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Major Scale Paper Keys, Fits on the keyboard and piano, For beginners
Major Scale Paper Keys, Fits on the keyboard and piano, For beginners
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Piano seul
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DÉBUTANT
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Methodes
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Joy Gilmore, Hsin Hui Gilmore
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2
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Major Scale Paper Keys, Fits o
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Joyful Sound Music
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.906751 Composed by Joy Gilmore, Hsin Hui Gilmore. Instructional. Score. 10 pages. Joyful Sound Music #3860577. Published ...
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Piano Solo - Level 1 - SKU: A0.906751 Composed by Joy Gilmore, Hsin Hui Gilmore. Instructional. Score. 10 pages. Joyful Sound Music #3860577. Published by Joyful Sound Music (A0.906751). Teachers and Students, Thank you for downloading this chart. On the keys, there are two different types of numbers. The regular numbers, like 1 2 3 4 5, are for the right hand. The numbers with the circles, like 1 2 3 4 5, are for the left hand. (Sheet music plus don't have the special font to display this) About the (*) marking If the (*) is before a number like *1 or *1, it means that it is in the 1st octave of the scale. If the (*) is after a number like 1* or 1*, it means that it is in the last octave of the scale. The numbers with underline, it means that is the 2nd and the 3rd octave of the scale. The dotted lines indicate that you can attach two key scales together to make one longer scale. Because of the limitations of the paper setup, there are only three octaves on each key. The paper key might have a slightly difference on the key size. It is because different manufacture have their own different key sized width. This paper keys should fit most keyboards or piano. This paper scale keyboard can help piano beginners start lessons and helps make practice easier. However, it is NOT RECOMMENDED for long term use. How to Print This pdf is designed for two sided (duplex) printers. Both sides on the same paper supposed to be in up side down format. Make sure you enable the two sided print function. You should be able to have a paper scale for three octaves on both sides. If you used duplex printing and your printer didn’t line up the scales, please use hand feed. Because every printers have different settings. You just need to try it in a different ways a couple times. Materials: I used the card stock from Sam’s club. It is 110lb greeting card paper. It is the cheapest one on the market. It cost $7.98 for 275 sheets. All of the papers are laminated.
$2.99 ≈
2.76€
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99 ≈
27.67€
The Messenger (Romance for Voice And Orchestra) - Score And Parts
The Messenger (Romance for Voice And Orchestra) - Score And Parts
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Dmitry Klevansky
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Stefan Kristinkov
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The Messenger
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Heemrec
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SheetMusicPlus
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Ce...
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1002001. Published by Heemrec (A0.1420568). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00 ≈
129.15€
The Messenger (Romance for Voice And Orchestra) - Full Score Only - Score Only
The Messenger (Romance for Voice And Orchestra) - Full Score Only - Score Only
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Dmitry Klevansky
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Stefan Kristinkov
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The Messenger
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Heemrec
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SheetMusicPlus
Level 5 - SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 14 pages. Hee...
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Level 5 - SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 14 pages. Heemrec #1002003. Published by Heemrec (A0.1420570). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00 ≈
119.93€
The Fundamentals of Music Theory - Booklet 1
The Fundamentals of Music Theory - Booklet 1
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Jose Valladares
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Jose Valladares
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The Fundamentals of Music Theo
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Circlesquare Music
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SheetMusicPlus
Level 1 - SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare ...
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Level 1 - SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare Music #953582. Published by Circlesquare Music (A0.1369230). The Fundamentals of Music Theory: Booklet 1 by Jose Valladares serves as an introductory guide into the captivating realm of music theory. Targeted at both novices and enthusiastic learners, this booklet is designed as the first step in a transformative journey to understand the language of music. Likening music theory to the grammar of music, it aims to provide readers with the foundational tools to create, interpret, and communicate through music.The booklet begins with an exploration of the definition, significance, and historical evolution of music theory. It then delves into the core components that constitute music's framework:The Music Staff and Notes: Readers are introduced to the music staff, the bedrock for note placement, and learn how each line and space corresponds to distinct musical pitches. This section emphasizes the assembly of notes to create soul-stirring melodies.Clefs and Note Names: This part focuses on various clefs including treble, bass, alto, and tenor, which are crucial for reading and interpreting the music staff, and serve as navigational landmarks in the sea of notes.Rhythmic Notation: It addresses the essence of rhythm in music, covering note values, rests, dotted notes, and ties, enabling readers to grasp the rhythmic heartbeat of any composition.Time Signatures: The booklet explores time signatures, detailing how they organize a music piece and define its rhythmic character, from the steady beats of simple time to the flowing grace of compound time.Basic Scales and Key Signatures: It uncovers the foundational elements of melodies and harmonies, discussing major and minor scales, their emotional influences, and the Circle of Fifths, which serves as a guide through the relationships among different keys.By the end of The Fundamentals of Music Theory: Booklet 1, readers are expected to have a comprehensive understanding of music theory's basics. They will be well-equipped to decipher music's language, comprehend its notations, and fully appreciate the intricate craftsmanship involved in every musical composition. The booklet promises a journey of musical discovery, unwinding the intricacies of music theory one note and rhythm at a time.
