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The Time Has Come, for Love to Last
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Vous avez sélectionné:
The Time Has Come, for Love to Last
Partitions à imprimer
142 partitions trouvées
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The Time Has Come, for Love to Last - Flute & Piano
The Time Has Come, for Love to Last - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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The Time Has Come, for Love to
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James M Stevens Music ASCAP
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Piano - Level 3 - SKU: A0.573005 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Ag...
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Instrumental Duet,Piano Flute,Piano - Level 3 - SKU: A0.573005 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sacred,Wedding. Score and part. 10 pages. James M Stevens Music ASCAP #4764723. Published by James M Stevens Music ASCAP (A0.573005). This is an original composition for Solo Flute and Piano in a relaxed and romantic style in the key of B flat major. There is a separate flute part in the score. The track as heard is available under The Time Has Come, for Love to Last Accompaniment Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department of Welch College. Listen to his music on Spotify: https://tinyurl.com/y2g9sgd5
$6.99 ≈
6.52€
The Time Has Come, for Love to Last - Violin & Piano
The Time Has Come, for Love to Last - Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
#
James Michael Stevens
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James Michael Stevens
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The Time Has Come, for Love to
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James M Stevens Music ASCAP
#
SheetMusicPlus
Full Orchestra Piano,Violin - Level 4 - SKU: A0.573004 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sa...
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Full Orchestra Piano,Violin - Level 4 - SKU: A0.573004 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sacred,Wedding. Score and Parts. 10 pages. James M Stevens Music ASCAP #4764613. Published by James M Stevens Music ASCAP (A0.573004). This is an original composition for Solo Violin and Piano in a relaxed and romantic style in the key of B flat major. There is a separate violin part in the score. The track as heard is available under The Time Has Come, for Love to Last Accompaniment Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department of Welch College. Listen to his music on Spotify: https://tinyurl.com/y2g9sgd5
$6.99 ≈
6.52€
The Time Has Come, for Love to Last - Flute & Piano
The Time Has Come, for Love to Last - Flute & Piano
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Flûte traversière et Piano
#
James Michael Stevens
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James Michael Stevens
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The Time Has Come, for Love to
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James M Stevens Music ASCAP
#
SheetMusicPlus
Flute,Piano - SKU: A0.1061708 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sacred,Wedding. Full Perfor...
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Flute,Piano - SKU: A0.1061708 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sacred,Wedding. Full Performance. Duration 211. James M Stevens Music ASCAP #4764715. Published by James M Stevens Music ASCAP (A0.1061708). This is the Flute and Piano performance of Stevens' The Time Has Come, for Love to Last with some added ambient orchestration.
$1.99 ≈
1.86€
The Time Has Come, for Love to Last - Violin & Piano
The Time Has Come, for Love to Last - Violin & Piano
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Piano Trio: Violon, Alto, Piano
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James Michael Stevens
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James Michael Stevens
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The Time Has Come, for Love to
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James M Stevens Music ASCAP
#
SheetMusicPlus
Piano,Viola,Violin - SKU: A0.1061705 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sacred,Wedding. Full...
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Piano,Viola,Violin - SKU: A0.1061705 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sacred,Wedding. Full Performance. Duration 212. James M Stevens Music ASCAP #4764261. Published by James M Stevens Music ASCAP (A0.1061705). This is the Violin & Piano performance of Stevens' The Time Has Come, for Love to Last
$1.99 ≈
1.86€
The Time Has Come, for Love to Last
The Time Has Come, for Love to Last
#
James Michael Stevens
#
James Michael Stevens
#
The Time Has Come, for Love to
#
James M Stevens Music ASCAP
#
SheetMusicPlus
SKU: A0.1061704 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sacred,Wedding. Full Performance. Duratio...
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SKU: A0.1061704 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sacred,Wedding. Full Performance. Duration 211. James M Stevens Music ASCAP #4763999. Published by James M Stevens Music ASCAP (A0.1061704). This is the piano performance of Stevens' The Time Has Come, for Love to Last with some ambient orchestration.
