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Rhythmic Dance II
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Vous avez sélectionné:
Rhythmic Dance II
Partitions à imprimer
17 partitions trouvées
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1
Rhythmic Dance II
Rhythmic Dance II
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1 Piano, 4 mains
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AVANCÉ
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Thomas R
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Rhythmic Dance II
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Thomas R. Schadl
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.912470 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Film/TV,Instruction...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.912470 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Film/TV,Instructional. Score and parts. 8 pages. Thomas R. Schadl #2039801. Published by Thomas R. Schadl (A0.912470). Rhythmic Dance II explores rhythmic interactions between passages that are based on the motive D E flat A B flat, but does not employ rhythmic phase-out procedures as much as used in the works of Steve Reich. Apart from being a concert piece, the work is suitable for educational purposes that focus on the minimalist composers and their works. Musicians of the minimalist category include Arvo Part, Philip Glass, Steve Reich and others. The work may also be used as a background music for films, television series and other media.
$3.99 ≈
3.72€
Moondances
Moondances
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Jason Taurins
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Moondances
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Jason Allan Taurins
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Publis...
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Piano,Trumpet - Level 4 - SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Published by Jason Allan Taurins (A0.934482). Moondances is a set of 6 bagatelles for trumpet and piano. Aimed at the advancing high school or college trumpet player, the six movements can be played in their entirety or in subsets. At 8:30 in length, it would be perfect for a recital!The musical material for much of the piece is based on pieces I wrote for my undergraduate composition courses at Western Michigan University, but reworked and expanded. The fifth and sixth movements are entirely brand new music I composed to round out the suite. Underpinning all movements is a dark and sad feeling, but with rhythmic energy.Movement I, titled Moondrunk, is a reference to Schoenberg’s Pierrot Lunaire. It’s an absurd, dissonant, and drunk-feeling dance. Movement II, A Stroll in the Moonlight, shows off the lyrical, expressive, and reflective nature of the trumpet with cup mute. The title is a reference to Hogwarts teacher Professor Lupin, who, within the Harry Potter universe, is a werewolf. The music does not reflect this. In Movement III, Death Dances in the Dark, I experimented with using a highly-chromatic melody which is incorrectly harmonized by D minor chords. The piano and trumpet combine at shocking points in octaves and rhythmic unison to create an unsettling effect. Movement IV, titled Melancholy Memories, is based on a movement of a song cycle I wrote in college. It is at points lovely and unsettling, with a sense of nostalgia.Movement V, titled Dimensions (Pablo’s Dream), is a tribute to my love of the paintings of Pablo Picasso. His cubist works attempted to show multiple perspectives of objects simultaneously. The whole movement is a large palindrome, with smaller palindromes placed in it. To accomplish this musically, I used a twelve-tone row, parallelism in the piano part, and various palindromes in the form. The row is intervallically the same forward and backward. I composed the rhythmic material in the first section stream-of-conscious style, and filled in the pitches. The piano accompaniment is in parallel major chords on each note of the row. The melody at letter H uses the row transposed up a tritone, and parallel minor chords in the accompaniment.The final movement, Chase, shows off the virtuosity of the trumpeter. A common theme of dreams is the chase. These are often quite terrifying, at least in my experience. The back-and-forth nature of chases is explored rhythmically in the opening bars. Phrases of different length and dissonant harmonies are unsettling. A bold cry of terror is heard throughout the movement, harmonized by a chord with a perfect fifth and an augmented fifth. Descending and ascending scales wake up the terrified dreamer, and the music never fully resolves.
$9.99 ≈
9.32€
Diasporic Dances
Diasporic Dances
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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AVANCÉ
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Patrick Prejean
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Diasporic Dances
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Patrick Prejean
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patric...