$10.99 ≈
10.14€
Tannhäuser und der Sängerkrieg auf Wartburg
Tannhäuser und der Sängerkrieg auf Wartburg
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Classique
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Richard Wagner
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Tannhäuser und der Sä
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: v...
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SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99 ≈
49.81€
The Circles
The Circles
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Piano seul
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INTERMÉDIAIRE
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Bill Whitley
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Bill Whitley
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The Circles
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Musica Semplice
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1263132 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 21st Century,Classical,Contemporary. Score. 3 pages. ...
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Piano Solo - Level 3 - SKU: A0.1263132 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 21st Century,Classical,Contemporary. Score. 3 pages. Musica Semplice #856123. Published by Musica Semplice (A0.1263132). ...[Whitley] works with shapes and patterns, correlating musical materials to kinetic sculpture. His music is defined by interlocking, hypnotic patterns interspersed with passages of intense rhythmic energy, while placing melodic content in the foreground.After Still Life I became increasingly intrigued with the idea that music could function as objects. The Circles which is based on the Tibetan Prayer Wheel. The Uncarved Block was written as a companion.-Bill Whitley.
$4.99 ≈
4.60€
The Spirit of World Drumming
The Spirit of World Drumming
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Jeff Stewart
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The Spirit of World Drumming
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Hand drum - Beginning - SKU: M0.21745MEB Composed by Jeff Stewart. Technique, Theory and Reference. World Music. E-book and online video. Mel Bay Public...
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Hand drum - Beginning - SKU: M0.21745MEB Composed by Jeff Stewart. Technique, Theory and Reference. World Music. E-book and online video. Mel Bay Publications - Digital Sheet Music #21745MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21745MEB). ISBN 9781619117020. 8.75x11.75 inches.A spirited global tour of drum circle instruction for the classroom and community; my book includes a comprehensive online video showcasing school and community drum circles. People who want to discover their spiritual need to drum are welcome to let me take them on a journey of WORLD MUSIC. My book begins with the African forms of drumming and moves through diverse cultural forms of music/drumming from all around our world. African, Cuban, Brazilian, Native, Middle Eastern, Japanese, Community.The instructional online video showcases the talent of people of all ages. Feel free to refer to the online video with regards to the topics covered in the book. This book also provides educators and drum circle facilitators with ideas for implementing a music program or a community Drum Circle. I have also included positive evaluation methods. Discover your spirit of drumming. Includes access to online video.
$17.99 ≈
16.60€
The Uncarved Block
The Uncarved Block
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Piano seul
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FACILE
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Bill Whitley
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Bill Whitley
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The Uncarved Block
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Musica Semplice
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1259984 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 21st Century,Classical,Contemporary. Score. 2 pages. ...
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Piano Solo - Level 2 - SKU: A0.1259984 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 21st Century,Classical,Contemporary. Score. 2 pages. Musica Semplice #853207. Published by Musica Semplice (A0.1259984). Continuing in practice of creating work based on objects/concepts/tools of meditation, I wrote The Uncarved Block after the Taoist concept of “p'uâ€: a thing in its purest state. After Still Life I became increasingly intrigued with the idea that music could function as objects. The Uncarved Block was written as a companion to The Circles, which is based on the Tibetan Prayer Wheel.Please see Ted Kardash's excellent essay on the P'u concept here.-Bill Whitley.
$4.99 ≈
4.60€
Circles and Triangles
Circles and Triangles
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Piano seul
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DÉBUTANT
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Emilie Lin
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Circles and Triangles
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - Early Elementary - SKU: F0.P2028 Composed by Emilie Lin. Sheet Music. FJH Performance Solos. Fun and Games. Solo Sheet. 4 pages. The FJH Music C...
