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Vous avez sélectionné:
Themes from Chopin
Partitions à imprimer
48 partitions trouvées
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Themes from Chopin (Piano Solo)
Themes from Chopin (Piano Solo)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Sylvina Tilbury
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Themes from Chopin
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Sylvina Tilbury
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Frederic Chopin (1810-1849). Arranged by Sylvina Tilbury. Romantic Period, Repertoire. Individual Part, Score, She...
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Piano Solo - Intermediate - Composed by Frederic Chopin (1810-1849). Arranged by Sylvina Tilbury. Romantic Period, Repertoire. Individual Part, Score, Sheet Music Single, Solo Part. 5 pages. Published by Sylvina Tilbury
Have you always wanted to play some of your favourite Chopin pieces but find the virtuoso sections too daunting? This is a medley of themes from a number of Chopin's best known piano works. The extracts that form the bulk of the piece are faithful transcriptions of Chopin's originals, in the original key, and are joined together with short sections of original composition in a similar style. This is an ideal introduction to some of Chopin's most beautiful music for the intermediate level piano student or adult learner, or a relaxing bit of light relief for the more advanced pianist.
Works represented include:
Etude in E major op.10 no. 3
Ballade no. 1 in G minor op. 23
Prelude in D flat ("Raindrop"), op. 28 no. 15
$4.99 ≈
£3.91
20 Favorite Classical Themes for Easy Piano (C Major / A minor)
20 Favorite Classical Themes for Easy Piano (C Major / A minor)
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Piano Facile
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FACILE
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Classique
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Beethoven, Pachelbel, Vivald
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Thomas Fedorchik
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20 Favorite Classical Themes f
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Thomas Fedorchik
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SheetMusicPlus
Composed by Beethoven, Pachelbel, Vivaldi, Mozart, Chopin, Haydn, Verdi, Corelli, Handel, Paganini, Dukas, Offenbach, Liszt, Rachmaninoff, Strauss. ...
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Composed by Beethoven, Pachelbel, Vivaldi, Mozart, Chopin, Haydn, Verdi, Corelli, Handel, Paganini, Dukas, Offenbach, Liszt, Rachmaninoff, Strauss. Arranged by Thomas Fedorchik. 20th Century, Romantic Period, Classical Period, Baroque Period, Repertoire. Score. 30 pages. Published by Thomas Fedorchik
A selection of themes from twenty great classical works, arranged and graded for easy piano (SMP levels 2, 3 and 4) in C Major and A minor. Includes:
Ode to Joy (Beethoven)
Spring (Vivaldi)
Andante Grazioso (Mozart)
Canon (Pachelbel)
?Surprise? Symphony (Haydn)
?Anvil? Chorus (Verdi)
Funeral March (Chopin)
La Follia (Corelli)
Caprice no. 24 (Paganini)
?Hallelujah? Chorus (Händel)
?Pathétique? Sonata (Beethoven)
Bagatelle ?Für Elise? (Beethoven)
The Sorcerer?s Apprentice (Dukas)
Cancan (Offenbach)
?Moonlight? Sonata (Beethoven)
Nocturne, Op. 9 no. 2 (Chopin)
Lacrymosa (Mozart)
La Campanella (Liszt)
Piano Concerto no. 2 (Rachmaninoff)
Also Sprach Zarathustra (Strauss)
$9.99 ≈
£7.83
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99 ≈
£11.75
Regentropfen Prelude - F. Chopin
Regentropfen Prelude - F. Chopin
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Mandoline
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FACILE
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Classique
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Frederic Chopin
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songbooks
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Regentropfen Prelude - F. Chop
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songbooks.info
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SheetMusicPlus
Mandolin - Level 2 - SKU: A0.1347759 Composed by Frederic Chopin. Arranged by songbooks.info. Baroque,Classical,Renaissance. Score. 3 pages. Songbooks.i...