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String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patrick Prejean #906523. Published by Patrick Prejean (A0.1317853). These dances where written at the request of the executive director of CityMusic Cleveland. They are based and inspired by North and Sub-Saharan African Dances in addition to a reimagining of fairy tales. There are 8 movements making this the biggest project I've ever composed. This quintet may also be performed as a String Orchestra ensemble. I - There is a story about a man named Alexander Dynis (Deniz) who is believed to have ended up in Ruthenia (modern day Ukraine) as a PoW when the Ottomans invaded the Polish-Lithuanian Commonwealth. Not much is known about his early life but we do know is that eventually afterwards he was granted the position of Starosta (town mayor/landlord) of Kozieglowy (Poland) by the Bishop of Krakow. He is the only Black starosta that we know of to this day. His story is interesting and is the basis of this movement and was inspired by the soundtrack of a game called Hellish Quart. II - This movement is a dance of ritual which emphasizes the different pitch intonations of the human voices hence the dissonant harmonies. Imagine walking through the savannah and hearing these voices but you are unsure of their intentions. This dance is heavy and percussive. III - This movement is of a young woman who is kidnapped by the Vikings and dreams of escaping captivity. IV - There are 3 distinct motives for this movement which combine to create a battle - like scene, those being the 6 quarter note triplets, the rhythmic motive, and the driving 16th notes.  V - I wanted to create the sounding of the natural horns of the Ancient and Classical Eras and to combine them with a retelling of the Little Red Riding Hood. Her journey begins upon hearing these horns and prompted to ride out to begin her quest.VI/VII/VIII - These movements where edited from my Death Waltzes for the Living. There are hidden titles for number 6 and 7: Loss of Mind and Hospital. These waltzes are a reimagining of Cinderella's life but instead of her story playing out as we know it, she suffers a psychotic break and is transported into our world and rushed to the hospital. The final movement concludes the piece with a Dance of Death. I have had many close encounters with permanent oblivion and the result of this is what I call Hitchcock Horror harmonic language. These encounters supplimented with the dreams of the unconscious realm create an uneasy dance that ends almost as abruptly as they begin.
$100.00 ≈
93.33€
Dance Suite for two Clarinets
Dance Suite for two Clarinets
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2 Clarinettes (duo)
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INTERMÉDIAIRE
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Megan K
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Dance Suite for two Clarinets
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Megan K. Denslinger
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SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - SKU: A0.1251347 Composed by Megan K. Denslinger. 21st Century,Baroque. 2 scores. 13 pages. Megan K. Denslinger #84562...
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Clarinet Duet Clarinet - Level 3 - SKU: A0.1251347 Composed by Megan K. Denslinger. 21st Century,Baroque. 2 scores. 13 pages. Megan K. Denslinger #845624. Published by Megan K. Denslinger (A0.1251347). I. Prelude​II. MinuetIII. SarabandeIV. GigueDance Suite for Two Clarinets was composed in the fall of 2019 and is a Baroque-styled suite in four movements, a prelude, minuet, sarabande, and gigue. As a clarinetist, the advancement of original clarinet compositions is something I find important.Each movement composed was modeled after that of the Bach Cello Suite No. 1. The form of each movement is pretty standard as it would be during the Baroque era. The rhythm is kept fairly simple as rhythmic progression or showcase was not the point. The point of the duet is in the melodic and harmonic development through using modern tonalities and techniques. Another technique used in the suite was featuring both players, creating an illusion that only one person is playing when both are playing.
$15.00 ≈
14.00€
Danse Bohême (Gypsy Dance from Carmen)
Danse Bohême (Gypsy Dance from Carmen)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Opera
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Classique
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Georges Bizet
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Arturo L Martinez
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Danse Bohême
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Arturo L Martinez
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.518928 Composed by Georges Bizet. Arranged by Arturo L Martinez. Contest,Festival,Opera,Romantic Period. Score and part...
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Concert Band - Level 3 - SKU: A0.518928 Composed by Georges Bizet. Arranged by Arturo L Martinez. Contest,Festival,Opera,Romantic Period. Score and parts. 92 pages. Arturo L Martinez #129599. Published by Arturo L Martinez (A0.518928). Taken from one of the best known operas, Carmen, Danse Bohême is an electrifying work from Act II of this major work. What starts as a simple melody transforms into a brilliant and jubilant dance that is sure to excite both the performers and audience. After changing the key and some rhythmic elements, this arrangement sticks close to the original work and is sure to be enjoyed by all.
$35.00 ≈
32.66€
5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for Multi-Level Violin E
5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for Multi-Level Violin E
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String Play for All
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5 Spirituals and Dances from &
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String Play for All
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SheetMusicPlus
Small Ensemble Violin - SKU: A0.859957 Arranged by String Play for All. African,Folk,Gospel,Spiritual. Score and parts. 256 pages. String Play for All #...
