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We Should Be Together Now
Non classifié
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Vous avez sélectionné:
We Should Be Together Now
Partitions à imprimer
33 partitions trouvées
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1
26
We Should Be Together Now
We Should Be Together Now
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Bernard Joseph Fanning, Darren
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Joseph Knox
#
We Should Be Together Now
#
Joseph Knox
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1325311 Composed by Bernard Joseph Fanning, Darren Middleton, Ian David Haug, John Collins, and Jonathan ...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1325311 Composed by Bernard Joseph Fanning, Darren Middleton, Ian David Haug, John Collins, and Jonathan Coghill. Arranged by Joseph Knox. A Cappella,Grunge,Punk,Rock. 12 pages. Joseph Knox #913552. Published by Joseph Knox (A0.1325311). An angsty, grungy deep-cut by Australian alternative rock legends Powderfinger, arranged for TTBB voices. Well-suited to any upper intermediate or advanced group looking to add some authentic Australian edge to their repertoire.Ensemble:- Baritone Soloist- Tenor 1 1+2- Tenor 2 1+2- Baritone 1+2- Bass 1+2- Vocal Percussion.
$3.99 ≈
¥28.94
Sing We Now of Christmas
Sing We Now of Christmas
#
Noel Nouvelet
#
Dillon Ekle
#
Sing We Now of Christmas
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Dillon Ekle
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.966756 Composed by Noel Nouvelet. Arranged by Dillon Ekle. 20th Century,Christian,Christma...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.966756 Composed by Noel Nouvelet. Arranged by Dillon Ekle. 20th Century,Christian,Christmas,Easter. Score and parts. 9 pages. Dillon Ekle #6110781. Published by Dillon Ekle (A0.966756). This energetic arrangement of Sing We Now of Christmas (also known as Now the Green Blade Riseth, which is an Easter hymn) begins with a staccato accompaniment before moving into the triplets that characterize the rest of the piece. A fun piece for church services, concerts, parties, and anywhere you can get a couple of pianists together to have some Christmas (or Easter) joy!The PDF file is formatted to be printed double-sided. Once printed and bound, odd numbered pages (including the cover page) should be on the right (where the primo player sits), and even numbered pages should be on the left (where the secondo player sits). Alternatively, if two pianos are being used, the file can be printed single-sided and the parts separated out; the primo player will have the odd numbered pages, and the secondo player will have the even numbered pages.
$4.99 ≈
¥36.20
We Gather Together/ Prayer of Thanksgiving
We Gather Together/ Prayer of Thanksgiving
#
Piano seul
#
FACILE
#
Musique Sacrée
#
Steve Stanfill
#
Steve Stanfill
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We Gather Together/ Prayer of
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Steve Stanfill
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1106402 By Steve Stanfill. By Unknown. Arranged by Steve Stanfill. Christian,Holiday,Praise & Worship,Religious. Score. 2...
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Piano Solo - Level 2 - SKU: A0.1106402 By Steve Stanfill. By Unknown. Arranged by Steve Stanfill. Christian,Holiday,Praise & Worship,Religious. Score. 2 pages. Steve Stanfill #709518. Published by Steve Stanfill (A0.1106402). This is a moderately easy piano arrangement of the Thanksgiving hymn We Gather Together.It can be used for prelude, postlude, or a special musical number in a Thanksgiving service. It should be played gently, bringing out the melody at all times.
$4.99 ≈
¥36.20
We're In This Love Together
We're In This Love Together
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Piano grosses notes
#
DÉBUTANT
#
Al Jarreau
#
We're In This Love Together
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.455877 By Al Jarreau. Jazz,Rock. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.455877). About Hal Le...
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SKU: HX.455877 By Al Jarreau. Jazz,Rock. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.455877). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
¥21.69
We Gather Together
We Gather Together
#
Piano grosses notes
#
DÉBUTANT
#
Netherlands Folk Hymn
#
We Gather Together
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.459267 By Netherlands Folk Hymn. Christian,Hymn,Sacred. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.459267). ...