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Mandolin - Level 2 - SKU: A0.1347759 Composed by Frederic Chopin. Arranged by songbooks.info. Baroque,Classical,Renaissance. Score. 3 pages. Songbooks.info #932569. Published by songbooks.info (A0.1347759). Well-known and popular themes from classical music - notated for the Mandolin in classical musical notation as well as in the well-known tablature for string instruments. The song's recording was made at a slow tempo. We hope you enjoy making music...!Bekannte und beliebte Themen aus der klassischen Musik - notiert für die Mandoline in klassischer Notenschrift sowie in der bekannten Tabulatur für Saiteninstrumente. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.22 ≈
£1.74
An Assortment of Chopin: Wind Quintet
An Assortment of Chopin: Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Fiona Hickie
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An Assortment of Chopin: Wind
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Fiona Alice Hickie
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.738142 Composed by Frederic Chopin. Arranged by Fiona Hickie. Cl...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.738142 Composed by Frederic Chopin. Arranged by Fiona Hickie. Classical,Romantic Period. 21 pages. Fiona Alice Hickie #4885565. Published by Fiona Alice Hickie (A0.738142). Themes from Grande Valse Brilliante Op. 18, Piano Sonata No. 2, Prelude in C minor Op. 28 and Military Polonaise Op. 40 No. 1
$12.00 ≈
£9.41
Chopin Etude Op. 10 No. 3 - Easy Piano
Chopin Etude Op. 10 No. 3 - Easy Piano
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Piano Facile
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FACILE
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Classique
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Frederic Chopin
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Kevin P
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Chopin Etude Op. 10 No. 3 - Ea
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Kevin P. Holtg
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.865985 Composed by Frederic Chopin. Arranged by Kevin P. Holt. Concert,Instructional,Romantic Period,Standards. Score. 2 ...
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Easy Piano - Level 2 - SKU: A0.865985 Composed by Frederic Chopin. Arranged by Kevin P. Holt. Concert,Instructional,Romantic Period,Standards. Score. 2 pages. Kevin P. Holtg #4755941. Published by Kevin P. Holtg (A0.865985). Nice and simple arrangements of popular film, TV and classical themes for Easy Piano. Dynamics and Expression are left to the performers discretion but I've suggested a few to get you started. Have fun!This version is the first theme only and has been transposed from E major to F major to make it a little more accessible to lower graded students. It still works well and would sound great in any performers recital.
$3.99 ≈
£3.13
Ein Streifzug durch Leben und Werk
Ein Streifzug durch Leben und Werk
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Piano Facile
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FACILE
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Classique
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Ein Streifzug durch Leben und
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Schott Music - Digital
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SheetMusicPlus
Piano - easy to intermediate - Mit leichten Originalstucken und Bearbeitungen. Composed by Frederic Chopin (1810- 1849). This edition: Sheet music. O...
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Piano - easy to intermediate - Mit leichten Originalstucken und Bearbeitungen. Composed by Frederic Chopin (1810- 1849). This edition: Sheet music. Originalkompositionen, Romantik, Piano. Get to know Composers. Downloadable. Schott Music - Digital #Q51945. Published by Schott Music - Digital
Chopin is considered to have been the founder of what was a new style of sensitive virtuoso piano playing among the Romantics. Heinrich Heine made the telling comment about him that "He is not only a virtuoso, he is also a poet". This volume contains original piano compositions such as Preludes, Mazurkas , Waltzes and Polonaises, along with arrangements of the loveliest themes from his two Piano Concertos, three pieces of chamber music and a song.
$15.99 ≈
£12.54
30 Famous Classical Melodies - early elementary piano
30 Famous Classical Melodies - early elementary piano
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Piano Facile
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DÉBUTANT
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Classique
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Edvard Grieg, Frederic Chopin,
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Tabitha Kierszka
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30 Famous Classical Melodies -
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Tabitha Kierszka
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.900984 Composed by Edvard Grieg, Frederic Chopin, Johann Sebastian Bach, Joplin a.o., and Ludwig van Beethoven. Arranged ...
