Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That's When I Knew
Non classifié
24
Piano & claviers
Piano seul
18
Piano, Voix et Guitare
15
Piano, Voix
5
Piano Quatuor: piano, violon, alto, violoncelle
1
Instruments en Do
1
Guitares
Guitare
1
Guitare notes et tablatures
1
Voix
Chorale SATB
5
Chorale 2 parties
1
Chorale TTBB
1
Voix Mezzo-Soprano, Piano
1
Chorale 3 parties
1
Voix duo
1
Voix duo, Piano
1
+ 2 instrumentations
Retracter
Vents
Saxophone Soprano et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Cor anglais, Piano
1
Saxophone Baryton, Piano
1
Saxophone Alto et Piano
1
Clarinette
1
Saxophone et Orgue
1
Hautbois, Piano (duo)
1
Clarinette et Piano
1
Saxophone Tenor et Piano
1
Flûte traversière
1
2 Flûtes traversières (duo)
1
Flûte traversière et Piano
1
Quintette de Flûte : 5 flûtes
1
+ 9 instrumentations
Retracter
Cuivres
Tuba et Piano
2
Trompette
1
Cor anglais, Piano
1
Cor et Piano
1
Trombone et Piano
1
Cordes
Violoncelle
4
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon, Violoncelle (duo)
2
2 Violoncelles (duo)
1
Alto, Piano
1
Violon et Piano
1
2 Violons (duo)
1
+ 2 instrumentations
Retracter
Percussions & orchestre
Orchestre d'harmonie
4
Orchestre à Cordes
3
Orchestre
3
Ensemble de cuivres
2
Orchestre de chambre
1
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
PARTITIONS GRATUITES
185 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
That's When I Knew
Partitions à imprimer
123 partitions trouvées
<
1
26
51
....
101
That's When I Knew
That's When I Knew
#
Piano, Voix et Guitare
#
Pop musique
#
Alicia Keys
#
That's When I Knew
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Alicia Keys. Pop. Piano/Vocal/Guitar. 9 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By Alicia Keys. Pop. Piano/Vocal/Guitar. 9 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.64€
Could I Have This Dance
Could I Have This Dance
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Anne Murray
#
Timothy Stapay
#
Could I Have This Dance
#
Timothy Stapay
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1241593 By Anne Murray. By Bob House and Wayland Holyfield. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwr...
(+)
Piano Solo - Level 4 - SKU: A0.1241593 By Anne Murray. By Bob House and Wayland Holyfield. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #836965. Published by Timothy Stapay (A0.1241593). A traditionl Country-Style arrangement of Could I Have This Dance; from the movie Urban Cowboy. Could I Have This Dance is a song recorded by the Canadian country music artist Anne Murray. It was used in the 1980 film Urban Cowboy and appeared on both the Urban Cowboy soundtrack album for that film, as well as on the Anne Murray's Greatest Hits compilation album, issued in late 1980. Later on, it also appeared on Murray's 2007 album Anne Murray Duets: Friends & Legends, performed as a duet with Amy Grant.As a single, it was released in August 1980 and became Murray's fifth number one country hit as a solo artist. It went to number one for one week and spent a total of ten weeks on the country chart. Could I Have This Dance was also Murray's tenth Top 40 on the U.S. pop singles chart, peaking at number 33. The song was written by Wayland Holyfield and Bob House.Lyrics:I'll always remember the song they were playin'The first time we danced and I knewAs we swayed to the music and held to each otherI fell in love with youCould I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?I'll always remember that magic momentWhen I held you close to meAs we moved together, I knew foreverYou're all I'll ever needCould I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?Could I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?
$6.99 ≈
6.50€
I Know That God Lives - an original hymn for SATB voices
I Know That God Lives - an original hymn for SATB voices
#
Musique Sacrée
#
Kevin G
#
I Know That God Lives - an ori
#
Kevin G. Pace
#
SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.701520 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #321...
