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Mendelssohn Hymn Sacred
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Vous avez sélectionné:
Mendelssohn Hymn Sacred
Partitions à imprimer
259 partitions trouvées
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How Firm A Foundation - Piano-Organ Duet
How Firm A Foundation - Piano-Organ Duet
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Musique Sacrée
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American Folk Melody
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Gayle Gould
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How Firm A Foundation - Piano-
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Gayle Gould
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Organ,Piano - Level 4 - SKU: A0.1405963 Composed by American Folk Melody. Arranged by Gayle Gould. Christian,Praise & Worship,Religious,Sacred,Tradition...
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Organ,Piano - Level 4 - SKU: A0.1405963 Composed by American Folk Melody. Arranged by Gayle Gould. Christian,Praise & Worship,Religious,Sacred,Traditional. Organ and Piano. 17 pages. Gayle Gould #989011. Published by Gayle Gould (A0.1405963).   Piano-organ duet, four verses of this great hymn of praise. Early advanced level. Verse 3 borrows from Mendelssohn's Violin Concerto in E Minor, 3rd Movement. Overall, a happy, crisp sound, suitable for use in worship services, arts competition, or as a recessional after a ceremony. To this end, the arrangement has an optional first/second DS Al Fine structure to enable lengthening the piece as may be necessary.  The pdf you will download contains the duet plus separate piano and organ scores. There is no need to purchase additional copies. If playing from the duet score, permission is granted to make one copy.
$8.99 ≈
8.33€
Hark! the Herald Angels Sing (Chamber Orch. and Parts)
Hark! the Herald Angels Sing (Chamber Orch. and Parts)
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Rick Barnes
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Rick Barnes
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Hark! the Herald Angels Sing
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Rick Barnes Music
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Chamber Orchestra - Level 3 - SKU: A0.1388587 By Rick Barnes. By Charles Wesley, Felix Mendelssohn-Bartholdy. Arranged by Rick Barnes. Christian,Christm...
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Chamber Orchestra - Level 3 - SKU: A0.1388587 By Rick Barnes. By Charles Wesley, Felix Mendelssohn-Bartholdy. Arranged by Rick Barnes. Christian,Christmas,Contemporary,Holiday,Sacred. 32 pages. Rick Barnes Music #972089. Published by Rick Barnes Music (A0.1388587). This contemporary setting to Charles Wesley's treasured hymn features a meditative vocal line and swelling orchestra while staying true to the original MENDELSSOHN tune. Your congregation can enjoy this musical meditation during a Sunday offering, Lessons & Carols service, or other special Christmas service!
$49.99 ≈
46.30€
Hark! the Herald Angels Sing (Full Orchestra and Parts)
Hark! the Herald Angels Sing (Full Orchestra and Parts)
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Orchestre
#
INTERMÉDIAIRE
#
Noël
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Rick Barnes
#
Rick Barnes
#
Hark! the Herald Angels Sing
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Rick Barnes Music
#
Full Orchestra - Level 3 - SKU: A0.1388583 By Rick Barnes. By Charles Wesley / Felix Mendelssohn-Bartholdy. Arranged by Rick Barnes. Christian,Christmas...
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Full Orchestra - Level 3 - SKU: A0.1388583 By Rick Barnes. By Charles Wesley / Felix Mendelssohn-Bartholdy. Arranged by Rick Barnes. Christian,Christmas,Contemporary,Holiday,Sacred. 38 pages. Rick Barnes Music #972084. Published by Rick Barnes Music (A0.1388583). This contemporary setting to Charles Wesley's treasured hymn features a meditative vocal line and swelling orchestra while staying true to the original MENDELSSOHN tune. Your congregation can enjoy this musical meditation during a Sunday offering, Lessons and Carols service, or other special Christmas service!