$1.99 ≈
1.86€
The Time Has Come, for Love to Last Accompaniment Track
The Time Has Come, for Love to Last Accompaniment Track
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Piano seul
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James Michael Stevens
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James Michael Stevens
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The Time Has Come, for Love to
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James M Stevens Music ASCAP
#
SheetMusicPlus
Piano - SKU: A0.1061706 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sacred,Wedding. Accompaniment. Du...
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Piano - SKU: A0.1061706 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sacred,Wedding. Accompaniment. Duration 211. James M Stevens Music ASCAP #4764587. Published by James M Stevens Music ASCAP (A0.1061706). The is the piano track for Stevens' The Time Has Come, for Love to Last which may be used for various instrumental solos.
$2.99 ≈
2.79€
The Time Has Come, for Love to Last
The Time Has Come, for Love to Last
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
James Michael Stevens
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James Michael Stevens
#
The Time Has Come, for Love to
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James M Stevens Music ASCAP
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.573003 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sacred,Wedding. Sco...
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Piano Solo - Level 4 - SKU: A0.573003 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sacred,Wedding. Score. 5 pages. James M Stevens Music ASCAP #4764005. Published by James M Stevens Music ASCAP (A0.573003). This is an original piano composition in a relaxed and romantic style in the key of B flat major. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. If you listen to Spotify , please listen to and follow Dr. Steven's channel. https://tinyurl.com/y2g9sgd5
$3.99 ≈
3.72€
Too Much For Our Thirst (Trombone and Piano)
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99 ≈
9.32€
Come Back (Let's Be Sweethearts Once More)
Come Back (Let's Be Sweethearts Once More)
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Charles K
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Come Back
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice (solo and SATB and TTBB chorus) - SKU: LV.7419 Composed by Charles K. Harris. Birds, Flowers, Courtship, Love, Absences, Sadness. Lester...
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Piano and voice (solo and SATB and TTBB chorus) - SKU: LV.7419 Composed by Charles K. Harris. Birds, Flowers, Courtship, Love, Absences, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7419). Come Back (Let's Be Sweethearts Once More). by Chas. K. Harris. Published 1916 by Chas. K. Harris in New York. Composition of strophic with chorus with piano and voice (solo and satb and ttbb chorus) instrumentation. Subject headings for this piece include Birds, Flowers, Courtship, Love, Absences, Sadness. First line reads The last time you kissed me, and told me how you'd miss me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.59€
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99 ≈
17.72€
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Ensemble de Tubas
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INTERMÉDIAIRE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set ...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller?s signature tune. In 1991, Miller?s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master?s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra?s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song?s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ?Moonlight Serenade? for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99 ≈
12.12€
LOVELY THOUGHTS
LOVELY THOUGHTS
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.86€
FORNUDDSVALSEN
FORNUDDSVALSEN
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.86€
Christmas Carols - Coventry and Wexford - Strings and Piano
Christmas Carols - Coventry and Wexford - Strings and Piano
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Noël
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by lully lullay
Lullay
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Unknown
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Connie Boss
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Christmas Carols - Coventry an
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Connie Boss
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SheetMusicPlus
Cello,Piano,Viola,Violin - SKU: A0.1067518 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Accompaniment. Duration 241. Con...