(+)
Vocal Solo,Voice - Level 4 - SKU: A0.701520 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #3218387. Published by Kevin G. Pace (A0.701520). An original hymn with text by Krista Mason Pace below.YouTube Video: https://youtu.be/KE-8yPHYkRkI know that God lives as sure as the sun sends light from above. Rivers that flow and starlight aglow, testify true of His love. I know that God lives. His ev’ry creation delights whence it came. Mountains in splendor and beauty herald His glorious name. I know that God lives; I know that He sent His Son to the Earth. His life he gave, then rose from the grave, off’ring a gift of great worth. I know that God lives. His work and His glory eternally sing. Cov’nants that bind me to Heaven; Near Him, He longs to bring. I know that God lives. This great work engages all men to know. Gained step by step, from parents who’ve kept promises made long ago. I know that God lives, And sweet is the feeling of answering prayer Led by His Spirit, each errand; Others know that He’s there. I know that God lives. I honor His name and church in these days. His work is true, and always I knew I’d give my love, strength, and praise. I know that God lives, the depth of my soul yearns to sing it aloud. Praying for blessings for all ‘til Glory comes in a cloud.
$1.99 ≈
1.85€
Life's Persistent Questions
Life's Persistent Questions
#
Rory M
#
Life's Persistent Questions
#
New Horizons Music Studio, Inc.
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Voice - Level 3 - SKU: A0.934085 Composed by Rory M. Thompson, music and lyrics. Contemporary,Pop. Score and p...
(+)
Instrumental Duet Instrumental Duet,Piano,Voice - Level 3 - SKU: A0.934085 Composed by Rory M. Thompson, music and lyrics. Contemporary,Pop. Score and parts. 6 pages. New Horizons Music Studio, Inc. #3574895. Published by New Horizons Music Studio, Inc. (A0.934085). I remember seeing the phrase, What do you do when your velcro loses its grip? I knew that it had to become a song. I just couldn't figure out what came before that. One day when I was cleaning out my Remington electric shaver, I saw the gray mass of hairs, and thought... that looks like Gumbo Filé! I had the inspiration for madness, then.
$4.50 ≈
4.18€
At the Edge of the Body's Night
At the Edge of the Body's Night
#
Piano seul
#
Contemporain
#
William Grosvenor Neil
#
At the Edge of the Body's Nigh
#
TheComposerStudio.Com, LLC
#
SheetMusicPlus
Piano Solo - SKU: A0.982538 Composed by William Grosvenor Neil. Contemporary. Score. 50 pages. TheComposerStudio.Com, LLC #6709495. Published by TheComp...
(+)
Piano Solo - SKU: A0.982538 Composed by William Grosvenor Neil. Contemporary. Score. 50 pages. TheComposerStudio.Com, LLC #6709495. Published by TheComposerStudio.Com, LLC (A0.982538). Program Notes: At the Edge of the Body’s Night (2008) for piano and digital acoustics is a setting of Seven Poems by the late poet, Mark Strand. These poems intrigued me with their potent brevity and mysterious symbolism. I found in their riddle-like form a concise emotional message, ideal for creating short melodic themes and inspiring fantastic piano music. When I recorded Mark’s voice reading the poems, I knew that his recitation would be part of the compositional resources for the piece. His resonant voice, enhanced by the audio editing process, provided a powerful context for the musical interpretation of his words. The addition of a soprano voice (Ashley Parker) in the digital landscape alludes to the traditional art song setting of poems. and her siren-call voice recalls the female muse that I imagined inspired the poet in writing his words. The piano music guides the listener throughout this fantastic journey of sound and music reflecting on the meaning and character of the poems and driving the dream-like narrative forward. Performance of the digital acoustic: Each of the six movements (I & II are combined) for piano are accompanied by a digital audio landscape as part of the performance. At the beginning of each section, a cue is notated in the score to start the audio wave file. It is recommended that a high fidelity audio play back system be employed in the recital hall or performance space. The sound system could be interfaced with a laptop computer or iPad operated by the pianist using a foot pedal similarly used with iPads supporting a digital part or it could be executed during the performance by a technician. The rental of the digital acoustic files includes a Key File license from Qlab that TheComposerStudio will email to be uploaded to a PC or Mac laptop computer for the duration of the rental. The uploaded software will ensure that the files are executed during a performance with ease and accuracy. The rental agreement also includes support from TheComposerStudio.Com, LLC from the time of rental through the performance of the piece. Duration: ca. 24 mins. www.williamneil.net www.thecomposerstudio.com for more info: thecomposerstudio@gmail.com
$25.00 ≈
23.24€
Uptight (everything's Alright)
Uptight (everything's Alright)
#
Ensemble de cuivres
#
Stevie Wonder
#
Phil Lawrence
#
Uptight
#
Phillip Lawrence
#
SheetMusicPlus
Brass Ensemble - SKU: A0.883765 By Stevie Wonder. By Henry Cosby, Stevie Wonder, and Sylvia Moy. Arranged by Phil Lawrence. Pop,Soul. Score and parts. 4...
