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Concerto
Concerto
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Piano et Orchestre
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Gyorgy Ligeti
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Concerto
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
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Organ - SKU: S9.Q41353 Composed by Ivana Loudova. Downloadable. Schott Music - Digital #Q41353. Published by Schott Music - Digital (S9.Q41353). Germ...
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Organ - SKU: S9.Q41353 Composed by Ivana Loudova. Downloadable. Schott Music - Digital #Q41353. Published by Schott Music - Digital (S9.Q41353). German • English.
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4.64€
Virginia Washington Monument. Grand March
Virginia Washington Monument. Grand March
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Piano seul
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James E
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James E
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Virginia Washington Monument.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.18036 Composed by James E. Magruder. Monuments & Memorials. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sh...
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Piano - SKU: LV.18036 Composed by James E. Magruder. Monuments & Memorials. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18036). Virginia Washington Monument. Grand March. By James E. Magruder. Published 1858 by Miller & Beacham in Baltimore. Composition of da capo, with trio with piano instrumentation. Subject headings for this piece include Monuments & Memorials. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.56€
Virginia Washington Monument. Grand March
Virginia Washington Monument. Grand March
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Piano seul
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James E
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James E
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Virginia Washington Monument.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.17858 Composed by James E. Magruder. Monuments & Memorials. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sh...
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Piano - SKU: LV.17858 Composed by James E. Magruder. Monuments & Memorials. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17858). Virginia Washington Monument. Grand March. By James E. Magruder. Published 1858 by Miller & Beacham in Baltimore. Composition of da capo, with trio with piano instrumentation. Subject headings for this piece include Monuments & Memorials. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.56€
The Lute Music of Robert Johnson
The Lute Music of Robert Johnson
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Guitare
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Renaissance
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The Lute Music of Robert Johns
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Lute - Multiple Levels - Artist Specific. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30864EB. Published by Mel Bay Publications -...
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Lute - Multiple Levels - Artist Specific. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30864EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459882. 8.75 x 11.75 inches.
Robert Johnson (c. 1583 1633) was the last of the great English lutenists; he served Prince Henry and was later a prominent figure in the court of Charles I. He wrote music for many plays and masques of the time, including several by Shakespeare. Decades after Johnsons death, in a Dialogue between the Author and His Lute within Musicks Monument and the persona of the Lute, writer and lutenist Thomas Mace described John Dowland and Robert Johnson as Two famous men; Great Masters in My Art. Despite such high praise and the fact that much of Johnsons music is well-suited to the guitar, few guitarists play it. This comprehensive collection of solo lute works, transcribed for guitar in standard notation, is an attempt to remedy this shortcoming. It includes music for the beginner as well as the advanced player. The books 23 pieces range from Johnsons delightful almains, galliards, masques and a single coranto to the somber intensity of the pavans and a fantasie. Dropped-D and lowered third-string tuning (F#) are frequently used to better approximate the tuning and range of the 9 or 10-course Renaissance lute.
$9.99 ≈
9.28€
Complete Organ Works
Complete Organ Works
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Orgue
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INTERMÉDIAIRE
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Classique
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Complete Organ Works
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate - Motet Intabulations. Composed by Heinrich Scheidemann (1595-1663). This edition: Sheet music. Masters of the North German Sch...
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Organ - intermediate - Motet Intabulations. Composed by Heinrich Scheidemann (1595-1663). This edition: Sheet music. Masters of the North German School for Organ. Downloadable. Op. 4. Schott Music - Digital #Q47853. Published by Schott Music - Digital
The present volume of 12 Motet Intabulations complements the 3 volumes .already published .with organ music by Heinrich Scheidemann (around 1595-1663), so that the complete organ oeuvre of the organist from Hamburg is now available in a modern editorial standard. From 1611-1614 Scheidemann studied with Jan Pieterszoon Sweelinck in Amsterdam and from 1629 worked as an organist at St. Catherine's in Hamburg for about three and a half decades. He amalgamated the style of his teacher with North German tradition and is thus regarded as co-founder of the North German Organ School. For a long time, the skill to transfer vocal compositions into finger notation had been one of the main demands on a competently trained organist. At the beginning of the 17th century, however, the rather technical 'intabulation practice' faded into the background in favour of innovative forms of arrangement of the sacred cantus firmi. To Scheidemann belongs the credit for helping the genre tradition, which had unmistakably been in decline, to experience a late revival with his Motet Intabulations and for virtually erecting a glorious monument of excellent artistic quality to this type of composition &ndash. an important document in the history of organ music, and an interesting addition to the organ repertoire.
