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Sonata for Flute and Piano, Op. 12
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Vous avez sélectionné:
Sonata for Flute and Piano, Op. 12
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19 partitions trouvées
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1
Sonata for Flute and Piano, Op. 12
Sonata for Flute and Piano, Op. 12
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Flûte traversière et Piano
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AVANCÉ
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00 ≈
18.64€
Corelli - Allemande (from Violin Sonata) in C Major - Intermediate
Corelli - Allemande (from Violin Sonata) in C Major - Intermediate
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Flûte traversière et Piano
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FACILE
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Arcangelo Corelli
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Piacere Music Sheets
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Corelli - Allemande
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Piacere Music Sheets
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1099720 Composed by Arcangelo Corelli. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part...
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Flute,Piano - Level 2 - SKU: A0.1099720 Composed by Arcangelo Corelli. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part. 9 pages. Piacere Music Sheets #703592. Published by Piacere Music Sheets (A0.1099720). Opus/Catalog Number: Op.5 No.10, movement 2 Key/Tone: F Major Movements/Sections: Allegro Year/Date of Composition: 1700 Difficulty:Â Grade 4/12 (Intermediate) Obs.: This piece is the second of five movement of the Sonata Op. 5, No. 10. It is part of the 12 Sonatas for Violin and Continuo, Op. 5, published in Rome in 1700. This is an arrangement for Flute with piano accompaniment. Flute part includes performance suggestions for the ornaments in accordance with the practice of the Baroque period. Included: Full score and separated parts for each instrument.
$4.95 ≈
4.61€
Corelli - Gavotte (from Violin Sonata) in C major - Easy
Corelli - Gavotte (from Violin Sonata) in C major - Easy
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Flûte traversière et Piano
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FACILE
#
Arcangelo Corelli
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Piacere Music Sheets
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Corelli - Gavotte
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Piacere Music Sheets
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1100081 Composed by Arcangelo Corelli. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part...
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Flute,Piano - Level 2 - SKU: A0.1100081 Composed by Arcangelo Corelli. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part. 6 pages. Piacere Music Sheets #703947. Published by Piacere Music Sheets (A0.1100081). Opus/Catalog Number: Op.5 No.10 - movement 4 Key/Tone: C Major Movements/Sections: Allegro Year/Date of Composition: 1700 Difficulty:Â Grade 3/12 (Easy) Obs.: This piece is the fourth movement of the Sonata Op. 5, No. 10 in F Major by Arcangelo Corelli, and It is part of the 12 Sonatas for Violin and Continuo, Op. 5, published in Rome in 1700. Performance suggestions for the ornaments in accordance with the performance practice of the Baroque period were This Gavotta is the fourth movement of the Sonata Op. 5, No. 10 in F Major by Arcangelo Corelli, and it's part of the 12 Sonatas for Violin and Continuo, Op. 5, published in Rome in 1700. Performance suggestions for the ornaments in accordance with the performance practice of the Baroque period were included in the flute part. Included: Full score and separated parts for each instrument.
$2.95 ≈
2.75€
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.59€
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
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James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.59€
Intermediate Music for Four, Volume 1 Part 2 Clarinet or Trumpet in Bb 72123DD
Intermediate Music for Four, Volume 1 Part 2 Clarinet or Trumpet in Bb 72123DD
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529976 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Folk,Romantic Period,Sta...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529976 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Folk,Romantic Period,Standards. 42 pages. Last Resort Music Publishing #28467. Published by Last Resort Music Publishing (A0.529976). This is the second part in the Intermediate Music for Four, Volume 1 Series. Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately. Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Other parts available: Part 1 Flute or Oboe or Violin Part 1 Clarinet or Soprano Sax in Bb Part 1 Alto Sax in Eb Part 2 Flute or Oboe or Violin Part 2 Clarinet or Trumpet in Bb Part 2 Alto Sax in Eb Part 3 Violin in C Part 3 Viola Part 3 Clarinet or Trumpet in Bb Part 3 Tenor Sax in Bb Part 3 French Horn in F Part 4 Cello or Bassoon Part 4 Bass Clarinet in Bb Part 4 Baritone Sax in Eb Keyboard or Guitar Score (Parts 1-4 in C) Table of Contents Turkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Nore Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel).