(+)
Brass Ensemble - SKU: A0.883765 By Stevie Wonder. By Henry Cosby, Stevie Wonder, and Sylvia Moy. Arranged by Phil Lawrence. Pop,Soul. Score and parts. 41 pages. Phillip Lawrence #3533105. Published by Phillip Lawrence (A0.883765). Up-Tight Stevie Wonder Trombone Trio.Yes, you read it right, a Stevie Wonder number as a trombone trio? Over ten years ago I did the famous Tom Jones number It’s Not Unusual which I knew would be a hit, and it was, and I’ve sold 100’s and its also been on a few CD albums too. I’m not quite sure how these flashes of ideas come to me to arrange, but this time I admit that its a more of a jaw drop than It’s Not Unusual when I first told some friends.
$21.99 ≈
20.44€
It's Been So Long
It's Been So Long
#
Flûte, Hautbois, Clarinette, Basson
#
INTERMÉDIAIRE
#
Pop musique
#
Yoav Landau
#
Ethan Gammage
#
It's Been So Long
#
Ethan Gammage
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.1030862 Composed by Yoav Landau. Arranged by Ethan Gammage. Pop. 3 pages. Ethan Gammage #21461. P...
(+)
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.1030862 Composed by Yoav Landau. Arranged by Ethan Gammage. Pop. 3 pages. Ethan Gammage #21461. Published by Ethan Gammage (A0.1030862). When I first began writing It’s Been so Long last year, I never knew how a song of this nature could inspire me to write. The lyrics were not what pushed me to arrange this; it was all of the feelings and rhythms that were occurring in the background. The song is originally a sad song about a mother and her son, but as I listened to the song, the words didn't release my emotions, it was the story being told in the background. My favorite part is what I gave the 2nd Alto Sax. Even though this was the last part I wrote, it is overall the most important in giving the audience the full story. It starts off insignificant only supporting the baseline and completing chords, but then it gains its own voice and becomes more independent as we reach the end.
$9.99 ≈
9.29€
Daddy’s Little Girl (The Wedding Song) – Original Recording
Daddy’s Little Girl (The Wedding Song) – Original Recording
#
Charles A
#
Charles A
#
background-color: #FFFFFF
#
Daddy’s Little Girl
#
CG Publications
#
SheetMusicPlus
Double Bass,Drums,Guitar,Voice - SKU: A0.1071251 Composed by Charles A. Gravenhorst. Arranged by Charles A. Gravenhorst. Pop,Wedding. Full Performance. ...
(+)
Double Bass,Drums,Guitar,Voice - SKU: A0.1071251 Composed by Charles A. Gravenhorst. Arranged by Charles A. Gravenhorst. Pop,Wedding. Full Performance. Duration 303. CG Publications #6418745. Published by CG Publications (A0.1071251). Performance of Daddy’s Little Girl (The Wedding Song) as originally recorded in 2014.Two sheet music versions of this song are available here through SMP Press at the following: a:link,a:visited { color: Blue; background-color: #FFFFFF; text-decoration: none; target-new: none; } a:hover { color: #0000FF; background-color: #FFFFC0; text-decoration: underline; target-new: none; } https://www.sheetmusicplus.com/title/daddy-s-little-girl-the-wedding-song-version-1-digital-sheet-music/20504842 a:link,a:visited { color: Blue; background-color: #FFFFFF; text-decoration: none; target-new: none; } a:hover { color: #0000FF; background-color: #FFFFC0; text-decoration: underline; target-new: none; } https://www.sheetmusicplus.com/title/daddy-s-little-girl-the-wedding-song-version-2-digital-sheet-music/20512593 LYRICS:I knew that it was gonna come someday, When I would give my little girl away,
$3.99 ≈
3.71€
That's When I Knew by Alicia Keys - Piano/Vocal/Guitar
#
Piano, Voix et Guitare
#
Alicia Keys
#
That's When I Knew
#
Musicnotes
Performed by: Alicia Keys: That's When I Knew Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music...
(+)
Performed by: Alicia Keys: That's When I Knew Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 9 pages -- R & B~~Contemporary R & B~~Adult Contemporary~~Pop
$5.99 ≈
5.57€
I Wonder on That Christmas Day, a sacred Christmas hymn
I Wonder on That Christmas Day, a sacred Christmas hymn
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
I Wonder on That Christmas Day
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1125754 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Religious,Sacred,Spiritual....