$28.99 ≈
26.93€
Monumentum 1914
Monumentum 1914
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Orgue
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Enjott Schneider
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Monumentum 1914
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate to advanced - SKU: S9.Q21545 Triptych for Organ. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Dura...
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Organ - intermediate to advanced - SKU: S9.Q21545 Triptych for Organ. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q21545. Published by Schott Music - Digital (S9.Q21545). Das in einem Guss zu spielende Triptychon ist thematisch auf einem Motiv in freischwebender Tonalität aufgebaut. Der Mittelteil ist extrem schnell zu spielen. Umso mehr heben sich davon die sensibel registrierten Klänge des Schlussteils ab.
$13.99 ≈
13.00€
Monument and Reflections for flute and piano
Monument and Reflections for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Philip Goddard
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Monument and Reflections for f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1243586 Composed by Philip Goddard. 21st Century,Classical,Contemporary. Score and part. 51 pages. Musik Fabrik Music Pu...
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Flute,Piano - Level 4 - SKU: A0.1243586 Composed by Philip Goddard. 21st Century,Classical,Contemporary. Score and part. 51 pages. Musik Fabrik Music Publishing #838552. Published by Musik Fabrik Music Publishing (A0.1243586). The initial version of the material that become the composer's third symphony. A momnumental and metaphysical work by the noted English composer.
$38.95 ≈
36.18€
The Complete Chopin Mazurkas
The Complete Chopin Mazurkas
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Guitare
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Classique
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Stephen Aron
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The Complete Chopin Mazurkas
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (classical and lute) - Intermediate - Digital Download Fifty-one Mazurkas Newly Arranged for Solo Guitar. Composed by Stephen Aron. Solos. Sty...
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Guitar (classical and lute) - Intermediate - Digital Download Fifty-one Mazurkas Newly Arranged for Solo Guitar. Composed by Stephen Aron. Solos. Style. E-book and online audio. 256 pages. Mel Bay Publications - Digital Sheet Music #98411MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742898.
This collection presents, for the first time, the complete Mazurkas of Frederic Chopin arranged for solo classical guitar. The Mazurka is the only form the composer embraced throughout his lifetime. The distinctive and personal pieces are unimaginably varied and colorful, ranging from brief and vigorous dances to deep and complex extended works. Always achingly melodic and featuring surprising harmonies not evident in his other compositions, the Mazurkas are a true monument to Chopin's genius. These new arrangements were prepared with rigorous fidelity to the originals, while never sacrificing true playability. Careful attention to every detail of execution combined with thorough notes on each piece and the folk dance tradition that inspired them to make this unique offering truly user-friendly. Musically beautiful, idiomatic and accessible, this monumental collection is a breathtaking addition to the guitar repertoire. Written in standard notation only. Includes access to online audio.
$27.99 ≈
26.00€
the MUMMY by Goldsmith
the MUMMY by Goldsmith
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Alessandro Macrì
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the MUMMY by Goldsmith
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SheetMusicPlus
Arranged by Alessandro Macrì. Individual Part, Score, Set of Parts. 14 pages. Published by Music Macri Editions...
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Arranged by Alessandro Macrì. Individual Part, Score, Set of Parts. 14 pages. Published by Music Macri Editions
La spettacolare colonna sonora di Jerry Goldsmith finalmente in una versione per Brass Quintet.
Il reboot di successo del 1999 della famosa serie degli anni '30 e 40' che inzi con Boris Karloff nel 1931. Regia di Stephen Sommers con Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo, Johanthan Hyde, Ken J. O'Connor. Produttore esecutivo Kevin Jarre, Sommers l'autore anche di storia e sceneggiatura. Spesso al centro dell'attenzione la monumentale colonna sonora da 91 minuti di Jerry Goldsmith che fa utilizzo di una grande orchestra e coro, tra i pi grandi da lui diretti al fine della sua carriera. Ci sono molti temi, brani d'azione in abbondanza. Per la felicit dei fan di Goldsmith ovunque il popolare compositore compie un ritorno alla sua tradizione ritmica con enfasi su ostinati orchestrali aggressivi dominati da vere percussioni, ottoni bassi ed archi.
