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The Cup of Life Percussion 3
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Vous avez sélectionné:
The Cup of Life Percussion 3
Partitions à imprimer
6 partitions trouvées
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1
The Cup of Life - Percussion 3
The Cup of Life - Percussion 3
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Percussion (partie séparée)
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DÉBUTANT
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Ricky Martin
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Johnnie Vinson
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The Cup of Life - Percussion 3
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Hal Leonard - Digital
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SheetMusicPlus
Level 1.5 - SKU: HX.312565 By Ricky Martin. Arranged by Johnnie Vinson. This edition: scorch. Latin,Pop. 1 pages. Hal Leonard - Digital #0. Published by...
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Level 1.5 - SKU: HX.312565 By Ricky Martin. Arranged by Johnnie Vinson. This edition: scorch. Latin,Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.312565).
$6.00 ≈
5.54€
Toolin' Around
Toolin' Around
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Rusty Toots
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Toolin' Around
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Russell Ward
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1433072 Composed by Rusty Toots. Classical,Comedy,Contemporary. 38 pages. Russell Ward #1013501. Published by Russell W...
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Concert Band - Level 3 - SKU: A0.1433072 Composed by Rusty Toots. Classical,Comedy,Contemporary. 38 pages. Russell Ward #1013501. Published by Russell Ward (A0.1433072). It's a Saturday morning. After a busy and hectic week, you have nothing scheduled. Your wife and kids are happily occupied with things that don't involve you. Time to mentally check out, retreat to the man cave and find something to do that doesn't involve anything other than what is physically in front of you. On the radio in the background, there are some old blokes musing laconically about football. You don't really know what you'll be doing, but it will involve tools and not giving a flip about anything else for a little while. You may even need to make a trip to the hardware store at some stage... who knows? Tooling-a-Round is the first movement of what is (planned to be) a multi-movement work for concert band, depicting the cherished role of backyard shed in the life of a typical suburban middle-aged family man. Quavers are to be played rhythmically swung, with articulations observed whole-heatedly to highlight the playful and irreverent mood throughout - staccato markings in particular are to be exaggerated. The sound of real tools should be used in the percussion parts where indicated (e.g. saw, file, hammer, toolbox, circular saw, power drill etc.) with rhythms to be approximated in order to give the impression of a project getting underway as the piece progresses and the protagonist meanders from one task to the next.This piece is dedicated to busy fathers who work hard to preserve their capacity to create, play and explore.
$75.00 ≈
69.19€
Still Life with Melon & Sand (trumpet & concert band)
Still Life with Melon & Sand (trumpet & concert band)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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Still Life with Melon & Sa
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Burke & Bagley
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.787314 Composed by Greg Bartholomew. Concert,Contemporary,Holiday,Patriotic,Standards. Score and parts. 78 pages. Burke...
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Concert Band - Level 4 - SKU: A0.787314 Composed by Greg Bartholomew. Concert,Contemporary,Holiday,Patriotic,Standards. Score and parts. 78 pages. Burke & Bagley #50581. Published by Burke & Bagley (A0.787314). Still Life with Melon & Sand is part 2 of Summer Suite for solo trumpet. This is the 2016 revised edition. A recording by James Ackley and the Palmetto Camerata is available on New American Works for Trumpet (Beauport Classics). This is largely lyric music, both lovely and poetic, ... The open and soaring melodies remind this reviewer of Copland and Hovhaness. - John Falskow, ITG Journal, March 2013. Summer Suite was awarded the 2013 Cheryl A Spector Prize by the Third Millennium Ensemble and Honorable Mention in the 2010 Pathways Contest by Imagine Music Publishing. Beautiful and pensive – Summer Suite occupies a unique expressive and emotional space in the trumpet repertoire. The great modern works are inaccessible to anyone with regular skills on the instrument. Summer Suite offers us intriguing lines to play through with rare opportunities to be intimate and thoughtful. – Matt Burke. Alternate solo parts for both Bb and C trumpets are included. The concert band accompaniment includes parts for: Flute 1, 2 Oboe 1, 2 Clarinet 1, 2, 3, 4 Alto Clarinet Bass Clarinet Bassoon 1, 2 Soprano Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet 2, 3 Horn 1, 2 Trombone 1, 2 Euphonium Tuba String Bass Percussion Summer Suite is available for solo trumpet with accompaniment for piano, string quartet, string orchestra, saxophone quartet, chamber orchestra, concert band and organ. The original version on YouTube: http://youtu.be/0kmbPRkjr4k
$24.99 ≈
23.05€
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95 ≈
71.91€
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporain
#
Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95 ≈
27.63€
Bella Ciao - Saxophone Quartet (parts & score)
Bella Ciao - Saxophone Quartet (parts & score)
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Folklorique/Traditionel
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Italian Traditional
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Francesco Leone
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Bella Ciao - Saxophone Quartet
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SheetMusicPlus
Composed by Italian Traditional. Arranged by Francesco Leone. Folk,Patriotic,Standards. 31 pages. Glissato Edizioni Musicali #6616113. Published by ...
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Composed by Italian Traditional. Arranged by Francesco Leone. Folk,Patriotic,Standards. 31 pages. Glissato Edizioni Musicali #6616113. Published by Glissato Edizioni Musicali
Arrangement for Saxophone Quartet S.A.T.B / A.A.T.B. (intermediate) by Francesco Leone. Score and Set of parts (7): Soprano, Alto,Tenor and Baritone Saxophone, included alternative parts for Alto instead Soprano and Bb Bass instead Baritone and optional percussions.
Style: Balkan. Duration: 3.30. Key concert: F min. - G.min.
"Bella ciao" ("Goodbye beautiful") is an Italian protest folk song that originated in the late 19th century, sung by the mondina workers in protest to the harsh working conditions in the paddy fields of North Italy. The song was modified and adopted as an anthem of the anti-fascist resistance by the Italian partisans between 1943 and 1945 during the Italian Resistance, the resistance of Italian partisans against the Nazi German forces occupying Italy, and, during the Italian Civil War, the Italian partisan struggle against the fascist Italian Social Republic and its Nazi German allies. Versions of "Bella ciao" continue to be sung worldwide as an anti-fascist hymn of freedom and resistance.In 2017 and 2018, the song received renewed popularity due to the singing of "Bella ciao" multiple times in the Spanish television series Money Heist. The character Tokyo recounts in one of her narrations, "The life of the Professor revolved around a single idea: Resistance. His grandfather, who had fought against the fascists in Italy, taught him the song and he taught us."The song is played in emblematic moments in the series as a metaphor for freedom.
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The Cup of Life Percussion 3