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1125754 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #726494. Published by Kevin G. Pace (A0.1125754). A lovely, Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: I wonder on that Christmas day, when Baby Jesus slept on hay, If He dreamed the world would sing sweet songs about the love He’d bring? I wonder when the star shone bright if sheep were startled by the light? Did the shepherds stop and pray to find where Baby Jesus lay? I wonder if the cattle stirred when cries from Jesus could be heard? Did his mother wrap him tight and sing to Him throughout the night? I wonder when the wisemen came, if they were told the Baby’s Name? Were the precious gifts they brought then used by Jesus as He taught? I wonder on that Christmas day, when Baby Jesus slept on hay, If He knew He’d grow to be God’s greatest gift for you and me? I wonder if dear Joseph stayed with Mary to give needed aid? Did he feed the donkey there, or give sweet Mary all his care?
$1.99 ≈
1.85€
I Wonder on That Christmas Day, a sacred Christmas song for children
I Wonder on That Christmas Day, a sacred Christmas song for children
#
Piano, Voix
#
INTERMÉDIAIRE
#
Kevin G
#
I Wonder on That Christmas Day
#
Kevin G. Pace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1126251 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Children,Christian,Christmas,Religious,Sacred. Sc...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1126251 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Children,Christian,Christmas,Religious,Sacred. Score. 3 pages. Kevin G. Pace #726952. Published by Kevin G. Pace (A0.1126251). A lovely, Christmas song for children. Music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: I wonder on that Christmas day, when Baby Jesus slept on hay, If He dreamed the world would sing sweet songs about the love He’d bring? I wonder when the star shone bright if sheep were startled by the light? Did the shepherds stop and pray to find where Baby Jesus lay? I wonder if the cattle stirred when cries from Jesus could be heard? Did his mother wrap him tight and sing to Him throughout the night? I wonder when the wisemen came, if they were told the Baby’s Name? Were the precious gifts they brought then used by Jesus as He taught? I wonder on that Christmas day, when Baby Jesus slept on hay, If He knew He’d grow to be God’s greatest gift for you and me? I wonder if dear Joseph stayed with Mary to give needed aid? Did he feed the donkey there, or give sweet Mary all his care?
$1.99 ≈
1.85€
Paisley's Sonata
Paisley's Sonata
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Michael C
#
Paisley's Sonata
#
Michael C. Brown
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by...
(+)
Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99 ≈
4.64€
When We Face An Unknown Future
When We Face An Unknown Future
#
Chorale 2 parties
#
INTERMÉDIAIRE
#
Veniamin Blokh
#
When We Face An Unknown Future
#
Veniamin Blokh
#
SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.1029846 Composed by Veniamin Blokh. Praise & Worship,Romantic Period,Sacred. Octavo. 7 pages. Veniamin Blokh #5753...
(+)
Choral Choir (SA) - Level 3 - SKU: A0.1029846 Composed by Veniamin Blokh. Praise & Worship,Romantic Period,Sacred. Octavo. 7 pages. Veniamin Blokh #5753547. Published by Veniamin Blokh (A0.1029846). A song for choir and piano written on a reflection of the situation with the COVID-19 in the world. Words by Carolyn Winfrey Gillette:When we face an unknown future that we can't imagine yet,when the closeness we have treasured turns from blessing into threat -As we miss our friends and loved ones, as we crave community,may we look, God, in this season, for a whole new way to be.Jesus faced the lonely desert as a time to look within.There he met such trial and conflict; there he knew you were with him.In this time of separation when we miss the life we've known,may we hear your voice proclaiming: I am here! You're not alone.May we cherish those around us as we never have before.May we think much less of profit; may we learn what matters more.May we hear our neighbors' suffering; may we see our neighbors' pain.May we learn new ways of offering life and health and hope again.God, when illness comes to threaten, and when so much here goes wrong,may we know this thing for certain - that your love is sure and strong.You're beside us in our suffering - and when times are surely tough,we may face an unknown future, but it's filled, Lord, with your love.
$4.99 ≈
4.64€
When The Party's Over for flute quintet or small flute ensemble
When The Party's Over for flute quintet or small flute ensemble
#
Quintette de Flûte : 5 flûtes
#
INTERMÉDIAIRE
#
Pop musique
#
Billie Eilish
#
do Ray me "
#
When The Party's Over for flut
#
a " do Ray me " flute studio production
#
SheetMusicPlus
Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Choir, Orff instruments, c flute 1, c flute 2, c flute 3, c flute 4, and alto flute in G - Interm...
