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The Armed Man
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Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
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Orchestre
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INTERMÉDIAIRE
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Patriotique
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Manuel de Espinosa de los Mo
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Keith Terrett
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Spanish National Anthem for Sy
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Music for all Occasions
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SheetMusicPlus
Full Orchestra - Intermediate - Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, P...
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Full Orchestra - Intermediate - Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!
The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.
One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pfanos y Tambores que se tocan nuevamente en la Ynfant Espaola (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.
There is a false belief that Marcha Real?s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La Espaa militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espritu Pblico (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martn lvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II?s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.
According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II?s reign.
After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII?s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolom Prez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet Jos Mara Pemn in 1928.
The actual symphonic version of the Marcha Real that replaces the Prez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Prez Casas? Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.
Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873?74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931?1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country?s national anthem, under its old title of La Marcha Granadera.
Interpretation and etiquette:
Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.
The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.
Being the National Anthem, and in honor of the King and Queen of Spain, it?s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.
The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.
The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.
There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.
As the harmonization of the Marcha Real was written by Bartolom Prez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Prez Casas? estate in 1997 for 130,000,000 pesetas (~ ? 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.
As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00 ≈
35.94€
Eternal Father, Strong to Save (The Navy Hymn)
Eternal Father, Strong to Save (The Navy Hymn)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Reverend John Bacchus Dykes
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Scott S
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Eternal Father, Strong to Save
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1407705 Composed by Reverend John Bacchus Dykes. Arranged by Scott S. Stewart. 19th Century,A...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1407705 Composed by Reverend John Bacchus Dykes. Arranged by Scott S. Stewart. 19th Century,A Cappella,Christian,Praise & Worship,Sacred. 6 pages. Scott S. Stewart #990321. Published by Scott S. Stewart (A0.1407705). “Eternal Father, Strong to Saveâ€, (The Navy Hymn) penned by Anglican Churchman and poet William Whiting in 1860, was inspired by Psalm 107, which describes the power and dangers of the sea.  The tune, Melita, was composed by clergyman John Bacchus Dykes in 1861. Poet and musician came together to give to us the hymn we know today, “Eternal Father, Strong to Saveâ€.  This hymn, popularized by the Royal Navy and the United States Navy in the 19th century, has since been adopted by other armed services for official use.  Today it stands as one of the most famous hymns in Christendom.  This arrangement is scored for 4-part SATB ensemble (with minor divisi) to be performed a cappella.  It uses only the text of Whiting’s original poem.  Performance time: 3.30+-.
$2.99 ≈
2.76€
Eternal Father, Strong to Save (The Navy Hymn)
Eternal Father, Strong to Save (The Navy Hymn)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Reverend John Bacchus Dykes
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Scott S
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Eternal Father, Strong to Save
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Scott S. Stewart
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SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 4 - SKU: A0.1357957 Composed by Reverend John Bacchus Dykes. Arranged by Scott S. Stewart. 19th Century,Chri...
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Brass Quartet Horn,Trombone,Trumpet - Level 4 - SKU: A0.1357957 Composed by Reverend John Bacchus Dykes. Arranged by Scott S. Stewart. 19th Century,Christian,Praise & Worship,Religious,Sacred. 16 pages. Scott S. Stewart #942465. Published by Scott S. Stewart (A0.1357957). “Eternal Father, Strong to Saveâ€, (The Navy Hymn) penned by Anglican Churchman and poet William Whiting in 1860, was inspired by Psalm 107, which describes the power and dangers of the sea.  The tune, Melita, was composed by clergyman John Bacchus Dykes in 1861.  This hymn, popularized by the Royal Navy and the United States Navy in the 19th century, has since been adopted by other armed services for official use.  Today it stands as one of the most famous hymns in Christendom.  This arrangement is scored for brass quartet (trumpets 1 & 2, French horn (or trombone), and trombone.  This song can be programmed on many a different concert – be it church, school auditorium, or concert hall.  Performance time: 4.10+-.
