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Vous avez sélectionné:
Not Long Ago
Partitions à imprimer
391 partitions trouvées
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Not Long Ago
Not Long Ago
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Piano, Voix
#
Charles H
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Not Long Ago
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.5589 Composed by Charles H. Hopper. Portraits, Courtship, Love, Marriage. Lester S. Levy Collection. 4 pages. Published by Joh...
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Piano and voice - SKU: LV.5589 Composed by Charles H. Hopper. Portraits, Courtship, Love, Marriage. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5589). Not Long Ago. by Chas. H. Hopper. Published 1896 by Cruger Bros., 39 West 28th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Love, Marriage. First line reads A lad with wavy hair, not long ago.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.52€
Not So Long Ago
Not So Long Ago
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Ensemble Jazz
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Jazz
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John Philips
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2 in unison
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Not So Long Ago
#
John Philips Music Service
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947278 Composed by John Philips. Jazz. Score and parts. 18 pages. John Philips Music Service #3867729. Published b...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947278 Composed by John Philips. Jazz. Score and parts. 18 pages. John Philips Music Service #3867729. Published by John Philips Music Service (A0.947278). This is an alto sax feature ballad. The melody is full and rich and could make you think of Johnny Hodges. First bridge is alto 1 & 2 in unison...with solo alto out front and alto 2 in section it gets a nice echo effect--Last 8 back to alto 1 solo. First half of second chorus has a band within a band over background. Solo part has a few notes past an eighth.Last bridge trombones then alto solo last 8. Ending is very dramatic with some interesting alto work..the very last note is held over the band....like Harlem Nocturne. Not too fast.Don’t let the last note scare you, look at your fingering chart or play it 8va lower. If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00 ≈
13.83€
Long, Long Ago - Piano Solo (With Lyrics) - Early Intermediate
Long, Long Ago - Piano Solo (With Lyrics) - Early Intermediate
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Piano seul
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FACILE
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Thomas Haynes Bayly
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Dennis Ruello
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Long, Long Ago - Piano Solo
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Chicory Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.734317 Composed by Thomas Haynes Bayly (1833). Arranged by Dennis Ruello. Children,Folk,Instructional,Standards. S...
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Piano,Vocal,Voice - Level 2 - SKU: A0.734317 Composed by Thomas Haynes Bayly (1833). Arranged by Dennis Ruello. Children,Folk,Instructional,Standards. Score. 3 pages. Chicory Music #2912987. Published by Chicory Music (A0.734317). Long, Long Ago is a song dealing with nostalgia, written in 1833 by English composer Thomas Haynes Bayly. Originally called The Long Ago, its name was apparently changed by the editor Rufus Wilmot Griswold when it was first published, posthumously, in a Philadelphia magazine, along with a collection of other songs and poems by Bayly. The song was well received, and became one of the most popular songs in the United States in 1844. This piano arrangement (including lyrics), in the key of F, is written for students at the early intermediate level in the Big Note format. Performance time: Approx: 1:25 minutes.
$2.99 ≈
2.76€
Long Long Ago (Easy Piano Solo)
Long Long Ago (Easy Piano Solo)
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Piano seul
#
DÉBUTANT
#
Thomas Haynes Bayly
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Bobby Cyr - Piano Notion
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Long Long Ago
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Bobby Cyr
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.762706 Composed by Thomas Haynes Bayly. Arranged by Bobby Cyr - Piano Notion. Folk,World. Score. 2 pages. Bobby Cyr #5...
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Easy Piano - Level 1 - SKU: A0.762706 Composed by Thomas Haynes Bayly. Arranged by Bobby Cyr - Piano Notion. Folk,World. Score. 2 pages. Bobby Cyr #5334251. Published by Bobby Cyr (A0.762706). A simplified piano solo version that you can play. Arranged by Bobby Cyr - Piano Notion
$2.99 ≈
2.76€
Long, Long Ago, for Instrument and Piano
Long, Long Ago, for Instrument and Piano
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T
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Ifen Chuang, Chien-Ming Chen
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Long, Long Ago, for Instrument
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Dr. James Chen & Ifen Chuang
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Marimba,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,...