$18.50 ≈
17.24€
Intermediate Music for Four, Volume 2, Part 2 - Alto Saxophone in Eb 72125DD
Intermediate Music for Four, Volume 2, Part 2 - Alto Saxophone in Eb 72125DD
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529972 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Roman...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529972 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. 45 pages. Last Resort Music Publishing #1915519. Published by Last Resort Music Publishing (A0.529972). Part 2 Eb Alto Saxophone - Featuring ingenious and very accessible arrangements of works by Schubert, Sibelius, Mozart, and more! Arrangements for String Quartet or 3 Violins & Cello Wind Quartet, Sax Quartet and...the possibilities are endless! Ideal for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets 4 Saxophones & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Table of ContentsTurkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer  Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel)www.lastresortmusic.com.
$20.00 ≈
18.64€
Intermediate Music for Four, Volume 1 Part 3 for Clarinet or Trumpet in Bb - #72133
Intermediate Music for Four, Volume 1 Part 3 for Clarinet or Trumpet in Bb - #72133
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.530438 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Standard...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.530438 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Standards. 45 pages. Last Resort Music Publishing #3602199. Published by Last Resort Music Publishing (A0.530438). Intermediate Music for Four, Volume 1 Part 3 for Clarinet or Trumpet in Bb - #72133Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of ContentsTurkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer  Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel)
$18.50 ≈
17.24€
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.59€
Handel - Flute Sonata No.15 in E major HWV 373 Op.1 for Flute and Harpsichord (or Piano)
Handel - Flute Sonata No.15 in E major HWV 373 Op.1 for Flute and Harpsichord (or Piano)
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Classique
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Handel George Frideric
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Santino Cara
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Handel - Flute Sonata No.15 in
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Santino Cara
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SheetMusicPlus
Small Ensemble Flute,Harpsichord,Piano - Level 4 - SKU: A0.517289 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and parts...
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Small Ensemble Flute,Harpsichord,Piano - Level 4 - SKU: A0.517289 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and parts. 12 pages. Santino Cara #4303259. Published by Santino Cara (A0.517289). Complete score and part of the Flute Sonata No.15 in E major HWV 373 for Flute and Harpsichord (or Piano). Reconstructed and elaborated by Santino Cara from 20 Sonatas Op.1 by George Frideric Handel.
$18.40 ≈
17.15€
Intermediate Music for Four, Volume 1 Part 3 for French Horn or English Horn - #72134
Intermediate Music for Four, Volume 1 Part 3 for French Horn or English Horn - #72134
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
B-Flat Clarinet,Baritone Saxophone,Cello,Flute,Oboe/English Horn,Piano,Soprano Saxophone,Tenor Saxophone,Viola,Violin - Level 3 - SKU: A0.1255173 Compos...
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B-Flat Clarinet,Baritone Saxophone,Cello,Flute,Oboe/English Horn,Piano,Soprano Saxophone,Tenor Saxophone,Viola,Violin - Level 3 - SKU: A0.1255173 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Instructional,Standards. 43 pages. Last Resort Music Publishing #848738. Published by Last Resort Music Publishing (A0.1255173). Intermediate Music for Four, Volume 1 Part 3 for French Horn or English Horn - #72134Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of ContentsTurkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer  Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music PublishingÂ
$20.00 ≈
18.64€
Music for Four Volume 2, Score (for String Quartet or Mixed Quartet) 70299 - Score Only
Music for Four Volume 2, Score (for String Quartet or Mixed Quartet) 70299 - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Various
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Daniel Kelley
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Music for Four Volume 2, Score
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Last Resort Music Publishing
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SheetMusicPlus
Level 5 - SKU: A0.1341863 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Romantic Period,Wedding. 83 pages. Last Resort ...
