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Vous avez sélectionné:
Sight Reading: The Rhythm Book
Partitions à imprimer
56 partitions trouvées
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51
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Pitch Only - Bass Clef (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Bass Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
I encourage you to use both
#
Pitch and Rhythm - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
I encourage you to use both
#
Pitch and Rhythm - Bass Clef,
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Co...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Jazz Viola Duet book 3 in string keys
Jazz Viola Duet book 3 in string keys
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2 Altos (duo)
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INTERMÉDIAIRE
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Sandra Schlink
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Sandra Schlink
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Jazz Viola Duet book 3 in stri
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sandra schlink
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SheetMusicPlus
Viola Duet Viola - Level 3 - SKU: A0.1039315 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Contemporary,Contest,Festival,Jazz. Score...
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Viola Duet Viola - Level 3 - SKU: A0.1039315 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Contemporary,Contest,Festival,Jazz. Score. 12 pages. Sandra schlink #644256. Published by sandra schlink (A0.1039315). Jazz Viola Duet book 3 in string keys Please also look at my Jazz Viola Duet book 3 in string keys, Jazz and Classical Viola Duet book 2, Jazz Viola Duets Book 2, Jazz Viola Duets Book 1, Jazz and lassical Viola Duets Book 1, Jazz Viola Duets Book. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc We also have theory books to help with musicianship and sight reading. Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Thank you so much.
$14.99
Jazz Trumpet Duets book 1
Jazz Trumpet Duets book 1
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2 Trompettes (duo)
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FACILE
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Sandra Schlink
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Sandra Schlink
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Jazz Trumpet Duets book 1
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sandra schlink
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SheetMusicPlus
Trumpet Duet Trumpet - Level 2 - SKU: A0.1040935 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Christmas,Contemporary,Contest,Festiv...
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Trumpet Duet Trumpet - Level 2 - SKU: A0.1040935 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Christmas,Contemporary,Contest,Festival,Instructional,Jazz. Score. 12 pages. Sandra schlink #645690. Published by sandra schlink (A0.1040935). Jazz Trumpet Duets book 1 Please also look at my Jazz Trumpet Duet book 3, Jazz Trumpet Duets book 2, Jazz Trumpet Duets book 1, Jazz and classical Trumpet Duets Book 1, Jazz Trumpet duets book. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc We also have theory books to help with musicianship and sight reading. Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Thank you so much.
$14.99
Jazz Violin Duets book 1 in All instrument keys
Jazz Violin Duets book 1 in All instrument keys
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sandra Schlink
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Sandra Schlink
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Jazz Violin Duets book 1 in Al
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sandra schlink
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SheetMusicPlus
Violin Duet Violin - Level 4 - SKU: A0.999262 Composed by Sandra Schlink. Arranged by Sandra Schlink. Blues,Jazz. 22 pages. Sandra schlink #6113347. Pub...
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Violin Duet Violin - Level 4 - SKU: A0.999262 Composed by Sandra Schlink. Arranged by Sandra Schlink. Blues,Jazz. 22 pages. Sandra schlink #6113347. Published by sandra schlink (A0.999262). Jazz Violin Duets book 1 in All instrument keys. Please also look at my Jazz Violin Duets book 1 in All instrument keys, Jazz Violin Duets Book 3, Jazz and Classical Violin Duet book 2, Jazz Violin Duets Book 2. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc We also have theory books to help with musicianship and sight reading. Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Thank you so much.
$14.99
Jazz Violin Duets Book 3
Jazz Violin Duets Book 3
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2 Violons (duo)
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INTERMÉDIAIRE
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Sandra Schlink
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Sandra Schlink
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Jazz Violin Duets Book 3
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sandra schlink
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1038118 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Contemporary,Contest,Festival,Jazz. 12 ...
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Violin Duet Violin - Level 3 - SKU: A0.1038118 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Contemporary,Contest,Festival,Jazz. 12 pages. Sandra schlink #643047. Published by sandra schlink (A0.1038118). Jazz Violin Duets Book 3 Please also look at my Jazz Violin Duets Book 3, Jazz and Classical Violin Duet book 2, Jazz Violin Duets Book 2, Jazz Violin Duets Book 1. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc We also have theory books to help with musicianship and sight reading. Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Thank you so much.
$14.99
trumpet and piano duets book 1
trumpet and piano duets book 1
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2 Trompettes (duo)
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INTERMÉDIAIRE
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Sandra Schlink
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Sandra Schlink
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trumpet and piano duets book 1
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sandra schlink
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SheetMusicPlus
Trumpet Duet Trumpet - Level 3 - SKU: A0.1039628 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary,Contest,Festiv...