(+)
Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Choir, Orff instruments, c flute 1, c flute 2, c flute 3, c flute 4, and alto flute in G - Intermediate - Digital Download By Billie Eilish. Arranged by a " do Ray me " flute studio production, Ray-Michael Kauffman. Individual Part, Lead Sheet, Octavo, Score, Set of Parts, Sheet Music Single, Solo Part. 29 pages. Published by a " do Ray me " flute studio production
When the Party's over for flute quintet or small flute ensemble
https://youtu.be/-yE2CbZcCQg
https://youtu.be/lP6zqU_irNg
by billie eilish, and arranged by me, ray-michael kauffman.
this is part of my " Compositions that care" and all money this piece takes in, will be donated to a charity for recovery from addition.
When i first herd this song, for me this was painting a picture of someone who was an addict, where they seemed the life of the party , and was having such a good time, however , using to feel a certain way -whether that be normal, happy, to fit in, loved,.. how ever, addiction cripples those persons effected may truly feel lonely and empty .
I debated with myself if this is what cause i wanted to support and hopefully shed some light on, addiction and everything and every person this effects.It was the next day , i had learned a friend and former co-worker had committed suicide after a long struggle with addition. I knew then that this decision was the right one.
To purchase and support this cause, or " Compositions that care", please visit SheetMusicPlus.com or direct link to my music available ;
https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545
and check my website out, www.doRaymeflute.com
thank you for taking something so precious, as your time for me and this cause.
$12.99 ≈
12.08€
Baby, It's Cold Outside
Baby, It's Cold Outside
#
Piano, Voix
#
INTERMÉDIAIRE
#
Pop musique
#
Glee Cast
#
Mario Stallbaumer
#
Baby, It's Cold Outside
#
Mario Stallbaumer
#
SheetMusicPlus
Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Glee Cast. Arranged by Mario Stallbaumer. 7 pages. Published by Mario...
(+)
Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Glee Cast. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
With this piano sheet music, you can play ?Baby, It?s Cold Outside? on piano!
The famous duet "Baby, It's Cold Outside" was written in 1944 by Frank Loesser, who regularly performed the song at celebrity parties with his wife, Lynn Garland.
In 1949, the song appeared in the film "Neptune's Daughter", and won an Academy Award for Best Original Song!
The song is clearly winter-themed (talking about the blizzard outside!), but it doesn?t mention anything holiday-related. Anyway, the song is generally considered a Christmas song.
Of course, the song has been covered by countless artists since the 40s.
Some of the most memorable recordings include such fantastic duos as Louis Armstrong and Velma Middleton, Ray Charles and Betty Carter, Rod Stewart and Dolly Parton, Idina Menzel and Michael Bubl, Cee Lo Green and Christina Aguilera, Lady Gaga and Joseph Gordon-Levitt, Seth MacFarlane and Sara Bareilles!
?Baby, It?s Cold Outside? also appeared in an episode of Glee (?A Very Glee Christmas?, Season 2, Episode 10), where it is performed by members of the Glee Cast (Blaine Anderson/Darren Criss and Kurt Hummel/Chris Colfer).
Time for you to play it!
These piano sheets come with seperate systems for the two singers, so you?ll always have an easy oversight who?s singing when. Of course, the full lyrics and chords are included as well.
You can use these piano sheets to play the song for yourself on piano, accompany singers, or sing along yourself!
Listen to the full arrangement here: https://youtu.be/Y5gtxqT_Ewo
Here are the full lyrics to ?Baby, It?s Cold Outside?:
[VERSE 1]
I really can't stay (but baby, it's cold outside)
I've got to go away (but baby, it's cold outside)
This evening has been (been hoping that you'd drop in)
So very nice (i'll hold your hands, they're just like ice)
My mother will start to worry (beautiful what's your hurry?)
My father will be pacing the floor (listen to the fireplace roar)
So really I'd better scurry (beautiful please don't hurry)
But maybe just a half a drink more (put some records on while I pour)
The neighbors might think (baby, it's bad out there)
Say what's in this drink? (no cabs to be had out there)
I wish I knew how (your eyes are like starlight now)
To break this spell (i'll take your hat, your hair looks swell)
I ought to say, no, no, no sir (mind if I move in closer?)
At least I'm gonna say that I tried (what's the sense in hurtin' my pride?)
