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Playing in the Park
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Vous avez sélectionné:
Playing in the Park
Partitions à imprimer
317 partitions trouvées
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Playing in the Park
Playing in the Park
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Piano seul
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DÉBUTANT
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Elizabeth W
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Playing in the Park
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - Early Elementary - SKU: F0.W9142 Composed by Elizabeth W. Greenleaf. Sheet Music. Written For You. Every child loves to play on the swings, slid...
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Piano - Early Elementary - SKU: F0.W9142 Composed by Elizabeth W. Greenleaf. Sheet Music. Written For You. Every child loves to play on the swings, slide, see-saw, and jungle gym at the park. This piece playfully captures the imagery of children playing in the park. Fun and Games. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9142. Published by The FJH Music Company - Digital (F0.W9142). UPC: 674398209194.Every child loves to play on the swings, slide, see-saw, and jungle gym at the park. In this delightful solo, all of these activities are creatively depicted for the elementary student. With this piece, they'll take a musical approach to playing! About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50 ≈
2.34€
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
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Anonymous, Claude Gervaise, Cl
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan ...
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Level 2 - SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 93 pages. Wold Meridian #993504. Published by Wold Meridian (A0.1411172). A selection of 44 Dance Consort pieces from publications dating from 1500 to 1620 in three, four or five part scores and fully chorded with lyricsRenaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.The 44 pieces that first  appeared in the publication Chording to the Dance Masters, are  presented in full score and with separate parts for each of the lines.  What is more, a number of the pieces have been re-edited to include their lyrics, should you wish to perform them vocally.  They represent some of the best known secular pieces of the Renaissance repertoire.What makes this Wold Meridian edition of these pieces different  from others is that they have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be played with just the melody line and a simple accompaniment.  It also means that keyboard players or fretted strings can join in with ensembles, giving extra sparkle to performances.Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.
$18.00 ≈
16.84€
STROLLING IN THE PARK
STROLLING IN THE PARK
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Ron Flintjer
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STROLLING IN THE PARK
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Ron Flintjer
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1005119 Composed by Ron Flintjer. Contemporary. Score and parts. 11 pages. Ron Flintjer #6016109. Published by Ron ...
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String Orchestra - Level 1 - SKU: A0.1005119 Composed by Ron Flintjer. Contemporary. Score and parts. 11 pages. Ron Flintjer #6016109. Published by Ron Flintjer (A0.1005119). A few bars into this piece, sneak a peek at the audience from your conductor's podium. You'll find several folks with their eyes closed and smiles on the faces! A Stroll in the Park offers a simple, yet beautiful, tune for elementary school string orchestra. The wistful and relaxing melody evokes a lazy and tranquil springtime walk in the park. Images of green grass, blue skies, children playing, and cool breezes are all musically fashioned into an engaging, elegant little composition. This one will leave everyone humming the theme, for sure! Parts are Violin 1, Violin 2 and Viola play same part and Cello and String Bass play same part.
$15.00 ≈
14.04€
Excerpt from the Last Part of Ariadne Auf Naxos
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00 ≈
6.55€
Finishing The Hat (from Sunday In The Park With George)
Finishing The Hat (from Sunday In The Park With George)
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Orgue
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Comédie Musicale
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Finishing The Hat
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.498328 This edition: scorch. E-Z Play Today. Broadway,Musical/Show. Score. 7 pages. Published by ...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.498328 This edition: scorch. E-Z Play Today. Broadway,Musical/Show. Score. 7 pages. Published by Hal Leonard - Digital (HX.498328). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.80€
Joe the Bully
Joe the Bully
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Piano seul
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DÉBUTANT
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Edwin Mclean
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Joe the Bully
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - Elementary - SKU: F0.W9345 Composed by Edwin Mclean. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9345. ...
