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Vous avez sélectionné:
Mere Dog Music
Partitions à imprimer
36 partitions trouvées
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1
26
Praise the Name!
Praise the Name!
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Piano, Voix
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Musique Sacrée
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David A
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Praise the Name!
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Mere Dog Music
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1007844 Composed by David A. Skates. Christian,Praise & Worship,Sacred. Score. 7 pages. Mere Dog Music #3685369. Published b...
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Piano,Vocal,Voice - SKU: A0.1007844 Composed by David A. Skates. Christian,Praise & Worship,Sacred. Score. 7 pages. Mere Dog Music #3685369. Published by Mere Dog Music (A0.1007844). This joyous contemporary Christian song is based on 12 Hebrew names for God in the Old Testament. The Worship Leader (or a soloist) shouts out a Hebrew name (for example, Yahweh) and the praise team and congregation sing a description of the meaning of that name (you are the one who has always been). The meaning of each of the Hebrew names is given at the end of the sheet music. David Skates is a member of ASCAP and a publisher-writer member at CCLI (Christian Copyright Licensing Inc.). His main focus in song writing and with his music publishing company Mere Dog Music is on contemporary Christian music although he also writes in other genres too. A Music Therapist and Hospice Chaplain in Southern California, David often does music programs at Senior Living facilities and churches, leads worship and guest preaches in the San Diego/Orange County areas.He can be followed at https://twitter.com/dskates2 and at https://www.facebook.com/david.a.skates. Several of his songs are also available for viewing on his You Tube channel at https://www.youtube.com/user/TheLgcc
$4.99
Lead Me To the Rock
Lead Me To the Rock
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Piano, Voix
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Musique Sacrée
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David Skates
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Lead Me To the Rock
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Mere Dog Music
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1007846 Composed by David Skates. Christian,Praise & Worship,Sacred. Score. 2 pages. Mere Dog Music #3685991. Published by M...
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Piano,Vocal,Voice - SKU: A0.1007846 Composed by David Skates. Christian,Praise & Worship,Sacred. Score. 2 pages. Mere Dog Music #3685991. Published by Mere Dog Music (A0.1007846). A joyous uptempo praise and worship song based on the prayer of Psalm 61 where the psalmist desires to live among God's people, resting on the rock that is higher than I. David Skates is a member of ASCAP and a publisher-writer member at CCLI (Christian Copyright Licensing Inc.). His main focus in songwriting and with his music publishing company Mere Dog Music is on contemporary Christian music although he also writes in other genres as well. A Music Therapist and Hospice Chaplain in Southern California, David often does music programs at Senior Living facilities and churches, leads worship and guest preaches in the San Diego/Orange County areas.He can be followed at https://twitter.com/dskates2 and at https://www.facebook.com/david.a.skates. Several of his songs (including the one) are also available for viewing on his You Tube channel at https://www.youtube.com/user/TheLgcc
$4.99
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Trombone
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INTERMÉDIAIRE
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Opera
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Classique
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Ro
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual pa...
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Trombone Solo - Level 3 - SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
It's Good News
It's Good News
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Piano, Voix
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Musique Sacrée
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David Skates
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It's Good News
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Mere Dog Music
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1007842 Composed by David Skates. Christian,Praise & Worship,Sacred. Score. 3 pages. Mere Dog Music #3685927. Published by M...
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Piano,Vocal,Voice - SKU: A0.1007842 Composed by David Skates. Christian,Praise & Worship,Sacred. Score. 3 pages. Mere Dog Music #3685927. Published by Mere Dog Music (A0.1007842). A song about the Good News that God can bring healing and wholeness to our lives. Our job is to share that message, which is pictured in many beautiful ways in the Bible and this song is based on many of those Bible metaphors and pictures. David Skates divides his time between his music, his family and part-time work as a Music Therapist and Chaplain for hospices in Southern California. Follow David at https://twitter.com/dskates2 and on facebook at https://www.facebook.com/david.a.skates His music is also available at CD Baby- https://store.cdbaby.com/Artist/David and on iTunes- https://itunes.apple.com/us/artist/13
$4.99
Awake, O Sleeper
Awake, O Sleeper
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Piano, Voix
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Musique Sacrée
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David Skates
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You can
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Awake, O Sleeper
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Mere Dog Music
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1007843 Composed by David Skates. Christian,Praise & Worship,Sacred,Spiritual. Score. 2 pages. Mere Dog Music #3685929. Publ...