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Piano - Early Elementary - SKU: F0.P2028 Composed by Emilie Lin. Sheet Music. FJH Performance Solos. Fun and Games. Solo Sheet. 4 pages. The FJH Music Company - Digital #P2028. Published by The FJH Music Company - Digital (F0.P2028). A fun-to-play piece that students will be tempted to play as fast as possible is a great first solo sheet for a beginner. In C major with minimal use of rests, this lively piece will reinforce playing 2nds, 3rds and 4ths in MC position. It features long, legato phrases and short staccato snippets.
$2.95 ≈
2.72€
Circles - Concerto for Cello & (H.S.) String Orchestra
Circles - Concerto for Cello & (H.S.) String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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the end, everyone is bowing an
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Eric Moore
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Circles - Concerto for Cello &
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Cello Loft
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919...
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String Orchestra - Level 4 - SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
$20.00 ≈
18.45€
The Soldiers Pass
The Soldiers Pass
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Piano seul
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INTERMÉDIAIRE
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Classique
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Jose Valladares
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Jose Valladares
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The Soldiers Pass
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1368475 By Jose Valladares. By Vladimir Rebikoff. Arranged by Jose Valladares. Classical. Score. 1 pages. Circlesquare Mu...
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Piano Solo - Level 3 - SKU: A0.1368475 By Jose Valladares. By Vladimir Rebikoff. Arranged by Jose Valladares. Classical. Score. 1 pages. Circlesquare Music #952822. Published by Circlesquare Music (A0.1368475). The Soldier's Pass by Vladimir Rebikov is a piano composition that reflects the composer's innovative style and emotional depth. Vladimir Rebikov, often spelled as Rebikoff, was a Russian composer and pianist known for his exploratory approach to harmony and his contributions to the early modernist movement in music. Born in 1866, Rebikov was a contemporary of composers like Rachmaninoff and Scriabin and is noted for his expressive and at times, unconventional musical language.While specific details about The Soldier's Pass may not be widely documented, we can infer certain characteristics based on Rebikov's general compositional style and the thematic title of the piece:Evocative and Programmatic: Rebikov was known for his programmatic approach to composition, often seeking to convey a narrative or depict a scene through his music. The Soldier's Pass likely tells a story or captures a mood associated with a soldier's experience, perhaps reflecting themes of journey, conflict, or reflection.Innovative Harmonies: Rebikov was an early innovator in exploring new harmonic structures, including whole-tone scales and unconventional chord progressions. The Soldier's Pass may feature interesting and unexpected harmonic shifts that add depth and complexity to the music.Expressive Melody and Rhythm: Given the military theme, the piece might incorporate rhythmic elements that evoke the idea of marching or movement. The melody could be strong and pronounced, conveying a sense of determination or solemnity that aligns with the soldier's narrative.Emotional Depth: Rebikov's music is often characterized by its emotional intensity. The Soldier's Pass would likely embody this quality, offering a rich tapestry of feelings that resonate with the listener and invite introspection.Pedagogical Value: Despite his innovative approach, Rebikov's music is accessible and has been used for educational purposes. The Soldier's Pass might serve as a valuable piece for developing pianists, offering insights into early modernist techniques and expressive playing.Atmospheric and Descriptive: Rebikov had a talent for creating atmospheric music that paints a vivid picture in the listener's mind. The Soldier's Pass would likely be descriptive and immersive, drawing the performer and the audience into the scene it portrays.
$8.99 ≈
8.29€
The Fairy Mound - Easy Solo Piano
The Fairy Mound - Easy Solo Piano
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Piano seul
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FACILE
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Jon O'Bergh
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The Fairy Mound - Easy Solo Pi
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Jon O'Bergh
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.973228 Composed by Jon O'Bergh. 20th Century,Contemporary,New Age,Pop. Score. 2 pages. Jon O'Bergh #6444549. Published by...
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Easy Piano - Level 2 - SKU: A0.973228 Composed by Jon O'Bergh. 20th Century,Contemporary,New Age,Pop. Score. 2 pages. Jon O'Bergh #6444549. Published by Jon O'Bergh (A0.973228). Fairy mounds are found all over Ireland. These earthen mounds are the remnants of stone circles, ringforts, and other prehistoric dwellings, commonly believed to be home to fairies. The Fairy Mound evokes the ancient rituals of these magical places. From the album Summer Nocturnes available at Spotify, iTunes, etc. copyright 2021 Jon O'Bergh, BMI.