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Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Marimba,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin,Xylophone - Level 2 - SKU: A0.865078 Composed by T. H. Bayly. Arranged by Ifen Chuang, Chien-Ming Chen. Children,Folk. 9 pages. Dr. James Chen & Ifen Chuang #38347. Published by Dr. James Chen & Ifen Chuang (A0.865078). This lovely tune for kid has a different arrangement, not just for kids but also for the kids with great performance ability. There are two sections of the arrangement. With learning for a short period of time, the students can play the melody easily. The second part has more techinical development. Those students can move fingers fast and great musicality can manage the second portion with more practice. However, it's not bad to just perform two times in a roll. The arrangement has different parts for any other instruments. With five differents parts, any instrument player can pick up and play. No matter of what instrument you play, each part is fit for practice. When performing with the piano, just follow the part for your instrument, then you are ready to perform. The parts are transposed for C instruments(violin, flute, oboe....), F instruments(French Horn....), bB instruments(clarinet, trumpet, sop Saxophone...), bE instruments(alto Saxophone...), and C instrument with Bass clef(Cello....).
$5.99 ≈
5.52€
Long Ago (and Far Away)
Long Ago (and Far Away)
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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101 String Orchestra
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Volker Coutandin
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Long Ago
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Volker Coutandin
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1182910 By 101 String Orchestra. By Ira Gershwin and Jerome Kern. Arranged by Volker Coutandin. Jazz,Standa...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1182910 By 101 String Orchestra. By Ira Gershwin and Jerome Kern. Arranged by Volker Coutandin. Jazz,Standards. Score. 3 pages. Volker Coutandin #782659. Published by Volker Coutandin (A0.1182910). Long ago and far away, another lovely, altough a little bit melancholy song from the Great American Songbook. This arrangement consists of two parts: The first chorus in F major is in slowly two, melody with chords. In the second chorus in G major is a medium swing in four.
$4.99 ≈
4.60€
Wagon Wheel
Wagon Wheel
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Guitare notes et tablatures
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Folklorique/Traditionel
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Darius Rucker
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Wagon Wheel
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Hal Leonard - Digital
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SheetMusicPlus
By Darius Rucker. Folk. Guitar Tab Play-Along. 9 pages. Published by Hal Leonard - Digital...
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By Darius Rucker. Folk. Guitar Tab Play-Along. 9 pages. Published by Hal Leonard - Digital
$4.99 ≈
4.60€
Long, Long Ago
Long, Long Ago
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Piano, Voix
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FACILE
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Paul M Harvey and Stuart Brown
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Stuart Brown
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Long, Long Ago
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Stuart Brown Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1273678 By Paul M Harvey and Stuart Brown. By Paul M Harvey. Arranged by Stuart Brown. Advent,Celtic,Christian,Chr...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1273678 By Paul M Harvey and Stuart Brown. By Paul M Harvey. Arranged by Stuart Brown. Advent,Celtic,Christian,Christmas,Irish,Religious. Score. 16 pages. Stuart Brown Music #865822. Published by Stuart Brown Music (A0.1273678). A beautiful, lilting and easily singable song for Christmas, telling the Christmas story in a way that is both appealing and Bible-based. The sheet music here provides the piano accompaniment that forms that basis of the band arrangement featured in the mp3 and the video. The band arrangement is available separately as a backing track, in high-quality stereo mp3 format, item 865918.The singer, Paul M Harvey, and the arranger, Stuart Brown, have known one another for many years. They are both Christians and involved actively in Christian work. The instrumental backing is interesting in that it features an Irish Bodhrán drum and a Romanian concert grand cimbalom, emblematic of the relevance of the Gospel to people everywhere.
$2.50 ≈
2.31€
Long Long Ago - in F for flexible ensemble
Long Long Ago - in F for flexible ensemble
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Thomas Haynes Bayly
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David Woodcock
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Long Long Ago - in F for flexi
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 1 - SKU: A0.1394027 Composed by Thomas Ha...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 1 - SKU: A0.1394027 Composed by Thomas Haynes Bayly. Arranged by David Woodcock. 19th Century,Instructional. 40 pages. David Woodcock #977483. Published by David Woodcock (A0.1394027). This is an arrangement of the famous melody, scored for flexible ensemble in F. It is also available in C. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$10.00 ≈
9.22€
Long Long Ago - in C for flexible ensemble
Long Long Ago - in C for flexible ensemble
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Thomas Haynes Bailey
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David Woodcock
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Long Long Ago - in C for flexi
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 1 - SKU: A0.1394025 Composed by Thomas Ha...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 1 - SKU: A0.1394025 Composed by Thomas Haynes Bailey. Arranged by David Woodcock. 19th Century,Instructional. 40 pages. David Woodcock #977481. Published by David Woodcock (A0.1394025). This is an arrangement of the famous melody, scored for flexible ensemble in C. It is also available in F. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$10.00 ≈
9.22€
VALS FRÅN DREFVIKEN
VALS FRÅN DREFVIKEN
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Lars Ek
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VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.84€
LÄTTA FINGRAR
LÄTTA FINGRAR
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Lars Ek
#
LÄTTA FINGRAR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.84€
FORNUDDSVALSEN
FORNUDDSVALSEN
#
Lars Ek
#
FORNUDDSVALSEN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.84€
LOVELY THOUGHTS
LOVELY THOUGHTS
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Lars Ek
#
LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.84€
SNÖKÄNGAN
SNÖKÄNGAN
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Lars Ek
#
SNÖKÄNGAN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.84€
Long Ago (and Far Away)
Long Ago (and Far Away)
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Piano, Voix
#
INTERMÉDIAIRE
#
Contemporain
#
Jerome Kern
#
Dave Gingras, John E
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Long Ago
#
DAVID LEE GINGRAS
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.794010 Composed by Jerome Kern. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.794010 Composed by Jerome Kern. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #4792929. Published by DAVID LEE GINGRAS (A0.794010). A contemporary arrangement of a classic song from the 1944 movie Cover Girl starring Rita Hayworth and Gene Kelly. The song was sung by Rita Hayworth in the movie (dubbed by Martha Mears). This version features a root-based chord-blocking method that John and I have used in a number of our arrangements. This one is not too hard and sounds great!