$79.99 ≈
74.09€
Hark! the Herald Angels Sing (Piano, Vocal)
Hark! the Herald Angels Sing (Piano, Vocal)
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Piano, Voix
#
INTERMÉDIAIRE
#
Rick Barnes
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Rick Barnes
#
Hark! the Herald Angels Sing
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Rick Barnes Music
#
Piano,Vocal,Voice - Level 3 - SKU: A0.1388576 By Rick Barnes. By Charles Wesley, Felix Mendelssohn-Bartholdy. Arranged by Rick Barnes. Christian,Christm...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1388576 By Rick Barnes. By Charles Wesley, Felix Mendelssohn-Bartholdy. Arranged by Rick Barnes. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 12 pages. Rick Barnes Music #972077. Published by Rick Barnes Music (A0.1388576). This contemporary setting to Charles Wesley's treasured hymn features a meditative vocal line and swelling orchestra while staying true to the original MENDELSSOHN tune. Your congregation can enjoy this musical meditation during a Sunday offering, Lessons & Carols service, or other special Christmas service!
$4.99 ≈
4.62€
Prelude on Mendelssohn ('Hark! the Herald Angels Sing')
Prelude on Mendelssohn ('Hark! the Herald Angels Sing')
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Classique
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John Burkett
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John Burkett
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Prelude on Mendelssohn
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John Burkett
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Organ - Level 4 - SKU: A0.1384296 Composed by John Burkett. Arranged by John Burkett. Christmas,Contemporary,Praise and Worship,Sacred. Score. 10 pages....
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Organ - Level 4 - SKU: A0.1384296 Composed by John Burkett. Arranged by John Burkett. Christmas,Contemporary,Praise and Worship,Sacred. Score. 10 pages. John Burkett #968607. Published by John Burkett (A0.1384296). My Prelude on the Christmas carol tune Mendelssohn (Hark! the Herald Angels Sing) opens with a brief introduction based on the first measure of the third phrase of the tune. An original harmonization of the entire tune follows, anchored by a repetitive rhythmic pattern of alternating rests and chords. An interlude ensues, which is a rhythmically intensified reworking of the initial introduction. Then the first phrase of the tune sounds in a new key in the pedal bass, accompanied by parallel triads in the hands. Another interlude follows, also based on parallel triads, and leading to a statement in the pedals of the second phrase of the tune. Slightly modified versions of the third and fourth phrases with varied accompaniments lead to a strong cadence. The final section follows, beginning with an extended introduction that increases the rhythmic pace to the point where a constant stream of rapidly moving sixteenth notes drives forward to the final statement of the carol tune, and lends a sense of urgency as the flow continues underneath the melody. The tempo slows slightly during a brief postlude in which the state trumpet reiterates a rhythmic pattern heard earlier. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$12.00 ≈
11.12€
Hark! The Herald Angels Sing
Hark! The Herald Angels Sing
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Piano seul
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
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Terry D
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Hark! The Herald Angels Sing
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Terry D. Wilson
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Piano - Level 3 - SKU: A0.1381662 Composed by Felix Bartholdy Mendelssohn. Arranged by Terry D. Wilson. Advent,Christian,Christmas,Religious,Sacred. Ful...
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Piano - Level 3 - SKU: A0.1381662 Composed by Felix Bartholdy Mendelssohn. Arranged by Terry D. Wilson. Advent,Christian,Christmas,Religious,Sacred. Full Performance. Duration 210. Terry D. Wilson #966300. Published by Terry D. Wilson (A0.1381662). A thrilling setting of Charles Wesley’s most popular Christmas hymn. Such an enjoyable piece for the congregation!
$1.99 ≈
1.84€
Bach: Wachet auf for Euphonium & Piano
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
23.11€
Hark! The Herald Angels Sing
Hark! The Herald Angels Sing
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Piano seul
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INTERMÉDIAIRE
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Felix Mendelssohn,
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Terry D
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Hark! The Herald Angels Sing
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Terry D. Wilson
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Piano Solo - Level 3 - SKU: A0.1377524 Composed by Felix Mendelssohn,. Arranged by Terry D. Wilson. Advent,Christian,Christmas,Religious,Sacred. Score. ...
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Piano Solo - Level 3 - SKU: A0.1377524 Composed by Felix Mendelssohn,. Arranged by Terry D. Wilson. Advent,Christian,Christmas,Religious,Sacred. Score. 3 pages. Terry D. Wilson #962116. Published by Terry D. Wilson (A0.1377524). A thrilling setting of Charles Wesley’s most popular Christmas hymn. Such an enjoyable piece for the congregation!