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Trumpet Duet Trumpet - Level 3 - SKU: A0.1039628 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary,Contest,Festival,Jazz. Score. 9 pages. Sandra schlink #643819. Published by sandra schlink (A0.1039628). Trumpet and piano duets book 1 Please also look at my Jazz Trumpet Duet book 3, jazz Trumpet duets book 2, jazz Trumpet duets book 1, Jazz and classical duets, jazzTrumpet duets book. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc We also have theory books to help with musicianship and sight reading. Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Thank you so much.
$11.99
Cello and Piano Duets Book 1
Cello and Piano Duets Book 1
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2 Violoncelles (duo)
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FACILE
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Contemporain
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Sandra Schlink
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Sandra Schlink
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Cello and Piano Duets Book 1
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sandra schlink
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SheetMusicPlus
Cello Duet Cello - Level 2 - SKU: A0.1037542 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary. Score. 21 pages. ...
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Cello Duet Cello - Level 2 - SKU: A0.1037542 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary. Score. 21 pages. Sandra schlink #642468. Published by sandra schlink (A0.1037542). Cello and piano duets book 1 Please also look at my Jazz Cello Duet book 3, jazz Cello duets book 2, jazz Cello duets book 1, Jazz and classical Cello duets, jazz Cello duets book. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc We also have theory books to help with musicianship and sight reading. Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Thank you so much.
$14.99
Clarinet and piano duets book 1
Clarinet and piano duets book 1
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2 Clarinettes (duo)
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FACILE
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Contemporain
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Sandra Schlink
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Sandra Schlink
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Clarinet and piano duets book
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sandra schlink
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SheetMusicPlus
Clarinet Duet Clarinet - Level 2 - SKU: A0.1037546 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary. 2 scores. 2...
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Clarinet Duet Clarinet - Level 2 - SKU: A0.1037546 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary. 2 scores. 21 pages. Sandra schlink #642472. Published by sandra schlink (A0.1037546). Clarinet and piano duets book 1 Please also look at my Jazz Clarinet Duet book 3, jazz Clarinet duets book 2, jazz Clarinet duets book 1, Jazz and classical Clarinet duets, jazz Clarinet duets book. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc We also have theory books to help with musicianship and sight reading. Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Thank you so much.
$14.99
Jazz Violin Duets Book 1 in String Keys
Jazz Violin Duets Book 1 in String Keys
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2 Violons (duo)
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INTERMÉDIAIRE
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Sandra Schlink
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Sandra Schlink
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Jazz Violin Duets Book 1 in St
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sandra schlink
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1043034 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Contemporary,Contest,Festival,Instructi...
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Violin Duet Violin - Level 3 - SKU: A0.1043034 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Contemporary,Contest,Festival,Instructional,Jazz. 14 pages. Sandra schlink #647734. Published by sandra schlink (A0.1043034). Jazz Violin Duets Book 1 Please also look at my Jazz Violin Duets book 2, Jazz Violin Duets Book 3 and Jazz and Classical Violin Duet book 2. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc We also have theory books to help with musicianship and sight reading. Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Thank you so much.
$14.99
Theory book 4 counting.
Theory book 4 counting.
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Piano, Voix et Guitare
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FACILE
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Sandra Schlink
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Sandra Schlink
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Theory book 4 counting.
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sandra schlink
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1037623 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Instructional. Score. 14 pages. S...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1037623 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Instructional. Score. 14 pages. Sandra schlink #642526. Published by sandra schlink (A0.1037623). Theory book 4 counting. This series of books have been written to help musicians improve rhythm and sight-reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 4 Sight Singing and Theory Book 4 Note Names. With these books you will be able to sight read with greater ease and speed. Please also look at my Jazz Duet book 3, jazz duets book 2, jazz duets book 2, Jazz and classical duets, jazz duets book and viola and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc Thank you so much.
$7.99
theory book 1 counting
theory book 1 counting
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Piano, Voix et Guitare
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DÉBUTANT
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Sandra Schlink
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Sandra Schlink
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theory book 1 counting
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sandra schlink
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1037617 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary,Traditiona...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1037617 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary,Traditional. Score. 20 pages. Sandra schlink #642518. Published by sandra schlink (A0.1037617). Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Please also look at my Jazz Duet book 3, jazz duets book 2, jazz duets book 2, Jazz and classical duets, jazz duets book and viola and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc Thank you so much.
