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Vous avez sélectionné:
Opera
GUITARE
Partitions à imprimer
677 partitions trouvées
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Opera Classics for Guitar solo
Opera Classics for Guitar solo
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Guitare notes et tablatures
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Classique
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Opera
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Geroges Bizet, Vincenzo Belli
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PianoSheetNow
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Opera Classics for Guitar solo
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PianoSheetNow
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SheetMusicPlus
Guitar, Guitar Tab, Classical Guitar, Fingerstyle Guitar, Guitar Solo - Early Intermediate - Digital Download Composed by Geroges Bizet, Vincenzo Bellini, ...
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Guitar, Guitar Tab, Classical Guitar, Fingerstyle Guitar, Guitar Solo - Early Intermediate - Digital Download Composed by Geroges Bizet, Vincenzo Bellini, Ruggero Leoncavallo, Giacomo Puccini, Eduardo di Capua, George Frideric Handel. Arranged by PianoSheetNow. 21st Century, 20th Century, Romantic Period, Classical Period, Opera. Sheet Music Single, Tablature. 16 pages. Published by PianoSheetNow
Seven selected Opera themes for Guitar solo.
Romance de Nadir is extract of Act I \'Je crois entendre\' (I Hear as in a Dream) from the opera \'Les p?cheurs de perles\' (The Pearl Fishers), by the French composer Georges Bizet, first premiered on 30 September 1863. Easy to Early intermediate, 1:45\'min. Two (2) pages.
Rinaldo is an opera by George Frideric Handel (1685-1759), composed in 1711, and was the first Italian language opera written specifically for the London stage. Here is an arrangement of the popular piece Lascia ch\'io pianga (Almirena act 2) for Classical Guitar. Easy to Early Intermediate, 2:09\' min. Three (3) pages.
Casta Diva (Norma - Cavatina) theme by Vincenzo Bellini (1801-1835). Intermediate Guitar, 36 bars. Two (2) pages.
Mattinata (morning), is a well-known work by Ruggero Leoncavallo (23 April 1857 ? 9 August 1919, an Italian opera composer. Early Intermediate. 1:30 min. Two (2) pages.
O mio babbino caro (\"Oh my dear daddy\") is a soprano aria from the opera Gianni Schicchi by Giacomo Puccini. The aria was first performed on 14 December 1918 at the Metropolitan Opera in New York. Early Intermediate. 1:18 min. Two (2) pages.
O Sole Mio is a Neapolitan song written in 1898 by Eduardo di Capua (1865 -1917). O sole mio translates literally as \"my sunshine\". Easy to early Intermediate,1:20 min. Two (2) pages.
Habanera by Georges Bizet from opera comique Carmen.
Guitar in drop D tuning (low E to D). Intermediate. 1:29 min.Two (2) pages.
With Tablature. With downloadable mp3 just for audio help.
Total: 15 pages.
$19.99 ≈
18.66€
Toreador Song / March of the Toreadors (GUITAR TAB) Opera "Carmen" [Georges Bizet]
Toreador Song / March of the Toreadors (GUITAR TAB) Opera "Carmen" [Georges Bizet]
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Guitare notes et tablatures
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FACILE
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Classique
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Georges Bizet
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Darek
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Toreador Song / March of the T
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Darek
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SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - SKU: A0.1276433 By Georges Bizet. By Georges Bizet. Arranged by Darek. 19th Century,Classical,Romantic Period. Tablat...
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Easy Guitar (with TAB) - Level 2 - SKU: A0.1276433 By Georges Bizet. By Georges Bizet. Arranged by Darek. 19th Century,Classical,Romantic Period. Tablature. 1 pages. Darek #868168. Published by Darek (A0.1276433). Toreador Song / March of the Toreadors (GUITAR TAB) Opera Carmen [Georges Bizet]Guitar arrangement of Toreador Song / March of the Toreadors, Opera Carmen by Georges Bizet. Simplified arrangement for guitarists | Easy arrangement for beginners | Simplified version for guitarists | Simplified guitar TABS | Classical Music | Romantic Period | Intermediate arrangement | Guitar. Included: Sheet Music, Tabulature, Chords and simple YouTube tutorial. Unlock the enchanting world of music with the meticulously curated guitar sheet music for Toreador Song / March of the Toreadors from Georges Bizet's timeless opera Carmen. Immerse yourself in the captivating melodies of this iconic composition, now available in an arrangement tailored for beginner guitarists seeking a delightful challenge. Step into the rich tapestry of the 19th century as you journey through the heart of this piece, carefully crafted to suit players at a beginner/intermediate level. With detailed Sheet Music, Tablature, and essential Chords, every note resonates with authenticity, enabling you to capture the essence of the era and the soul of the song. Enhance your learning experience with the accompanying YouTube tutorial, which simplifies the process, making it accessible to aspiring guitarists. Whether you're strumming on an acoustic or an electric guitar, this arrangement caters to diverse musical preferences, making it an ideal choice for those exploring the world of music. Indulge in the magic of this composition, a timeless testament to the brilliance of Georges Bizet, and embrace the joy of musical expression. With each chord progression, you'll find yourself immersed in the legacy of this iconic piece, while making it your very own. Keywords: Toreador Song, March of the Toreadors, Carmen opera, Georges Bizet, beginner guitarists, sheet music, tablature, chords, YouTube tutorial, guitar, musical expression, iconic composition, era, beginner/intermediate level, challenge, enchanting melodies, legacy.
