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Vous avez sélectionné:
Painted From Memory
Partitions à imprimer
5 partitions trouvées
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Painted From Memory by Elvis Costello - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Pop musique
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Elvis Costello
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Painted From Memory
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Musicnotes
Performed by: Elvis Costello: Painted From Memory Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music ...
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Performed by: Elvis Costello: Painted From Memory Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Guitar;Piano;Voice; 4 pages -- Pop
$5.50 ≈
5.08€
Painted From Memory
Painted From Memory
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Piano, Voix et Guitare
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Rock
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Burt Bacharach, Elvis Costello
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Burt Bacharach
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Painted From Memory
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Burt Bacharach, Elvis Costello, and Elvis Costello & Burt Bacharach. For piano, voice, and guitar (chords only). Pop; Rock. 6 pages. Published by Hal Leo...
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By Burt Bacharach, Elvis Costello, and Elvis Costello & Burt Bacharach. For piano, voice, and guitar (chords only). Pop; Rock. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.61€
Elvis Costello: Painted From Memory for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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Elvis Costello
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Virtualsheetmusic
Instantly printable sheet music by Burt Bacharach for voice, piano or guitar of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Burt Bacharach for voice, piano or guitar of MEDIUM skill level. / pop,rock
$6.97 ≈
6.44€
In Malaysia
In Malaysia
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Basson, Piano (duo)
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Shao Fern Teo
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In Malaysia
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Imagine Music - Digital
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SheetMusicPlus
Bassoon & piano - SKU: IZ.IMS175 Composed by Shao Fern Teo. Score and Parts. 37 pages. Imagine Music - Digital #IMS175. Published by Imagine Music - Dig...
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Bassoon & piano - SKU: IZ.IMS175 Composed by Shao Fern Teo. Score and Parts. 37 pages. Imagine Music - Digital #IMS175. Published by Imagine Music - Digital (IZ.IMS175). 9 x 12 in inches.When I first started thinking about In Malaysia (sometime inApril 2015), I immediately heard a bassoon melody playing inmy mind that grew into a larger piece of music that painted my memories from my home country, Malaysia. This piece isconstructed of three movements that each tells a different story of its own. Opening expresses the mixed emotions offlying home and seeing the surrounding clouds from the airplane window. Panorama is a stark contrast to the firstmovement where the music is in a concise form, depicting the layout and landscape of the ground as seen from the plane(e.g. palm tree plantation). Grandpa's House, the concluding movement of this work, was written in memory of my lategrandfather. Each motive represents various childhood memories at the traditional village house, such as playing the 5-stone game known as Batu Seremban with my cousins, cycling in the backyard, and jumping rope made out of rubber bands.Duration: 12 minutes
$18.00 ≈
16.62€
Three Chromicons for piano solo
Three Chromicons for piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Dillon Ford
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Three Chromicons for piano sol
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 2...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.
The sound sample is the live performance.
The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).
Ford explains the significance of these unique scores:
"In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."
"By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."
"Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."
"Now, anyone wishing to realize a chromicon is at liberty to follow any path?straight or curvilinear?from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."
"Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."
Video of Chromicon III
https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00 ≈
11.08€
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Painted From Memory