$7.99
Theory book 3 counting.
Theory book 3 counting.
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Piano, Voix et Guitare
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FACILE
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Methodes
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Sandra Schlink
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Sandra Schlink
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Theory book 3 counting.
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sandra schlink
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1037621 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Instructional. Score. 25 pages. S...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1037621 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Instructional. Score. 25 pages. Sandra schlink #642523. Published by sandra schlink (A0.1037621). Theory book 3 counting. This series of books have been written to help musicians improve rhythm and sight-reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 3 Sight Singing and Theory Book 3 Note Names. With these books you will be able to sight read with greater ease and speed. Please also look at my Jazz Duet book 3, jazz duets book 2, jazz duets book 2, Jazz and classical duets, jazz duets book and viola and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc Thank you so much.
$7.99
Sight-Singing 2
Sight-Singing 2
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Sight-Singing 2
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Schott Music - Digital
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SheetMusicPlus
Voice - advanced to difficult - SKU: S9.Q19478 A fresh approach. This edition: method. Schott Sight-Reading Series. Dieser Band baut auf Vom-Blat...
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Voice - advanced to difficult - SKU: S9.Q19478 A fresh approach. This edition: method. Schott Sight-Reading Series. Dieser Band baut auf Vom-Blatt-Singen 1 auf und führt die ersten Aspekte des Vom-Blatt-Singens mittels genauen Erkennens von Rhythmus und Tonhöhe fort. Downloadable, Textbook. Op. 2. Schott Music - Digital #Q19478. Published by Schott Music - Digital (S9.Q19478). English • French • German.This book sets out to build on the initial aspects of singing at sight in reading both the rhythm and pitch accurately, as begun in Sight-Singing 1. Sight-Singing 2 is divided into two parts. Part 1 comprises 95 exercises in either single or 2-part form. These cover methods to secure the line of the pitch, sequences, singing a lower part, ties, awareness of chord structure, canons, chromatic movement, modulations and tone rows. A section of 2-part exercises is also included using treble and bass clefs. Part 2 consists of 16 solo pieces which are presented in the treble clef, and aim to develop the singer’s ability to pitch independently from their accompaniment. These short pieces are based on chords, intervals, the Dorian mode, pentatonic scales, melodic minor scales, chromatic movement and changing time signatures. The aim of this volume is to develop a secure sense of pitch, providing a comprehensive range of styles and challenges which will be of value not just to singers but to all dedicated musicians. The skill of being able to ‘vocalise’ a melody independently and accurately is a valuable asset for all musicians regardless of vocal ability or instrument played. The ability to ‘hear’ a phrase before it is sung or played is especially useful. - 95 solo/2-part exercises - 16 accompanied solos - 1 wide range of challenging styles - valuable both to singers and instrumentalists.
$12.99
The Luckiest
The Luckiest
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Ben Folds
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Kyle Pudenz
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The Luckiest
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.845990 By Ben Folds. By Ben Folds. Arranged by Kyle Pudenz. Contemporary,Folk,Pop,R...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.845990 By Ben Folds. By Ben Folds. Arranged by Kyle Pudenz. Contemporary,Folk,Pop,Rock,Wedding. Score and parts. 21 pages. ViolinVagabond Music #6348963. Published by ViolinVagabond Music (A0.845990). This instrumental setting of Ben Folds's heartfelt ballad, The Luckiest will make an excellent addition to your quartet's gig book. If your client requests to hear this song as they walk down the aisle, as opposed to the usual Bridal Chorus, Wedding March, Canon in D, or *shudder* Don't Stop Believing, reward them for their excellent taste in contemporary love songs by serenading them with an arrangement that truly shines!I've done my best to pay homage to Ben's original piano part by spreading some of the arpeggios between the violin & viola to create a sort of cascading pizzicato. The good news is you can perform this completely on your own as a quartet, no need to hire a pianist to accompany you. The less good news is you probably won't want to try sight-reading this unless you really trust that your internal rhythmic compasses are completely in sync, but with a very small amount of rehearsal a professional ensemble should have no problem tackling this chart, and I promise it will be really pretty! Your audiences will be fighting back tears almost as hard as they fought you on the price to book your ensemble for the gig ;-)This sentimental serenade will surely be a hit in settings such as... -Weddings-Wedding showers-Wedding conventions-Wedding advertisement videos-Funerals-Chamber music shows-Coffee shops-Retirement parties-Yoga studios-Meditation sessions-Did I mention weddings? (...yes, I wrote this chart for a wedding gig)Performance time - approximately 4:30 for the full chart, but can be tailored to your gig's needs by skipping a verse or chorus. Each section is labeled on the chart in case of such a requirement.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$17.99
My First Hands Together Piano Sight Reading
My First Hands Together Piano Sight Reading
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Piano Facile
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DÉBUTANT
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Methodes
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Ellen Creighton
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My First Hands Together Piano
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Teaching With Ease
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1233709 Composed by Ellen Creighton. Instructional. Score. 40 pages. Teaching With Ease #829277. Published by Teaching Wi...