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Level 5 - SKU: A0.1341863 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Romantic Period,Wedding. 83 pages. Last Resort Music Publishing #927370. Published by Last Resort Music Publishing (A0.1341863). Score #70299 from Music for Four, Volume 2Baroque Classical and Romantic Favorites Works by Bach, Beethoven, Chopin, Franck, Purcell, Mendelssohn and more!  An incredible collection of 25 arrangements for strings, woodwinds, French horn & piano – these mix and match quartets allow the performer to pick the instrumentation. Perfect for String Quartet, Wind Quartet, Piano Quartet, Sax Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet can play with a pianist - as long as Part 1 is being played.Table of ContentsArioso from Cantata #156 (Bach) Allegro, Adagio & Finale from Brandenburg Concerto #6 in Bb Major (Bach) My Heart Ever Faithful from Cantata #68 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Adagio from Piano Sonata #8, Op. 13 Pathetique (Beethoven) Ode to Joy from Symphony #9 (Beethoven) Nocturne from String Quartet #2 in D Major (Borodin) Prelude from Op. 28, #4 & #15 (Chopin) Pavane from Op. 50 (Faure) Panis Angelicus from Messe Solonnelle, Op. 12 (Franck) La Rejouissance from The Fireworks Music (Handel) Andante from String Quartet in F Major, Op. 3, #15 (Haydn) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Andante from K. 316 for Flute and Orchestra (Mozart) Crisantemi (Puccini) Trumpet Tune (Purcell) Ave Maria (Schubert) Am Camin  & Traumerei from Kinderscenen (Schumann) Romeo and Juliet Love Theme from Overture-Fantasy (Tschaikovsky) Allegro from Violin Concerto in E Major, Op. 8 #1 - Spring (Vivaldi) Parts Available for purchase separately 70211  Part 1 Flute or Oboe or Violin 70213  Part 1 Clarinet in Bb 70221  Part 2 Flute or Oboe or Violin70223  Part 2 Clarinet in Bb 70231  Part 3 Viola70236  Part 3 Violin in C  70232  Part 3 French Horn or English Horn in F70233  Part 3 Clarinet in Bb 70241  Part 4 Cello or Bassoon70243  Part 4 Bass Clarinet in Bb 70250  Keyboard or Guitar 70299  Score (Parts 1-4 in C) from Last Resort Music Publishing
$40.00 ≈
37.28€
Intermediate Music for Four, Volume 2, Part 4 - Cello or Bassoon 72241
Intermediate Music for Four, Volume 2, Part 4 - Cello or Bassoon 72241
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Daniel Kelley
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Cello - Level 4 - SKU: A0.796251 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romanti...
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Small Ensemble Bassoon,Cello - Level 4 - SKU: A0.796251 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Traditional. Score and parts. 43 pages. Last Resort Music Publishing #403432. Published by Last Resort Music Publishing (A0.796251). Part 4 Cello or Bassoon - Featuring ingenious and very accessible arrangements of works by Schubert, Sibelius, Mozart, and more! Arrangements for String Quartet or 3 Violins & Cello Wind Quartet, Sax Quartet and...the possibilities are endless! Ideal for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets 4 Saxophones & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of Contents Turkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel) www.lastresortmusic.com.
$20.00 ≈
18.64€
Loeillet - Flute Sonata No.4 in D major Op.1 for Flute and Harpsichord or Piano
Loeillet - Flute Sonata No.4 in D major Op.1 for Flute and Harpsichord or Piano
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Classique
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Loeillet Jean Baptiste of Lond
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Santino Cara
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Loeillet - Flute Sonata No.4 i
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Santino Cara
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SheetMusicPlus
Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517478 Composed by Loeillet Jean Baptiste of London. Arranged by S...