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Cello,Piano,Viola,Violin - SKU: A0.1067518 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Accompaniment. Duration 241. Connie Boss #6429829. Published by Connie Boss (A0.1067518). This mp3 is a mix of two lovely songs - one from England and one from Ireland. The Coventry Carol and Wexford Carol. Parts for 5 part strings and piano. Purchase sheet music on here. cdboss@cvalley.netLyrics: Christmas Carols (The Coventry Carol and Wexford Carol) Arranged by Connie Boss  (Solo) Lullay thou little tiny child, By by lully lullay Lullay thou little tiny child, By by lully lullay  Verse 1: Good people all this Christmas time Consider all and bear in mind, What our good God for us has done In sending His beloved Son With Mary holy, we should pray to God with love To God with love this Christmas Day.  Verse 2: The night before that happy tide, The noble virgin while with her guide, Were long time seeking up and down, To find a lodging in the town. But mark how all things had come to pass From ev’ry door repelled at last As long foretold their refuge all Was but a humble, oxen’s stall  Verse 3: Near Bethlehem did shepherds keep Their flocks of lamb and feeding sheep To whom God’s angels did appear Which put the shepherds in great fear. Prepare and go the Angel’s said To Bethlehem, be not afraid For there you’ll find this happy morn A princely babe, sweet Jesus born.  Ending: By by lully lullay ÂÂ
$1.99 ≈
1.86€
Folk Songs For Classical Guitar - Volume 15 (Songs 379-405)
Folk Songs For Classical Guitar - Volume 15 (Songs 379-405)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1153433 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1153433 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 44 pages. Socrates Arvanitakis #753694. Published by Socrates Arvanitakis (A0.1153433). This is the fifteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 15 (Songs 379-405)Green Grow the Rushes ohGreen mossy banks of the LeaGreen Willow Tree (The)Greenland Fishery (The)GreensleevesGresford Disaster (The)Grey Cock or The Lover’s Ghost (The)Grey Selkie 1 (The)Grigol CridheGround for the FloorGuise O’ ToughGuy Fawkes (Drum March For)Gypsy DaveyHampshire Mummers’ Christmas CarolHandsome Butcher (the)Hard Times of Old EnglandHark, hark, let us behold (Russell)Hark, Shepherds Hark, The Angels SingHarvest Song (Wiltshire)He Called for a CandleHe That Will Not Merry Merry BeHeavenly Child (The)Help Me O LordHenry MartinHenry, My SonHere Come the NavviesHere we come a-wassailing
$25.00 ≈
23.33€
AS DANTE (TO HELL AND BACK)
AS DANTE (TO HELL AND BACK)
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Piano seul
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Contemporain
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Monica Bergo
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your
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AS DANTE
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012728 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743167. Published by Moni Bergo (A0.1012728).
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Piano Solo - SKU: A0.1012728 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743167. Published by Moni Bergo (A0.1012728). Music and song composed by me ♫ *'¨` * • .¸¸. As Dante (To hell and back)♫ ♫ *'¨` * • .¸¸. ♫ I'd recognize anywhere and millions your eyes when will my time I certainly find it my rebellious soul that more chains will not have over the time and distances Your light will follow and how Dante I will commence from the bottom the deepest hell between the screams of the damned three groans and sins between greedy and slothful but you're not here I feel that changes and transforms the essence takes shape love transfigures removes all fear I find you I swear I'll take you with me memories, images in my mind 2 of us in the excerpt of apparent life for us that we are in hell were forged on us a tear and 100 sins I do not believe, do not watch and do not feel You that rest and peace have reached and then suddenly appears to me your face We are in hell for us is heaven ... we rush wrists tied, I do not care You squeeze to hurt me think of me stronger and shalt see my colors It was death to turn me but you can repaint me and then I'll be whatever you want as in life if you want me wind I breath and the evils I will comfort If you want me want rose scent the air and will blossom As Dante told We are Paolo and Francesca 2 doves and then just and I find the joy of living smile reborn and fight to recover what in life we we never had happiness everyone is looking for and chase and then expect strange to say but I find it here On flames on hell as Dante that one day for that dark forest left dance, dance white souls purgatory are never tired why the hell is a real torture but it is the paradise that do more scares and how Dante but without Virgilio I try by myself to my best because Charonte accept my toll conceal my love and now we are already on journey how strange my mind that does not have any rest It has no limits or boundaries and fear a little 'makes me is my curse as a mark on the skin but as said one on last Dante I go out to see the stars that day will come and then I swear I look for you and take you to a safe place Please , just remember only my face and will not be hell will be heaven ... Monica Bergo
$5.00 ≈
4.67€
The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
28.00€
Christmas Carols - Coventry and Wexford - SATB flute/violin/cello and Piano parts included
Christmas Carols - Coventry and Wexford - SATB flute/violin/cello and Piano parts included
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Noël
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by lully lullay
Lullay
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Unknown
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Connie Boss
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Christmas Carols - Coventry an
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801659 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages....
