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O Wisdom
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Vous avez sélectionné:
O Wisdom
Partitions à imprimer
28 partitions trouvées
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O Wisdom
O Wisdom
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Chorale SATB
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Sally Whitwell
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O Wisdom
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.873041 Composed by Sally Whitwell. 20th Century,A Cappella,Contemporary. Octavo. 10 pages. Sally Whitwell #4765201. Publis...
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Choral Choir (SATB) - SKU: A0.873041 Composed by Sally Whitwell. 20th Century,A Cappella,Contemporary. Octavo. 10 pages. Sally Whitwell #4765201. Published by Sally Whitwell (A0.873041). My family were early adopters on Compact Disc technology. Whilst my school peers in the late 80s and early 90s were collecting tapes for their VHS video recorders, my family were collecting hi-fidelity CD recordings of classical masterworks. Three of these CDs stick in my mind; a period instrument performance of Vivaldi’s Four Seasons performed by Trevor Pinnock and The English Concert; a recording of the 1812 overture which boasted Real Cannons (and also warned listeners against setting the volume too high because it might damage the equipment!); and A feather on the breath of God, an album of works by Hildegard performed by Gothic Voices with soloist Emma Kirkby. Thus began my life long love affair with the life and works of Hildegard. I have been performing this particular Hildegard chant O Virtus Sapientiae in solo piano recitals since around 2014. Basically, I have been freely improvising on it, so it’s different each time. Some ideas formed during those improvisations which have really stuck in my brain. I’ve transferred some of these into this a cappella work. In una via, quae habet vitam  (In one path, which gives life) O Strength of Wisdom Who circling circled, enclosing all Growing from the earth Soaring in the heights One life-giving path Of omnipresent light Laus tibi sit, sicut te decet O Sapientiae  (Praise to you, as is fitting,  O Wisdom)
$1.99
O Wisdom
O Wisdom
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Chorale 3 parties
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Sally Whitwell
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O Wisdom
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SSA) - SKU: A0.873040 Composed by Sally Whitwell. 20th Century,A Cappella,Contemporary. Octavo. 10 pages. Sally Whitwell #4765189. Publish...
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Choral Choir (SSA) - SKU: A0.873040 Composed by Sally Whitwell. 20th Century,A Cappella,Contemporary. Octavo. 10 pages. Sally Whitwell #4765189. Published by Sally Whitwell (A0.873040). My family were early adopters on Compact Disc technology. Whilst my school peers in the late 80s and early 90s were collecting tapes for their VHS video recorders, my family were collecting hi-fidelity CD recordings of classical masterworks. Three of these CDs stick in my mind; a period instrument performance of Vivaldi’s Four Seasons performed by Trevor Pinnock and The English Concert; a recording of the 1812 overture which boasted Real Cannons (and also warned listeners against setting the volume too high because it might damage the equipment!); and A feather on the breath of God, an album of works by Hildegard performed by Gothic Voices with soloist Emma Kirkby. Thus began my life long love affair with the life and works of Hildegard. I have been performing this particular Hildegard chant O Virtus Sapientiae in solo piano recitals since around 2014. Basically, I have been freely improvising on it, so it’s different each time. Some ideas formed during those improvisations which have really stuck in my brain. I’ve transferred some of these into this a cappella work. Sally Whitwell In una via, quae habet vitam (In one path, which gives life) O Strength of Wisdom Who circling circled, enclosing all Growing from the earth Soaring in the heights One life-giving path Of omnipresent light Laus tibi sit, sicut te decet O Sapientiae  (Praise to you, as is fitting,  O Wisdom)
$1.99
O virtus Sapientiæ (Downloadable)
O virtus Sapientiæ (Downloadable)
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Chorale SSAA
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INTERMÉDIAIRE
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Alice Parker and Hildegard Von
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O virtus Sapientiæ
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSAA/SSAA a cappella - Medium - SKU: MQ.7913-E Composed by Alice Parker and Hildegard Von Bingen. Instrument part. 11 pages. E. C. Schirmer Music Compan...