$2.00 ≈
1.87€
Casta Diva - aria from opera "Norma", arr. for guitar
Casta Diva - aria from opera "Norma", arr. for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Latin/Pop Rock
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Vincenzo Bellini
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Stefan Dulov
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Casta Diva - aria from opera "
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Stefan Dulov
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1397285 By Vincenzo Bellini. By Vincenzo Bellini. Arranged by Stefan Dulov. Classical,Opera,Romantic Period. Guitar Tab. 4 pa...
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Guitar - Level 3 - SKU: A0.1397285 By Vincenzo Bellini. By Vincenzo Bellini. Arranged by Stefan Dulov. Classical,Opera,Romantic Period. Guitar Tab. 4 pages. Stefan Dulov #980601. Published by Stefan Dulov (A0.1397285). This is an arrangement for classical guitar of Casta Diva - aria from opera Norma by Vincenzo Bellini, quintessential composer of the Italian bel canto era of the early 19th century. The difficulty level of this piece is moderate and it is in standard guitar tuning. Standard guitar notation, tabs and detailed left hand fingering included. Duration of the piece is about 4:50 minutes. I hope you will enjoy learning and playing this beautiful melody!
$5.00 ≈
4.67€
The Phantom Of The Opera
The Phantom Of The Opera
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Iron Maiden
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Julius Marx
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The Phantom Of The Opera
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Julius Marx
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1388720 By Iron Maiden. By Steve Harris. Arranged by Julius Marx. Broadway,Classical,Film/TV,Musical/Show,O...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1388720 By Iron Maiden. By Steve Harris. Arranged by Julius Marx. Broadway,Classical,Film/TV,Musical/Show,Opera,Romantic Period. Score. 128 pages. Julius Marx #972226. Published by Julius Marx (A0.1388720). The full Keyboard 2 score of the Broadway Musical The Phantom Of The Opera by Andrew Lloyd Webber.
$9.99 ≈
9.32€
The Phantom Of The Opera
The Phantom Of The Opera
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Iron Maiden
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Julius Marx
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The Phantom Of The Opera
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Julius Marx
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1388719 By Iron Maiden. By Steve Harris. Arranged by Julius Marx. Broadway,Classical,Film/TV,Musical/Show,O...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1388719 By Iron Maiden. By Steve Harris. Arranged by Julius Marx. Broadway,Classical,Film/TV,Musical/Show,Opera,Romantic Period. Score. 128 pages. Julius Marx #972225. Published by Julius Marx (A0.1388719). The full Keyboard 1 score of the Broadway Musical The Phantom Of The Opera by Andrew Lloyd Webber.
$9.99 ≈
9.32€
Intermezzo 'Meditation' from the opera 'Thais'
Intermezzo 'Meditation' from the opera 'Thais'
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Opera
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Classique
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Jules Massenet
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Stefan Dulov
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Intermezzo 'Meditation' from t
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Stefan Dulov
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1085850 By Jules Massenet. By Jules Massenet. Arranged by Stefan Dulov. Classical,Opera,Romantic Period. Guitar Tab. 6 pages....
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Guitar - Level 3 - SKU: A0.1085850 By Jules Massenet. By Jules Massenet. Arranged by Stefan Dulov. Classical,Opera,Romantic Period. Guitar Tab. 6 pages. Stefan Dulov #690026. Published by Stefan Dulov (A0.1085850). This is an arrangement for classical guitar of the symphonic intermezzo 'Méditation' from the opera 'Thaïs' by Jules Massenet, French composer of the Romantic period. Its difficulty level is moderate and it is in standard guitar tuning. Standard guitar notation, tabs and detailed left hand fingering included. Duration of the piece is about 5 minutes. I hope you will enjoy learning and playing this beautiful melody!