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Easy Piano - Level 1 - SKU: A0.1233709 Composed by Ellen Creighton. Instructional. Score. 40 pages. Teaching With Ease #829277. Published by Teaching With Ease (A0.1233709). Some students find the transition from Grade 1 sight reading, where only one hand is played at a time, to Grade 2 sight reading, where the hands often play together, to be a sudden change. This book is born out of individual pages that I startedwriting for one of my students to introduce her very gradually to sight reading with both hands together as none of the books I could find had enough easy examples. Now a complete digital book of 185 sight reading examples that increase in difficulty very gradually, it is perfect for the students who need more time to build their confidence and ability.All of the examples are in five finger positions, the hands never having to move within the piece. I have followed the ABRSM Grade 2 sight parameters for sharps and flats, time signatures and note range. The rhythms have been kept simple. This book is the ideal precursor to working on Grade 2 standard pieces.Features:- 185 sight reading examples. That’s more than enough to do three a week for an entire year!- Simple pieces with the emphasis on a very slow, gradual increase in difficulty- Examples with right hand and left hand melodies- 2/4, 3/4 and 4/4 time- Up to two sharps or two flats.
$15.12
Bassoon Sight-Reading
Bassoon Sight-Reading
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Basson
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Bassoon Sight-Reading
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Schott Music - Digital
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SheetMusicPlus
Bassoon - easy to advanced - SKU: S9.Q20293 A Fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Schott Music ...
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Bassoon - easy to advanced - SKU: S9.Q20293 A Fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Schott Music - Digital #Q20293. Published by Schott Music - Digital (S9.Q20293). English • French • German.Sight-reading is an important aspect of making music and should in some form become a regular part of a student’s routine each time they play their instrument. Regular sight-reading helps the pupil to gain greater confidence when approaching any new piece of music for the first time. Schott's Sight-Reading books aims to establish the habit early in every student’s learning process and the emphasis is on providing idiomatic tunes and structures for the specific instruments rather than sterile sight-reading exercises. Starting from very easy pieces with familiar shapes and rhythms, the range of notes, keys and rhythms gradually develops. In addition to this, each section of the books concludes with duets and accompanied pieces allowing the student to gain experience of sight-reading within the context of ensemble playing. Accompaniment exercises can be found at the end of the piano books.
$15.99
Autoharping the Gospels
Autoharping the Gospels
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Autoharp
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Gospel Spirituel
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Autoharping the Gospels
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Autoharp and chromaharp - Multiple Levels - Digital Download Old Time. Ebook+online audio. 104 pages. Mel Bay Publications - Digital Sheet Music #954...
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Autoharp and chromaharp - Multiple Levels - Digital Download Old Time. Ebook+online audio. 104 pages. Mel Bay Publications - Digital Sheet Music #95473MEB. Published by Mel Bay Publications - Digital Sheet Music
8.75 x 11.75 inches.
Autoharping the Gospels with autoharp arrangements written by Carol Stober is an extension of Flatpickin' the Gospels by Steve Kaufman. She makes it easy to learn these great gospel tunes on the autoharp! This book can be used to play chords along with singing, or for playing the melody solo, or with the recording. The arrangements are written as simply as possible to facilitate sight reading, so that you do not have to memorize the tune in order to play up to tempo. Complete lyrics are included. In notation and tablature. Most tunes are played 3 times on the recording by guitarist, Steve Kaufman. First time through, play only the chords below the Autoharp tab line using a rhythm strum pattern. Once rhythm is established, then try playing the chords above the Autoharp tab line for melody on the 2nd or 3rd verse. Includes access to online audio.
$17.99
Mastering the Classical Guitar Book 1A
Mastering the Classical Guitar Book 1A
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Guitare
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Classique
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Wissam Abboud
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Mastering the Classical Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (classical and lute) - Beginning - Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and online audio. 72 pages. Mel...
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Guitar (classical and lute) - Beginning - Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and online audio. 72 pages. Mel Bay Publications - Digital Sheet Music #30683MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118515.
