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Were You There for piano and tenor in F
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Vous avez sélectionné:
Were You There for piano and tenor in F
Partitions à imprimer
13 partitions trouvées
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1
Were You There - for piano and tenor in F major with chords
Were You There - for piano and tenor in F major with chords
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Voix Tenor, Piano
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DÉBUTANT
#
Gospel Spirituel
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Musique Sacrée
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African-American Spiritual
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Alex Nunes Rodrigues
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Were You There - for piano and
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Alex Rodrigues
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 1 - SKU: A0.1367314 Composed by African-American Spiritual. Arranged by Alex Nunes Rodrigues. Christian,Spiritual,Traditi...
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Tenor Voice,Vocal Solo - Level 1 - SKU: A0.1367314 Composed by African-American Spiritual. Arranged by Alex Nunes Rodrigues. Christian,Spiritual,Traditional. 4 pages. Alex Rodrigues #951672. Published by Alex Rodrigues (A0.1367314). Were You There (When They Crucified My Lord) is an African American spiritual song that tells the story of the crucifixion of Jesus Christ. The song is a reflection on the suffering of Jesus and his death on the cross, but it is also an expression of faith and hope.
$1.99 ≈
1.85€
Were You There - for piano and tenor in F# major
Were You There - for piano and tenor in F# major
#
Voix Tenor, Piano
#
DÉBUTANT
#
Gospel Spirituel
#
Musique Sacrée
#
African-American Spiritual
#
Alex Nunes Rodrigues
#
Were You There - for piano and
#
Alex Rodrigues
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 1 - SKU: A0.1367318 Composed by African-American Spiritual. Arranged by Alex Nunes Rodrigues. Christian,Spiritual,Traditi...
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Tenor Voice,Vocal Solo - Level 1 - SKU: A0.1367318 Composed by African-American Spiritual. Arranged by Alex Nunes Rodrigues. Christian,Spiritual,Traditional. 4 pages. Alex Rodrigues #951676. Published by Alex Rodrigues (A0.1367318). Were You There (When They Crucified My Lord) is an African American spiritual song that tells the story of the crucifixion of Jesus Christ. The song is a reflection on the suffering of Jesus and his death on the cross, but it is also an expression of faith and hope.
$1.99 ≈
1.85€
Were You There - for piano and tenor in F# major with chords
Were You There - for piano and tenor in F# major with chords
#
Gospel Spirituel
#
Musique Sacrée
#
African-American Spiritual
#
Alex Nunes Rodrigues
#
Were You There - for piano and
#
Alex Rodrigues
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 1 - SKU: A0.1367316 Composed by African-American Spiritual. Arranged by Alex Nunes Rodrigues. Christian,Spiritual,Traditi...
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Tenor Voice,Vocal Solo - Level 1 - SKU: A0.1367316 Composed by African-American Spiritual. Arranged by Alex Nunes Rodrigues. Christian,Spiritual,Traditional. 4 pages. Alex Rodrigues #951674. Published by Alex Rodrigues (A0.1367316). Were You There (When They Crucified My Lord) is an African American spiritual song that tells the story of the crucifixion of Jesus Christ. The song is a reflection on the suffering of Jesus and his death on the cross, but it is also an expression of faith and hope.
$1.99 ≈
1.85€
Were You There - for piano and tenor in F major
Were You There - for piano and tenor in F major
#
Gospel Spirituel
#
Musique Sacrée
#
African-American Spiritual
#
Alex Nunes Rodrigues
#
Were You There - for piano and
#
Alex Rodrigues
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 1 - SKU: A0.1367315 Composed by African-American Spiritual. Arranged by Alex Nunes Rodrigues. Christian,Spiritual,Traditi...
(+)
Tenor Voice,Vocal Solo - Level 1 - SKU: A0.1367315 Composed by African-American Spiritual. Arranged by Alex Nunes Rodrigues. Christian,Spiritual,Traditional. 4 pages. Alex Rodrigues #951673. Published by Alex Rodrigues (A0.1367315). Were You There (When They Crucified My Lord) is an African American spiritual song that tells the story of the crucifixion of Jesus Christ. The song is a reflection on the suffering of Jesus and his death on the cross, but it is also an expression of faith and hope.
$1.99 ≈
1.85€
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Tenor Saxophone and Piano
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.587927 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 p...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.587927 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044841. Published by David McKeown (A0.587927). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.27€
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Tenor Recorder and Piano
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Tenor Recorder and Piano
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Flûte à bec Tenor
#
FACILE
#
G F Handel
#
David McKeown
#
Lascia Ch'io Pianga, Aria from
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David McKeown
#
SheetMusicPlus
Recorder Solo,Tenor Recorder - Level 2 - SKU: A0.587924 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Standards. Individual part. 4 p...