I really can't stay (oh baby don't hold out)
But baby, it's cold outside
[VERSE 2]
I simply must go (but baby, it's cold outside)
The answer is no (but baby, it's cold outside)
Your welcome has been(how lucky that you dropped in)
So nice and warm (look out the window at this dawn)
My sister will be suspicious (gosh your lips look delicious)
My brother will be there at the door (waves upon the tropical shore)
My maiden aunts mind is vicious (gosh your lips are delicious)
But maybe just a cigarette more (never such a blizzard before)
I've gotta get home(but baby, you'd freeze out there)
Say lend me a coat(it's up to your knees out there)
You've really been grand (i thrill when you touch my hand)
But don't you see? (how can you do this thing to me?)
There's bound to be talk tomorrow (think of my lifelong sorrow)
At least there will be plenty implied (if you got pnuemonia and died)
I really can't stay (get over that old out)
Baby, it's cold outside
$4.99 ≈
4.64€
Baby, It's Cold Outside - Piano Solo
Baby, It's Cold Outside - Piano Solo
#
Piano seul
#
INTERMÉDIAIRE
#
Pop musique
#
Various
#
Mario Stallbaumer
#
Baby, It's Cold Outside - Pian
#
Mario Stallbaumer
#
SheetMusicPlus
Piano Solo - Intermediate - By Various. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer ...
(+)
Piano Solo - Intermediate - By Various. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
With this sheet music, you can play ?Baby, It?s Cold Outside? on piano!
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
The famous duet "Baby, It's Cold Outside" was written in 1944 by Frank Loesser, who regularly performed the song at celebrity parties with his wife, Lynn Garland.
In 1949, the song appeared in the film "Neptune's Daughter", and won an Academy Award for Best Original Song!
The song is clearly winter-themed (talking about the blizzard outside!), but it doesn?t mention anything holiday-related. Anyway, the song is generally considered a Christmas song.
Of course, the song has been covered by countless artists since the 40s.
Some of the most memorable recordings include such fantastic duos as Louis Armstrong and Velma Middleton, Ray Charles and Betty Carter, Rod Stewart and Dolly Parton, Idina Menzel and Michael Bubl, Cee Lo Green and Christina Aguilera, Lady Gaga and Joseph Gordon-Levitt, Seth MacFarlane and Sara Bareilles!
?Baby, It?s Cold Outside? also appeared in an episode of Glee (?A Very Glee Christmas?, Season 2, Episode 10), where it is performed by members of the Glee Cast (Blaine Anderson/Darren Criss and Kurt Hummel/Chris Colfer).
Time for you to play it!
Here are the full lyrics to ?Baby, It?s Cold Outside?:
[VERSE 1]
I really can't stay (but baby, it's cold outside)
I've got to go away (but baby, it's cold outside)
This evening has been (been hoping that you'd drop in)
So very nice (i'll hold your hands, they're just like ice)
My mother will start to worry (beautiful what's your hurry?)
My father will be pacing the floor (listen to the fireplace roar)
So really I'd better scurry (beautiful please don't hurry)
But maybe just a half a drink more (put some records on while I pour)
The neighbors might think (baby, it's bad out there)
Say what's in this drink? (no cabs to be had out there)
I wish I knew how (your eyes are like starlight now)
To break this spell (i'll take your hat, your hair looks swell)
I ought to say, no, no, no sir (mind if I move in closer?)
At least I'm gonna say that I tried (what's the sense in hurtin' my pride?)
I really can't stay (oh baby don't hold out)
But baby, it's cold outside
[VERSE 2]
I simply must go (but baby, it's cold outside)
The answer is no (but baby, it's cold outside)
Your welcome has been(how lucky that you dropped in)
So nice and warm (look out the window at this dawn)
My sister will be suspicious (gosh your lips look delicious)
My brother will be there at the door (waves upon the tropical shore)
My maiden aunts mind is vicious (gosh your lips are delicious)
But maybe just a cigarette more (never such a blizzard before)
I've gotta get home(but baby, you'd freeze out there)
Say lend me a coat(it's up to your knees out there)
You've really been grand (i thrill when you touch my hand)
But don't you see? (how can you do this thing to me?)
There's bound to be talk tomorrow (think of my lifelong sorrow)
At least there will be plenty implied (if you got pnuemonia and died)
I really can't stay (get over that old out)
Baby, it's cold outside
$4.99 ≈
4.64€
Beyond the Rainbow Bridge - backing track
Beyond the Rainbow Bridge - backing track
#
David Kai
#
David Kai
#
Beyond the Rainbow Bridge - ba
#
David Kai
#
SheetMusicPlus
String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105087 By David Kai. By David Kai. Arranged by David Kai. Christi...