$13.00 ≈
12.08€
The Complete Anthology of Lute Music from Musick's Monument
The Complete Anthology of Lute Music from Musick's Monument
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Guitare
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AVANCÉ
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Classique
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Thomas Mace
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The Complete Anthology of Lute
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Thomas Mace (1612-1706). For Guitar (Classical). Early Music/Renaissance. 64 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Thomas Mace (1612-1706). For Guitar (Classical). Early Music/Renaissance. 64 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743734. The first complete anthology of lute music contained within Thomas Mace's historic treatise Musick's Monument (1676), transcribed and edited for classical guitar by Andrew Shepard-Smith. An exquisite and intriguing collection of early English Baroque lute music containing twelve preludes, eight complete lute suites, transcription notes, and a detailed table of ornaments (as outlined in Musick's Monument). Originally written as a pedagogical text for lute and theorbo, Mace's lute music contains wonderful insights into the performance practice of the time. A very valuable addition both the performance repertoire and to the guitar reference literature. Staff notation; moderate to advanced.
$17.99 ≈
16.71€
Mosaical volumi 1 string quartet - film music
Mosaical volumi 1 string quartet - film music
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Aleksander Peci
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Aleksander Peci
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Mosaical volumi 1 string quart
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Aleksander Peci
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1003042 Composed by Aleksander Peci. Arranged by Aleksander Peci. Contemporary. Score and parts. 60 pa...
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String Quartet String Quartet - Level 3 - SKU: A0.1003042 Composed by Aleksander Peci. Arranged by Aleksander Peci. Contemporary. Score and parts. 60 pages. Aleksander Peci #13757. Published by Aleksander Peci (A0.1003042). Peçi Monumenti fragment de film http://www.youtube.com/watch?v=gbtHbbzYasc&list=PLA95CF2B2E5665287&index=16&feature=plpp_video Aleksander Peçi Women without wings string Sofia soloists due teme film music lauerato e Texas Fest e Gifoni Fest Salerno Italia http://www.youtube.com/watch?v=H5TTEaSin_I Aleksander Peçi Pizzicatio Kur xhirohej https://www.youtube.com/watch?v=2mZuLLajdeA&list=PLA95CF2B2E5665287&index=70&feature=plpp_video Aleksander Peçi Monumenti string quartet https://www.youtube.com/watch?v=gbtHbbzYasc&list=PLA95CF2B2E5665287&index=16&feature=plpp_video Aleksander Peçi Dea string quartet https://www.youtube.com/watch?v=6SotBxWfm7c&list=PLA95CF2B2E5665287&index=17&feature=plpp_video.
$99.00 ≈
91.96€
Maria, Quid Ploras ad Monumentum
Maria, Quid Ploras ad Monumentum
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Claudio Monteverdi
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Angelo Manzo
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Maria, Quid Ploras ad Monument
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba ensemble (2 euphoniums and 3 tubas) SKU: TE.TEP10613 Composed by Claudio Monteverdi. Arranged by Angelo Manzo. Large ensemble music. Score and parts...
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Tuba ensemble (2 euphoniums and 3 tubas) SKU: TE.TEP10613 Composed by Claudio Monteverdi. Arranged by Angelo Manzo. Large ensemble music. Score and parts. Published by Tuba-Euphonium Press (TE.TEP10613).
$18.00 ≈
16.72€
Wachet Auf (Classical Music for Tablet Series)
Wachet Auf (Classical Music for Tablet Series)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Stephen R Dalrymple
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Edited by Stephen R
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Wachet Auf
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.818280 By Stephen R Dalrymple. By Johann Sebastian Bach (piano transcription by Busoni). Arranged by Edited by Stephen R....