$6.00 ≈
5.56€
Hark! The Herald Angels Sing (A Concertato)
Hark! The Herald Angels Sing (A Concertato)
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Musique Sacrée
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Felix Bartholdy Mendelssohn
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Patrick M
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Choral Octavo
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Hark! The Herald Angels Sing
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Jubilate Music Group - Digital
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Choir Sacred Opt. 2 Trumpets, 2 Trombones (SATB choir) - Grade 4 - SKU: JX.00-11424 Composed by Felix Bartholdy Mendelssohn. Arranged by Patrick M. Lieb...
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Choir Sacred Opt. 2 Trumpets, 2 Trombones (SATB choir) - Grade 4 - SKU: JX.00-11424 Composed by Felix Bartholdy Mendelssohn. Arranged by Patrick M. Liebergen. Choral (Sacred); Choral Octavo; Masterworks; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition. Christmas; Masterwork Arrangement; Romantic; Sacred. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-11424. Published by Jubilate Music Group - Digital (JX.00-11424). English. Psalm 97; Titus 3:4-7; Luke 2:1-21; Isaiah 62:6-12.Christmas brass! The heraldic brass choir proclaims Glory to the newborn King. The splendid singers invoke the heavenly angel chorus. A majestic SATB Christmas hymn concertato, featuring optional brass quartet, unison youth choir, and congregational refrain.
$2.25 ≈
2.08€
Now Thank We All Our God - Unison choir with solo
Now Thank We All Our God - Unison choir with solo
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Chorale Unison
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FACILE
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Johann Cruger
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Phil Beaman
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4 minutes
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Now Thank We All Our God - Uni
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Phil Beaman
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Choral Choir (Unison) - Level 2 - SKU: A0.844488 Composed by Johann Cruger. Arranged by Phil Beaman. Christian,Holiday,Patriotic,Sacred,Wedding. Octavo....
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Choral Choir (Unison) - Level 2 - SKU: A0.844488 Composed by Johann Cruger. Arranged by Phil Beaman. Christian,Holiday,Patriotic,Sacred,Wedding. Octavo. 7 pages. Phil Beaman #3448625. Published by Phil Beaman (A0.844488). Now Thank We All Our God is an English adaptation of the ancient German hymn Nun danket alle Gott. The lyrics were written by Rinkart in 1636, the melody by Cruger in 1647, and the popular harmony by Mendlessohn in 1840.This arrangement begins with a Handelian keyboard introduction, modulates to the 1st Verse for Unison choir with a new homophonic reharmonization for accompaniment, then modulates to Verse 2 which is a softer Unison with a drone accompaniment and a voice solo antiphon, then a final modulation into Verse 3 which is Unison with optional traditional SATB hymn parts.Since it is in Choral Unison we have used it here in the National Cathedral for gathered massed choirs from around the country to celebrate the official Government Holiday of National Day of Thanksgiving. I am aware that one country has also used this piece as part of the Investiture Ceremony to install their new Bishop. The addition of the Psalm antiphons gives it a Nationalistic angle as well. Further, in some countries this hymn is also a tradition at Christian Weddings. In short...this piece is perfect for any moment of Thanksgiving!7 pages 4 minutes
$2.99 ≈
2.77€
Hark! The Herald Angels Sing! for Cello Quartet
Hark! The Herald Angels Sing! for Cello Quartet
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4 Violoncelles
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FACILE
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Musique Sacrée
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Felix Bartholdy Mendelssohn, S
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Michele Galvagno
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Hark! The Herald Angels Sing!
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Artistic Score Engraving di Galvagno Michele
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Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galv...
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Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098157. Published by Artistic Score Engraving di Galvagno Michele (A0.841364). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
$4.95 ≈
4.59€
Bach: Wachet auf for Viola & Piano
Bach: Wachet auf for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Viola &am
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jmsgu3
#
Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
23.11€
Bach: Wachet auf for Alto Flute & Piano
Bach: Wachet auf for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
#
Classique
#
Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Alto Flut
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jmsgu3
#
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95 ≈
23.11€
Sullivan: The Lost Chord for French Horn & Piano
Sullivan: The Lost Chord for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for F
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jmsgu3
#
French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
24.96€
Bach: Wachet auf for Trumpet & Piano
Bach: Wachet auf for Trumpet & Piano
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Trompette
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FACILE
#
Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Trumpet &
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jmsgu3
#
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95 ≈
23.11€
Christmas Medley - Flute Solo
Christmas Medley - Flute Solo
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Charles Wesley, Felix Barthold
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Lee Marcum
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Christmas Medley - Flute Solo
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leemarcummusic.com
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Flute,Piano - Level 3 - SKU: A0.745667 Composed by Charles Wesley, Felix Bartholdy Mendelssohn, and John Francis Wade. Arranged by Lee Marcum. Christmas...
