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Silence is the Music of Summer
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Vous avez sélectionné:
Silence is the Music of Summer
Partitions à imprimer
19 partitions trouvées
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1
Silence is the Music of Summer
Silence is the Music of Summer
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Michael Stevens
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James Michael Stevens
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Silence is the Music of Summer
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.571715 Composed by James Michael Stevens. Arranged by James Michael Stevens. Concert,Contemporary,Spiritual,Standards,Wor...
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Piano Solo - Level 4 - SKU: A0.571715 Composed by James Michael Stevens. Arranged by James Michael Stevens. Concert,Contemporary,Spiritual,Standards,World. Score. 3 pages. James M Stevens Music ASCAP #36851. Published by James M Stevens Music ASCAP (A0.571715). Written on May 23, 2015, Silence is the Music of Summer is an original piano composition in a reflective and pensive style in beautiful key of A minor. James Michael Stevens is a prolific composer residing in Nashville, TN where we serves as the Music Department Chairman of Welch College.
$3.99 ≈
3.73€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
23.40€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
(+)
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
23.40€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
23.40€
Divertimento For Flute Choir
Divertimento For Flute Choir
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Ensemble de Flûtes
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AVANCÉ
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Tooti Flooti
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Divertimento For Flute Choir
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Geraldine
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chambe...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chamber,Contemporary. 117 pages. Geraldine (Denny) Green at Oakmountmusic #903088. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314344). ALL PURCHASES COME WITH SCORE AND PARTSThe Divertimento for Flute Choir was requested by flautist David Greenalgh for the Flute choir Tooti Flooti and was written in June and July 2016. It has 3 short movements and a total duration of about 15 minutes.The outer movements are speedy, light hearted and sunny natured, while the middle movement is slower and rather haunting. The 3rd movement is the only one with a title, “The June Prune Tuneâ€, and there is a funny story behind the name. Many summers ago, my husband, Bob, and I were playing guitar and penny whistle together at home and I just happened to be snacking on dried prunes at the time. Bob joked that I should write a tune called the Prune Tune. I went a step further and said, June prune Tune, but it had to be written in June and I had to be eating prunes while actually writing it. Well, for the two Junes of 2014 and 2015 I tried to do it but no tune came. Nothing. Silence! Then, on the 1st June 2016 I was dashing home from work and I dived into a small corner shop for a sandwich and happened to spot a pack of dried prunes along with other dried fruits. So, in the local park, I stopped to have my butty and prunes while watching the birds and as I was eating the prunes a tune suddenly was there in my mind and I was subconsciously humming it. Like a thunderbolt it hit me! This was it! The June Prune Tune had arrived. Luckily I nearly always have paper on me so at once I scribbled it down, while munching very deliberately on the only two prunes left in the pack! Music doesn’t always have to be filled with sorrow and sadness and turmoil, even though much of mine is. But sometimes it’s just great to let the humour and flippancy flow,too, and simply enjoy having a good joke and a laugh. The Instrumentation is:Flute 1 – doubling Piccolo, Flute 2 – doubling piccolo, Flute 3 – doubling piccolo, Flute 4, Alto flute, Bass flute and string Double Bass.As the work was written for a specific group of players, the parts are single and do not divide within themselves. This, however, should not prevent it also working well with more than one player per part.The double bass part sometimes doubles the bass flute line, but also is an independent part in its own right.
$50.00 ≈
46.79€
Penn's Landing
Penn's Landing
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Piano seul
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INTERMÉDIAIRE
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Classique
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Che Buford
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Penn's Landing
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Abundant Silence
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1194163 Composed by Che Buford. Classical. Score. 8 pages. Abundant Silence #793584. Published by Abundant Silence (A0.11...
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Piano Solo - Level 3 - SKU: A0.1194163 Composed by Che Buford. Classical. Score. 8 pages. Abundant Silence #793584. Published by Abundant Silence (A0.1194163). Penn’s Landing was written for the 2020 Curtis Young Artist Summer Program's Composer-Performer Collective. The inspiration for this piece comes from a very specific memory that I had in May 2019 of me and a friend visiting an empty Penn’s Landing at night. The skyline of Philadelphia was so vibrant as well as the lights coming from different booths and restaurants that were open. Experiencing Penn’s Landing without any people allowed us to witness the beautiful qualities that night brings in Philadelphia.The beginning of this piece starts with a reflective and peaceful feeling. The piano plays a descending two-note figure that resonates on the second note. It then mirrors itself with similar figures that represent the city lights reflecting on the water. The music transforms into something more lively, playful while still using motifs and figures from the beginning. We then move to darker, slightly slower music when the low register of the piano is introduced. The left-hand plays a dark chorale while the right-hand hits high endless, resonant notes. These feelings of elation, admiration, peacefulness, coldness, melancholia were all emotions that I hoped to evoke.
$13.00 ≈
12.17€
Your Call Oh God
Your Call Oh God
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Chorale SATB
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FACILE
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Musique Sacrée
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Ken Medema
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Ken Medema
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Your Call Oh God
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Ken Medema Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1375421 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 12 pages. Ken Medema Music #959993....
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1375421 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 12 pages. Ken Medema Music #959993. Published by Ken Medema Music (A0.1375421). SATB and pianoLike a light that shines, when the night is dark and moonlessLike a summer cloud that promises the rainLike the smallest sound, that moves the wall of silence,Is your call, Oh GodTo come and worship You againLike a rose in winter, or a river in the desertLike a bell that rings, when a friend is at the doorLike the roar of an airplane that brings the weary traveler homeIs Your call, Oh God,To come and worship You once more
$1.99 ≈
1.86€
Andre Van Haren: Tales for Piano instantly for piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for piano solo of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,shadow,time to sleep,cat's play,on a summer day,at work,who's there,goo...
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This is an exclusive transcription for piano solo of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,shadow,time to sleep,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,alba cradle,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$7.99 ≈
7.48€
Andre Van Haren: Moments instantly for trombone & piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for trombone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for...
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This is an exclusive transcription for trombone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99 ≈
9.35€
Andre Van Haren: Moments instantly for trumpet & piano
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Trompette, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for trumpet & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for ...
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This is an exclusive transcription for trumpet & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99 ≈
9.35€
Andre Van Haren: Moments instantly for horn & piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for horn & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for bea...
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This is an exclusive transcription for horn & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99 ≈
9.35€
Andre Van Haren: Moments instantly for bassoon & piano
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Basson, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for bassoon & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for ...
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This is an exclusive transcription for bassoon & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99 ≈
9.35€
Andre Van Haren: Moments instantly for soprano saxophone & piano
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for soprano saxophone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good ...
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This is an exclusive transcription for soprano saxophone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99 ≈
9.35€
Andre Van Haren: Moments instantly for oboe & piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for oboe & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for bea...
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This is an exclusive transcription for oboe & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99 ≈
9.35€
Andre Van Haren: Moments instantly for tenor saxophone & piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for tenor saxophone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good ni...
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This is an exclusive transcription for tenor saxophone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99 ≈
9.35€
Andre Van Haren: Moments instantly for alto saxophone & piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for alto saxophone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good nig...
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This is an exclusive transcription for alto saxophone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99 ≈
9.35€
Andre Van Haren: Moments instantly for clarinet & piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for clarinet & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for...
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This is an exclusive transcription for clarinet & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99 ≈
9.35€
Andre Van Haren: Moments instantly for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for string quartet of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatr...
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This is an exclusive transcription for string quartet of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$14.99 ≈
14.03€
Andre Van Haren: Moments instantly for violin & piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for violin & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for b...
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This is an exclusive transcription for violin & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99 ≈
9.35€
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