$5.00 ≈
4.67€
The Little Bird. From the Opera of The Cherokee
The Little Bird. From the Opera of The Cherokee
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Stephen Storace
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The Little Bird. From the Oper
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice; guitars - SKU: LV.15929 Composed by Stephen Storace. Courtship & love, Sleeping. Lester S. Levy Collection. 2 pages. Published by Johns...
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Piano and voice; guitars - SKU: LV.15929 Composed by Stephen Storace. Courtship & love, Sleeping. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15929). The Little Bird. From the Opera of The Cherokee. [Stephen Storace. Published [1794-1797] by n.p. in n.p. Composition of strophic with piano and voice; guitars instrumentation. Subject headings for this piece include Courtship & love, Sleeping. First line reads A shepherd once had lost his love and as he saught her in the grove.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.59€
All I Ask Of You (from The Phantom Of The Opera)
All I Ask Of You (from The Phantom Of The Opera)
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Paroles et Accords
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Andrew Lloyd Webber and The Ph
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All I Ask Of You
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.172820 By Andrew Lloyd Webber and The Phantom Of The Opera (Musical). Broadway,Film/TV,Love,Musical/Show,Pop,Standards,Wedding. Guitar Chords/Ly...
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SKU: HX.172820 By Andrew Lloyd Webber and The Phantom Of The Opera (Musical). Broadway,Film/TV,Love,Musical/Show,Pop,Standards,Wedding. Guitar Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.172820).
$1.99 ≈
1.86€
Opus 31 - Soap opera
Opus 31 - Soap opera
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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John Trie
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Opus 31 - Soap opera
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john Trie
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.966073 Composed by John Trie. Contemporary,Pop,Rock. Individual part. 5 pages. John Trie #2018801. Published by john Tri...
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Solo Guitar - Level 4 - SKU: A0.966073 Composed by John Trie. Contemporary,Pop,Rock. Individual part. 5 pages. John Trie #2018801. Published by john Trie (A0.966073). Opus 31 - Soap opera - by John Trie.
$7.99 ≈
7.46€
Opus 31 - Soap opera - mp3
Opus 31 - Soap opera - mp3
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Guitare
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Contemporain
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John Trie
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Opus 31 - Soap opera - mp3
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john Trie
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SheetMusicPlus
Guitar - SKU: A0.1064671 Composed by John Trie. 20th Century,Contemporary. Full Performance. Duration 166. John Trie #37383. Published by john Trie (A0....
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Guitar - SKU: A0.1064671 Composed by John Trie. 20th Century,Contemporary. Full Performance. Duration 166. John Trie #37383. Published by john Trie (A0.1064671). Opus 31 - Soap opera - by John Trie.
$2.39 ≈
2.23€
V. Bellini - "Casta Diva", from opera "Norma"
V. Bellini - "Casta Diva", from opera "Norma"
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Guitare
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Classique
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V
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Michael Goldort
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V. Bellini - "Casta Diva&
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Michael Goldort
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SheetMusicPlus
Solo Guitar - SKU: A0.951361 Composed by V. Bellini. Arranged by Michael Goldort. Classical. Individual part. 3 pages. Michael Goldort #4837181. Publish...
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Solo Guitar - SKU: A0.951361 Composed by V. Bellini. Arranged by Michael Goldort. Classical. Individual part. 3 pages. Michael Goldort #4837181. Published by Michael Goldort (A0.951361). V. Bellini - Casta Diva, air from opera Norma, arrangement for guitar by M. Goldort
$5.99 ≈
5.59€
Opus 31 - Soap opera - guitar tablature
Opus 31 - Soap opera - guitar tablature
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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John Trie
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Opus 31 - Soap opera - guitar
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john Trie
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.966074 Composed by John Trie. Contemporary,Pop,Rock. Individual part. 5 pages. John Trie #2018799. Published by john Tri...
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Solo Guitar - Level 4 - SKU: A0.966074 Composed by John Trie. Contemporary,Pop,Rock. Individual part. 5 pages. John Trie #2018799. Published by john Trie (A0.966074). Opus 31 - Soap opera - by John Trie. Classical guitar tab.
$6.99 ≈
6.52€
Carmen Suite (selections from the opera) arr. for guitar quartet
Carmen Suite (selections from the opera) arr. for guitar quartet
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4 Guitares (Quatuor)
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Classique
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Georges Bizet
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A
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Carmen Suite
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NovaScribe Editions
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SheetMusicPlus
Composed by Georges Bizet (1838-1875). Arranged by A. Rinehart. Romantic Period, Opera. Score, Set of Parts. 41 pages. Published by NovaScribe Editions (S0.3312...