$1.99 ≈
1.84€
Together forever
Together forever
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Piano seul
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INTERMÉDIAIRE
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Classique
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Jose Valladares
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Jose Valladares
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Together forever
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1368439 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. Circlesquare Musi...
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Piano Solo - Level 3 - SKU: A0.1368439 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. Circlesquare Music #952785. Published by Circlesquare Music (A0.1368439). Introducing Together Forever, a deeply moving and soulful piano composition that embodies the unwavering commitment and enduring bond of a lifelong partnership. This emotive piece, from the touching album A Celebration of Love, and Life by the acclaimed artist and composer Jose Valladares, is a musical representation of the promise and dedication inherent in the words together forever.With a gentle and steady tempo of 60, Together Forever unfolds with a tenderness and depth that speak directly to the heart. Each note and chord progression in this composition weaves a narrative of love's journey – from its first, tentative steps to the confident strides of a bond that has stood the test of time. The melody is both a comforting embrace and a joyful celebration, encapsulating the beauty and resilience of a love that grows stronger and more profound with each passing day.Together Forever is not just a piece of music; it's a testament to the enduring nature of true love. It invites listeners to reflect on the cherished moments shared with a partner, the trials overcome together, and the shared dreams for the future. This composition is perfect for those who wish to express their deep commitment through the timeless language of music, for pianists looking to convey the richness of a lifelong bond, and for anyone who cherishes the promise of being together forever.Let Together Forever be the soundtrack to your most treasured memories, echoing the steadfast promise of a love that knows no end. Allow this piece to accompany you in moments of reflection and celebration, serving as a musical reminder of the love that binds you to another, through all of life's ebb and flow.
$8.99 ≈
8.29€
Childhood Excursions: Afternoon at the Playground
Childhood Excursions: Afternoon at the Playground
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Piano seul
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DÉBUTANT
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Amy Stephens
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Childhood Excursions: Afternoo
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Amy Stephens
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1271314 Composed by Amy Stephens. 21st Century,Children,Contemporary,Instructional. Score. 24 pages. Amy Stephens #863713...
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Piano Solo - Level 1 - SKU: A0.1271314 Composed by Amy Stephens. 21st Century,Children,Contemporary,Instructional. Score. 24 pages. Amy Stephens #863713. Published by Amy Stephens (A0.1271314). These nine very fun pieces for Primer and Level 1 are all in middle C position and introduce young players to important motions for arm and wrist fluidity: wrist rotation, drop-lift, side-to-side, in-and-out, contrary motion, straight down, and elbow/wrist circles. Â Students can also practice their storytelling abilities as they spend a musical afternoon at the playground!
$10.00 ≈
9.23€
Depth of Mercy! Can There Be?
Depth of Mercy! Can There Be?
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Chorale SATB
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Musique Sacrée
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Carl Maria von Weber
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Thomas Coker
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Depth of Mercy! Can There Be?
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Thomas Rembert Coker Jr
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.933612 Composed by Carl Maria von Weber. Arranged by Thomas Coker. Christian,Sacred. Octavo. 6 pages. Thomas Rembert Coker...
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Choral Choir (SATB) - SKU: A0.933612 Composed by Carl Maria von Weber. Arranged by Thomas Coker. Christian,Sacred. Octavo. 6 pages. Thomas Rembert Coker Jr #3504391. Published by Thomas Rembert Coker Jr (A0.933612). About the hymn According to Scotty Wayne Gray’s description in Handbook to the Baptist Hymnal (1992), John Wesley first published Depth of Mercy! In 1740 under the heading After a Relapse into Sin. The original hymn included 13 four-line stanzas. Later, these were reduced to a more manageable four stanzas, here altered by Brenda Coker. This hymn has been very meaningful, especially in Methodist circles where it has been published in almost all of their hymnals. It clearly reflects the struggle of repentance and acceptance of God’s forgiveness in Christ. The tune is taken from the opening chorus of Carl Maria von Weber’s last opera, Oberon and was put in hymn format by the organist of the Center Church in Hartford, CT, Henry W. Greatorex, in 1851. About the arrangement Originally written in the late 70’s or early 80’s for the Sanctuary Choir at Columbia Baptist Church in Falls Church, VA, this arrangement was published in 1998 by Alliance Music in Houston, TX. Given back to the composer about 2009, the current version uses the same page and bar numbers as the originally published version.