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Piano,Vocal,Voice - SKU: A0.1007843 Composed by David Skates. Christian,Praise & Worship,Sacred,Spiritual. Score. 2 pages. Mere Dog Music #3685929. Published by Mere Dog Music (A0.1007843). This joyous Praise and Worship song is about Baptism, a subject often mentioned in the New Testament but rarely put into song. It is based on Ephesians 5:14 which Bible scholars believe is the Apostle Paul quoting a 1st century baptismal hymn. David Skates lives and ministers in Southern California. A music lyric video of this song can be found at https://www.youtube.com/watch?v=_DwzwhsYEGo You can also follow David at https://twitter.com/dskates2 or purchase his music at CD Baby- https://store.cdbaby.com/Artist/David or at iTunes- https://itunes.apple.com/us/artist/13
$4.99
A Family for You
A Family for You
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Piano, Voix
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Musique Sacrée
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David Skates
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A Family for You
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Mere Dog Music
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1007845 Composed by David Skates. Christian,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Mere Dog Music #3685955. Publ...
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Piano,Vocal,Voice - SKU: A0.1007845 Composed by David Skates. Christian,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Mere Dog Music #3685955. Published by Mere Dog Music (A0.1007845). Based on the words of Jesus in Mark 11:17 and the prophecies of Isaiah 11 and 56, this contemporary worship song stresses that Jesus came to create a family of followers that is open to all people, whatever their race or ethnicity. Follow David Skates at https://twitter.com/dskates2 or at https://www.facebook.com/david.a.skates. His songs can be purchased at CD Baby- https://store.cdbaby.com/Artist/David or at iTunes- https://itunes.apple.com/us/artist/13. Visit his You Tube Channel at https://www.youtube.com/user/TheLgcc to see lyric videos of his praise and worship songs.
$4.99
I'm So Happy
I'm So Happy
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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David A
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I'm So Happy
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Mere Dog Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1007847 Composed by David A. Skates. Christian,Praise & Worship,Sacred,Spiritual. Score. 2 pages. Mere Dog Music #...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1007847 Composed by David A. Skates. Christian,Praise & Worship,Sacred,Spiritual. Score. 2 pages. Mere Dog Music #4367064. Published by Mere Dog Music (A0.1007847). This song of praise, which had its beginnings in the writer's personal conversion, celebrates the joy of salvation, redemption and new life that is found in Jesus Christ. Please feel free to use it for any private or public worship. David Skates is a member of ASCAP and Christian Copyright Licensing Inc. This song is CCLI Song # 036986
$4.99
The Princess Of Sintra For Violin And Cello
The Princess Of Sintra For Violin And Cello
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Luis Anjos Teixeira
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The Princess Of Sintra For Vio
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Luis Anjos Teixeira
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SheetMusicPlus
String Ensemble - Level 4 - SKU: A0.889442 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score and parts. 22 pages. Luis An...
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String Ensemble - Level 4 - SKU: A0.889442 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score and parts. 22 pages. Luis Anjos Teixeira #4766851. Published by Luis Anjos Teixeira (A0.889442). The Princess Of Sintra It is not a beginners choice, it is appropriate for experienced and advanced students and musicians. It is relatively easy to perform once thoroughly practiced. When played „Live you will experience a great rewarding from its magical power upon the public. Some interpretation symbols where used in the score, they are mere personal suggestions. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering. The bowing is very often simply used as a reference to musical legato. The staccato is meant to shorten the length of the notes to half of its duration and is often used to simplify the righting and the reading of the score. The piece is not difficult but it requires focused endurance and some practice on certain passages. Once learned you will never forget it. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills and taste. Have fun! It is a very flexible piece that can be used in all kinds of events. This piece can also be performed between the „Celtiberian Danceand the Celtiberian Fantasy, as all this 3 pieces where composed with that purpose. To the last note of „The Princess Of Sintra follows the first of the „Celtiberian Fantasy. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$11.66
Celtiberian Suite For Violin And Cello
Celtiberian Suite For Violin And Cello
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Luis Anjos Teixeira
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Celtiberian Suite For Violin A
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Luis Anjos Teixeira
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.889443 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. S...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.889443 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score and parts. 44 pages. Luis Anjos Teixeira #4767545. Published by Luis Anjos Teixeira (A0.889443). The Celtiberian Suite for Violin and Cello has multiple dancelike movements. Some interpretation symbols where used in the score, they are mere personal suggestions for a performance. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering. The bowing is very often simply used as a reference to a musical legato. The staccato is meant to shorten the length of the notes to half of its duration and is often used to simplify the righting and the reading of the score. The piece is not very difficult but it demands endurance, focused concentration, listening very consciously each other and a very clean mind while keeping tempo and learning to differentiate the musical phrases. The high pitched notes of some passages on the cello can be transposed an octave lower. It can be performed slower or a little bit faster. It is a very flexible piece that can be used in all kinds of events. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You For All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$18.14
Celtiberian Fantasy For Violin And Cello
Celtiberian Fantasy For Violin And Cello
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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Luis Anjos Teixeira
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Celtiberian Fantasy For Violin
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Luis Anjos Teixeira
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.889441 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score and parts. 19 pages. Luis An...