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Composed by Georges Bizet (1838-1875). Arranged by A. Rinehart. Romantic Period, Opera. Score, Set of Parts. 41 pages. Published by NovaScribe Editions (S0.331263). - Score,Set of Parts - Romantic Period,Opera - NovaScribe Editions
$9.99 ≈
9.32€
CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen
CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen
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Guitare
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AVANCÉ
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Classique
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Nestor Ausqui
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CARMEN SUITE - Classical Guita
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book. 21 pages. Mel Bay Publications - Digital Sheet Music #30985EB. ...
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Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book. 21 pages. Mel Bay Publications - Digital Sheet Music #30985EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459752. 8.75x11.75 inches.
One might think that it would be impossible to arrange the music of Georges Bizets opera, Carmen, for solo classic guitar, but Nestor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Metodo para Guitarra of 1843, the classic guitars expansive palette of tone color gives it the ability to emulate a miniature orchestra. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizets CarmenAragonaise, Habanera, Seguidillas, and Danse Bohemeas well as Carmens sober Chant de la Mort. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Nestor Ausquis Carmen Suite, the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity. Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina.
$9.99 ≈
9.32€
Operator (that's Not The Way It Feels)
Operator (that's Not The Way It Feels)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Jim Croce
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Operator
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Big Bill Durham
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SheetMusicPlus
Guitar Tab - Intermediate - By Jim Croce. Sheet Music Single, Solo Part, Tablature. 3 pages. Published by Big Bill Durham...
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Guitar Tab - Intermediate - By Jim Croce. Sheet Music Single, Solo Part, Tablature. 3 pages. Published by Big Bill Durham
Jim Croce's Operator arranged for one guitar and voice (original has 2 guitars on it).
Hope you enjoy to play and sing! Thanks!
$4.99 ≈
4.66€
Chorus and Aria from Ariadne auf Naxos
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00 ≈
6.53€
'A golden time ...' from Ariadne auf Naxos
'A golden time ...' from Ariadne auf Naxos
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00 ≈
6.53€
Excerpt from the Last Part of Ariadne Auf Naxos
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
#
INTERMÉDIAIRE
#
Classique
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00 ≈
6.53€
Overture from Ariadne auf Naxos
Overture from Ariadne auf Naxos
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00 ≈
6.53€
Selected Operatic Fantasies of Mertz
Selected Operatic Fantasies of Mertz
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Guitare
#
INTERMÉDIAIRE
#
Classique
#
Johann Kaspar Mertz
#
Selected Operatic Fantasies of
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743260. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists.The works in this collection:Fantasy on themes from Don Giovanni, Op. 28Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces.Martha, Op. 16Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie.The Prophet, Op. 21Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter.Nabucco, Op. 62 and Rigoletto, Op. 63Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone.
$14.99 ≈
13.99€
Mattinata for guitar solo
Mattinata for guitar solo
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
R
#
Klas Krantz
#
Mattinata for guitar solo
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Amadeus Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.531186 Composed by R. Leoncavallo. Arranged by Klas Krantz. Classical,Romantic Period. Individual part. 2 pages. Amadeus...
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Solo Guitar - Level 4 - SKU: A0.531186 Composed by R. Leoncavallo. Arranged by Klas Krantz. Classical,Romantic Period. Individual part. 2 pages. Amadeus Music #2032875. Published by Amadeus Music (A0.531186). Ruggiero Leoncavallo (1857–1919) was an Italian opera composer. His opera Pagliacci remains one of the most popular works in the operatic repertory, appearing as number 14 on Opera America's 2007 list of the 20 most-performed operas in North America.
$3.95 ≈
3.69€
Marble Halls for viola and guitar
Marble Halls for viola and guitar
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Alto, Guitare (duo)
#
INTERMÉDIAIRE
#
M
#
Klas Krantz
#
Marble Halls for viola and gui
#
Amadeus Music
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Viola - Level 3 - SKU: A0.531718 Composed by M. Balfe. Arranged by Klas Krantz. Baroque,Classical,Wedding. Sc...
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Instrumental Duet Guitar,Instrumental Duet,Viola - Level 3 - SKU: A0.531718 Composed by M. Balfe. Arranged by Klas Krantz. Baroque,Classical,Wedding. Score and parts. 4 pages. Amadeus Music #11865. Published by Amadeus Music (A0.531718). Michael Balfe (1808 – 1870) was an Irish composer, best-remembered for his opera The Bohemian Girl. After a short career as a violinist, Balfe pursued an operatic singing career, while he began to compose. In a career spanning more than 40 years, he composed 38 operas, almost 250 songs and other works. He was also a noted conductor, directing Italian Opera at Her Majesty's Theatre for seven years, among other conducting posts.
$3.95 ≈
3.69€
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