$25.00 ≈
23.04€
Eternal Father, Strong to Save (Flute & Piano)
Eternal Father, Strong to Save (Flute & Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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William Whiting
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Carol Troutman Wiggins
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Eternal Father, Strong to Save
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Carol Troutman Wiggins
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.727655 Composed by William Whiting. Arranged by Carol Troutman Wiggins. 19th Century,Christian,Holiday,Patriotic,Sacred....
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Flute,Piano - Level 3 - SKU: A0.727655 Composed by William Whiting. Arranged by Carol Troutman Wiggins. 19th Century,Christian,Holiday,Patriotic,Sacred. Score and part. 4 pages. Carol Troutman Wiggins #6431729. Published by Carol Troutman Wiggins (A0.727655). British hymn traditionally associated with the maritime armed services, written in 1860. Based on Psalm 107, the text describes the dangers seafarers faced when sailing the ocean. In the late 19th century, the Royal Navy and the US Navy adopted this hymn as well as other US & UK branches of the armed services such as Royal Marines, Royal Air Force, the British Army, the United States Coast Guard and the United States Marine Corps. Other titles for this hymn include: Hymn of Her Majesty's Armed Forces, the Royal Navy Hymn, the United States Navy Hymn. Great for patriotic services, worship services, and recitals.Intermediate level instrumental part and piano accompaniment.Rehearsal track available on this site.
$9.99 ≈
9.21€
Eternal Father, Strong to Save (Violin & Piano)
Eternal Father, Strong to Save (Violin & Piano)
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Alto, Piano
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INTERMÉDIAIRE
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William Whiting
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Carol Troutman Wiggins
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Eternal Father, Strong to Save
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Carol Troutman Wiggins
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.727656 Composed by William Whiting. Arranged by Carol Troutman Wiggins. Christian,Holiday,Patriotic,Religious,Sacred. Sc...
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Piano,Viola - Level 3 - SKU: A0.727656 Composed by William Whiting. Arranged by Carol Troutman Wiggins. Christian,Holiday,Patriotic,Religious,Sacred. Score and part. 4 pages. Carol Troutman Wiggins #6431897. Published by Carol Troutman Wiggins (A0.727656). British hymn traditionally associated with the maritime armed services, written in 1860. Based on Psalm 107, the text describes the dangers seafarers faced when sailing the ocean. In the late 19th century, the Royal Navy and the US Navy adopted this hymn as well as other US & UK branches of the armed services such as Royal Marines, Royal Air Force, the British Army, the United States Coast Guard and the United States Marine Corps. Other titles for this hymn include: Hymn of Her Majesty's Armed Forces, the Royal Navy Hymn, the United States Navy Hymn. Great for patriotic services, worship services, and recitals.Intermediate level instrumental part and piano accompaniment
$9.99 ≈
9.21€
The Navy Hymn-for Concert Band
The Navy Hymn-for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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John Dykes
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Dan Cutchen
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The Navy Hymn-for Concert Band
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Dan Cutchen Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1091973 Composed by John Dykes (1823–1876). Arranged by Dan Cutchen. Patriotic,Sacred,Traditional. Score and par...
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Concert Band - Level 3 - SKU: A0.1091973 Composed by John Dykes (1823–1876). Arranged by Dan Cutchen. Patriotic,Sacred,Traditional. Score and parts. 44 pages. Dan Cutchen Music #696104. Published by Dan Cutchen Music (A0.1091973). This arrangement of the hymn, Eternal Father, Strong to Save (The Navy Hymn) utilizes a theme and variation treatment. It is somber, strong, and at times, serene and peaceful. This arrangement is of medium difficulty. The spotlight is on the low brass. There is also an arrangement of this piece for solo tuba and piano. Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, particularly in the maritime armed services. It was popularised by the Royal Navy and the United States Navy in the late 19th century, and variations of it were soon adopted by many branches of the armed services in the United Kingdom and the United States, including the United States Coast Guard and the United States Marine Corps. Owing to its nautical theme, this hymn has been played or sung at a number of funerals for those who have served in or been associated with the US Navy. Most notably, it was sung at the funerals of multiple US presidents, including Roosevelt, Richard Nixon, George H. W. Bush, and John F. Kennedy.