$4.99 ≈
4.60€
FAR AWAY AND LONG AGO
FAR AWAY AND LONG AGO
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Piano, Voix et Guitare
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INTERMÉDIAIRE
#
David Holmes
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TIM C DORAN
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FAR AWAY AND LONG AGO
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Creative Horizons Music Publishers
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1231135 By David Holmes. By MICHAEL L. RICCIARDI AND EDDY MAGEE CLEMENT. Arranged by TIM C DORAN. 20th Cent...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1231135 By David Holmes. By MICHAEL L. RICCIARDI AND EDDY MAGEE CLEMENT. Arranged by TIM C DORAN. 20th Century,Christmas,Holiday. Score. 6 pages. Creative Horizons Music Publishers (ASCAP) #826820. Published by Creative Horizons Music Publishers (ASCAP) (A0.1231135). FROM THE CHRISTMAS MUSICAL STAGE PRODUCTION THE INVITATION HERE IS A TENDER BALLAD ABOUT MOVING FORWARD IN LIFE AND NOT LOOKING BACK AT OUR MISTAKES AND FOLLIES, SIMPLE, SWEET AND TENDER SUNG BY THE LEAD CHARACTER. HAS BEEN PERFORMED ON STAGE AND RADIO BROADCAST. WRITTEN FOR A MALE BASS SINGER
$4.95 ≈
4.57€
There Was a Princess Long Ago Beginner Piano Sheet Music with Colored Notation
There Was a Princess Long Ago Beginner Piano with Colored Notation
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Piano Facile
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DÉBUTANT
#
Traditional Children's Song
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SilverTonalities
#
There Was a Princess Long Ago
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SilverTonalities
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1263940 Composed by Traditional Children's Song. Arranged by SilverTonalities. Children,Instructional. Score. 4 pages. Si...
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Easy Piano - Level 1 - SKU: A0.1263940 Composed by Traditional Children's Song. Arranged by SilverTonalities. Children,Instructional. Score. 4 pages. SilverTonalities #856845. Published by SilverTonalities (A0.1263940). Traditional Children's Song for Beginner PianoA SilverTonalities Arrangement!With Colored Notation to enable Beginner Pianists to read Music quickly and accurately!
$2.99 ≈
2.76€
8. Long Ago
8. Long Ago
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Piano seul
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FACILE
#
Contemporain
#
Michael Kositsky
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8. Long Ago
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Michael Kositsky
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1009700 Composed by Michael Kositsky. Contemporary. Score. 3 pages. Michael Kositsky #2864935. Published by Michael Kosit...
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Piano Solo - Level 2 - SKU: A0.1009700 Composed by Michael Kositsky. Contemporary. Score. 3 pages. Michael Kositsky #2864935. Published by Michael Kositsky (A0.1009700). This is the eighth short piano piece from a collection of thirteen entitled Whimsical Notions.
$2.00 ≈
1.84€
Auld Lang Syne - Classical Guitar
Auld Lang Syne - Classical Guitar
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Guitare notes et tablatures
#
INTERMÉDIAIRE
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Ron k Wiggins
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Ron k Wiggins
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Auld Lang Syne - Classical Gui
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WigMusic
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1254160 By Ron k Wiggins. By Traditional melody circa 1799. Lyrics by Robert Burns 1788. Arranged by Ron k Wiggins. Christmas...