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Small Ensemble Violin - SKU: A0.859957 Arranged by String Play for All. African,Folk,Gospel,Spiritual. Score and parts. 256 pages. String Play for All #6096717. Published by String Play for All (A0.859957).  The five spirituals and dances are arrangements for multi-level violin ensemble of five movements from Samuel Coleridge-Taylor’s 24 Negro Melodies for solo piano. The five movements included are Wade in the Water, Sometimes I Feel Like a Motherless Child, Deep River, My Lord Delivered Daniel, and Bamboula. This instrumental setting preserves the energy and warmth of the original. Expose your students to this important style of American Music. Each movement contains a brief description as well as illustration. The violin parts include Advanced Violin, Violin I, Violin II, Violin Book 1, and Twinkle Violin. Since note reading and ensemble playing pose additional challenges, I have made the Twinkle Violin part quite basic, with an emphasis on open strings and basic rhythmic patterns. The Violin Book 1 part is more challenging, designed for players who have finished or about to finish Suzuki Violin School, Book 1. The Advanced Violin part occasionally extends to fifth position, while the Violin I part remains mainly in first Position, with only and occasional use of third position. Violin II remains in first position. The Advanced Violin part is optional. It may be omitted, replace the Violin I part, or both Advanced Violin and Violin I parts may be used, depending on the needs and level of your group. 6 of each part have been included. The entire suite totals 12 ½ minutes.
$16.50 ≈
15.40€
Happy Mallets 1 (dallamjátszó) - Marimba Solos
Happy Mallets 1 (dallamjátszó) - Marimba Solos
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Marimba
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INTERMÉDIAIRE
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Béla Ugró
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Happy Mallets 1
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Bela Ugro
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SheetMusicPlus
Marimba Solo - Level 3 - SKU: A0.1359789 Composed by Béla Ugró. 21st Century,Children,Classical,Multicultural,Traditional,World. Individual part. ...
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Marimba Solo - Level 3 - SKU: A0.1359789 Composed by Béla Ugró. 21st Century,Children,Classical,Multicultural,Traditional,World. Individual part. 29 pages. Bela Ugro #944266. Published by Bela Ugro (A0.1359789). Delve into the rhythmic brilliance and melodic charm of HAPPY MALLETS 1 - 7 Four – Mallet Marimba Solos, a captivating music sheet collection penned by the talented composer Béla Ugró. This vibrant compilation showcases the rich diversity of marimba performance, offering a delightful journey through seven distinct pieces, each brimming with unique character and musical allure.Designed with educational purposes in mind, HAPPY MALLETS serves as an excellent resource for music teachers working with children in various age groups (II. - III. - IV. age group). The sheet music not only introduces young musicians to the world of four-mallet marimba performance but also cultivates teamwork and rhythmic understanding through collaborative arrangements. Béla Ugró's compositions create a lively and engaging atmosphere, making music education a joyful and enriching experience for both students and instructors alike. Tercek Tánca – Dance of Thirds (II. Korcsoport - age group) Vidám Kacagás - Happy Laughter (II. Korcsoport- age group) Szajoli Május – May in Szajol (II. Korcsoport- age group) Bosama – Bosama (III. Korcsoport- age group) Tango Tango (III. Korcsoport- age group) Macedon Tánc – Macedonian Dance (III.-IV. Korcsoport- age group) Balatoni Nyár – Summer in Balaton (III.-IV. Korcsoport- age group) Additionally, the sheet includes special arrangements: Macedon Tánc (Percussion kÃséret - accompaniment) Vidám Kacagás (Marimba Duo)              (Percussion – Conga kÃséret - accompaniment) Key words: Béla UgróHungaryFour-Mallet Marimba SolosHappy MalletsMarimba Sheet MusicPercussion AccompanimentsMusic Duo for MarimbaPercussion Accompaniment Sheet MusicIntermediate Marimba Repertoire.
$10.00 ≈
9.33€
Tico Tico (tico Tico No Fuba)
Tico Tico (tico Tico No Fuba)
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Piano Quintette: piano, 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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The Andrews Sisters
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Daniel Rojas
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Tico Tico
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Artempo
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1227725 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arrange...