$40.00 ≈
36.86€
Treason - The Chartist March on Newport
Treason - The Chartist March on Newport
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Chorale 3 parties
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INTERMÉDIAIRE
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Tim Riley
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Tim Riley
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Treason - The Chartist March o
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Tim Riley
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1126300 Composed by Tim Riley. Arranged by Tim Riley. Broadway,Contemporary,Historic,Musical/Show. Octavo. 49 pag...
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Choral Choir (SAB) - Level 3 - SKU: A0.1126300 Composed by Tim Riley. Arranged by Tim Riley. Broadway,Contemporary,Historic,Musical/Show. Octavo. 49 pages. Tim Riley #727004. Published by Tim Riley (A0.1126300). A short choral work by award-winning British choral composer, Tim Riley (lyrics by John Lovat). In just 15 minutes, this work retells the highly dramatic story of The Newport Rising. Tim Riley specialises in creating compelling works of intermediate difficult for Community Choirs with mixed ability singers. In 1839, 4,000 Chartists marched on Newport in Gwent, Wales, UK. They were part of the Chartist movement, campaigning for better voting right for all. Unarmed, apart from sticks, they arrived at the Westgate Hotel in Newport where they demanded the release of a political prisoner being held there. Local militia opened fire. Twenty two protestors were killed and a further fifty injured. The leaders of the march were sentenced to be 'hanged, drawn and quartered'. Although the march ended in tragedy, most of their demands for universal suffrage are now enshrined in the laws of most democratic societies across the world. The music has been composed in a style that many will find reminiscent of Les Miserable, but there are also touches of Lloyd Webber, Kurt Weill and Gilbert and Sullivan. This arrangement is ideal for community choirs and is a SAAB arrangement. There are two alto parts, but the lower alto part could easily be taken by tenors to give a SATB arrangement. This piece was originally composed and arranged for the Insole Court Community Choir in South Wales (near where the Chartist March took place). In May 2022, the Insole Court Community Choir competed at the Cheltenham Festival for Performing Arts with Tim Riley conducting and won the Musical Theatre section with this work. If you would like more information, please feel free to contact the composer directly timriley66@gmail.com.
$4.95 ≈
4.56€
Praise the Lord, and Pass the Ammunition
Praise the Lord, and Pass the Ammunition
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Trompette
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Musique Sacrée
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Frank Loesser
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Travis Hayman
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Praise the Lord, and Pass the
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Travis Hayman
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SheetMusicPlus
Trumpet Solo - SKU: A0.951550 Composed by Frank Loesser. Arranged by Travis Hayman. Folk,Holiday,Patriotic. Individual part. 7 pages. Travis Hayman #610...
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Trumpet Solo - SKU: A0.951550 Composed by Frank Loesser. Arranged by Travis Hayman. Folk,Holiday,Patriotic. Individual part. 7 pages. Travis Hayman #6102527. Published by Travis Hayman (A0.951550). The Chaplain Corps of the United States Army consists of ordained clergy of multiple faiths who are commissioned Army officers serving as military chaplains as well as enlisted soldiers who serve as assistants. Their purpose is to offer religious church services, counseling, and moral support to the armed forces, whether in peacetime or at war.
$5.00 ≈
4.61€
Wenn ein starker Gewappneter (If a strong armed man guards his palace) wind and strings
Wenn ein starker Gewappneter (If a strong armed man guards his palace) wind and strings
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Classique
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Johannes Brahms
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David Warin Solomons
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Wenn ein starker Gewappneter
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David Warin Solomons
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SheetMusicPlus
Small Ensemble,Strings - Level 3 - SKU: A0.580010 Composed by Johannes Brahms. Arranged by David Warin Solomons. Romantic Period. Score and parts. 22 pa...