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SSAA/SSAA a cappella - Medium - SKU: MQ.7913-E Composed by Alice Parker and Hildegard Von Bingen. Instrument part. 11 pages. E. C. Schirmer Music Company - Digital #7913-E. Published by E. C. Schirmer Music Company - Digital (MQ.7913-E). Latin.O strength of Wisdom,which circles the spherescomprehending everythingin the one way which holds life,having three wings, of which one rushes to the heights and another drips with sweat from the earth, and the third flies from all sides. Praise be to you as it is fitting to you, O Wisdom.Recording Credits:This performance was given by the Smith College Glee Club under the direction of Jonathan Hirsh, on November 6, 2009, in the Battell Chapel at Yale University, as part of their participation in the National Collegiate Choral Organization's National Conference. The recording engineer was Mateusz Zechowski with Studioteo Recording Services. Permission to used this track was kindly given by Katie Lipow.
$2.65
The Great O Antiphons
The Great O Antiphons
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Chorale SATB
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AVANCÉ
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Nicholas White
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The Great O Antiphons
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Nicholas White Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1255171 Composed by Nicholas White. 21st Century,A Cappella,Advent,Sacred,Traditional. Octavo. 36 pages. ...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1255171 Composed by Nicholas White. 21st Century,A Cappella,Advent,Sacred,Traditional. Octavo. 36 pages. Nicholas White Music #848736. Published by Nicholas White Music (A0.1255171). A setting of the seven Great O Antiphons for unaccompanied choir. Suitable for the Advent season of general concert use.​Dec. 17, O’ Sapientia (meaning O Wisdom), from Isaiah 11:2-3. Dec. 18, O’ Adonai (O Lord or Ruler), 11:4-5 and 33:22. Dec. 19, O’ Radix (O Root of Jesse), 11:1. Dec. 20, O’ Clavis (O Key of David), 22:22. Dec. 21, O’ Oriens (O Radiant Dawn), 9:1. Dec. 22, O’ Rex Gentium (O King of the Nations), 2:4. Dec. 23, O’ Emmanuel (O God with Us), 7:14.
$7.00
Strength of Wisdom
Strength of Wisdom
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Amy Dunker
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Strength of Wisdom
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Amy Dunker
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SheetMusicPlus
Brass Ensemble Horn - Level 5 - SKU: A0.969905 Composed by Amy Dunker. Concert,Sacred. Score and parts. 16 pages. Amy Dunker #6794375. Published by Amy ...
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Brass Ensemble Horn - Level 5 - SKU: A0.969905 Composed by Amy Dunker. Concert,Sacred. Score and parts. 16 pages. Amy Dunker #6794375. Published by Amy Dunker (A0.969905). Strength of Wisdom begins with Hildegard von Bingen’s chant O Virtus Sapientiae which translates to O Strength of Wisdom. The text celebrates the lifegiving essence and wisdom of God. The work progresses from medieval chant to modern fanfare celebrating the relevancy of practicing gratefulness across time. Duration: 4:15
$12.00
O Come, Let Us Sing to the Lord: Six Short Anthems or Introits (Downloadable)
O Come, Let Us Sing to the Lord: Six Short Anthems or Introits (Downloadable)
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Chorale SATB
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FACILE
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Musique Sacrée
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Charles E
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O Come, Let Us Sing to the Lor
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir and organ - Moderately Easy - SKU: MQ.50-6086-E Composed by Charles E. Callahan Jr. 18 pages. MorningStar Music Publishers - Digital Sheet Mu...
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SATB choir and organ - Moderately Easy - SKU: MQ.50-6086-E Composed by Charles E. Callahan Jr. 18 pages. MorningStar Music Publishers - Digital Sheet Music #50-6086-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6086-E). English. Psalms 95:1-2, Psalms 43:3, Psalms 90:1-2, Matthew 5:8, Wisdom 1:7.This collection of six short introits places the singers in dialogue with an equally compelling organ accompaniment. The moods vary and the texts are general in nature, insuring that you can find one exactly suitable for the way you'd like to begin worship.Contents:1. O Come Let Us Sing to the Lord (Psalm 95:1-2)2. Blessed Are the Pure in Heart (Matthew 5:8)3. Lord, Thou Hast Been Our Refuge (Psalm 90:1-2)4. O Savior of the World (Book of Common Prayer)5. O Send Out Your Light (Psalm 43:3)6. The Spirit of the Lord (Wisdom 1:7).