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Piano Quintet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1227725 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Daniel Rojas. 20th Century,Chamber,Classical,Latin,Multicultural,World. 44 pages. Artempo #823683. Published by Artempo (A0.1227725). Discover a new and exciting take on the classic Brazilian tune Tico Tico No Fubá with Australian-Chilean composer Daniel Rojas' arrangement, now available only this platform! This captivating and lively reinterpretation for string quartet and piano infuses elements of choro and samba, creating a vibrant and rhythmic soundscape that seamlessly blends classical and Latin American musical spheres.As a visionary classical musician, you understand the importance of exploring new sounds and expanding your repertoire. Rojas' arrangement of Tico Tico No Fubá offers a unique and exciting opportunity to do just that, with technical and rhythmic challenges present in each instrumental part and ensemble interactions that will inspire you and elate your audiences!Whether you're an intermediate or advanced performer, this arrangement is sure to impress and delight audiences with its rich and full-bodied sound. The combination of piano and string quartet creates a continuous dance of enticing textures, resulting in a dynamic and colorful version of Tico Tico No Fubá that will make your ensemble stand out in the chamber music scene. Order Daniel Rojas' arrangement of Tico Tico No Fubá today and discover a new favorite piece that is sure to become a staple in your repertoire. Don't miss out on the chance to showcase your ensemble's technical abilities and captivate audiences with such a unique approach to chamber music!Check out the YouTube link listed performed by Daniel Rojas with The Apex Ensemble Strings in Sydney Australia. At two-and-a-half minutes, this version works superbly as a concert opener and as an encore, and has led to many a standing ovation!Please note that this download includes the full score and set of parts:- Violin I, Violin II, Viola, Cello, Piano. The full score and parts are professionally formatted and typeset, and ready for download, rehearsal, and performance!.
$29.99 ≈
27.99€
Sonata Hymnica No. 7 - Score Only
Sonata Hymnica No. 7 - Score Only
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Musique Sacrée
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James Siddons
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Sonata Hymnica No. 7 - Score O
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James Siddons Music and Writings
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36...
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Small Ensemble - Level 4 - SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36 pages. James Siddons Music and Writings #637186. Published by James Siddons Music and Writings (A0.1033406). The Sonata Hymnica series by composer-pianist James Siddons explores the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies and their words. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, at times whispering---as a sacred harp. In Sonata Hymnica No. 7, which calls for a soprano soloist, liturgical dancers, and two pianos (4 hands), three 19th-century hymns (words and music) serve as core material from which the music is developed. Movement I, “Climbing Higher,†is based on the African American spiritual “We Are Climbing Jacob’s Ladder.†The sustained chords, open harmony, and hammer-stroke rhythm evoke the ascent of a mountain climber. Movement II, “The Solid Rock,†is based on the hymn “My Hope is Built on Nothing Less†(1834) . The soprano sings brief lines from the hymn, interspersed with long passages for the pianos (only) that explore many tonal and rhythmic qualities of the original hymn tune. The driving harmony, albeit in duple meter, makes this the scherzo movement of this sonata. Movement III, “On Snowy Wings,†is based on “O Come, Angel Band†by the New England Methodist preacher Jefferson Hascall (1807-1887). In addition to the soprano singer, the appearance of liturgical dancers as angels with “snowy wings†brings this old hymn into the 21st century. Performance duration: 16 minutes.
$10.00 ≈
9.33€
Short & Suite - 4- or 5-part Woodwind &/or Brass Ensemble with Optional Percussion - Flexible Instru
Short & Suite - 4- or 5-part Woodwind &/or Brass Ensemble with Optional Percussion - Flexible Instru
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Orchestre d'harmonie
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DÉBUTANT
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Kathy Hirche
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Short & Suite - 4- or 5-pa
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Kathy Hirche
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.819980 Composed by Kathy Hirche. Contemporary,Standards. Score and parts. 54 pages. Kathy Hirche #3676065. Published by...