$2.25 ≈
2.08€
Widening Circles
Widening Circles
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Chorale SATB
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INTERMÉDIAIRE
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William Spencer Germany
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Widening Circles
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W. Spencer Germany
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1352595 By William Spencer Germany. By William Spencer Germany. 21st Century,A Cappella,Contemporary,Cont...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1352595 By William Spencer Germany. By William Spencer Germany. 21st Century,A Cappella,Contemporary,Contest,Festival,New Age. 14 pages. W. Spencer Germany #937387. Published by W. Spencer Germany (A0.1352595). The text Widening Circles is from Rilke’s Book of Hours, Love Poems to God reflecting on reflection; how the longer we live and connect with others, the more our sphere of interaction and “self†stretches out, like ripples in a pond. A great programmatic piece for high school, collegiate, or community ensembles.W. Spencer Germany is a young composer from Memphis, Tennessee. Beginning composing at the age of 15, he has had premieres with featured performances by multiple choirs. He has been noted as bringing fresh and new vitality to his music. Spencer has a degree in Music Education from Middle Tennessee State University and is the choir director at Central Magnet School in Murfreesboro, TN. Spencer composes not only for choir but also for the stage, with albums such as Who Says We Can’t? as well as his EP “In The Air†available anywhere you stream or buy music. Spencer’s work can be found published on Sheet Music Press and on Facebook, YouTube, and Instagram @SpencerGermanyMusic.
$1.99 ≈
1.84€
She's Like the Swallow for SSA choir and piano. Newfoundland folk song ballad.
She's Like the Swallow for SSA choir and piano. Newfoundland folk song ballad.
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Chorale 3 parties
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INTERMÉDIAIRE
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Stella ter Hart
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Stella ter Hart
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She's Like the Swallow for SSA
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Stella ter Hart
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - SKU: A0.890639 Composed by Stella ter Hart. Arranged by Stella ter Hart. 20th Century,Folk,Standards. 12 pages. St...
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Choral Choir,Choral (SSA) - Level 3 - SKU: A0.890639 Composed by Stella ter Hart. Arranged by Stella ter Hart. 20th Century,Folk,Standards. 12 pages. Stella ter Hart #3455153. Published by Stella ter Hart (A0.890639). This hauntingly beautiful and artistic arrangement of She's Like the Swallow contains the original, very old Newfoundland folk text very rarely used due to it's tragic story line. It is in the genre of beware the uncaring man common in folk songs of Europe which served to teach and warn young girls about the dangers of infatuation. This genre travelled to the United States and Canada in the 1700's. The expression apron low/apron high is a common thread in this genre and refers to being pregnant. She's Like the Swallow tells the tragic tale of a young girl who has fallen in love with, no doubt, a handsome but uncaring man. The story is told from each character's perspective plus an observer (narrator). The girl ultimately creates her own funeral bower of rose petals (ripping them off in desperation as she frantically runs through a garden), lies down on this 'bed of roses' and dies.  You have probably heard this song many times without ever knowing the true meaning due to significant verses left out. You will need a skilled accompanist! The accompaniment utilizes significant word painting throughout to highlight the haunting melody line. Word painting depicts the swallow, uncaring cruelty, desperation, blindly going in circles, anger, church bells and fading away/dying. The conductor is free to take liberties with the tempi and dynamics in order to create a unique interpretation that will resonate with their own choral group. This arrangement of She's Like the Swallow is an exceptional festival or competition piece and one that should be in the repertoire of every skilled women's choir! Duration:  4 minutes                                                                               Key: C minor (plus modulations)                                                                                    Level: intermediate/early advanced composer contact:  www.stellaterhart.com
$2.75 ≈
2.54€
Going Round in Circles
Going Round in Circles
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Piano seul
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DÉBUTANT
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Lorraine Milne
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Going Round in Circles
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Pucblished by Lorraine Milne
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.972743 Composed by Lorraine Milne. Children,Contemporary,Instructional,Standards. Score. 4 pages. Pucblished by Lorraine ...
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Piano Solo - Level 1 - SKU: A0.972743 Composed by Lorraine Milne. Children,Contemporary,Instructional,Standards. Score. 4 pages. Pucblished by Lorraine Milne #3222537. Published by Pucblished by Lorraine Milne (A0.972743). Going Round in Circles is from a series of 24 piano pieces called The Emerging Pianist. It is for piano students ready to move from beginners stage and looking for something a little more challenging. There are two versions of Going Round in Circles, an Abridged version (single page) and a Full version (double page). The Abridged version could also be used by more advanced pianists for sight-reading practice. The use of oscillating quaver patterns and repetitive motives gives this piece a circular kind of feel. The accompanying mp3 file is a demo version only.