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Guitar - Level 3 - SKU: A0.1254160 By Ron k Wiggins. By Traditional melody circa 1799. Lyrics by Robert Burns 1788. Arranged by Ron k Wiggins. Christmas,Classical,Holiday,Traditional. Guitar Tab. 2 pages. WigMusic #847671. Published by WigMusic (A0.1254160). Traditional Christmas and New Years Eve song. Title may be translated as Long Long Ago.This is a Classical Guitar arrangement of intermediate level difficulty.  It is first played in an unusual style in the key of G with melody in the bass and harmonized with arpeggios that make use of open strings all up the neck. The melody is then repeated with a more conventional chord melody type arrangement in the key of C.
$1.99 ≈
1.84€
Auld Lang Syne - For Guitar TAB
Auld Lang Syne - For Guitar TAB
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Guitare notes et tablatures
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FACILE
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Martin Hay
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Martin Hay
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Auld Lang Syne - For Guitar TA
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Martin Hay
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1188650 By Martin Hay. By Traditional. Arranged by Martin Hay. Celtic,Early Music,Folk,Irish,Multicultural,Traditional,World....
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Guitar - Level 2 - SKU: A0.1188650 By Martin Hay. By Traditional. Arranged by Martin Hay. Celtic,Early Music,Folk,Irish,Multicultural,Traditional,World. Guitar Tab. 2 pages. Martin Hay #788258. Published by Martin Hay (A0.1188650). Auld Lang Syne is a Scottish poem written by Robert Burns in 1788, which has since become a popular song played on New Year's Eve and other special occasions. The lyrics evoke a sense of nostalgia and reflect on the importance of old friendships and memories. The phrase auld lang syne translates to old long since in English, which means long ago or days gone by. The song's message encourages people to cherish their relationships and remember the good times they've shared, while looking forward to the future with hope and optimism.
$2.99 ≈
2.76€
Long, Long Ago- for 2 Octave Bell Choir
Long, Long Ago- for 2 Octave Bell Choir
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Cloches
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DÉBUTANT
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Thomas Haynes Bayly
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John Wernega
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Long, Long Ago- for 2 Octave B
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John Wernega
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SheetMusicPlus
Handbell - Level 1 - SKU: A0.1049642 Composed by Thomas Haynes Bayly. Arranged by John Wernega. Folk,Instructional,Traditional. Score. 1 pages. John Wer...
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Handbell - Level 1 - SKU: A0.1049642 Composed by Thomas Haynes Bayly. Arranged by John Wernega. Folk,Instructional,Traditional. Score. 1 pages. John Wernega #654022. Published by John Wernega (A0.1049642). Here is an opportunity for your young ringers to play an arrangement completely written on treble clef! There are two distinct, independent contrapuntal lines, depicted with stems-up and stems-down. This is great for inexperienced young ringers because they are playing harmonies without all the confusion of finding their notes on the page. I premiered this arrangement with my third grade bell choir, so this is tried and tested. Your young ringers will really enjoy the experience of playing this arrangement.
$1.99 ≈
1.84€
Long Ago (And Far Away) (from Cover Girl)
Long Ago (And Far Away) (from Cover Girl)
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Piano grosses notes
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DÉBUTANT
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Long Ago
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.456719 Jazz,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.456719). About Hal Leonard E-Z ...
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SKU: HX.456719 Jazz,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.456719). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.76€
Long Ago, Prophets Knew (On This Day Earth Shall Ring)
Long Ago, Prophets Knew (On This Day Earth Shall Ring)
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Cloches
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DÉBUTANT
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Linda R
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Long Ago, Prophets Knew
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Chorister's Guild - Digital
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SheetMusicPlus
2 or 3 octaves handbells - Level 1 - SKU: C7.CGB808 Composed by Linda R. Lamb. Advent, Christmas. Score. 4 pages. Chorister's Guild - Digital #CGB808. P...
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2 or 3 octaves handbells - Level 1 - SKU: C7.CGB808 Composed by Linda R. Lamb. Advent, Christmas. Score. 4 pages. Chorister's Guild - Digital #CGB808. Published by Chorister's Guild - Digital (C7.CGB808). UPC: 749193018873.Composed for the 2012 International Handbell Symposium in Liverpool, England, this work is based on the tune Liverpool written by John Roberts (1822-1877). Heard throughout is a contrasting motif formed by spelling the word LIVERPOOL in musical notes. Several stately treatments of the tune are followed by a toccata-like section where all ringers have active, challenging roles to play. The final verse includes lyrics added by Fred Gramann that speak of the various roles played by bells and their power to bring unity. This can be sung by the ringers if desired and/or can be printed for the listeners so they can participate.
$3.95 ≈
3.64€
If Not Now, When?
If Not Now, When?
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Contemporain
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pa...
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00 ≈
23.06€
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