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801659 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Connie Boss #6370123. Published by Connie Boss (A0.801659). This is a mix of two lovely songs - one from England and one from Ireland. The Coventry Carol and Wexford Carol. I also added an accent instrumental part that can be played by flute or violin or cello - parts are all included. The original piece has the flute written in it but all are added at the end with one page for each part. cdboss@cvalley.netLyrics:Christmas Carols (The Coventry Carol and Wexford Carol) Arranged by Connie Boss  (Solo) Lullay thou little tiny child, By by lully lullay Lullay thou little tiny child, By by lully lullay  Verse 1: Good people all this Christmas time Consider all and bear in mind, What our good God for us has done In sending His beloved Son With Mary holy, we should pray to God with love To God with love this Christmas Day.  Verse 2: The night before that happy tide, The noble virgin while with her guide, Were long time seeking up and down, To find a lodging in the town. But mark how all things had come to pass From ev’ry door repelled at last As long foretold their refuge all Was but a humble, oxen’s stall  Verse 3: Near Bethlehem did shepherds keep Their flocks of lamb and feeding sheep To whom God’s angels did appear Which put the shepherds in great fear. Prepare and go the Angel’s said To Bethlehem, be not afraid For there you’ll find this happy morn A princely babe, sweet Jesus born.  Ending: By by lully lullay
$5.50 ≈
5.13€
"Three Labe Sonnets" for mezzo-soprano and piano
"Three Labe Sonnets" for mezzo-soprano and piano
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Contemporain
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Jason A
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"Three Labe Sonnets"
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Call of the Wild Publishing
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SheetMusicPlus
Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265...
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Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50 ≈
4.20€
Christmas Carols (Coventry and Wexford) Violin quintet and piano
Christmas Carols (Coventry and Wexford) Violin quintet and piano
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Violon et Piano
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INTERMÉDIAIRE
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Noël
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by lully lullay
Lulla
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Unknown
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Connie Boss
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Christmas Carols
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Connie Boss
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1303299 Composed by Unknown. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious,Sacred. 16 pages. Connie Bo...
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Piano,Violin - Level 3 - SKU: A0.1303299 Composed by Unknown. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious,Sacred. 16 pages. Connie Boss #892880. Published by Connie Boss (A0.1303299). This is a mix of two lovely songs - one from England and one from Ireland. The Coventry Carol and Wexford Carol. This is for 5 violins - parts are all included and piano. For any questions or requests, email cdboss@cvalley.netLyrics:Christmas Carols(The Coventry Carol and Wexford Carol)Arranged by Connie Boss (Solo)Lullay thou little tiny child, By by lully lullayLullay thou little tiny child, By by lully lullay Verse 1:Good people all this Christmas timeConsider all and bear in mind,What our good God for us has doneIn sending His beloved SonWith Mary holy, we should pray to God with loveTo God with love this Christmas Day. Verse 2:The night before that happy tide,The noble virgin while with her guide,Were long time seeking up and down,To find a lodging in the town.But mark how all things had come to passFrom ev’ry door repelled at lastAs long foretold their refuge allWas but a humble, oxen’s stall Verse 3:Near Bethlehem did shepherds keepTheir flocks of lamb and feeding sheepTo whom God’s angels did appearWhich put the shepherds in great fear.Prepare and go the Angel’s saidTo Bethlehem, be not afraidFor there you’ll find this happy mornA princely babe, sweet Jesus born. Ending:By by lully lullay.
$5.99 ≈
5.59€
Christmas Carols (Coventry and Wexford) Flute quintet and piano
Christmas Carols (Coventry and Wexford) Flute quintet and piano
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Noël
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by lully lullay
Lulla
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Unknown
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Connie Boss
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Christmas Carols
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Connie Boss
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - SKU: A0.1303282 Composed by Unknown. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious...
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Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - SKU: A0.1303282 Composed by Unknown. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious,Sacred. 16 pages. Connie Boss #892864. Published by Connie Boss (A0.1303282). This is a mix of two lovely songs - one from England and one from Ireland. The Coventry Carol and Wexford Carol. This is for 5 flutes - parts are all included and piano. TFor any questions or requests, email cdboss@cvalley.netLyrics:Christmas Carols(The Coventry Carol and Wexford Carol)Arranged by Connie Boss (Solo)Lullay thou little tiny child, By by lully lullayLullay thou little tiny child, By by lully lullay Verse 1:Good people all this Christmas timeConsider all and bear in mind,What our good God for us has doneIn sending His beloved SonWith Mary holy, we should pray to God with loveTo God with love this Christmas Day. Verse 2:The night before that happy tide,The noble virgin while with her guide,Were long time seeking up and down,To find a lodging in the town.But mark how all things had come to passFrom ev’ry door repelled at lastAs long foretold their refuge allWas but a humble, oxen’s stall Verse 3:Near Bethlehem did shepherds keepTheir flocks of lamb and feeding sheepTo whom God’s angels did appearWhich put the shepherds in great fear.Prepare and go the Angel’s saidTo Bethlehem, be not afraidFor there you’ll find this happy mornA princely babe, sweet Jesus born. Ending:By by lully lullay.