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Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517478 Composed by Loeillet Jean Baptiste of London. Arranged by Santino Cara. Baroque. Score and parts. 12 pages. Santino Cara #5729727. Published by Santino Cara (A0.517478). Complete score and part of the Flute Sonata No.4 in D major Op.1 for Flute and Harpsichord or Piano. Composed in 1722 Jean Baptiste Loeillet of London. Transcribed by Santino Cara.
$11.40 ≈
10.62€
Music for Four, Volume 2, Part 4 - Bass Clarinet 70243DD
Music for Four, Volume 2, Part 4 - Bass Clarinet 70243DD
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Various
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Daniel Kelley
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Music for Four, Volume 2, Part
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.530270 Composed by Various. Arranged by Daniel Kelley. 20th Century,Baroque,Classical,Ro...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.530270 Composed by Various. Arranged by Daniel Kelley. 20th Century,Baroque,Classical,Romantic Period,Wedding. 43 pages. Last Resort Music Publishing #3221037. Published by Last Resort Music Publishing (A0.530270). Part 4 for Bass Clarinet in Bb - 25 Masterful arrangements for quartet with flexible instrumentation including composers like Bach, Beethoven, Chopin, Franck, Purcell, Mendelssohn and more! A must have for any quartet! Perfect for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Table of ContentsArioso from Cantata #156 (Bach) Allegro, Adagio & Finale from Brandenburg Concerto #6 in Bb Major (Bach) My Heart Ever Faithful from Cantata #68 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Adagio from Piano Sonata #8, Op. 13 Pathetique (Beethoven) Ode to Joy from Symphony #9 (Beethoven) Nocturne from String Quartet #2 in D Major (Borodin) Prelude from Op. 28, #4 (Chopin) Prelude from Op. 28, #15 (Chopin) Pavane from Op. 50 (Faure) Panis Angelicus from Messe Solonnelle, Op. 12 (Franck) La Rejouissance from The Fireworks Music (Handel) Andante from String Quartet in F Major, Op. 3, #15 (Haydn) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Andante from K. 316 for Flute and Orchestra (Mozart) Crisantemi (Puccini) Trumpet Tune (Purcell) Ave Maria (Schubert) Am Camin from Kinderscenen, Op. 15, #8 (Schumann) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Romeo and Juliet Love Theme from Overture-Fantasy (Tschaikovsky) Allegro from Violin Concerto in E Major, Op. 8 #1 - Spring (Vivaldi)www.lastresortmusic.com
$18.50 ≈
17.24€
The Lark in the Clear Air Suite (12-Songs )Flute+Piano
The Lark in the Clear Air Suite (12-Songs )Flute+Piano
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Flûte traversière
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FACILE
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Contemporain
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Claude Achille Debussy etc
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Hiro Fujikake
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The Lark in the Clear Air Suit
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Mari Suzuki
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SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.922749 Composed by Claude Achille Debussy etc. Arranged by Hiro Fujikake. Contemporary. Individual part. 82 pages. Mari S...
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Flute Solo - Level 2 - SKU: A0.922749 Composed by Claude Achille Debussy etc. Arranged by Hiro Fujikake. Contemporary. Individual part. 82 pages. Mari Suzuki #6247129. Published by Mari Suzuki (A0.922749). 502 The Lark in the Clear Air Suite (12-Songs )Flute+PianoFlute+PianoSongs for the album The Lark in the Clear Air with Sir James Galway.Arranged by Hiro Fujikake(82 pages incl. front page and instruction)1. The Lark In The Clear Air()2. Albinoni’s Adagio3. The Swan4. Gymnopedy No.15. Lyric Pieces, Op. 54: Notturno6. Romance from The Gadfly7. Plaisir d’amour8. Last Spring, Op. 34, No. 29. Flute Sonata No.2: Siciliano10. Serenade, Op. 3, No. 511. The Little Shepherd12. Prélude à l’après-midi d’un faune
$65.00 ≈
60.58€
Handel - Sonata No.11 in F major Op.1 HWV 369 for Recorder and Harpsichord
Handel - Sonata No.11 in F major Op.1 HWV 369 for Recorder and Harpsichord
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Santino Cara
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Santino Cara
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Handel - Sonata No.11 in F maj
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Santino Cara
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SheetMusicPlus
Flute,Piano,Piccolo - Level 3 - SKU: A0.1413919 By Santino Cara. By Handel Georg Friedrich. Arranged by Santino Cara. Baroque. Score and part. 12 pages....