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Piano Solo - Level 4 - SKU: A0.818280 By Stephen R Dalrymple. By Johann Sebastian Bach (piano transcription by Busoni). Arranged by Edited by Stephen R. Dalrymple (Dalrymple Designs). Baroque,Sacred. Score. 14 pages. Stephen R Dalrymple #4898545. Published by Stephen R Dalrymple (A0.818280). Wachet auf, ruft uns die Stimme (Awake, the Voice commands) by JS Bach BWV 645 from Cantata BWV 140 - choral prelude for pipe organ by Johann Sebastian Bach (from Das Orgelbuchlein 1713-17) from Ten Chorale-Preludes “Transcribed for the piano in chamber style†by Ferruccio Busoni (between 1907-1909) ♫ Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. ♫ From an early age, Busoni was an outstanding if sometimes controversial pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. ♫ He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal melodies which were reflected in some of his works. His compositions include works for piano, among them a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian Bach … (condensed from Wikipedia October 2022) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.71€
Nun komm der Heiden Heiland (Classical Music for Tablet Series)
Nun komm der Heiden Heiland (Classical Music for Tablet Series)
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Stephen R Dalrymple
#
Nun komm der Heiden Heiland
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.818289 By Stephen R Dalrymple. By Composer – Johann Sebastian Bach (piano transcription by Busoni). Arranged by ed...
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Piano Solo - Level 4 - SKU: A0.818289 By Stephen R Dalrymple. By Composer – Johann Sebastian Bach (piano transcription by Busoni). Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Baroque,Christmas. Score. 13 pages. Stephen R Dalrymple #4985125. Published by Stephen R Dalrymple (A0.818289). ♫ Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. ♫ From an early age, Busoni was an outstanding if sometimes controversial pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. ♫ He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal melodies which were reflected in some of his works. His compositions include works for piano, among them a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian Bach … (condensed from Wikipedia October 2022) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.71€
In dir ist freude (Classical Music for Tablet Series)
In dir ist freude (Classical Music for Tablet Series)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Stephen R Dalrymple
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In dir ist freude
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.818307 By Stephen R Dalrymple. By Johann Sebastian Bach (Busoni transcription). Arranged by edited by Stephen R Dalrymple...
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Piano Solo - Level 4 - SKU: A0.818307 By Stephen R Dalrymple. By Johann Sebastian Bach (Busoni transcription). Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Baroque. Score. 15 pages. Stephen R Dalrymple #5322405. Published by Stephen R Dalrymple (A0.818307). In dir ist Freude (In You is Joy) choral prelude for pipe organ by Johann Sebastian Bach (from Das Orgelbuchlein 1713-17) from Ten Chorale-Preludes “Transcribed for the piano in chamber style†by Ferruccio Busoni (between 1907-1909) ♫ Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. ♫ From an early age, Busoni was an outstanding if sometimes controversial pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. ♫ He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal melodies which were reflected in some of his works. His compositions include works for piano, among them a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian Bach … (condensed from Wikipedia October 2022) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.71€
Chromatic Fantasia and Fugue in D Minor BWV 903 by J. S. Bach
Chromatic Fantasia and Fugue in D Minor BWV 903 by J. S. Bach
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Chromatic Fantasia and Fugue i
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30631EB. Published by Mel Bay Publica...
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Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30631EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118249.
Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its own era.Nestor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the workas sonority, and the 6th string of the guitar had to be lowered to D to expand the guitaras range and adhere to the original key.The articulation of the piece often requires the use of the slur technique to maintain and enhance the legato effect in the melodic line. As the guitar has a more percussive character than the harpsichord, various inconveniences occur in the management or execution of the legato, but the transcriber has done his best to preserve the character of the original piece.Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bachas intentions and avoid shortcuts and aberrations which would have depleted the original harmonies and melodies. In the process, he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original score mandates.Written in standard notation only, with each line of music forming only one measure, this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musical benefits.
$9.99 ≈
9.28€
Celtic Guitar Treasures
Celtic Guitar Treasures
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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El Mcmeen
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Celtic Guitar Treasures
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by El Mcmeen. Solos. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30765MEB. Published by Mel Bay Publications ...
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Composed by El Mcmeen. Solos. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30765MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118690.