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Piano - Elementary - SKU: F0.W9345 Composed by Edwin Mclean. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9345. Published by The FJH Music Company - Digital (F0.W9345). UPC: 674398225323.This charming elementary level solo tells the story of a boy who is a playground bully, but changes his tune when he is befriended by another who helps him pass reading class. In the end, the two become playground buddies! In addition to the cute story, this piece will work well for students with small hands, contains minimal hands together playing, and will become a favorite for your elementary level student! About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50 ≈
2.34€
Saturday In The Park
Saturday In The Park
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Piano Facile
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INTERMÉDIAIRE
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Rock
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Chicago
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Tsuyoshi Yoroiguma
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Saturday In The Park
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.711552 By Chicago. By Robert Lamm. Arranged by Tsuyoshi Yoroiguma. Pop,Rock. Score. 4 pages. Tsuyoshi Yoroiguma #6247141....
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Easy Piano - Level 3 - SKU: A0.711552 By Chicago. By Robert Lamm. Arranged by Tsuyoshi Yoroiguma. Pop,Rock. Score. 4 pages. Tsuyoshi Yoroiguma #6247141. Published by Tsuyoshi Yoroiguma (A0.711552). Let's play your favorite pop,rock,jazz etc. by piano(or keyboard).Short EZ Piano is a easy piano sheet music series that arranged by Tsuyoshi Yoroiguma.The PDF file includes 4 pages of sheet music.Playing time :2min55sec.Please visit arranger's blog to listen full sound samplehttp://yoroiguma.seesaa.net/page of 2021-1-25
$10.00 ≈
9.36€
TUBA LEARN TO PLAY 100 EASY TUNES and EASY DUETS in Bass Clef.
TUBA LEARN TO PLAY 100 EASY TUNES and EASY DUETS in Bass Clef.
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Tuba
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DÉBUTANT
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Various
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Robert A KEATCH
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TUBA LEARN TO PLAY 100 EASY TU
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
Tuba Solo - Level 1 - SKU: A0.1112031 By Various. By Various. Arranged by Robert A KEATCH. 20th Century,Children,Christmas,Instructional,Multicultural,W...
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Tuba Solo - Level 1 - SKU: A0.1112031 By Various. By Various. Arranged by Robert A KEATCH. 20th Century,Children,Christmas,Instructional,Multicultural,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #714212. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1112031). 100 Easy Tunes is a fantastic series for anyone who wants to learn sight-reading or improve their skills. The books are also perfect for student-teacher play-along practice. All instruments can play together regardless of pitch. The books contain a variety of simple and complex tunes. Additionally, 100 Easy Tunes and 10 Easy Duets are great for technical studies and tutor books. This makes them an excellent tool for anyone looking to improve their melodic playing skills.The book features an impressive collection of easy-to-learn melodies and duets in the Bass clef. It includes popular tunes such as Happy Birthday, For He's A Jolly Good Fellow, and an Australian First-Nations song. Although created with Tuba players in mind, the book can be played on any instrument.Each page of the book provides guidance notes for both students and teachers, teaching points, a chart of note values, the Circle of Fifths for major keys, scales, simple technical exercises, and an alphabetical index of tunes. Professional trumpet player Keith Walker highly recommends this book, stating that he wishes he had access to it 50 years ago. The simplicity and versatility of the book make it a popular choice among primary/elementary school instrumentalists and teachers.
$9.99 ≈
9.35€
Diamonds in the Sky
Diamonds in the Sky
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Piano seul
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DÉBUTANT
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Nancy Lau
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Diamonds in the Sky
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - Elementary - SKU: F0.W9333 Composed by Nancy Lau. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9333. Pub...
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Piano - Elementary - SKU: F0.W9333 Composed by Nancy Lau. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9333. Published by The FJH Music Company - Digital (F0.W9333). UPC: 674398224548.This elementary solo written in the key of C major captures the beauty and mystery of the evening sky by its lyrical melody played in different registers on the piano. Using 8va and 15ma students will gain experience playing in different registers on the keyboard. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50 ≈
2.34€
Outplanet - The Final Battle
Outplanet - The Final Battle
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Piano seul
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Edwin Mclean
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Outplanet - The Final Battle
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - Early Intermediate - SKU: F0.W9359 Composed by Edwin Mclean. Sheet Music. Written For You. Solo Sheet. 4 pages. The FJH Music Company - Digital ...