Mastering the Classical Guitar, Book 1AA is the first in a progressive series using a wide variety of musical repertoire and educational material to provide a solid technical foundation for classical guitar students, exposing the full range of the instruments potential and repertoire.Book 1A is most appropriate for students with no prior knowledge of the guitar or music theory, or for those who simply want a fresh start with the classic guitar. It is written in three broad sections:A Progressive Studies and Pieces,A Technical ExercisesA andA Rhythmic Reading. Tips on how to integrate the three sections are provided throughout the book. Every chapter begins with exercises written specifically to improve a certain aspect of ones playing, followed by various examples from the classical music repertoire and traditional songs from various cultures.While every aspect of classical guitar technique is clearly described and illustrated, students using this book would still benefit from the advice and constructive feedback of a competent teacher. Consequently, teachers will find opportunities to assert their individual teaching perspectives within this method, making it a perfect road map for the instructor and students musical journey.Written in standard notation only,A Mastering the Classical Guitar, Book 1AA comes with extensive online audio examples. Fingering is kept to a minimum to encourage effective sight reading, allowing teachers and students to annotate their own ideas about digitation and contribute to their own learning process. Includes access to online audio.
$17.99
Daily Collection for Violin: Pupil Book - Volume 8 in Collections for Violin
Daily Collection for Violin: Pupil Book - Volume 8 in Collections for Violin
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Violon et Piano
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FACILE
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Julian Carlick
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Daily Collection for Violin: P
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Oval Music Edition
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.1134483 Composed by Julian Carlick. Classical,Comedy,Traditional. 14 pages. Oval Music Edition #734577. Published by Ov...
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Piano,Violin - Level 2 - SKU: A0.1134483 Composed by Julian Carlick. Classical,Comedy,Traditional. 14 pages. Oval Music Edition #734577. Published by Oval Music Edition (A0.1134483). Beginner Violinists can now explore compound time. These 6, longer pieces, begin to present more variety in rhythms with imaginative titles that are expressed through the music. These pieces will take longer to learn unless used for sight reading for the more developed learner! All have an accompaniment part in a separate book for the teacher playing a keyboard or the violin (or both !!!). This is Volume 8 in the nine volume series, Volume 9 is only scales. All the music can be played with viola players and cellists. This makes for sociable learning. All the Volumes in the Collections series can be used for individual or group tuition. The pieces are to stimulate the imagination by making 'music' right from the start. The download format is easy to read with larger print than many other books for beginners. The volumes can also be bought together as a whole (66 pages) or in two parts. In the beginning, the violin books concentrate more on the lower strings to enable compatibility across the instruments and it can sound less shrill to the worried parent!
$4.00
Songs of the Open Road II
Songs of the Open Road II
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Stephen Krishnan
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Songs of the Open Road II
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Les Productions d'OZ - Digital
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SheetMusicPlus
Easy - SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Digital #DZ 4241. ...
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Easy - SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Digital #DZ 4241. Published by Les Productions d'OZ - Digital (ZZ.DZ-4241). J'espère que ce livre offrira une manière joyeuse de renforcer les compétences en lecture et aidera les jeunes musiciens à aimer interagir avec la musique imprimée. Le terme « lecture à vue » est utilisé ici de manière vague : les mélodies de ce livre sont destinées à être étudiées de près, de sorte qu'au fil du temps, l'élève développe les compétences nécessaires pour interpréter visuellement les hauteurs, rythmes et expressions complexes que l'on trouve couramment au niveau intermédiaire. répertoire. Le livre est composé de courtes chansons qui peuvent chacune être magnifiquement jouées en une seule séance. Il existe des titres de chansons uniques (et parfois loufoques) avec des illustrations assorties de Sasha Kolesnik qui capturent l'esprit de la musique. Vous trouverez ci-dessous un aperçu des éléments clés du livre et mes suggestions sur la manière de les aborder.My hope is that this book provides a joyful way to strengthen reading skills and helps young musicians enjoy interacting with printed music. The term sight reading is used loosely here - the melodies in this book are meant to be studied closely, so that over time the student will develop the skills to visually interpret the complex pitches, rhythms, and expressions commonly found in intermediate-level repertoire. The book is made up of short songs that can each be played beautifully in one sitting. There are unique (and sometimes goofy) song titles with matching illustrations by Sasha Kolesnik that capture the spirit of the music. Below is an outline of the book’s key components, and my suggestions for how to approach them.
$14.95
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Sight Reading: The Rhythm Book