$5.00 ≈
4.61€
Going in Circles
Going in Circles
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Piano seul
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FACILE
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Konrad Harley
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Going in Circles
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Konrad Harley
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.831591 Composed by Konrad Harley. 20th Century,Contemporary,Jazz. Score. 2 pages. Konrad Harley #6325347. Published by Ko...
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Piano Solo - Level 2 - SKU: A0.831591 Composed by Konrad Harley. 20th Century,Contemporary,Jazz. Score. 2 pages. Konrad Harley #6325347. Published by Konrad Harley (A0.831591). In this relaxed, jazzy piece for piano, the melody cycles through a sequence of notes (hence the title Going in Circles).The melody is inspired by the mathematical sequence listed as A072137 in the Online Encyclopedia of Integer Sequences (OEIS).
$5.00 ≈
4.61€
Circles
Circles
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Toni Tennille
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BryPiot
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Circles
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BryPiot
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1202088 Composed by Toni Tennille. Arranged by BryPiot. Contemporary,Pop. Lead Sheet / Fake Book. 5 pages. BryPiot #800...
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C Instrument - Level 4 - SKU: A0.1202088 Composed by Toni Tennille. Arranged by BryPiot. Contemporary,Pop. Lead Sheet / Fake Book. 5 pages. BryPiot #800721. Published by BryPiot (A0.1202088). Circles by The Captain & Tennille. Written by Toni Tennille. From their album Come In From The Rain.The Captain and TennilleArranged in the original key.
$3.99 ≈
3.68€
Five Circles in a Line
Five Circles in a Line
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Cody Myre
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Five Circles in a Line
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T.U.X. People's Music
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SheetMusicPlus
Percussion Ensemble Cymbals,Low Drum,Snare Drum,Tom Tom,Woodblock - Level 3 - SKU: A0.1090737 Composed by Cody Myre. Contemporary,Contest,Festival. Scor...
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Percussion Ensemble Cymbals,Low Drum,Snare Drum,Tom Tom,Woodblock - Level 3 - SKU: A0.1090737 Composed by Cody Myre. Contemporary,Contest,Festival. Score and parts. 16 pages. T.U.X. People's Music #694886. Published by T.U.X. People's Music (A0.1090737). Cody Myre's Five Circles in a Line is a call to the rhythmically driven music of his childhood and an homage to its smooth technicality. Its limited instrumentation, medium length, and moderate difficulty make it perfect for any young percussion quartet seeking a challenge to their independence and energy!
$35.00 ≈
32.29€
In the Bleak Midwinter (Quartet for Three Violins and Piano)
In the Bleak Midwinter (Quartet for Three Violins and Piano)
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Violon et Piano
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INTERMÉDIAIRE
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Noël
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Gustav Holst and Christina Ros
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John A
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Piano,Violin - Level 3 - SKU: A0.523315 Composed by Gustav Holst and Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Ch...
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Small Ensemble Piano,Violin - Level 3 - SKU: A0.523315 Composed by Gustav Holst and Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 19 pages. John A. Dempsey #3444707. Published by John A. Dempsey (A0.523315). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular in Celtic music circles.  Arranged as a jubilant quartet for three violins and piano, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested uses: prelude, postlude, offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  Key: G major.  15 pages of music (that includes separate two-page parts for violin 1, violin 2 and violin 3).  Violin Level: Intermediate.  Piano Level: Late Intermediate   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$14.00 ≈
12.92€
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Full Score Only
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Full Score Only
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Dmitry Klevansky
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Stefan Kristinkov
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Проводн
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Heemrec
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SheetMusicPlus
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420554 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. Classic...
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420554 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. Classical,Contemporary. 14 pages. Heemrec #1001987. Published by Heemrec (A0.1420554). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00 ≈
119.93€
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Score And Parts
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Score And Parts
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Dmitry Klevansky
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Stefan Kristinkov
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Проводн
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Heemrec
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SheetMusicPlus
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420561 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Ce...
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420561 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1001994. Published by Heemrec (A0.1420561). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00 ≈
129.15€
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The Circles