El McMeen has painstakingly compiled and presented a stunning collection of fingerstyle guitar arrangements of his favorite Celtic songs, airs, and dance tunes from his 30 years of recording. These gems of the repertoire range from aching laments and gorgeous songs to lively dance tunes. 27 pieces are included in this monumental folio. A 77-minute recording of the tunes is available for download to help the reader access and enjoy the magical CGDGAD guitar tuning. Includes access to online audio.
$19.99 ≈
18.57€
Colonial Song
Colonial Song
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Orgue
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George Percy Aldridge Grainger
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Colonial Song
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Schott Music - Digital
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SheetMusicPlus
Organ - SKU: S9.Q6328 Composed by George Percy Aldridge Grainger. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q...
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Organ - SKU: S9.Q6328 Composed by George Percy Aldridge Grainger. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q6328. Published by Schott Music - Digital (S9.Q6328). In Percy Aldridge Graingers Stück Colonial Song wird ein berühmtes Volkslied opulent in Szene gesetzt. Eine große, weit geschwungene Melodie erhebt sich zum Himmel und reißt den Zuhörer mit. Immer neue Steigerungen werfen ein monumentales musikalisches Gebirge auf, neben dem das gesprochene Wort verblasst. Eine Musik die gleichzeitig prächtig und innig, eben zu Herzen gehend ist. Man bekommt eine Gänsehaut, wenn man sie hört.
$7.99 ≈
7.42€
The Swords of Stavanger: (wp) E-flat Contrabass Clarinet
The Swords of Stavanger: (wp) E-flat Contrabass Clarinet
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Orchestre d'harmonie
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Methodes
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Robert Sheldon
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The Swords of Stavanger:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001807_WPECBC (wp) E-flat Contrabass Clarinet. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfr...
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Concert Band - SKU: AX.00-PC-0001807_WPECBC (wp) E-flat Contrabass Clarinet. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001807_wpECBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001807_WPECBC). UPC: 038081349572.The unification of the Viking tribes is of great significance to the people living in the southwest region of Norway. The International School of Stavanger lies only one kilometer from a small fjord called Hafrsfjord where a monument, Swords in Stone, was constructed consisting of three large bronze swords stuck in an outcropping on the shore. The monument commemorates a battle which unified the Viking tribes of Norway under one king, Harald HAY=rfagre, or Harald the Fairhaired. According to legend, in 872 Harald invited the other tribal leaders to a meeting, then had his boats cut off their retreat and they battled until the other leaders submitted to Harald's rule. Harald then became the first king of Norway. The Swords of Stavanger seeks to provide a musical backdrop to this legend of Viking heroism and conquest. This title is available in SmartMusic.Concert/Contest.
$3.00 ≈
2.79€
The Swords of Stavanger: (wp) E-flat Tuba B.C.
The Swords of Stavanger: (wp) E-flat Tuba B.C.
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Orchestre d'harmonie
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Methodes
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Robert Sheldon
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The Swords of Stavanger:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001807_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0001807_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001807_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001807_WPTBEBC). UPC: 038081349572.The unification of the Viking tribes is of great significance to the people living in the southwest region of Norway. The International School of Stavanger lies only one kilometer from a small fjord called Hafrsfjord where a monument, Swords in Stone, was constructed consisting of three large bronze swords stuck in an outcropping on the shore. The monument commemorates a battle which unified the Viking tribes of Norway under one king, Harald HAY=rfagre, or Harald the Fairhaired. According to legend, in 872 Harald invited the other tribal leaders to a meeting, then had his boats cut off their retreat and they battled until the other leaders submitted to Harald's rule. Harald then became the first king of Norway. The Swords of Stavanger seeks to provide a musical backdrop to this legend of Viking heroism and conquest. This title is available in SmartMusic.Concert/Contest.
$3.00 ≈
2.79€
The Swords of Stavanger: (wp) 2nd B-flat Trombone B.C.
The Swords of Stavanger: (wp) 2nd B-flat Trombone B.C.
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Orchestre d'harmonie
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Methodes
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Robert Sheldon
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The Swords of Stavanger:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001807_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfre...