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SKU: HX.459267 By Netherlands Folk Hymn. Christian,Hymn,Sacred. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.459267). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
¥21.69
We Belong Together (from Toy Story 3)
We Belong Together (from Toy Story 3)
#
Piano grosses notes
#
DÉBUTANT
#
Film Walt Disney
#
Randy Newman
#
We Belong Together
#
Hal Leonard - Digital
#
SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.451405 By Randy Newman. This edition: scorch. E-Z Play Today. Disney,Film/TV. Score. 4 pages. Hal...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.451405 By Randy Newman. This edition: scorch. E-Z Play Today. Disney,Film/TV. Score. 4 pages. Hal Leonard - Digital #210659. Published by Hal Leonard - Digital (HX.451405). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
¥21.69
We Go Together (from Grease)
We Go Together (from Grease)
#
Piano grosses notes
#
DÉBUTANT
#
Olivia Newton-John & John Trav
#
We Go Together
#
Hal Leonard - Digital
#
SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1280331 By Olivia Newton-John & John Travolta. This edition: scorch. E-Z Play Today. Broadway,Fil...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1280331 By Olivia Newton-John & John Travolta. This edition: scorch. E-Z Play Today. Broadway,Film/TV,Musical/Show. Score. 4 pages. Hal Leonard - Digital #907670. Published by Hal Leonard - Digital (HX.1280331). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
¥21.69
We Are Never Ever Getting Back Together
We Are Never Ever Getting Back Together
#
Orgue
#
Pop musique
#
Taylor Swift
#
We Are Never Ever Getting Back
#
Hal Leonard - Digital
#
SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1036554 By Taylor Swift. This edition: scorch. E-Z Play Today. Country,Pop. Score. 7 pages. Hal L...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1036554 By Taylor Swift. This edition: scorch. E-Z Play Today. Country,Pop. Score. 7 pages. Hal Leonard - Digital #226878. Published by Hal Leonard - Digital (HX.1036554). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
¥21.69
9.28.85
9.28.85
#
Trombone
#
AVANCÉ
#
Drake Mabry
#
9.28.85
#
Drake Mabry
#
SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99 ≈
¥57.96
Beyond The Sea
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
¥72.54
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00 ≈
¥217.61
Christmas In Australia
Christmas In Australia
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Chorale Unison
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FACILE
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Contemporain
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.774746 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sand...
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Choral Choir (Unison) - Level 2 - SKU: A0.774746 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sandra Milliken #4888943. Published by Sandra Milliken (A0.774746). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.
$4.99 ≈
¥36.20
Christmas In Australia
Christmas In Australia
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Chorale 2 parties
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FACILE
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.1121346 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Christmas,Contemporary. Octavo. 8 page...
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Choral Choir (SA) - Level 2 - SKU: A0.1121346 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Christmas,Contemporary. Octavo. 8 pages. Sandra Milliken #722519. Published by Sandra Milliken (A0.1121346). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs. An instrumental accompaniment for Glockenspiel and string ensemble is also available separately.
$2.30 ≈
¥16.68
Christmas In Australia
Christmas In Australia
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Chorale Unison
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FACILE
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Contemporain
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.774748 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sand...
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Choral Choir (Unison) - Level 2 - SKU: A0.774748 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sandra Milliken #4888947. Published by Sandra Milliken (A0.774748). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.
$4.99 ≈
¥36.20
Christmas In Australia
Christmas In Australia
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Chorale Unison
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FACILE
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Noël
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.774745 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sand...
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Choral Choir (Unison) - Level 2 - SKU: A0.774745 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sandra Milliken #4888935. Published by Sandra Milliken (A0.774745). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.
$4.99 ≈
¥36.20
Christmas In Australia
Christmas In Australia
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Chorale 2 parties
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FACILE
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Noël
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.774741 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 8 pages. Sandra M...
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Choral Choir (SA) - Level 2 - SKU: A0.774741 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 8 pages. Sandra Milliken #4887191. Published by Sandra Milliken (A0.774741). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain.Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.
$2.30 ≈
¥16.68
Christmas In Australia
Christmas In Australia
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Chorale SATB
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FACILE
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Noël
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.774744 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 11 pages. Sandr...
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Choral Choir (SATB) - Level 2 - SKU: A0.774744 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 11 pages. Sandra Milliken #4887201. Published by Sandra Milliken (A0.774744). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.
$2.30 ≈
¥16.68
Bethlehem Angel and The First Noel
Bethlehem Angel and The First Noel
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Noël
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Ginny Saltzman
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Bethlehem Angel and The First
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Ginny's House of Music
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Sc...
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Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ---- Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99 ≈
¥36.20
Over The Rainbow (from The Wizard Of Oz)
Over The Rainbow (from The Wizard Of Oz)
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Piano, Voix
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INTERMÉDIAIRE
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Film/TV
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Film/TV
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Judy Garland
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Michael Pilley
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Over The Rainbow
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Michael Pilley Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.746219 By Judy Garland. By Harold Arlen. Arranged by Michael Pilley. Film/TV. Score. 7 pages. Michael Pilley Music...