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Piano - Early Intermediate - SKU: F0.W9359 Composed by Edwin Mclean. Sheet Music. Written For You. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9359. Published by The FJH Music Company - Digital (F0.W9359). UPC: 674398226603.Your sci-fi fans will love this one! This piece is a unique modern-sounding thriller that students will absolutely love playing. In addition to its dramatic sci-fi sound, students are given a lot of valuable pedagogical material. From the varied articulations and patterns, staccato and accented right-hand chords, to the mysterious sounding left- hand melody containing crossovers in the B section, this creative and fun piece is perfect for recitals, and is sure to be very popular with the pre-teenage students! About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.95 ≈
2.76€
The Snowy Path
The Snowy Path
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Violon et Piano
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INTERMÉDIAIRE
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Traditional Fiddle Tunes
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Heather M Music
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The Snowy Path
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Heather Mueller Music
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1403904 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This e...
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1403904 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 36. Heather Mueller Music #4vkAseDQa0D4Y1yWxJMkpL. Published by Heather Mueller Music (A0.1403904). Key: D major.Title: The Snowy Path Type/Genre: Slip Jig (Irish) Arranger: Heather M Music Composer: Trad (Traditional) Description: Experience the serene beauty of The Snowy Path, a captivating slip jig deeply rooted in the musical traditions of Ireland. This enchanting tune, known for its elegant melodies and lively rhythms, transports you to a winter wonderland where snow-covered landscapes and frosty air create a magical atmosphere. Whether you're playing at a session or immersing yourself in the rich tapestry of Irish musical heritage, The Snowy Path invites you to journey through the serene beauty of Celtic tradition. Let the graceful tempo and dynamic energy of this slip jig transport you to the heart of Ireland's musical landscape, where every note sparkles like freshly fallen snow. Key Features: Interactive Sheet Music: Seamlessly adjust the Key, Tempo, and instrument volumes using our intuitive sheet music interface. Melody and Basic Accompaniment: Our comprehensive sheet music includes the melody along with basic accompaniment and guitar chords, providing a solid foundation for musicians of all levels.
$2.99 ≈
2.80€
The Old Soft Shoe
The Old Soft Shoe
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Piano seul
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Edwin Mclean
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The Old Soft Shoe
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - Early Intermediate - SKU: F0.W9223 Composed by Edwin Mclean. Sheet Music. Written For You. Solo Sheet. 4 pages. The FJH Music Company - Digital ...
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Piano - Early Intermediate - SKU: F0.W9223 Composed by Edwin Mclean. Sheet Music. Written For You. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9223. Published by The FJH Music Company - Digital (F0.W9223). UPC: 674398215799.The 12-bar blues swing of The Old Soft Shoe is presented here with crystal clarity. Students will learn the blues construct simply by playing it through. Easy-to-play jazz riffs with cute words. Written in the key of G, with appropriate blues accidentals. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50 ≈
2.34€
LEARN TO PLAY 100 EASY TUNES and 10 EASY DUETS for Eb TUBA in Treble Clef
LEARN TO PLAY 100 EASY TUNES and 10 EASY DUETS for Eb TUBA in Treble Clef
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Various
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Robert A KEATCH
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LEARN TO PLAY 100 EASY TUNES a
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
E-Flat Tuba TC,Instrumental Solo - Level 2 - SKU: A0.1107926 By Various. By Various. Arranged by Robert A KEATCH. 20th Century,Children,Christmas,Instru...