(+)
String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105087 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Country,Rock. Accompaniment. Duration 221. David Kai #708333. Published by David Kai (A0.1105087). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. The death of a pet is certainly one the most difficult things that pet lovers experience. Pets offer us companionship, affection and healing, but their relatively short lifespan means that we will experience this loss many times in our lives. Many of us take comfort in the idea of a rainbow bridge that our pets cross when they die, and that we too will cross to be united with our pets. This song expresses the grief that we experience with the death of a pet, but also the hope that we will be reunited with them one day. This version of the song is a backing track for a soloist. BEYOND THE RAINBOW BRIDGE by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, we’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time, then you know just what you did You took a piece of my broken heart beyond the rainbow bridge. You took a piece of my broken heart beyond the rainbow bridge.
$1.99 ≈
1.85€
Beyond the Rainbow Bridge (piano accompaniment)
Beyond the Rainbow Bridge (piano accompaniment)
#
Piano, Voix
#
INTERMÉDIAIRE
#
David Kai
#
Beyond the Rainbow Bridge
#
David Kai
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.893830 Composed by David Kai. Christian,Contemporary,Pop,Spiritual. Score. 7 pages. David Kai #5209023. Published ...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.893830 Composed by David Kai. Christian,Contemporary,Pop,Spiritual. Score. 7 pages. David Kai #5209023. Published by David Kai (A0.893830). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. For more information about this song and free downloads, go to: www.sites.google.com/site/davidwkaismusicBeyond The Rainbow Bridge by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, We’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time Then you know just what you did You took a piece of my broken heart beyond the rainbow bridgeYou took a piece of my broken heart beyond the rainbow bridge.www.sites.google.com/site/davidwkaismusic
$4.00 ≈
3.72€
Alicia Keys: That's When I Knew - voice, piano or guitar
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE
#
Pop musique
#
Alicia Keys
#
Virtualsheetmusic
Instantly printable sheet music by Alicia Keys for voice, piano or guitar of MEDIUM skill level. / pop
Instantly printable sheet music by Alicia Keys for voice, piano or guitar of MEDIUM skill level. / pop
$8.97 ≈
8.34€
LULLABY FOR THE FUTURE
LULLABY FOR THE FUTURE
#
Piano seul
#
FACILE
#
New Age
#
Contemporain
#
Diego Spitaleri
#
Diego Spitaleri
#
LULLABY FOR THE FUTURE
#
Diego Spitaleri
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.730753 By Diego Spitaleri. By Diego Spitaleri. Arranged by Diego Spitaleri. Classical,Contemporary,New Age. Score. 4 page...
(+)
Piano Solo - Level 2 - SKU: A0.730753 By Diego Spitaleri. By Diego Spitaleri. Arranged by Diego Spitaleri. Classical,Contemporary,New Age. Score. 4 pages. Diego Spitaleri #339009. Published by Diego Spitaleri (A0.730753). This song personally involves me because it was composed during the lockdovn period, when I knew that my daughter would have a baby. And it is also for this reason that I chose to publish it on March 19th when it is Father’s Day in Italy. But this lullaby doesn’t just want to be personal. In fact, I like to think that it can give rise to a feeling of positive expectation of a better future.
$4.00 ≈
3.72€
Waltz for Martha for Violin (with optional Clarinet)
Waltz for Martha for Violin (with optional Clarinet)
#
Violon et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Philip R Buttall
#
Waltz for Martha for Violin
#
PRB Music
#
SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Publi...