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Concert Band - Level 1 - SKU: A0.819980 Composed by Kathy Hirche. Contemporary,Standards. Score and parts. 54 pages. Kathy Hirche #3676065. Published by Kathy Hirche (A0.819980). These three pieces (The Procession, Waltzing in the Rain and Tim's Dance) are presented here as a suite, but may of course be used individually. The instrumentation is flexible, allowing for various combinations of instruments, including Clarinet Quartet/Quintet/Ensemble, Saxophone Quartet/Quintet/Ensemble and Brass Quartet/Quintet/Ensemble. All Clarinet and Bass Clarinet parts are below the break and all notes for all parts are kept within a comfortable range for Elementary Level performers. The melody is shared between Parts 1, 2, 3 and 4, so that all players of these parts have important parts! The score is shown in concert pitch. Octave displacement occurs in some parts. Part 5 is Optional. Rhythmic values used: semibreve (whole note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter-note), quavers (eighth-notes). Articulations/signs used: staccato, accent, slur, tie, repeat and pause. All three pieces are in Bb major (concert pitch), with no use of accidentals. Parts in this set: Part 1 (Flute, Oboe, Clarinet, Alto Sax, Trumpet); Part 2 (Clarinet, Alto Sax, Trumpet); Part 3 (Clarinet, Tenor Sax, F Horn); Part 4 (Bassoon, Bass Clarinet, Baritone Sax, Trombone/Euphonium); Part 5 (Clarinet / Bass Clarinet, Tenor Saxophone, F Horn, Tuba); Glockenspiel; Cymbal & Triangle (Player 1) and Tambourine (Player 2); Snare Drum and Bass Drum. Less confident and/or early beginner players could also be included in the ensemble by using Part 5, as this part can be played using only the notes Bb and F (concert pitch). ISMN 979-0-9009761-2-3 kathysprintmusic.com. Suite corta/ conjunto de 4/5 partes de vientos y/o metales con percusión opcional. Instrumentacion flexible. Estas tres piezas (La Procesión, Vals en la LLuvia y EL Baile de Tim) están presentes como una suite, pero se pueden usar individualmente. La instrumentacion es flexible, permitiendo asi varias combinaciones de instrumentos, incluyendo un cuarteto/quinteto/conjunto de clarinete, cuarteto/quinteto/conjunto de saxofón, cuarteto/quinteto/conjunto de metales. todas las partes de clarinete y clarinete metálico están por debajo del descanso y todas las notas para cada parte están mantenidas dentro de un rango confortable para ejecutantes de Nivel Elemental. La melodÃa se comparte entre las partes 1, 2, 3 y 4 de tal manera que todos los músicos tengan una parte importante. La partitura esta en tono de concierto.Hay algunas partes con desplazamiento de octavas. La parte 5 es opcional. Los valores rÃtmicos usados son; semibreve (entera), media con punto, media, cuarto de nota, octavos. Los octavos aparecen en grupos de 2 o de 4. Las articulaciones/signos usados son: staccato, acento, ligaduras, Calderón, repetición, pausa. Las tres piezas están en Bb mayor (tono concierto) sin uso de accidentales. Partes en este set : Parte I; falta, oboe, clarinete, alto sax, trompeta; Parte II: clarinete, alto sax, trompeta; Parte III: clarinete, saxofón tenor, corno francés; Parte IV: fagot, clarinete bajo, saxofón barÃtono, trombón/eufonio; Parte V: clarinete/clarinete bajo, saxofón tenor, corno frances, tuba, glockenspiel, triangulo y cÃmbalo (persona1), pandereta (persona 2), caja, bombo. Aquellos músicos que son principiantes o les falta confianza para tocar, tambien pueden ser incluidos en este ensamble usando la parte 5, ya que esta parte se puede usar solo tocando las notas Bb y F (en tono de concierto).
$16.99 ≈
15.86€
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 ≈
74.66€
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 ≈
74.66€
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 ≈
74.66€
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00 ≈
46.66€
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
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Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
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Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00 ≈
37.33€
Danses MenekÅŸe
Danses MenekÅŸe
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Clarinette et Alto
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Classique
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J
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Danses MenekÅŸe
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J. Randolph Hall
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Viola - Interactive Download SKU: A0.482453 Composed by J. Randolph Hall. This edition: Interactive Download...
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Interactive Download SKU: A0.482453 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score and parts. 17 pages. Duration 542. Published by J. Randolph Hall (A0.482453). The title means Violet Dances and is pronounced Dahns meh-nehk-sheh. Danse is French and menekşe is Turkish for violet, as the group this piece is composed for is called Violet (Viola + Clarinet). Approximate time is 8.5 - 9 minutes. I. The first movement is in the Locrian mode. Sections A and B have themes that go TRIP-el-et DOU-ble. Sections D (B theme) and E (A theme) return to the first two themes but now with the rhythm of DOU-ble TRIP-el-et. Section C jostles the rhythmic feel some what. This all creates a palindromic form. II. The second movement is in the synthetic key of Neapolitan Lydian. The clarinet plays the theme in the first 3 measures and then its inversion in the next 3. III. The third movement theme is seen in section G and I but swapping duplet/triplet pattern.The form is ABA. The key is once again Locrian. IV. The fourth movement's theme is in the Lydian mode. It starts off with monophony but then uses the viola's ability to slide in demonstrating Musical angles degrees [0°,45°,90°] and the form is semi-palindromic. J and O, K and N swap the triplet/duplet feel. L and M swap part between the duetists.
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Rhythmic Dance II
