary,New Age. Score. 3 pages. Pamela C Asberry #4852391. Published by Pamela C Asberry (A0.904907). A Bantu Lullaby based on a South African tale about a monster named Abiyoyo who eats naughty children. His name is repeated over and over to subdue him so he can be dispensed with. From the solo piano album All Through the Night. .
$5.95 ≈
5.48€
Playing Together: Piano Trios for the Advancing Pianist
Playing Together: Piano Trios for the Advancing Pianist
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Anonymous, C
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Kiyoshi Tamagawa
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Playing Together: Piano Trios
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Mastery for Strings Press
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.945465 Composed by Anonymous, C.M. Von Weber, Christian Petzold, J.P. Rameau, Johann F...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.945465 Composed by Anonymous, C.M. Von Weber, Christian Petzold, J.P. Rameau, Johann Friedrich Burgmuller, Johann Sebastian Bach, Robert Schumann, Stephen Heller, Thomas Attwood, and Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Baroque,Classical,Romantic Period. Score and parts. 57 pages. Mastery for Strings Press #5999949. Published by Mastery for Strings Press (A0.945465). Developed by Kiyoshi Tamagawa in chamber music workshops with younger pianists, Playing Together presents twelve standard works of keyboard literature for the intermediate to early advanced student combined with added violin and cello parts of moderate difficulty. The piano student who plays these arrangements with the aid of careful coaching will:1. Gain an introduction to the art of chamber music2. Learn basic ensemble and rehearsal skills3. Experience pieces he or she already knows in a new way4. Have fun making music with othersThe string parts occasionally extend beyond the first position; the violin to third position (in the Attwood Sonatina) and the cello to fourth (in the Musette, Attwood Sonatina, Bach G minor Minuet, Heller L’Avalanche, and both Petzold Minuets). String students who have not yet studied beyond first position may need to transpose occasional notes or passages an octave downward. More advanced players may of course elect to take even lower passages in alternate positions for musical reasons.
$11.99 ≈
11.04€
Baba Lionel Messi
Baba Lionel Messi
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Holiyo
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Baba Lionel Messi
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Holyone Tombari Dodoh
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1421941 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Patriotic,Pop. 31 pages. Holyone Tombari Dodoh #1003...
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Jazz Combo - Level 4 - SKU: A0.1421941 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Patriotic,Pop. 31 pages. Holyone Tombari Dodoh #1003277. Published by Holyone Tombari Dodoh (A0.1421941). LyricsLionel Messi oh, Lionel Messi eh. I wan be like you oh; You be baba football eh! Lionel Messi oh, Lionel Messi eh. I wan be like you oh; You be baba football eh! When we talk of football, We dey talk of Messi oh. Baba dribble eleven men, Soteh the ball come dey shout, Baba, baba, baba, baba, Na you be my father, father. Abeg make we dey go post, Make we shata goalkeeper, And carry better award. Make I ask you something, Na wetin be your name again? We say na Lionel Messi oh, Lionel Messi eh. I wan be like you oh; You be baba football eh! Lionel Messi oh, Lionel Messi eh. I wan be like you oh; You be baba football eh! Baba score many goals, Carry many award oh. Man of the match, He dey!Super assist, Na him! Best playmaker, Na him!Even at thirty five oh Baba carry world cup, Carry eighth Balon d'orBaba never taya Wetin be him name?Messi! Na wetin be him name? Messi! Barcelona He show!P. S. G. He show!Inter Miami He show!Carry baba go there, God of football Na him oh!Number ten Na him!Argentina, Argentina.Greatest Of All Time:We say na Lionel Messi oh, Lionel Messi eh. I wan be like you oh; You be baba football eh! Lionel Messi oh, Lionel Messi eh. I wan be like you oh; You be baba football eh!