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Easy Piano - Level 1 - SKU: A0.900984 Composed by Edvard Grieg, Frederic Chopin, Johann Sebastian Bach, Joplin a.o., and Ludwig van Beethoven. Arranged by Tabitha Kierszka. Classical,Instructional,Romantic Period. Score. 46 pages. Tabitha Kierszka #5214137. Published by Tabitha Kierszka (A0.900984). An extensive resource for all piano teachers with primer level piano students. All those 30 motivating, well-known selections can be played by first year piano students.Suitable for beginners of all ages. Adult beginners will enjoy playing these famous classical themes after just a short period of lessons.30 Famous Classical Melodies in an arrangement for early elementy piano (with teacher duets).Helpful fingering suggestions are provided.Note reading: the notes around middle c, some accidentals occur.Contents: Te Deum - CharpentierMusette - BachSurprise Symphony theme by Haydn, fragment from piano sonata by MozartSheep may safely graze - BachMelodies from Carmen - Bizet,Themes from Beethoven symphonies 6 and 9.Nocturne, Funeral march and Polonaise- ChopinEntry of the Gladiators by Fucik,and other titles by Grieg, Tchaikovsky, Smetana, Joplin, Brahms, Mendelssohn, Wagner.
$4.50 ≈
£3.53
Fantaisie sur La Flûte enchantée” de Mozart
Fantaisie sur La Flûte enchantée” de Mozart
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Violoncelle, Piano
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Classique
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Auguste Joseph Franchomme
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he died in Paris in 1884
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Fantaisie sur La Flûte e
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q53290 Op. 40. Composed by Auguste Joseph Franchomme. Edited by Beverley Ellis and Rainer Mo...
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Cello and piano - intermediate to advanced - SKU: S9.Q53290 Op. 40. Composed by Auguste Joseph Franchomme. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 40. 16 pages. Schott Music - Digital #Q53290. Published by Schott Music - Digital (S9.Q53290). English • German.Auguste Joseph Franchomme was born in Lille on 10.4.1808; he died in Paris in 1884. One of his first cello teachers in Lille was Pierre Baumann, who also taught Edouard Lalo. Giving up the study of Law in favour of the cello, he studied with Jean-Henri Levasseur and Louis-Pierre Norblin from 1825 at the Paris Conservatoire. After that he played in various orchestras until he was eventually able to establish himself as a soloist and chamber musician in Paris. Together with violinist Jean-Delphin Alard he founded the Alard Quartet, one of the few string quartets of the time whose members were all professional musicians. Alongside his concert career, Franchomme was a popular and successful professor at the Conservatoire for almost forty years. His compositions include numerous pieces and studies for the cello, a cello concerto and many transcriptions. Franchomme was a close friend of Chopin: he also composed the cello part to Chopin’s Duo concertante and reworked the cello part for the Polonaise Brillante. Chopin dedicated his Cello Sonata op. 65 to Franchomme. Chopin’s influence is clearly recognisable in Franchomme’s work and particularly evident, for example, in his Étude in C# minor op. 35/11. In 1884 Franchomme was awarded the Légion d’honneur for his services to music. This Fantaisie based on themes from Mozart’s Magic Flute was published in 1873 (plate no. 20425).
$3.99 ≈
£3.13
Monarchs of Music
Monarchs of Music
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Harpe
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INTERMÉDIAIRE
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William Mahan
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Monarchs of Music
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Level 3 - SKU: A0.797379 Composed by William Mahan. Baroque,Classical,Concert,Standards. Score. 26 pages. Afghan Press Music for the Harp #483142...