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E-Flat Tuba TC,Instrumental Solo - Level 2 - SKU: A0.1107926 By Various. By Various. Arranged by Robert A KEATCH. 20th Century,Children,Christmas,Instructional,Multicultural,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #710539. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1107926). If you're a beginner or looking to enhance your SIGHT READING and musical skills, this book is just what you need.This series of books allow any instrument in any clef to play-along together with any other instrument in the same pitchIt features well-known tunes including For He's A Jolly Good Fellow and Happy Birthday, and is packed with an impressive collection of easy-to-learn melodies, duets and exercises that make reading and playing the TREBLE clef a breeze.The book is designed specifically for beginners, with each page containing useful teaching points, guidance notes for both teachers and students, a note value chart, the Circle of Fifths for major keys, scales, easy technical exercises, and an alphabetical index of tunes. It's perfect for teacher-student play-along.ENDORSEMENTS. Professional musician Keith Walker highly recommends this book, wishing he had it 50 years ago. It's popular among elementary school instrumentalists and teachers because of its simplicity and versatility, as it can be played on any instrument.This book is a great source of inspiration and motivation for people of all ages and classrooms. It's available in 10 different versions for all Western musical instruments, allowing for unison or octave play. It's definitely an excellent resource to have!
$11.99 ≈
11.22€
While Strolling Through The Park One Day
While Strolling Through The Park One Day
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Piano grosses notes
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DÉBUTANT
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While Strolling Through The Pa
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.455646 This edition: scorch. E-Z Play Today. Classical,Folk,Standards. Score. 2 pages. Hal Leonar...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.455646 This edition: scorch. E-Z Play Today. Classical,Folk,Standards. Score. 2 pages. Hal Leonard - Digital #933470. Published by Hal Leonard - Digital (HX.455646). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.80€
Hark! the Herald Angels Sing - Reproducible Instr. Parts
Hark! the Herald Angels Sing - Reproducible Instr. Parts
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Cloches
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arr
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Cathy Moklebust
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Hark! the Herald Angels Sing -
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Chorister's Guild - Digital
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SheetMusicPlus
3-7 Octave Handbells, SATB chorus - SKU: C7.CGRP36 Composed by arr. Cathy Moklebust. Arranged by Cathy Moklebust. C. Set of parts. 16 pages. Chorister's...
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3-7 Octave Handbells, SATB chorus - SKU: C7.CGRP36 Composed by arr. Cathy Moklebust. Arranged by Cathy Moklebust. C. Set of parts. 16 pages. Chorister's Guild - Digital #CGRP36. Published by Chorister's Guild - Digital (C7.CGRP36). UPC: 749193022078.This very flexible arrangement of the beloved carol may be played by bells alone, or together with any or all of the optional forces. A handbell peal accompanied by bell tones in the trumpets is featured in the introduction to this sparkling arrangement. Stanza 1 is fully scored, with the choir in 4 parts. Stanza 2 begins with men’s voices accompanied by low brass, with the upper treble handbells playing a lightly thumb-damped, rhythmic countermelody. The women’s voices and high brass then take the lead, accompanied by malleted bass bells. After a brief interlude, stanza 3 features a descant in the soprano voices and bells. A short, optional ending is provided following the final stanza. Since all the additional parts are optional, this arrangement is a versatile addition to the handbell Christmas repertoire.
$15.95 ≈
14.93€
Look For The Light
Look For The Light
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ashley Park/ Meryl Streep/only
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Dr
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Look For The Light
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Yuway Chan-Basel
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1311182 By Ashley Park/ Meryl Streep/only Murders In The Building Cas. By Benj Pasek, Justin Paul, and Sara Bareilles. Ar...
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Piano Solo - Level 4 - SKU: A0.1311182 By Ashley Park/ Meryl Streep/only Murders In The Building Cas. By Benj Pasek, Justin Paul, and Sara Bareilles. Arranged by Dr. Yuway Chan-Basel. 21st Century,Broadway,Comedy,Film/TV,Musical/Show. Score. 7 pages. Yuway Chan-Basel #900165. Published by Yuway Chan-Basel (A0.1311182). This is a song from the Hulu TV show Only Murders In The Building (season 3, episode 3), sang by Meryl Streep and Ashley Park. Â Â It contains a haunting melody with beautiful harmony progression. Instead of simply playing melody with chords, this solo piano arrangement attempts to depict the texture of the original soundtrack. A wide range of keyboard and different piano techniques are used (such as arpeggios and octaves). Â This arrangement is suitable for advanced players.