(+)
Piano,Violin - Level 4 - SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Published by PRB Music (A0.1382422). After being locked down by Covid, I had almost lost the will to live, let alone go on holiday again outside the UK. Two years before I had had a lovely time in Italy, visiting Rome, Pisa, Puccini's House, Florence, Sienna, and more. Almost at the end of the trip I stayed a couple of days with my dear musical friends in Perugia, where their then 8-year-old daughter, Martha, was making great strides forward on the violin (mum is a concert pianist and teacher, similarly dad, but on the clarinet. I had booked to stay in Cesena where they had moved two, and I had a lovely time here, two, adding Bologna, Rossini's Museum, Rimini and some of the Adriatic coast to my list of places visited. They, too, had had lockdowns, and cancellations, but quite by chance, the weekend I had planned to be in Cesena, was the rearranged date of a special outside concert in the imposing surroundings of Rocca Malatestiana, a medieval fortress than dominates the town. Martha was going to be performing a violin concerto by Rode, and her dad had adapted the orchestral accompaniment, so that the large clarinet ensemble could take its place on the night. It was a wonderful, moving evening, and Martha played so well. I don't think there was a dry eye in the house! When I knew I was visiting them this year, I wrote Martha a little fun piece, with piano accompaniment, that she might have been able to play while I was there. But because of the rescheduled concerto performance, there just wasn't enough time for her to learn and practise the piece with her violin teacher in Bologna. I even added an optional part for clarinet, so dad would not feel left out. Hopefully, one day, I might still hear Waltz for Martha played by its dedicatees! It's a kind of schmalzy Viennese Waltz, in the style of Kreisler and others! You can purchase the piano score and violin part here. The optional clarinet part is available FREE OF CHARGE - by emailing info@philiprbuttall.co.uk.
$10.95 ≈
10.18€
Heart [SSA]
Heart [SSA]
#
Chorale 3 parties
#
FACILE
#
Contemporain
#
Laurie Betts Hughes
#
Heart [SSA]
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.891202 Composed by Laurie Betts Hughes. Contemporary. Octavo. 11 pages. Dandelion Music Press #3104027. Published...
(+)
Choral Choir (SSA) - Level 2 - SKU: A0.891202 Composed by Laurie Betts Hughes. Contemporary. Octavo. 11 pages. Dandelion Music Press #3104027. Published by Dandelion Music Press (A0.891202). If you are looking to highlight your women's group and feature soloists from within the ensemble, this women's-choir-friendly piece is a harmonically interesting and pianistically supported way to explore those textures.The composer writes: I often find it difficult to find music for grown women: much treble repertoire is written for children's ranges and feature children's themes, and the remainder seems to be about romantic relationships. When searching for a text that speaks to the nature of a woman, I found Emily Dickinson's little-known For largest Woman's Heart I knew. It seemed to pair naturally with Heart! We will forget him! and provide context rooted in personal strength.While Dickinson was a prolific private poet, fewer than a dozen of her nearly 1,800 poems were published during her lifetime, usually altered significantly to fit the conventional poetic rules of the time. A complete, and mostly unaltered, scholarly collection of her poetry first became available five full years after Aaron Copland's musical settings of her poetry. Laurie Betts Hughes explores what Copland never had the chance to: Emily Dickinson's poem as the poet had conceived it, unedited, and with the punctuation she intended.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
1.95€
Drivin'!
Drivin'!
#
Piano seul
#
AVANCÉ
#
Kathleen Ryan
#
Drivin'!
#
Indigo Mesa Music LLC
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1206657 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Contemporary,Pop. Score. 11 pages. Indigo Mesa Music LLC #804...
(+)
Piano Solo - Level 5 - SKU: A0.1206657 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Contemporary,Pop. Score. 11 pages. Indigo Mesa Music LLC #804835. Published by Indigo Mesa Music LLC (A0.1206657). Piano solo as composed and performed by Kathleen Ryan on her CD Drivin‘!Kathleen’s notes: “This is a piece written by my car (my first car, the little red Toyota Tercel that considered itself to be a sports car). Back in the day, when my solo performing career was just getting off the ground, I hit the first composing dry spell of my entire life. As I am certainly not prone to exaggeration or wild mood swings, I naturally knew that never again would I compose another piece of music; and, needless to say, I found that a bit depressing.“While driving home from a gig, through the Iowa vastness, I was brooding over the loss of my fledgling career as a musician, when I noticed that my car’s odometer read 22122. I have always loved symmetric numbers! And I quickly realized that 22122 can be notes of the scale, say D-D-C-D-D. I listened to that, then saw that the odometer had turned over to 22123: D-D-C-D-E. The rest, as they say, is history. Oh, the total stops (rests) near the beginning are stop signs; you’ll find several in every midwestern town you are wishing you could speed through! I should also say (because my first car would like me to): whenever in this piece I was a bit stuck for music, all I had to do was get out on the open road and drive a bit and more music would come. Which is the other reason I say the piece was written by my car.“The music travels through a landscape that is totally unexpected, before having a mellow time in the big city that night. (Again, true to life on the road in my first car.)â€Advanced. Must be able to handle syncopation, large reaches, leaps—and perform with attitude.
$5.25 ≈
4.88€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
#
Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.71€
<
1
26
51
....
101