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Harp - Level 3 - SKU: A0.797379 Composed by William Mahan. Baroque,Classical,Concert,Standards. Score. 26 pages. Afghan Press Music for the Harp #4831427. Published by Afghan Press Music for the Harp (A0.797379). Themes and Variations arranged for harp. These familiar melodies, loved the world over, have been simplified from their orchestral or original versions, none originally written for harp. Carefully edited with some fingerings and brackets, these are a great addition to your repertoire for performing or for self enjoyment. Titles: Pieds en l'air (Thoinot Arbeau), from Marizapalos (Don Francisco Geurau), Gigue from Suite for Strings (Arcangelo Corelli), 2-part Invention #11 (J.S. Bach), Etude #3 from 12 Etudes (Frederic Chopin), Heimweh from Lyric Piece #10 (Edvard Grieg), Pas Classique from Raymonda (Alexander Glazunov), Themes from Vaughan Williams' Tallis Fantasia, El noy de la mare (Catalonian)
$16.00 ≈
£12.55
Little Princess Waltz
Little Princess Waltz
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Piano seul
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INTERMÉDIAIRE
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Ben Dockery
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This short piece (app
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Little Princess Waltz
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Ben Dockery
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.693001 Composed by Ben Dockery. Children,Contemporary,Romantic Period,Standards. Score. 2 pages. Ben Dockery #3126649. Pu...
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Piano Solo - Level 3 - SKU: A0.693001 Composed by Ben Dockery. Children,Contemporary,Romantic Period,Standards. Score. 2 pages. Ben Dockery #3126649. Published by Ben Dockery (A0.693001). This romantic waltz is the third in my series of impromptus inspired by sounds of childhood, namely the theme music from early nineties game systems like Nintendo. This short piece (app. 1 min. 20 sec.) is reminiscent of the occasional love themes from various games. Often the music was in stark contrast from the more rambunctious and syncopated main themes. Performers should approach this piece the same way they would a Chopin waltz: careful voicing of all parts but especially the primary melody, regular use of rubato, and a sensitive touch. The middle section has the left-hand playing the melody solo voce while the right-hand plays repetitive chords. Be sure to keep the right-hand accompaniment softer than the left in this section. Follow my work and find free music at www.bendockery.com.
$2.99 ≈
£2.34
Melodie
Melodie
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Bettina Schipp
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Melodie
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songbooks.info
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1315339 Composed by Frederic Chopin. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part. 3...
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Solo Guitar - Level 4 - SKU: A0.1315339 Composed by Frederic Chopin. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part. 3 pages. Songbooks.info #904088. Published by songbooks.info (A0.1315339). These themes from classical music come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49 ≈
£1.95
O The Deep, Deep Love of Jesus / Waltz in A minor, Op. 34. No. 2 (Solo Piano)
O The Deep, Deep Love of Jesus / Waltz in A minor, Op. 34. No. 2 (Solo Piano)
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Piano seul
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INTERMÉDIAIRE
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Peggy Duquesnel
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Peggy Duquesnel
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O The Deep, Deep Love of Jesus
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Duquesnel Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1236331 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Advent,Christian,Classical,Lent,New Age. Score. ...
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Piano Solo - Level 3 - SKU: A0.1236331 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Advent,Christian,Classical,Lent,New Age. Score. 5 pages. Duquesnel Music Publishing #831843. Published by Duquesnel Music Publishing (A0.1236331). This arrangement reharmonizes the traditional hymn and interlaces the hymn melody with themes from the Chopin Waltz in A Minor, Op. 34 No. 2 creating a peaceful and reflective piece of music. It is suitable for church preludes, communion, baptisms, Lent, Advent and meditation music. It is on Peggy Duquesnel's Piano for My Soul album available on www.PianoOrchestrations.com.
$4.99 ≈
£3.91
Remember
Remember
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Piano seul
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AVANCÉ
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Film/TV
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Hans Zimmer
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PianoMusicSheets
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Remember
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PianoMusicSheets
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1169465 Composed by Hans Zimmer. Arranged by PianoMusicSheets. Film/TV. Score. 6 pages. PianoMusicSheets #769820. Publish...
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Piano Solo - Level 5 - SKU: A0.1169465 Composed by Hans Zimmer. Arranged by PianoMusicSheets. Film/TV. Score. 6 pages. PianoMusicSheets #769820. Published by PianoMusicSheets (A0.1169465). I extended the original soundtrack mostly by repeating some of the themes in different registers and/or with slightly different rhythm patterns. In bars 124-128 I used the coda from Chopin Grande Polonaise Brillante Op. 22.