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Recorder Solo,Tenor Recorder - Level 2 - SKU: A0.587924 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Standards. Individual part. 4 pages. David McKeown #5044835. Published by David McKeown (A0.587924). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Tenor Recorder and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above..Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.27€
National Anthem of Pakistan: PÄk SarzamÄ«n
National Anthem of Pakistan: PÄk SarzamÄ«n
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Orchestre d'harmonie
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FACILE
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Patriotique
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Ahmed Ghulam Ali Chagla
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Colin Kirkpatrick
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National Anthem of Pakistan: P
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1275552 Composed by Ahmed Ghulam Ali Chagla (1902-1953). Arranged by Colin Kirkpatrick. Multicultural,Patriotic,World. ...
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Concert Band - Level 2 - SKU: A0.1275552 Composed by Ahmed Ghulam Ali Chagla (1902-1953). Arranged by Colin Kirkpatrick. Multicultural,Patriotic,World. Score and Parts. 32 pages. Colin Kirkpatrick Publications #867420. Published by Colin Kirkpatrick Publications (A0.1275552). PÄk SarzamÄ«n is the national anthem of the Islamic Republic of Pakistan and formerly that of the Dominion of Pakistan. The music was composed by Ahmad Chagla in 1949, having been selected from hundreds of other melodies. Two years later, lyrics in classical Urdu were written by the Pakistani poet Hafeez Jalandhari. Musically, it's a blend of Eastern and Westrn musical traditions and sometimes referred to by its first line Pak sarzamin shad bad (Blessed be the Sacred Land). This quick and easy national anthem flexible arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in five independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. The arrangement consists of a score with six instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same PDF file.Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax)Part 1 in C (oboe, glockenspiel, violin)Part 1 in E flat (alto sax, E flat clarinet)Part 1a in C (octave above concert for flute, piccolo, oboe, violin)Part 1a in E flat (E flat cornet in brass band)Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax)Part 2 in C (violin)Part 2 in E flat (alto sax)Part 2a in C (octave above concert pitch for flute, oboe, violin)Part 2a in E flat (alto clarinet)Part 3 in B flat (tenor saxophone, B flat baritone)Part 3 in C (bass clef) (trombone, bassoon)Part 3 in C alto (alto clef) (viola)Part 3 in E flat (tenor horn, alto sax)Part 3 in F (French horn)Part 3a in B flat (8ve below Part 3 in B flat)Part 4 in B flat (tenor sax, baritone)Part 4 in C (bass clef) (trombone, euphonium, bassoon, cello)Part 4 in E flat (tenor horn)Part 4 in F (French horn)Part 5 in B flat (baritone)Part 5 in E flat (baritone sax, E flat bass)Part 5 in C (bass clef) (trombone, cello, euphonium, bassoon, double bass, tuba)There are also parts for timpani, percussion (3 players) and piano reduction.
$7.99 ≈
7.42€
I Dream of You, to Wake (Soprano or Tenor and Piano)
I Dream of You, to Wake (Soprano or Tenor and Piano)
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hu...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hunter A. Brown (A0.1013578). I Dream of You, to Wake (soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept soprano, and would be ideal for a solo and ensemble contest or college recital.Key: B major, F-sharp minorRange: C#4 - G#5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99 ≈
9.28€
Oh Shenandoah (SAT choir and piano)
Oh Shenandoah (SAT choir and piano)
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Chorale 3 parties
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FACILE
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (SAT) - Level 2 - SKU: A0.1274491 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Multicultural,Traditional,World. Octavo. 11 ...
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Choral Choir (SAT) - Level 2 - SKU: A0.1274491 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Multicultural,Traditional,World. Octavo. 11 pages. Colin Kirkpatrick Publications #866635. Published by Colin Kirkpatrick Publications (A0.1274491). This ever-popular American folksong probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. Paddling their canoes along the Mississippi and Missouri Rivers the traders were well-known for their singing. However, as most of the traders were illiterate, the songs were never written down and went through numerous changes over the years and centuries. Shenandoah became one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Most versions of the song have a similar couplet at the end of each verse. In some transcriptions, the melody is written out entirely in 4/4 time; others use triple time and some arrangements use a mixture of both. In this version, the lyrics have been selected from different versions of the song. This SAT arrangement for choir and piano is intended for high school, college or amateur choir and is ideal if the number of male voices is limited. The song is set in E flat major and modulates into F major. There is only one brief divisi passage (3 measure) of sustained notes in the soprano part. The top soprano note is F5 on the top line of the treble staff and the lowest note is E â™ on the lowest line of the staff. The top alto note is Bâ™ (mid-staff) (Bâ™4) and the lowest note is B â™3. The top tenor note is D4 (middle of treble staff) and the lowest note (only twice) is the low B flat (with an optional B flat an octave higher). With a running time of 04:00 this piece is enjoyable to sing and hear. It would make a useful addition to your choir’s repertoire.Â
$2.99 ≈
2.78€
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