$5.99 ≈
5.59€
Christmas Carols - Coventry and Wexford - Strings and Piano with parts included
Christmas Carols - Coventry and Wexford - Strings and Piano with parts included
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Noël
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by lully lullay
Lullay
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Unknown
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Connie Boss
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Christmas Carols - Coventry an
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Connie Boss
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SheetMusicPlus
Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - SKU: A0.801703 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. 16...
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Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - SKU: A0.801703 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. 16 pages. Connie Boss #6427569. Published by Connie Boss (A0.801703). This is a mix of two lovely songs - one from England and one from Ireland. The Coventry Carol and Wexford Carol. Parts for 5 part strings and piano. cdboss@cvalley.netLyrics: Christmas Carols (The Coventry Carol and Wexford Carol) Arranged by Connie Boss  (Solo) Lullay thou little tiny child, By by lully lullay Lullay thou little tiny child, By by lully lullay  Verse 1: Good people all this Christmas time Consider all and bear in mind, What our good God for us has done In sending His beloved Son With Mary holy, we should pray to God with love To God with love this Christmas Day.  Verse 2: The night before that happy tide, The noble virgin while with her guide, Were long time seeking up and down, To find a lodging in the town. But mark how all things had come to pass From ev’ry door repelled at last As long foretold their refuge all Was but a humble, oxen’s stall  Verse 3: Near Bethlehem did shepherds keep Their flocks of lamb and feeding sheep To whom God’s angels did appear Which put the shepherds in great fear. Prepare and go the Angel’s said To Bethlehem, be not afraid For there you’ll find this happy morn A princely babe, sweet Jesus born.  Ending: By by lully lullay ÂÂ
$5.50 ≈
5.13€
The Beethoven Duets For Clarinet Complete Collection (All 9 Scherzi)
The Beethoven Duets For Clarinet Complete Collection (All 9 Scherzi)
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Clarinette
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AVANCÉ
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Classique
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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The Beethoven Duets For Clarin
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JoeCopio Music LLC
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.876480 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 163 pag...
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Clarinet Solo - Level 5 - SKU: A0.876480 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 163 pages. JoeCopio Music LLC #1910115. Published by JoeCopio Music LLC (A0.876480). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Clarinet but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Clarinet are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$49.95 ≈
46.62€
The Beethoven Duets For Clarinet Scherzo No. 3
The Beethoven Duets For Clarinet Scherzo No. 3
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Clarinette
#
AVANCÉ
#
Classique
#
Joe Procopio The Beethoven Due
#
Ludwig van Beethoven
#
Joe Procopio
#
The Beethoven Duets For Clarin
#
JoeCopio Music LLC
#
SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.876470 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 17 page...
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Clarinet Solo - Level 5 - SKU: A0.876470 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 17 pages. JoeCopio Music LLC #1910053. Published by JoeCopio Music LLC (A0.876470). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Clarinet but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Clarinet are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99 ≈
9.32€
The Beethoven Duets For Clarinet Scherzo No. 7
The Beethoven Duets For Clarinet Scherzo No. 7
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Clarinette
#
AVANCÉ
#
Classique
#
Joe Procopio The Beethoven Due
#
Ludwig van Beethoven
#
Joe Procopio
#
The Beethoven Duets For Clarin
#
JoeCopio Music LLC
#
SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.876474 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 25 page...
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Clarinet Solo - Level 5 - SKU: A0.876474 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 25 pages. JoeCopio Music LLC #1910113. Published by JoeCopio Music LLC (A0.876474). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Clarinet but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Clarinet are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99 ≈
9.32€
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The Time Has Come, for Love to Last