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Flute,Piano,Piccolo - Level 3 - SKU: A0.1413919 By Santino Cara. By Handel Georg Friedrich. Arranged by Santino Cara. Baroque. Score and part. 12 pages. Santino Cara #995694. Published by Santino Cara (A0.1413919). Complete score and part of the Sonata No.11 in F major Op.1 HWV 369 for Recorder and Harpsichord or Piano. Composed in 1712 by Georg Friedrich Handel. Rewritten and elaborated in Rome in 2019 by Santino Cara.
$18.40 ≈
17.15€
Beethoven: Piano Sonata No.12 in Ab Op.26 Mvt.I Andante and Variations - wind quintet
Beethoven: Piano Sonata No.12 in Ab Op.26 Mvt.I Andante and Variations - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Piano Sonata No.12
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.553586 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Concert,Graduation. ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.553586 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Concert,Graduation. 22 pages. RayThompsonMusic #3124225. Published by RayThompsonMusic (A0.553586). The first movement of Sonata no 26 in Ab major arranged for wind quintet. I have tried as far as possible to arranage the piece as though Beethoven would have written it. The horn is in Ab alto and I have tried as far as possible to use the notes of the natural horn.(This works better in some of the variations. I have used Ab basso for variation III. A horn in F part is also included. Variation 2:I have taken some liberties in that the constant syncopation in the R.H.piano part would not sit well on wind instruments, so I have retained Beethoven's harmonies and maintained the feel of the piece. Variation 3 is in Ab minor (7 flats) so may well present some difficulties for the players playing in an unfamiliar key!. The theme and othe variations are more playable.
$7.95 ≈
7.41€
Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Symphony No.8 in F
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thomps...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 12 pages. RayThompsonMusic #692364. Published by RayThompsonMusic (A0.1088119). Arranged wind quintet. Horn Part in Bb basso ( same as Beethoven's )(alt Hn in F part provided) The Symphony No. 8 in F major, Op. 93 is a symphony in four movements composed by Ludwig van Beethoven in 1812. Beethoven fondly referred to it as my little Symphony in F, distinguishing it from his Sixth Symphony, a longer work also in F.[1] The Eighth Symphony is generally light-hearted, though not lightweight, and in many places cheerfully loud, with many accented notes. Various passages in the symphony are heard by some listeners to be musical jokes. As with various other Beethoven works such as the Opus 27 piano sonatas and the later Ninth Symphony, the symphony deviates from Classical tradition in making the last movement the weightiest of the four. This is my arrangement of the 2nd mvt. There is a widespread belief that this movement is an affectionate parody of the metronome, which had only recently been invented (or more accurately, merely improved) by Beethoven's friend, Johann Maelzel. Specifically the belief was that the movement was based on a canon called Ta ta ta... Lieber Maelzel, WoO 162, said to have been improvised at a dinner party in Maelzel's honor in 1812. However, there is no evidence corroborating this story and it is likely that WoO 162 was not written by Beethoven but was constructed after-the-fact by Anton Schindler. A more likely inspiration was the similar rhythmic parody of Joseph Haydn's Clock Symphony. The metronome-like parody starts at the very beginning of the movement with even staccato chords in 16th-notes (semiquavers). This basic 16th-note rhythm continues fairly steadily through the piece. The tempo is unusually fast for a symphonic slow movement. Richard Wagner has argued that the third movement was intended as the slow movement of this symphony and that the second should be played as a scherzo.
$14.95 ≈
13.93€
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Sonata for Flute and Piano, Op. 12