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Small Ensemble,Strings - Level 3 - SKU: A0.580010 Composed by Johannes Brahms. Arranged by David Warin Solomons. Romantic Period. Score and parts. 22 pages. David Warin Solomons #3510421. Published by David Warin Solomons (A0.580010). Instrumental arrangement of an anthem by Johannes Brahms
$10.00 ≈
9.21€
Wenn ein starker Gewappneter (If a strong armed man guards his palace) wind and strings lower basses
Wenn ein starker Gewappneter (If a strong armed man guards his palace) wind and strings lower basses
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Classique
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Johannes Brahms
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David Warin Solomons
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Wenn ein starker Gewappneter
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David Warin Solomons
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SheetMusicPlus
Small Ensemble,Strings - Level 3 - SKU: A0.580011 Composed by Johannes Brahms. Arranged by David Warin Solomons. Romantic Period. Score and parts. 22 pa...
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Small Ensemble,Strings - Level 3 - SKU: A0.580011 Composed by Johannes Brahms. Arranged by David Warin Solomons. Romantic Period. Score and parts. 22 pages. David Warin Solomons #3510423. Published by David Warin Solomons (A0.580011). Instrumental arrangement of an anthem by Johannes Brahms
$10.00 ≈
9.21€
Wenn ein starker Gewappneter (If a strong armed man guards his palace) for brass octet
Wenn ein starker Gewappneter (If a strong armed man guards his palace) for brass octet
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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David Warin Solomons
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Wenn ein starker Gewappneter
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David Warin Solomons
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.580012 Composed by Johannes Brahms. Arranged by David Warin Solomons. Romantic Period. Score and parts. 22 pages. Dav...
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Brass Ensemble - Level 3 - SKU: A0.580012 Composed by Johannes Brahms. Arranged by David Warin Solomons. Romantic Period. Score and parts. 22 pages. David Warin Solomons #3510433. Published by David Warin Solomons (A0.580012). Instrumental arrangement of an anthem by Johannes Brahms
$10.00 ≈
9.21€
Wenn ein starker Gewappneter (If a strong armed man guards his palace) for wind octet
Wenn ein starker Gewappneter (If a strong armed man guards his palace) for wind octet
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Classique
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Johannes Brahms
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David Warin Solomons
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Wenn ein starker Gewappneter
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Horn,Oboe - Level 3 - SKU: A0.580009 Composed by Johannes Brahms. Arranged by David Warin Solomons. Romantic Period. Sco...
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Small Ensemble Bassoon,Clarinet,Horn,Oboe - Level 3 - SKU: A0.580009 Composed by Johannes Brahms. Arranged by David Warin Solomons. Romantic Period. Score and parts. 21 pages. David Warin Solomons #3510407. Published by David Warin Solomons (A0.580009). Instrumental arrangement of an anthem by Johannes Brahms
$10.00 ≈
9.21€
String Quartet No. 12 ... The Seasons (2010) full score
String Quartet No. 12 ... The Seasons (2010) full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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String Quartet No. 12 ... The
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Summer: Cloudburst! Double rainbow … Trio 3). 48 pages. Thomas Oboe Lee #3905. Published by Thomas Oboe Lee (A0.869207). Program note: As indicated by the title, this is my twelfth string quartet. My very first work, Aperture (1974), was a string quartet. In between I wrote four (nos. 2 – 5) for the Kronos Quartet, one (no. 6) for the Manhattan String Quartet, one (no. 7) for the Lydian String Quartet, one (no. 8) for the Artaria String Quartet, two (nos. 9 - 10) for the Hawthorne String Quartet, and one (no. 11) for the Formosa Quartet. The number twelve immediately brought to mind the months of the year. But I thought a twelve-movement string quartet might be a bit excessive, and difficult to achieve in a coherent narrative arc. Most classical string quartets by Haydn, Mozart and Beethoven are in four movements. So why not the seasons, a movement for each: spring, summer, autumn, and winter. I am a huge fan of The Creation by Franz Joseph Haydn. Confession: I am a huge fan of anything by maestro Haydn. For inspiration and guidance, I went to Haydn’s other oratorio The Seasons. Armed with a Dover publication of the full score and a recording of the complete work by Sir Thomas Beecham on EMI Classics, I got down to work over the summer of 2010. String Quartet No. 12 … The Seasons, after Franz Joseph Haydn is in four movements, played without pause between movements. 