$4.99 ≈
£3.91
Four Seasons Piano Fantasy
Four Seasons Piano Fantasy
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Piano seul
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Thomas Ling Swee Chin
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Four Seasons Piano Fantasy
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - SKU: A0.818504 Composed by Thomas Ling Swee Chin. Concert,Contemporary. Score. 16 pages. Thomas Swee Chin #5983141. Published by Thomas Swe...
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Piano Solo - SKU: A0.818504 Composed by Thomas Ling Swee Chin. Concert,Contemporary. Score. 16 pages. Thomas Swee Chin #5983141. Published by Thomas Swee Chin (A0.818504). This set consists of four pieces somewhat connected loosely:Summer Fantasy, Autumn Breeze, Winter Nocturne and Spring Dance. Summer has jazzy elements in rhythm and harmonies. The Autumn Breeze starts with the first 3 notes of the famous Autumn Leaves, to be played with extreme rubato depicting breeze. Winter Nocturne is Chopin-like in nature (one hopes). Spring Dance alludes to many spring themes from Beethoven, Mendelssohn, Vivaldi, with much distortion to the meter, rhythm and harmonies, and a reference to a Japanese anime tune.
$8.90 ≈
£6.98
If would be playing...
If would be playing...
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Piano seul
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Martin Pražák
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If would be playing...
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Tatousek
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SheetMusicPlus
Piano Solo - SKU: A0.483903 Composed by Martin Pražák. Blues,Jazz,Latin. Score. 41 pages. Published by Tatousek (A0.483903). A simple ve...
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Piano Solo - SKU: A0.483903 Composed by Martin Pražák. Blues,Jazz,Latin. Score. 41 pages. Published by Tatousek (A0.483903). A simple version of a series of 15 compositions for the keyboard called If He Played ...These compositions contain themes from world-famous composers (for example Bach, Mozart, Beethoven, Chopin, Smetana, Dvorak, Janacek etc) and show how they would process them today as blues, ragtime, rock'n'roll, boogie woogie, funk, latin...Audio available including sheet music in pdf.
$4.99 ≈
£3.91
Piano Concerto No. 1, Themes From The First Movement
Piano Concerto No. 1, Themes From The First Movement
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Piano seul
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Classique
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Frederic Chopin
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Hans-Gunter Heumann
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Piano Concerto No. 1, Themes F
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Frederic Chopin. Arranged by Hans-Gunter Heumann. For piano. Classical. 4 pages. Published by Hal Leonard - Digital Sheet Music...
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By Frederic Chopin. Arranged by Hans-Gunter Heumann. For piano. Classical. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
£3.91
Themes From The Ballade In G Minor, Op. 23
Themes From The Ballade In G Minor, Op. 23
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Piano seul
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Classique
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Frederic Chopin
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Themes From The Ballade In G M
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Frederic Chopin. For piano. Classical. 4 pages. Published by Hal Leonard - Digital Sheet Music...
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By Frederic Chopin. For piano. Classical. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
£3.91
Prelude 12 in Bb Minor Dorian
Prelude 12 in Bb Minor Dorian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
£4.70
Prelude 21 in D Major Mixolydian
Prelude 21 in D Major Mixolydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 21 in D Major Mixolydi
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883010. Published by Brian Golden (A0.1292437). Prelude 21 in D Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.70
Prelude 11 in Db Major Lydian
Prelude 11 in Db Major Lydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden...
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Piano Solo - Level 4 - SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
£4.70
Prelude 6 in G Minor Dorian
Prelude 6 in G Minor Dorian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.70
Prelude 23 in G Major Lydian
Prelude 23 in G Major Lydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.70
Prelude 2 in A Minor Aolian
Prelude 2 in A Minor Aolian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden...
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Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.70
Prelude 1 in C Major Ionian
Prelude 1 in C Major Ionian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 1 in C Major Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
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Themes from Chopin