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Concert Band - SKU: AX.00-PC-0001807_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001807_wpTN2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001807_WPTN2BC). UPC: 038081349572.The unification of the Viking tribes is of great significance to the people living in the southwest region of Norway. The International School of Stavanger lies only one kilometer from a small fjord called Hafrsfjord where a monument, Swords in Stone, was constructed consisting of three large bronze swords stuck in an outcropping on the shore. The monument commemorates a battle which unified the Viking tribes of Norway under one king, Harald HAY=rfagre, or Harald the Fairhaired. According to legend, in 872 Harald invited the other tribal leaders to a meeting, then had his boats cut off their retreat and they battled until the other leaders submitted to Harald's rule. Harald then became the first king of Norway. The Swords of Stavanger seeks to provide a musical backdrop to this legend of Viking heroism and conquest. This title is available in SmartMusic.Concert/Contest.
$3.00 ≈
2.79€
The Swords of Stavanger: (wp) 1st Horn in E-flat
The Swords of Stavanger: (wp) 1st Horn in E-flat
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Orchestre d'harmonie
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Methodes
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Robert Sheldon
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The Swords of Stavanger:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001807_WPEH1 (wp) 1st Horn in E-flat. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0001807_WPEH1 (wp) 1st Horn in E-flat. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001807_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001807_WPEH1). UPC: 038081349572.The unification of the Viking tribes is of great significance to the people living in the southwest region of Norway. The International School of Stavanger lies only one kilometer from a small fjord called Hafrsfjord where a monument, Swords in Stone, was constructed consisting of three large bronze swords stuck in an outcropping on the shore. The monument commemorates a battle which unified the Viking tribes of Norway under one king, Harald HAY=rfagre, or Harald the Fairhaired. According to legend, in 872 Harald invited the other tribal leaders to a meeting, then had his boats cut off their retreat and they battled until the other leaders submitted to Harald's rule. Harald then became the first king of Norway. The Swords of Stavanger seeks to provide a musical backdrop to this legend of Viking heroism and conquest. This title is available in SmartMusic.Concert/Contest.
$3.00 ≈
2.79€
The Swords of Stavanger: (wp) B-flat Tuba B.C.
The Swords of Stavanger: (wp) B-flat Tuba B.C.
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Orchestre d'harmonie
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Methodes
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Robert Sheldon
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The Swords of Stavanger:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001807_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0001807_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001807_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001807_WPTBBBC). UPC: 038081349572.The unification of the Viking tribes is of great significance to the people living in the southwest region of Norway. The International School of Stavanger lies only one kilometer from a small fjord called Hafrsfjord where a monument, Swords in Stone, was constructed consisting of three large bronze swords stuck in an outcropping on the shore. The monument commemorates a battle which unified the Viking tribes of Norway under one king, Harald HAY=rfagre, or Harald the Fairhaired. According to legend, in 872 Harald invited the other tribal leaders to a meeting, then had his boats cut off their retreat and they battled until the other leaders submitted to Harald's rule. Harald then became the first king of Norway. The Swords of Stavanger seeks to provide a musical backdrop to this legend of Viking heroism and conquest. This title is available in SmartMusic.Concert/Contest.
$3.00 ≈
2.79€
The Swords of Stavanger: (wp) B-flat Baritone B.C.
The Swords of Stavanger: (wp) B-flat Baritone B.C.
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Orchestre d'harmonie
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Methodes
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Robert Sheldon
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The Swords of Stavanger:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001807_WPBBBC (wp) B-flat Baritone B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Mus...
(+)
Concert Band - SKU: AX.00-PC-0001807_WPBBBC (wp) B-flat Baritone B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001807_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001807_WPBBBC). UPC: 038081349572.The unification of the Viking tribes is of great significance to the people living in the southwest region of Norway. The International School of Stavanger lies only one kilometer from a small fjord called Hafrsfjord where a monument, Swords in Stone, was constructed consisting of three large bronze swords stuck in an outcropping on the shore. The monument commemorates a battle which unified the Viking tribes of Norway under one king, Harald HAY=rfagre, or Harald the Fairhaired. According to legend, in 872 Harald invited the other tribal leaders to a meeting, then had his boats cut off their retreat and they battled until the other leaders submitted to Harald's rule. Harald then became the first king of Norway. The Swords of Stavanger seeks to provide a musical backdrop to this legend of Viking heroism and conquest. This title is available in SmartMusic.Concert/Contest.
$3.00 ≈
2.79€
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