1) Intro: Heavy snow … Spring: Crocuses blooming!!! 2) Summer: Cloudburst! Double rainbow … Trio 3) Autumn: La Caccia … Danza Rusticana … Trio 4) Intro: Heavy snow again … Winter: O Magnum Mysterium … Hail storm! The work begins with four descending chords, depicting the falling of snow. But it’s Spring and crocuses are seen peeping through the snow … Summer begins with cloudbursts, thunder, lightning and torrential rain. A double rainbow appears after the storm. The sun emerges from the clouds in the Trio section. It is a lovely day after all; but then the clouds return … La Caccia: men go hunting in the Autumn. Well, the men in Haydn’s days at least. Peasant ladies dance as they harvest in the fields. A hawk appears, soaring overhead in the Trio as the sun sets in an orange-red sky ... In Winter snow falls again; but it’s the season to celebrate the Nativity. Violin and viola chant O magnum mysterium … O Magnum Mysterium O great mystery Et admirabile sacramentum and wonderful sacrament Ut animalia viderent Dominum natum that animals should see the new-born Lord Jacentem in praesepio! lying in a manger! Beata Virgo, cujus viscera Blessed is the Virgin whose womb Meruerunt portare was worthy to bear Dominum Christum. Christ the Lord. Alleluia. Alleluia. A hailstorm wreaks havoc. Fine. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/string-quartet-no-12-the-seasons-2010Video link: https://youtu.be/8seBbMtds84
$9.99 ≈
9.21€
A Tribute to the Armed Services (SSA)
A Tribute to the Armed Services (SSA)
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Chorale 3 parties
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Lloyd Larson
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A Tribute to the Armed Service
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Jubilate Music Group - Digital
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SheetMusicPlus
SSA chorus - SKU: JX.JMG1300 Composed by Lloyd Larson. Octavo. 16 pages. Jubilate Music Group - Digital #JMG1300. Published by Jubilate Music Group - Di...
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SSA chorus - SKU: JX.JMG1300 Composed by Lloyd Larson. Octavo. 16 pages. Jubilate Music Group - Digital #JMG1300. Published by Jubilate Music Group - Digital (JX.JMG1300). UPC: 850055807020.Now available in SSA voicing, this best-selling anthem has become a staple in many repertoires! A Tribute to the Armed Services is the original complete medley of official U.S. Military songs/hymns. Larson has created the ultimate hymn of patriotism and homage to our service men and women past and present. Incorporating America, the Beautiful as the finale, this medley is ideal for any patriotic service, including Independence Day, Memorial Day, Veteran's Day, and civic/school programs.
$2.70 ≈
2.49€
The United States Armed Forces Medley
The United States Armed Forces Medley
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Chorale SATB
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AVANCÉ
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Dykes, Zimmerman, Gruber, Craw
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James Hoffmann
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The United States Armed Forces
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James Hoffmann
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1364481 Composed by Dykes, Zimmerman, Gruber, Crawford, Boskerck, Offenbach, Ward. Arranged by James Hoff...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1364481 Composed by Dykes, Zimmerman, Gruber, Crawford, Boskerck, Offenbach, Ward. Arranged by James Hoffmann. A Cappella,Historic,Patriotic. 19 pages. James Hoffmann #948004. Published by James Hoffmann (A0.1364481). O Trinity of love and power . . .  This 4th verse of the beloved hymn  Eternal Father Strong to Save opens the work, followed by a spirited and fresh treatment of the songs of the U.S. Army, Navy, Air Force, Coast Guard, and Marines, and concludes with the refrain of America the Beautiful.  Scored for a cappella SATB chorus, the piece opens with a TTBB solo quartet.  Challenges in rhythm, fast articulations, and expanded ranges will keep advanced singers engaged. And for the music history and literature aficionados, Anchors Aweigh features an accompanying figure from Schubert's Trout.