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String Ensemble - Level 3 - SKU: A0.889441 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score and parts. 19 pages. Luis Anjos Teixeira #4765307. Published by Luis Anjos Teixeira (A0.889441). Celtiberian Fantasy For Violin And Cello Celtiberian Fantasy was composed while righting a finale for the Princess of Sintra, both pieces are „sisters. To the last note of „The Princess Of Sintra follows the first of the „Celtiberian Fantasy. Together with the „Celtiberian Dance as an Intro all this 3 pieces can be performed one after the other without interruption. Some interpretation symbols where used in the score, they are mere personal suggestions for a performance. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering. The bowing is very often simply used as a reference to musical legato. The staccato is meant to shorten the length of the notes to half of its duration and is often used to simplify the righting and the reading of the score. The piece is not difficult but it requires focused endurance and some practice on certain passages. Once learned you will never forget it. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills and taste. Have fun! It is a very flexible piece that can be used in all kinds of events. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$11.96
I Had Much Grief
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
Canzon IV a 6 - No. 198
Canzon IV a 6 - No. 198
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon IV a 6 - No. 198
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870397 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 31 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870397 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 31 pages. Randy A. Steinberg #1988451. Published by Randy A. Steinberg (A0.870397). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a Canzona published around 1615 for 6 brass. A variety of substitute parts are also included to handle the trombone parts with French horns and tubas. A great work that draws from Gabrieli’s many styles. The piece starts with a song like tune that is repeated throughout. Each variation is separated by a 3/4 dance-like chanson repeated throughout. The final cadence is classic Gabrieli with its grand finale. A Gabrieli instrumental ensemble work that provides listeners with a variety of common Gabrieli touches all in one piece without requiring a lot of musical forces.
$3.99
Canzon II a 4 - No. 187
Canzon II a 4 - No. 187
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon II a 4 - No. 187
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870391 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 24 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870391 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 24 pages. Randy A. Steinberg #1984027. Published by Randy A. Steinberg (A0.870391). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. One of the most popular of his smaller instrument works are the 4 Canzonas. Presented here is the second of them written around 1608. Quite popular among brass players, this work starts with a running theme that is almost fugue-like as it passes from one instrument to the next. A great work from Gabrieli, it is complex in structure yet never loses its pleasing sonorities that build until the final climax.
$3.99
Canzon XXVII a 8 - No. 190
Canzon XXVII a 8 - No. 190
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon XXVII a 8 - No. 190
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870393 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 48 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870393 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 48 pages. Randy A. Steinberg #1985497. Published by Randy A. Steinberg (A0.870393). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is the 27th Canzona published around 1608 for 3 trumpets and 5 trombones to be played as a single ensemble. A variety of substitute parts are also included to handle the trombone parts with any combination of cornets, French horns or tuba. This piece presents a wonderful dance-like chanson in 3/4 time that leads to a triumphant finish. A nice showpiece for the brass!
$15.00
Canzon II a 6 - No. 196
Canzon II a 6 - No. 196
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon II a 6 - No. 196
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870396 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 35 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870396 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 35 pages. Randy A. Steinberg #1985915. Published by Randy A. Steinberg (A0.870396). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is an early Canzona published around 1615 for 6 brass. A variety of substitute parts are also included to handle the trumpet and trombone parts with French horns and tubas. The piece starts with a short song-like melody and rhythm that is then repeated with many variations throughout. A nice early introduction to the Gabrieli instrumental ensemble works, published shortly after his death, for a smaller single ensemble.
$3.99
Canzon III a 6 - No. 197
Canzon III a 6 - No. 197
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon III a 6 - No. 197
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870398 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 28 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870398 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 28 pages. Randy A. Steinberg #1987403. Published by Randy A. Steinberg (A0.870398). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is an early Canzona published around 1615 for 6 brass. A variety of substitute parts are also included to handle the trombone parts with French horns and tubas. A nice early introduction to the Gabrieli instrumental ensemble works, published shortly after his death, for a smaller single ensemble.