$4.99 ≈
4.67€
The Mechanical Turk
The Mechanical Turk
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Kenneth Hesketh
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The Mechanical Turk
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Schott Music - Digital
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SheetMusicPlus
Oboe - SKU: S9.Q20514 For solo oboe. Composed by Kenneth Hesketh. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Dig...
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Oboe - SKU: S9.Q20514 For solo oboe. Composed by Kenneth Hesketh. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q20514. Published by Schott Music - Digital (S9.Q20514). Stimulated by my love of automata, this work for solo oboe takes its name from the invention of Wolfgang von Kempelen, who in the late eighteenth century constructed an extraordinary mechanical man powered by clockwork, dressed in a stylish Turkish costume and capable of playing chess. The chess player turned out to be a fraud but sparked many other thinkers and inventors to pondering what the possibilities of automation might be. In Hesketh’s highly virtuosic work, the through-composed melody is subjected to a series of distortions by pulleys, cams, gears and cranks. There are also the onomatopoeic effects of winding up and whirring noises that add to the air of the mechanical.
$11.99 ≈
11.22€
Joy in the Morning
Joy in the Morning
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Chorale SATB
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Natalie Sleeth
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Joel Raney
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Joy in the Morning
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB choir & piano 4-hands accompaniment (with optional piano II only) - SKU: H1.C5671DP Composed by Natalie Sleeth. Arranged by Joel Raney. 4-Ha...
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Choral SATB choir & piano 4-hands accompaniment (with optional piano II only) - SKU: H1.C5671DP Composed by Natalie Sleeth. Arranged by Joel Raney. 4-Hand Piano with Optional Piano II only. General Worship, Joy, Peace. Octavo. 16 pages. Hope Publishing - Digital #C5671DP. Published by Hope Publishing - Digital (H1.C5671DP). Natalie Sleeth. Revelation 21:1 - Revelation 21:2 - Revelation 21:3 - Revelation 21:4 - Revelation 21:5 - Galatians 5:22 - Galatians 5:23.Best-selling anthem Natalie Sleeth's Joy in the Morning is Hope Publishing Company's all-time best selling anthem with over one million copies sold. Joel Raney has newly arranged this beloved classic infusing it with creative energy through a dynamic 4-hand piano accompaniment. The winning combination sparkles with joy from beginning to end. As a practical option option, one pianist can provide the accompaniment by playing the Piano II part only.
$3.25 ≈
3.04€
Playing in the Park
Playing in the Park
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Piano seul
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Elizabeth W
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Playing in the Park
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano - SKU: AX.98-DW9142 Composed by Elizabeth W. Greenleaf. 4 pages. Alfred Music - Digital Sheet Music #98-DW9142. Published by Alfred Music - Digita...
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Piano - SKU: AX.98-DW9142 Composed by Elizabeth W. Greenleaf. 4 pages. Alfred Music - Digital Sheet Music #98-DW9142. Published by Alfred Music - Digital Sheet Music (AX.98-DW9142). UPC: 674398209194.
$2.50 ≈
2.34€
A Walk in Central Park
A Walk in Central Park
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Piano seul
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INTERMÉDIAIRE
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Jazz
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Danette Whelan
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#
A Walk in Central Park
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Danette Whelan
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.954635 Composed by Danette Whelan. Jazz. Score. 4 pages. Danette Whelan #3574649. Published by Danette Whelan (A0.954635)...
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Piano Solo - Level 3 - SKU: A0.954635 Composed by Danette Whelan. Jazz. Score. 4 pages. Danette Whelan #3574649. Published by Danette Whelan (A0.954635). An intermediate retro jazz-rock piece (reminds me of the 1960's!) in a nice strolling tempo. Performance tempo is 1'30. A good piece for both kids and adult students. A good study for playing left hand in a strong, rhythmic tempo. Check out my website for more contemporary piano solos and ensembles at:http://danettewhelanmusic.com/
$1.99 ≈
1.86€
"Virtuoso" Prelude in E major
"Virtuoso" Prelude in E major
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Danny Parker
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Danny Parker
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"Virtuoso" Prelude i
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Danny Parker Publications
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1418583 By Danny Parker. By Wolfgang Amadeus Mozart. Arranged by Danny Parker. Chamber,Classical,Instructional. Score. 4 ...