$2.25 ≈
2.07€
Alto Sax - "And Can It Be?" Theme and Variations
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00 ≈
6.45€
Cello - "And Can It Be?" Theme and Variations
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00 ≈
5.53€
Tuba solo - "And Can It Be?" Theme and Variations
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00 ≈
5.53€
THESE MEN
THESE MEN
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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THESE MEN
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1251502 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary,Historic. Score. 23 pages. Ross Fidde...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1251502 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary,Historic. Score. 23 pages. Ross Fiddes #845791. Published by Ross Fiddes (A0.1251502). This extended through-sung song cycle was composed at the request of the remarkable Turkish-Australian soprano, Ayse Goknur Shanal, to include in a 2015 recital program by her to commemorate the 100th anniversary of origin of ANZAC, being the date Australian & New Zealand armed forces entered into combat in WW1.  The date is focused annually to commemorate those Australians who have served & those who have died in war.For the words I located some striking, even emotional, poems by Leon Gellert who, as a poet & a Lance Sergeant with the 10th Battalion, landed at Gallipoli, Turkey, on 25 April 1915. Wounded by shrapnel, and suffering from septicaemia and dysentery, he was evacuated to Malta in July and thence to London. He was repatriated and discharged medically unfit on 30 June 1916.Gellert created his overseas verse. Songs of a Campaign (1917) which was hailed by the Bulletin as one of the best verse collections to have come out of the war in the English language; it won the Bundey prize for English verse, and, before the year was out, Angus & Robertson Ltd published a third and enlarged edition, illustrated by Norman Lindsay.Ms Shanal premiered These Men in the recital collection curated by her in April 2015.  In 2016 she recorded the complete program to CD. In 2018 & 2019 she gave performances of the program in the Melbourne Recital Centre, Sydney Opera House & other venues throughout eastern Australia & Germany. In live performance her associate artists have been Patrick Keith & Ashley Hribar.CD:      https://www.australiancomposers.com.au/products/canakkale-gallipoli-songs    Also: Spotify, AppleMusic, Presto.
$35.00 ≈
32.25€
The Trio
The Trio
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Ennio Morricone
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Marco Pasquini
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The Trio
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Arr. by Marco Pasquini
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1322802 Composed by Ennio Morricone. Arranged by Marco Pasquini. 20th Century,Film/TV. 114 pages. Arr. by Marco Pasquin...
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Concert Band - Level 3 - SKU: A0.1322802 Composed by Ennio Morricone. Arranged by Marco Pasquini. 20th Century,Film/TV. 114 pages. Arr. by Marco Pasquini #911089. Published by Arr. by Marco Pasquini (A0.1322802). IL TRIELLO (THE TRIO)Composed by Ennio Morricone, Arranged by Marco Pasquini for Solo Trumpet (Bb or C), Concert Band & Choir (optional) - 114 pagesINSTRUMENTATIONConductor, Solo Bb Trumpet, Piccolo C, Flute 1 e 2, Oboe 1 e 2, Eb Piccolo ClarinetBb Clarinet 1 e 2, Bb Clarinet 3 e 4, Bb Bass Clarinet, Eb Alto Sax 1 e 2Bb Tenor Sax 1 e 2, Eb Baritone Sax, F Horn 1 e 2, F Horn 3 e 4, Trumpet 1Trumpet 2 e 3, Trombone 1 e 2, Bass Trombone, Euphonium 1, Euphonium 2Tuba, Mallets -Glockenspiel, Timpani, Tubolar Bells, Percussion, Snare DrumBass Drum, Classic Guitar, Synth (Strings patch), Pianoforte, Choir SATBOptional parts:Solo C Trumpet, Bassoon, Soprano Sax, Eb Horn 1, 2, 3 e 4, TC Trombone 1, 2 e 3, TC Euphonium 1 e 2, TC Tuba, String BassThe piece can also be performed without the synt, without the guitar (but with the piano) and without the choir.Grade 3Duration: 5'30Â [Score + Set of Parts included] Sound track by Il buono, il brutto, il cattivo the 1966 film directed by Sergio Leone. In the triello scene, after a very tense wait, Blonde kills Sentenza, while Tuco, whose gun was discharged during the night by his companion, finds himself unarmed and at his mercy. But Blonde spares him, reveals to him that no name is indicated on the stone, and forces him to dig in the unknown man's grave next to Stanton's. The two thus come into possession of the dollars, but Blonde plays one last atrocious prank on Tuco: while the latter was digging he prepared a noose hanging from a tree, and forces the bandit to stick his neck through it while balancing precariously on a cross wooden. Then he ties his hands, and before his incredulous eyes he loads half the loot onto Sentenza's horse and walks away. He will save him in the usual way, shooting the rope from afar, amidst the bandit's begging, tears and finally insults.