$3.15
Chorale Prelude on Veni Emmanuel (O come, O come, Emmanuel)
Chorale Prelude on Veni Emmanuel (O come, O come, Emmanuel)
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Orgue
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Chris Kovarik
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Chorale Prelude on Veni Emmanu
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Chris Kovarik
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SheetMusicPlus
Instrumental Solo,Organ - SKU: A0.1402523 Composed by Chris Kovarik. 21st Century,Advent,Christmas,Praise & Worship,Sacred. Individual part. 9 pages. Ch...
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Instrumental Solo,Organ - SKU: A0.1402523 Composed by Chris Kovarik. 21st Century,Advent,Christmas,Praise & Worship,Sacred. Individual part. 9 pages. Chris Kovarik #985744. Published by Chris Kovarik (A0.1402523). Veni Emmanuel (composed 2022, duration ca. 5’ 10â€) builds on the mystery inherent in the season of Advent, the text that presents us with many different visions of Christ (God with us, Wisdom from on high, etc.), and in the ancient, minor-mode tune itself. There are two complete statements of the tune with its refrain, one quiet and sedate, the other loud and joyous. The rest of the piece is essentially a free fantasy, culminating in an enigmatic right-hand solo a dozen or so bars before the end. This piece is contemplative and moody, with plenty of opportunity for colourful registrations.
$4.99
Thy Will, O Lord, Be Done - a sacred hymn
Thy Will, O Lord, Be Done - a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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Thy Will, O Lord, Be Done - a
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1444328 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1444328 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #1024243. Published by Kevin G. Pace (A0.1444328). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Thy will, O Lord, be done,What e'r it be.Bend my poor will to Thine.Help me to seeWisdom and love combineIn Thy perfect sight.As I turn my heart to TheeLead me on to light.Here I surrender all,All sin and pride.Loose ev'ry man-made chain,Leave them behind.Let Thy atoning bloodWash from me all stain.Let Thy goodness and Thy loveFree my soul from pain.Thy will be mine this day,Thy work to do.Lead me now forth in faithStrengthened anew.Bless me to see each need,Hear each desperate cry.Let me be Thy servant still,Pointing souls on high.
$1.99
O Deep Riches (Chorale Motet) (Downloadable)
O Deep Riches (Chorale Motet) (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Robert Kyr
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O Deep Riches
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.8367-E Composed by Robert Kyr. 21st Century. 8 pages. E. C. Schirmer Music Company - Digital #8367-E. Publis...
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SATB choir unaccompanied - Medium - SKU: MQ.8367-E Composed by Robert Kyr. 21st Century. 8 pages. E. C. Schirmer Music Company - Digital #8367-E. Published by E. C. Schirmer Music Company - Digital (MQ.8367-E). English. Romans 11:33.This setting of Romans 11:33 as translated and adapted by Robert Kyr are words used by Catholics on the twenty-first Sunday in Ordinary Time, Lectionary: 121, dealing with the riches of wisdom and knowledge. The choral textures are relatively simple. This brief, rewarding piece is not very difficult to learn or sing and will delight congregations at services or audiences at concerts. Duration: 3:00.
$2.25
Advent Reflections (Downloadable Piano/Choral Score)
Advent Reflections (Downloadable Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Joseph Gregorio
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Advent Reflections
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) and harp or piano - Medium - SKU: MQ.8490-E Composed by Joseph Gregorio. Advent. 16 pages. E. C. Schirmer Music Company - Digi...