$4.00 ≈
3.68€
It Is Well Forever
It Is Well Forever
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Ensemble Jazz
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INTERMÉDIAIRE
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Holiyo
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It Is Well Forever
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Holyone Tombari Dodoh
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1421879 By Holiyo. By Holyone Tombari Dodoh. Blues,Jazz,Multicultural,Pop,Traditional,World. 53 pages. H...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1421879 By Holiyo. By Holyone Tombari Dodoh. Blues,Jazz,Multicultural,Pop,Traditional,World. 53 pages. Holyone Tombari Dodoh #1003213. Published by Holyone Tombari Dodoh (A0.1421879). LyricsIt is e well with me o; It shall be well with you o, And it must be well with us o Forever. People wey no fear God o Them think say life go bad o My life just dey better o Forever. Baba God say na so o I don dey see better o Na so God want for me o Forever. Them don go swear for me o, Na so their power fail o, I don dey hamma for here o Forever. Them don throw jazz for me o, Them say I do juju o, But na Jesus stand for me o Forever. I say, It is e well with me o; It shall be well with you o, And it must be well with us o Forever. Uncle, Aunty Make you no worry, Wetin dey shelle Baba dey see am. When e go happen, Your eyes go clear And you go fear God.Ewo, It is e well with me o; It shall be well with you o, And it must be well with us o Forever. Wahala dey for them o, Them no go see our back o, Them no go fit oppress o Forever. E don dey reach your time o, Better must come to you o, Baba don sign for you o, Forever.Them think say me I go die o, Na so them wait and die o, Baba God save my life o, Forever. Them tie dumb baby for bush o, Them think say na me them tie o, Na so their cup come full o Forever. I say, It is e well with me o; It shall be well with you o, and it must be well with us o Forever. Mama, Papa God dey see you, Brother, Sister God He too much, Enemies go scatter, Your God too strong, People go see am Say God do better For me and you, Them call our name, Baba God show, Na so them fall, Our God don do am.Ewo, It is e well with me o; It shall be well with you o, And it must be well with us o Forever. It is e well with me o; It shall be well with you o, And it must be well with us o Forever.
$15.00 ≈
13.82€
Violin Compositions
Violin Compositions
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Piano Trio: Violon, Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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John Stepan Zamecnik
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Violin Compositions
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Mastery for Strings Press
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 4 - SKU: A0.945463 Composed by John Stepan Zamecnik. Arranged by William Dick, Kiyo...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 4 - SKU: A0.945463 Composed by John Stepan Zamecnik. Arranged by William Dick, Kiyoshi Tamagawa. 20th Century,Concert,Romantic Period,Standards. Score and parts. 94 pages. Mastery for Strings Press #5946377. Published by Mastery for Strings Press (A0.945463). John Stepan Zamecnik (1872-1953) enjoyed a substantial career as a silent film music composer, culminating in his scoring the motion picture Wings in 1927, which won the first Academy Award for Best Picture. He was also an accomplished violinist. These twelve short pieces for violin and piano originally appeared in 1922 as Violin Compositions in the First Position, Vol. 1, published by the Sam Fox Publishing Company. Created for teaching purposes, they are much more than études or exercises-they are melodic miniatures that capture various moods, rhythms and styles with as much charm as Zamecnik’s best film music. They provide fresh and engaging concert repertoire for emerging string players, both as solos and string ensemble pieces. It is with these purposes in mind that the current edition including an optional second string part has been created. List of compositions:ZingaraA Quaint StorySwing SongMay FlowersAt EventidePolish DanceA Russian LullabyYester DreamsHabaneraThe Spinning SongMarch of the HeroesTheme and Variations
$19.95 ≈
18.38€
Piano Concerto in C major, K. 503
Piano Concerto in C major, K. 503
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Classique
#
Wolfgang Amadeus Mozart
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Kiyoshi Tamagawa
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Piano Concerto in C major, K.
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Mastery for Strings Press
#
SheetMusicPlus
Cello,Flute,Piano,Violin - Level 5 - SKU: A0.1343361 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 101 pages. Ma...
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Cello,Flute,Piano,Violin - Level 5 - SKU: A0.1343361 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 101 pages. Mastery for Strings Press #928889. Published by Mastery for Strings Press (A0.1343361). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. When the composer moved from his native Salzburg to Vienna in 1782, three piano concertos (K. 413, 414 and 415) were among his first compositions produced in the latter city. They were scored for full orchestra, but advertised when published as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that, perhaps out of a desire for increased sales and more hearings of these works, Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836, though the last of them appeared in print only several years after Hummel’s death in 1837. The accompanying ensemble in these arrangements consists of flute, violin, and cello.  Hummel, who had studied with Mozart as a boy, materially altered and elaborated the solo part in these versions, taking advantage of the increased range of nineteenth-century pianos. He imposed his own tastes in ornamentation and decoration, which strongly influenced the piano writing of Chopin, on melodic passages. This is especially true in the slow movements, resulting in a stylistic hybrid that bridges the Classical and Romantic eras. The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this work in the absence of a full orchestra, and 2) that pianists might use this version to learn Mozart’s original solo part with a minimum of alteration for such occasions when they are called upon to perform it in its original setting.
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