$3.99
Canzon III a 6 - No. 197
Canzon III a 6 - No. 197
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon III a 6 - No. 197
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870399 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 28 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870399 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 28 pages. Randy A. Steinberg #1988465. Published by Randy A. Steinberg (A0.870399). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is an early Canzona published around 1615 for 6 brass. A variety of substitute parts are also included to handle the trombone parts with French horns and tubas. A nice early introduction to the Gabrieli instrumental ensemble works, published shortly after his death, for a smaller single ensemble.
$3.99
Canzon V a 7 - No. 199
Canzon V a 7 - No. 199
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon V a 7 - No. 199
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870401 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 39 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870401 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 39 pages. Randy A. Steinberg #1988931. Published by Randy A. Steinberg (A0.870401). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a Canzona published around 1615 for 7 brass. A variety of substitute parts are also included to handle the trombone parts with French horn and tuba. A Gabrieli instrumental ensemble work for 7 players that provides listeners with a rich mid-sized ensemble piece for brass with many of the common Gabrieli touches and rhythms.
$5.99
Canzon VIII a 8 - No. 202
Canzon VIII a 8 - No. 202
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon VIII a 8 - No. 202
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870402 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 45 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870402 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 45 pages. Randy A. Steinberg #1989221. Published by Randy A. Steinberg (A0.870402). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a Canzona published around 1615 for 8 brass divided into 2 choirs. A variety of substitute parts are also included to handle the trombone parts with French horns and tuba. An exciting work that alternates between light chanson melodies and darker themes in a minor key. Add in the variations that occur in 3/4 time that separate each set of themes and you have a piece that delights audiences everywhere.
$8.99
Canzon VI a 7 - No. 200
Canzon VI a 7 - No. 200
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon VI a 7 - No. 200
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870400 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 43 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870400 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 43 pages. Randy A. Steinberg #1989055. Published by Randy A. Steinberg (A0.870400). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a Canzona published around 1615 for 7 brass. A variety of substitute parts are also included to handle the trombone parts with French horn and tuba. This work has many of the nice Gabrieli touches such as themes played in echoes and a grand fanfare theme used in many other of his works. A nice work from Gabrieli that pleases many audiences.
$5.99
Canzon X a 8 - No. 203
Canzon X a 8 - No. 203
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon X a 8 - No. 203
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870403 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 48 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870403 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 48 pages. Randy A. Steinberg #1989397. Published by Randy A. Steinberg (A0.870403). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a Canzona published around 1615 for 8 brass divided into 2 choirs. A variety of substitute parts are also included to handle the trombone parts with French horns and tuba. Starting with one of Gabrieli’s more beautiful themes repeated in both choirs, the piece builds in technical complexity and rhythm until its exciting finale. A true delight for almost any audience!
$8.99
Canzon XI a 8 - No. 204
Canzon XI a 8 - No. 204
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon XI a 8 - No. 204
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870404 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 42 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870404 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 42 pages. Randy A. Steinberg #1990859. Published by Randy A. Steinberg (A0.870404). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a Canzona published around 1615 for 8 brass divided into 2 choirs. A variety of substitute parts are also included to handle the trombone parts with French horns and tuba. Unusual for Gabrieli, this work starts out with a dance-like chanson in 3/4 time with some variations in duple meter. An interesting work for Gabrieli enthusiasts!
$8.99
Canzon XIV a 10 - No. 207
Canzon XIV a 10 - No. 207
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon XIV a 10 - No. 207
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870406 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 50 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870406 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 50 pages. Randy A. Steinberg #1998507. Published by Randy A. Steinberg (A0.870406). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a Canzona published around 1615 for 10 brass divided into 2 choirs. A variety of substitute parts are also included to handle the trombone parts with tuba. Another nice Gabrieli work that exploits the antiphonal effects of the 2 brass choirs.
$9.99
Canzon XVII a 12 - No. 210
Canzon XVII a 12 - No. 210
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon XVII a 12 - No. 210
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870408 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 65 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870408 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 65 pages. Randy A. Steinberg #1999307. Published by Randy A. Steinberg (A0.870408). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a Canzona published around 1615 for 12 brass divided into 3 choirs. A variety of substitute parts are also included to handle the trombone and trumpet parts with French horns and tuba. One of Gabrieli’s best with antiphonal choirs performing a wonderful bugle like bell-tone melody in major triads. A great audience pleaser!
$15.00
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Mere Dog Music