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SATB choir (choir divisi) and harp or piano - Medium - SKU: MQ.8490-E Composed by Joseph Gregorio. Advent. 16 pages. E. C. Schirmer Music Company - Digital #8490-E. Published by E. C. Schirmer Music Company - Digital (MQ.8490-E). English. Isaiah 61.A triptych of pieces for harp or piano and SATB chorus divisi, using texts by poet Christine Schenk. Here her version of the O Antiphons provides a means of contemporary reflection on those ancient texts. The three short movements are untitled but the texts begin 1. O Wisdom, 2. I wait with quickened hope for crooked paths to straighten, and 3. You who make wastelands bloom. The music is masterful, at times introspective and gentle, at times sweeping and dramatic. A jewel for an accomplished ensemble. Duration: 9:00
$2.85
Paul O'Neill: Wisdom of the Snow - piano solo
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Piano seul
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INTERMÉDIAIRE
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Noël
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Paul O'Neill
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Virtualsheetmusic
Instantly printable sheet music by Paul O'Neill for piano solo of MEDIUM skill level. / christmas,advent,carol,festival
Instantly printable sheet music by Paul O'Neill for piano solo of MEDIUM skill level. / christmas,advent,carol,festival
$4.97
Sanbutsuge: A Buddhist Motet for Chorus SATB and Piano, with Solo Soprano
Sanbutsuge: A Buddhist Motet for Chorus SATB and Piano, with Solo Soprano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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Sanbutsuge: A Buddhist Motet f
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. P...
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Choral Choir (SATB) - Level 4 - SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. Published by Richard St. Clair (A0.939717). This 9-minute motet in which the Buddha-to-be Dharmakara praises His master, Lokeshvaraja Buddha and vows to become the Savior of all Beings (namely, Amida Buddha). The music beings with an extended recitative/aria by solo soprano, and proceeds to the full choral ensemble to its conclusion. The MP3 Audio Clip is a computer-generated soundfile of the entire work. The music is completely tonal and traditional, suitable for good amateur choirs and professional choruses alike.Words from the Larger Sutra on Amida Buddha expounded by Shakyamuni Buddha some 2500 years ago in India.[Setting: Many ages ago, Dharmakara Bhikshu (in his stage before becoming Amida Buddha) declares to his Master, Buddha Lokeshvararaja, his intention to create a Pure Land wherein all suffering beings can be saved.]Text (slightly abridged):Then appeared a Buddha named Lokeshvararaja, the Tathagata, Arhat, Perfectly Enlightened One, Possessed of Wisdom and Practice, Perfected One, Knower of the World, Unsurpassed One, Tamer of Men, Master of Gods and Men, Buddha and World-Honored One.At that time there was a king, who, having heard the Buddha's exposition of the Dharma, rejoiced in his heart and awakened aspiration for the highest, perfect Enlightenment. He renounced his kingdom and the throne, and became a monk named Dharmakara. Having superior intelligence, courage and wisdom, he distinguished himself in the world. He went to see the Tathagata Lokeshvararaja, knelt down at his feet, walked round him three times keeping him always on his right, prostrated himself on the ground, and putting his palms together in worship, praised the Buddha with these verses:The shining face of the Buddha is glorious;Boundless is his magnificence.Radiant splendor such as hisIs beyond all comparison.The sun, the moon and the mani-jewel,Though shining with dazzling brightness,Are completely dimmed and obscuredAs if they were a pile of ink-sticksThe countenance of the TathagataIs beyond compare in the whole world.The great voice of the Enlightened OneResounds throughout the ten regions.His morality, learning, endeavor,Absorption in meditation, wisdomAnd magnificent virtues have no equal;They are wonderful and unsurpassed.I resolve to become a Buddha,Equal in attainment to you, O holy king of the Dharma,To save living beings from birth-and-death,And to lead them all to emancipation.I vow that, when I have become a Buddha,I shall carry out this promise everywhere;And to all fear-ridden beingsShall I give great peace.Even though there are Buddhas,A thousand million kotis in number,And multiudes of great sagesCountless as the sands of the Ganges,I shall make offeringsTo all those Buddhas.I shall seek the supreme WayResolutely and tirelessly.Even though the Buddha-lands are as innumerableAs the sands of the Ganges,And other regions and worldsAre also without number,My light shall shine everywhere,Pervading all those lands.Such being the result of my efforts,My glorious power shall be immeasurable.When I have become a Buddha,My land shall be most exquisite,And its people wonderful and unexcelled;The seat of Enlightenment shall be supreme.My land, being like Nirvana itself,Shall be beyond comparison.I take pity on living beingsAnd resolve to save them all.Those who come from the ten quartersShall find joy and serenity of heart;When they reach my land,They shall dwell in peace and happiness.I beg you, the Buddha, to become my witnessAnd to vouch for the truth of my aspiration.Having now made my vows to you,I will strive to fulfilll them.The World-Honored Ones in the ten quartersHave unimpeded wisdom;I call upon those Honored OnesTo bear witness to my intention.Even though I mu.