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Piano,Vocal,Voice - Level 3 - SKU: A0.746219 By Judy Garland. By Harold Arlen. Arranged by Michael Pilley. Film/TV. Score. 7 pages. Michael Pilley Music #4796637. Published by Michael Pilley Music (A0.746219). One of the most iconic movie songs of all time, Over The Rainbow is a must have arrangement if you are a vocalist. The tough part of arranging this number was that there are so many good arrangements out there already! Instead of reinventing the wheel, I decided to do a little mashup and bring together so many different aspects of all the great recordings of this timeless tune. So keep an ear out for Judy Garland, Frank Sinatra and your favourite version, they're all in here in some shape or form. Special thanks to The Idea of North, as their intro is my favourite and I just had to borrow it!Originally written for Tredegar Town Band and vocalist Siwan Henderson, this arrangement is at an intermediate level due to some extreme chromaticism and melodic lines that require a skillful accompanist, although the vocal part is simple to allow for any ad libs and should be comfortable for all voice types.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$20.00 ≈
¥145.07
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
¥87.04
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
¥87.04
Harvest Home (piano solo)
Harvest Home (piano solo)
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Piano seul
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FACILE
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George Elvey / Dutch Tradition
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Curtis Hanson
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Harvest Home
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Curtis Hanson
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.719791 Composed by George Elvey / Dutch Traditional. Arranged by Curtis Hanson. Christian,Holiday,Sacred. Score. 5 pages....
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Piano Solo - Level 2 - SKU: A0.719791 Composed by George Elvey / Dutch Traditional. Arranged by Curtis Hanson. Christian,Holiday,Sacred. Score. 5 pages. Curtis Hanson #6605333. Published by Curtis Hanson (A0.719791). Harvest Home is a setting of two well-known and beloved Thanksgiving hymns, Come, Ye Thankful People, Come and We Gather Together. The melodies are introduced in traditional hymn style and then expand somewhat in succeeding verses, but in general stay true to the familiar tune. This setting is for solo piano, but it is also available for SAB choir, SATB choir, and solo voice. It is not difficult and should be accessible for any pianist of modest ability, especially those serviceable church musicians who may be technically challenged. If you are looking for something for Thanksgiving that is widely known and cherished, this may be it.
$4.99 ≈
¥36.20
Flexi Quartet - One Man Went to Mow
Flexi Quartet - One Man Went to Mow
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Ensemble de cuivres
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INTERMÉDIAIRE
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Traditional
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Mike Lyons
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Flexi Quartet - One Man Went t
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767565 Composed by Traditional. Arranged by Mike Lyons. Children,Folk,Multicultural,Standards,World. Score and parts....
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Brass Ensemble - Level 3 - SKU: A0.767565 Composed by Traditional. Arranged by Mike Lyons. Children,Folk,Multicultural,Standards,World. Score and parts. 25 pages. Lyons Music Services #6103321. Published by Lyons Music Services (A0.767565). A moderately easy setting of this well-known children's song for flexi ensemble. Parts are supplied to allow instruments in C, Bb, Eb and F to combine to play together. C parts are provided in Treble, Alto and Bass clefs. This is not really suitable for absolute beginners as it goes into 4 sharps, but with a little perseverance it should be playable by most well-practiced groups. The main tune stays in the 1st part throughout, but other tunes appear as we go through the repetitions (Row your Boat, Frere Jacques) to help keep your place. p>The piece opens with a single part (1) which is joined by other voices one at a time for each of the first four verses. Care will need to be taken to count the bars as the number of men increases. There's a lot of fun to be had from playing this piece. If you want to add some cuteness, the lyrics are provided so parts can be sung.
$8.00 ≈
¥58.03
Let the LORD Shine Through
Let the LORD Shine Through
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Roy Swanson
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Let the LORD Shine Through
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Runway Region Publications, LLC
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SheetMusicPlus
Small Ensemble - SKU: A0.955553 Composed by Roy Swanson. Christian. Score and parts. 4 pages. Runway Region Publications, LLC #6562177. Published by Run...
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Small Ensemble - SKU: A0.955553 Composed by Roy Swanson. Christian. Score and parts. 4 pages. Runway Region Publications, LLC #6562177. Published by Runway Region Publications, LLC (A0.955553). The Bible teaches us that God works all things together for good. Even in the most difficult times, we should remember this, and let the goodness of God shine through us. Out in the world there's some kind of evil. But why be so mean? Don't they know what I know...I'm gonna let the Lord shine through! .
$2.49 ≈
¥18.06
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
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Violon
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Tito Abeleda
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Violin 1, 2, 3
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records #4784007. Published by Visionary Quest Records (A0.1070248). STRING ORCHESTRA - Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 43 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInsta.
$2.99 ≈
¥21.69
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We Should Be Together Now