$130.00 ≈
119.79€
Eternal Father, Strong to Save (Navy Hymn)
Eternal Father, Strong to Save (Navy Hymn)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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John Bacchus Dykes
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Spike Maiden Müller
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Eternal Father, Strong to Save
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Spike Maiden Mueller
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.918565 Composed by John Bacchus Dykes. Arranged by Spike Maiden Müller. Christian,Pat...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.918565 Composed by John Bacchus Dykes. Arranged by Spike Maiden Müller. Christian,Patriotic,Romantic Period,Sacred,Standards. 18 pages. Spike Maiden Mueller #6878051. Published by Spike Maiden Mueller (A0.918565). Eternal Father, Strong to Save is a hymn traditionally associated with seafarers, particularly in the maritime armed services. Written in 1860, text author William Whiting was inspired by the dangers of the sea described in Psalm 107. John B. Dykes, an Anglican clergyman, composed the tune Melita to accompany the text in 1861. This version is for standard clarinet quartet of three Bb soprano clarinets and one bass clarinet with an optional alto clarinet part which substitutes for the third Bb soprano. Lush romantic harmonies and the passing of the melody from player to player are its cornerstones.Search terms: Maiden, Müller, Mueller, Muller, Maiden Müller, Maiden Mueller, Maiden Muller.
$10.95 ≈
10.09€
Eternal Father, Strong to Save (Navy Hymn)
Eternal Father, Strong to Save (Navy Hymn)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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John Bacchus Dykes
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Spike Maiden Müller
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Eternal Father, Strong to Save
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Spike Maiden Mueller
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.850770 Composed by John Bacchus Dykes. Arranged by Spike Maiden Müller. Christian...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.850770 Composed by John Bacchus Dykes. Arranged by Spike Maiden Müller. Christian,Patriotic,Romantic Period,Sacred,Standards. Score and parts. 14 pages. Spike Maiden Mueller #6876423. Published by Spike Maiden Mueller (A0.850770). Eternal Father, Strong to Save is a hymn traditionally associated with seafarers, particularly in the maritime armed services. Written in 1860, its author William Whiting was inspired by the dangers of the sea described in Psalm 107. John B. Dykes, an Anglican clergyman, composed the tune Melita to accompany the text in 1861. This version is for standard woodwind quintet, and includes an optional bass clarinet part for ensembles with no bassoon. Lush romantic harmonies and the passing of the melody from player to player are its cornerstones.Search terms: Maiden, Müller, Mueller, Muller, Maiden Müller, Maiden Mueller, Maiden Muller.
$12.99 ≈
11.97€
Navy Hymn (Eternal Father Strong to Save)
Navy Hymn (Eternal Father Strong to Save)
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Trompette
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John Bacchus Dykes
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Travis Hayman
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Navy Hymn
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Travis Hayman
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SheetMusicPlus
Trumpet Solo - SKU: A0.951542 Composed by John Bacchus Dykes. Arranged by Travis Hayman. Folk,Holiday,Patriotic,Spiritual. Individual part. 6 pages. Tra...
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Trumpet Solo - SKU: A0.951542 Composed by John Bacchus Dykes. Arranged by Travis Hayman. Folk,Holiday,Patriotic,Spiritual. Individual part. 6 pages. Travis Hayman #6096907. Published by Travis Hayman (A0.951542). Navy Hymn or Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, particularly in the maritime armed services. Written in 1860, its author William Whiting was inspired by the dangers of the sea described in Psalm 107. It was popularized by the Royal Navy and the United States Navy in the late 19th century.
$5.00 ≈
4.61€
Cygnus X-1 Book Ii: Hemispheres
Cygnus X-1 Book Ii: Hemispheres
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Rush
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Tracy Dean McCallum
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Cygnus X-1 Book Ii: Hemisphere
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tra...
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Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99 ≈
5.52€
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The Armed Man