$10.99
The American Seasons (score – violin and string orchestra)
The American Seasons (score – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861927 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik I...
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String Orchestra - Level 5 - SKU: A0.861927 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik International #6208091. Published by Mark O'Connor Musik International (A0.861927). The American Seasons (score – violin and string orchestra) MO148AScore (parts available)Music by Mark O’Connor99 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ACopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for vi.
$37.50
The American Seasons (double basses part – violin and string orchestra)
The American Seasons (double basses part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861933 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861933 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik International #6208117. Published by Mark O'Connor Musik International (A0.861933). The American Seasons (double basses part – violin and string orchestra) MO148HDouble Basses Part (score and parts available)Music by Mark O’Connor40 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148HCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Me.
$15.00
The American Seasons (cellos part – violin and string orchestra)
The American Seasons (cellos part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861932 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861932 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208111. Published by Mark O'Connor Musik International (A0.861932). The American Seasons (cellos part – violin and string orchestra) MO148GCellos Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148GCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
The American Seasons (violas part – violin and string orchestra)
The American Seasons (violas part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik International #6208107. Published by Mark O'Connor Musik International (A0.861931). The American Seasons (violas part – violin and string orchestra) MO148FViolas Part (score and parts available)Music by Mark O’Connor42 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148FCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:
$15.00
The American Seasons (guitar part – violin and string orchestra)
The American Seasons (guitar part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861928 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861928 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208099. Published by Mark O'Connor Musik International (A0.861928). The American Seasons (guitar part – violin and string orchestra) MO148CGuitar Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148CCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
The American Seasons (1st violins part – violin and string orchestra)
The American Seasons (1st violins part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861929 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 42 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861929 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 42 pages. Mark O'Connor Musik International #6208101. Published by Mark O'Connor Musik International (A0.861929). The American Seasons (1st violins part – violin and string orchestra) MO148D1st Violins Part (score and parts available)Music by Mark O’Connor38 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148DCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$15.00
The American Seasons (violin solo part – violin and string orchestra)
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
Wedding Prayer
Wedding Prayer
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Mary Rose Jensen
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Wedding Prayer
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Garden Rose Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.874147 Composed by Mary Rose Jensen. Christian,Sacred,Wedding. Score. 4 pages. Garden Rose Music #3547915. ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.874147 Composed by Mary Rose Jensen. Christian,Sacred,Wedding. Score. 4 pages. Garden Rose Music #3547915. Published by Garden Rose Music (A0.874147). Vocal solo that's appropriate for a Christian wedding service. Lead sheet for singer is included. Range is an octave and a step (D to E). Lyrics follow. Accompaniment works for piano, organ (no pedal), keyboard or guitar. Lyrics follow.WEDDING PRAYERWords and music by Mary Rose Jensen Verse 1O God we pray that You would bless This couple as they join as one.Grant them Your grace as they seek You And hear them pray, Your will be done.Verse 2O God we ask that You would giveA married love both strong and pure.And faithfulness to vows they makeIn a commitment that is sure.BridgeO God remind them both to serve each otherAs they go through this life together.Give them the wisdom to forgiveAs You forgive our sins through Christ.Verse 3O God provide a peaceful homeGive them great joy in gifts from You.Affirm their hope in times of trialAnd keep their love forever new.Words and music © 2005 Garden Rose Music, This version © 2012 Garden Rose Music.P.O. Box 16040, Sugar Land, TX 77496 800 746-4476http://www.scoreexchange.com/profiles/maryrosejensen
$5.00
The Prayers of Hildegard von Bingen
The Prayers of Hildegard von Bingen
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Amy Dunker
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The Prayers of Hildegard von B
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Amy Dunker
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SheetMusicPlus
B-Flat Trumpet Solo - Level 4 - SKU: A0.1350857 Composed by Amy Dunker. 21st Century,Chamber,Classical,Early Music,Religious. Individual part. 6 pages. ...
