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Symphony No. 10, Full Score and Individual Instrument Parts
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Vous avez sélectionné:
Symphony No. 10, Full Score and Individual Instrument Parts
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Symphony No. 10, Full Score and Individual Instrument Parts
Symphony No. 10, Full Score and Individual Instrument Parts
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Symphony No. 10, Full Score an
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1283796 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score and Parts. 220 pages. James Nathaniel H...
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Full Orchestra - Level 5 - SKU: A0.1283796 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score and Parts. 220 pages. James Nathaniel Holland #874985. Published by James Nathaniel Holland (A0.1283796). FULL SCORE (Concert Pitch) and INDIVIDUAL PARTS.  The tenth symphony for large orchestra of American 21st century composer James Nathaniel Holland in one movement.  A magnificent, contemporary musical journey that carries the listener through tonal color and mood. Scored large orchestra.  Instrumentation: picc, fl 123, ob 12, cl12, bcl, bsn, cbsn, hrn1234, tpt123, tromb12, btrmb, tba, timp, perc 123 (bd, splash cym, hand cym, snr, tam, ride cym. with mallets and stick, tri., gong, glockenspeil/chimes), hrp or pno., stringsDuration:  30 minutesFull Orchestral Score only also available, sold separately.
$34.99
Symphony No. 10, Full Score (in Concert Pitch) - Score Only
Symphony No. 10, Full Score (in Concert Pitch) - Score Only
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Symphony No. 10, Full Score
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1283782 Composed by James Nathaniel Holland. 21st Century,Contemporary. 76 pages. James Nathaniel Holland #874973. Pu...
(+)
Full Orchestra - Level 5 - SKU: A0.1283782 Composed by James Nathaniel Holland. 21st Century,Contemporary. 76 pages. James Nathaniel Holland #874973. Published by James Nathaniel Holland (A0.1283782). FULL SCORE (Concert Pitch).  The tenth symphony for large orchestra of American 21st century composer James Nathaniel Holland in one movement.  A magnificent, contemporary musical journey that carries the listener through tonal color and mood. Scored for large orchestra.  Instrumentation: picc, fl 123, ob 12, cl12, bcl, bsn, cbsn, hrn1234, tpt123, tromb12, btrmb, tba, timp, perc 123 (bd, splash cym, hand cym, snr, tam, ride cym. with mallets and stick, tri., gong, glockenspeil/chimes), hrp or pno., stringsDuration:  30 minutesFull Orchestral Score with Individual Instrument Parts sold separately.
$15.50
Elegy-Field of Blood
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Mu...
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Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
Elegy-Field of Blood
Elegy-Field of Blood
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Jordan Eismeier
#
Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - ...
(+)
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
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Symphony No. 10, Full Score and Individual Instrument Parts