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Piano Solo - Level 4 - SKU: A0.1418583 By Danny Parker. By Wolfgang Amadeus Mozart. Arranged by Danny Parker. Chamber,Classical,Instructional. Score. 4 pages. Danny Parker Publications #1000156. Published by Danny Parker Publications (A0.1418583). Lively piece in E major keyPresto/Allegro vivace tempoLeft-hand & counterpoint exerciseOssia and trills definedMake an impression with this lively and bright composition that displays your keyboard skills and sharpens your skills through engaging counterpoint practice and invigorating left-hand exercises.Crafted in the unique and uplifting E major key, this score offers a refreshing twist to your repertoire, providing a rich tapestry of melodic interplay and rhythmic dynamism. Whether you're a seasoned musician seeking a fresh challenge or an aspiring virtuoso looking to enhance your technique, this piece promises to inspire and elevate your playing to new heights.
$9.99 ≈
9.35€
"Virtuoso" Prelude in E major
"Virtuoso" Prelude in E major
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Piano seul
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INTERMÉDIAIRE
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Classique
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Danny Parker
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Danny Parker
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"Virtuoso" Prelude i
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Danny Parker Publications
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1417969 By Danny Parker. By Wolfgang Amadeus Mozart. Arranged by Danny Parker. Chamber,Classical,Instructional. Score. 4 ...
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Piano Solo - Level 3 - SKU: A0.1417969 By Danny Parker. By Wolfgang Amadeus Mozart. Arranged by Danny Parker. Chamber,Classical,Instructional. Score. 4 pages. Danny Parker Publications #999516. Published by Danny Parker Publications (A0.1417969). Lively piece in E major key Presto/Allegro vivace tempo Left-hand & counterpoint exercise Ossia and trills defined Make an impression with this lively and bright composition that displays your keyboard skills and sharpens your skills through engaging counterpoint practice and invigorating left-hand exercises.Crafted in the unique and uplifting E major key, this score offers a refreshing twist to your repertoire, providing a rich tapestry of melodic interplay and rhythmic dynamism. Whether you're a seasoned musician seeking a fresh challenge or an aspiring virtuoso looking to enhance your technique, this piece promises to inspire and elevate your playing to new heights.
$9.99 ≈
9.35€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.45€
The Enchanted Forest
The Enchanted Forest
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Piano seul
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Elizabeth W
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The Enchanted Forest
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - beginner - SKU: F0.W9247 Composed by Elizabeth W. Greenleaf. Sheet Music. Written For You. March written for the very young pianist. Solo Sheet....
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Piano - beginner - SKU: F0.W9247 Composed by Elizabeth W. Greenleaf. Sheet Music. Written For You. March written for the very young pianist. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9247. Published by The FJH Music Company - Digital (F0.W9247). UPC: 674398217014.This pre-reading piece utilizes the black keys starting on the D flat just above middle C for the LH, with the RH extending to the E flat an octave above. Written in an ABA form, the B section contains hands-together playing for eight measures. This piece has a good variety of dynamics for your pre-reader to practice dynamic contrast, and contains a teacher accompaniment that contributes to the harmonic support of the student part. Both teacher and student will enjoy this enchanting piece. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50 ≈
2.34€
The Kingdom of Light
The Kingdom of Light
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Piano seul
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INTERMÉDIAIRE
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Kim S
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The Kingdom of Light
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961674 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 3 pages. Kim S. Bean #6038053. Published b...
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Piano Solo - Level 3 - SKU: A0.961674 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 3 pages. Kim S. Bean #6038053. Published by Kim S. Bean (A0.961674). The Kingdom of Light, 3 pages, is an intermediate piece in the key of G, is the first piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, The Kingdom of Light, is in 12/8 time, has rolled chords, octave playing, legato fingering outside of a 5 finger position, wide dynamic changes, octave position changes, staccatos and accents. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,Joyful News! Leaving, The Dark Knight, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99 ≈
4.67€
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Playing in the Park