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B-Flat Trumpet Solo - Level 4 - SKU: A0.1350857 Composed by Amy Dunker. 21st Century,Chamber,Classical,Early Music,Religious. Individual part. 6 pages. Amy Dunker #935685. Published by Amy Dunker (A0.1350857). The Prayers of Hildegard von Bingen uses the opening phrase O virtus Sapientiae (O Strength of Wisdom) from Hildegard's chant by the same name. The work is both part chant and part modern elaboration on the chant, making the work both Hildegard's and mine.  This includes two versions of the work. One in the original mode and one transposed a perfect fourth lower.Duration: 3:30Unaccompanied Flugelhornor Unaccompanied Trumpet.
$10.00
Abide in Christ
Abide in Christ
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Voix seule
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Minni K
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Abide in Christ
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Dr Minni Ang
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SheetMusicPlus
Vocal Solo,Voice - SKU: A0.793368 Composed by Minni K. Ang. Christian,Sacred,Spiritual. 3 pages. Dr Minni Ang #4758347. Published by Dr Minni Ang (A0.79...
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Vocal Solo,Voice - SKU: A0.793368 Composed by Minni K. Ang. Christian,Sacred,Spiritual. 3 pages. Dr Minni Ang #4758347. Published by Dr Minni Ang (A0.793368). Scripture Union Malaysia, camp theme song for 1991. Suitable for Christian prayer and exhortation.There are times dear Lord when I’ve promised you all that I haveStrived so hard to fill my vows, when failed I felt so very badBut now I know dear Lord I can’t depend on meAll my strength comes from You and You aloneI need to learn to lean on Jesus Christ my LordCHORUSAbide, abide in Christ, help me Lord to abide in YouAbide, abide in Christ, help me Lord to depend on YouHelp me Lord to abide in You (x2)Now I know dear Lord I’ve got to learn to spend more time with YouAt Your Feet, in Your Presence, help me Lord to commune with YouTo learn to love You Lord and rest in Your PeaceFill me now with Your Spirit Lord, I prayHelp me to abide in Jesus Christ each day(repeat chorus)Feed me now dear Lord with Your Word the Bread of LifeGrant me the wisdom to understand O LordGive me the thirst to seek for You each dayTo want to know You Lord, please draw me nearI can’t do it on my own, for You’re the VineHelp me cling to You Lord Jesus all the time(Repeat chorus)
$1.99
Canons for the Church Year, Set 3 (Downloadable Choral Score)
Canons for the Church Year, Set 3 (Downloadable Choral Score)
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Michael Burkhardt
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Canons for the Church Year, Se
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Unison voices, optional Orff instruments, and handbells - Moderately Easy - SKU: MQ.50-9810A-E Composed by Michael Burkhardt. Advent, All Saints/All Sou...
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Unison voices, optional Orff instruments, and handbells - Moderately Easy - SKU: MQ.50-9810A-E Composed by Michael Burkhardt. Advent, All Saints/All Souls, Christmas, Easter, Epiphany, Lent, Pentecost, Reformation. Instrument parts. 15 pages. MorningStar Music Publishers - Digital Sheet Music #50-9810A-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-9810A-E). Thirteen canons featuring material from several classical composers as well as traditional melodies that span the entire church year. Many of the canons have optional Orff instrument or handbell ostinato parts. Two editions are available. The Director's Edition contains extensive teaching suggestions as well as optional keyboard accompaniments. The Choral Score includes the canons and optional ostinato patterns.Title:AlleluiaBe Still, and KnowCome, FollowGlory to GodHail, True WisdomJust as a FatherO How Lovely Is the EveningSapientia verumSing and RejoiceSisters, BrothersSoul, Come Forth with Joy and GladnessThis Is the DayToday the Christ Is Born.
$1.90
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
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O Wisdom