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Flute,Piano - Level 3 - SKU: A0.745667 Composed by Charles Wesley, Felix Bartholdy Mendelssohn, and John Francis Wade. Arranged by Lee Marcum. Christmas,Sacred. Score and part. 12 pages. Leemarcummusic.com #6537583. Published by leemarcummusic.com (A0.745667). Christmas Medley is an intermediate level arrangement for Flute Solo with Piano Accompaniment. Full of interesting harmonies and transitions, these 3 Hymns of the church, Hark! The Herald Angels Sing, The First Noel and O Come, All Ye Faithful are a fun, yet majestic setting. This arrangement is great for any kind of Christmas church service, esp. as an offertory and is great for high school or college level players in a church or school concert setting. The performance time is 3:34. lee@leemarcummusic.com for direct contact with the arranger.
$10.00 ≈
9.26€
Redeemed
Redeemed
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Chorale SATB
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INTERMÉDIAIRE
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Words: Fanny J
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Lyndell Leatherman
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Redeemed
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Leatherman Music Services
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Choral Choir (SATB) - Level 3 - SKU: A0.829385 Composed by Words: Fanny J. Crosby / Music: Felix Mendelssohn, Lyndell Leatherman. Arranged by Lyndell Le...
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Choral Choir (SATB) - Level 3 - SKU: A0.829385 Composed by Words: Fanny J. Crosby / Music: Felix Mendelssohn, Lyndell Leatherman. Arranged by Lyndell Leatherman. A Cappella,Christian,Sacred. Octavo. 10 pages. Leatherman Music Services #5989719. Published by Leatherman Music Services (A0.829385). This sacred choral piece is a marriage of a much-loved Fanny Crosby hymn text (Redeemed) with a much-loved Mendelssohn melody (On Wings of Song). I added a flowing piano accompaniment and a flute (opt. violin) obbligato, and placed an a cappella section in the middle. It's approximately 3:10 in duration.
$1.99 ≈
1.84€
Hymns for Advent and Christmas, Volume 2
Hymns for Advent and Christmas, Volume 2
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Flûte traversière
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INTERMÉDIAIRE
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Musique Sacrée
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Bourgeois, Redner, Willis, Gos
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Carolyn Krysl-Hutchinson
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Hymns for Advent and Christmas
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Carolyn Krysl-Hutchinson
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Flute Solo,Soprano Flute - Level 3 - SKU: A0.1312162 Composed by Bourgeois, Redner, Willis, Goss, Mendelssohn, Ancient Plainsong, and Carols. Arranged b...
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Flute Solo,Soprano Flute - Level 3 - SKU: A0.1312162 Composed by Bourgeois, Redner, Willis, Goss, Mendelssohn, Ancient Plainsong, and Carols. Arranged by Carolyn Krysl-Hutchinson. Advent,Christmas,Holiday,Praise & Worship,Sacred. Individual part. 17 pages. Carolyn Krysl-Hutchinson #901024. Published by Carolyn Krysl-Hutchinson (A0.1312162). Specifically for solo flute, these carols and hymns have been arranged with the following in mind: Â We play for the glory of the Lord. Â I have endeavored to be creative without including passages that are too flashy or virtuosic. Â All hymns and carols express biblical truth and have been tested by time. Â They should be accessible for amateur and professional flutists alike.
$10.00 ≈
9.26€
Still, Still with Thee
Still, Still with Thee
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Chorale SATB
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INTERMÉDIAIRE
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Felix Bartholdy Mendelssohn an
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Alden Vines
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Still, Still with Thee
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Alden Vines
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Choral Choir (SATB) - Level 3 - SKU: A0.1194378 Composed by Felix Bartholdy Mendelssohn and Harriet B. Stowe. Arranged by Alden Vines. A Cappella,Religi...
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Choral Choir (SATB) - Level 3 - SKU: A0.1194378 Composed by Felix Bartholdy Mendelssohn and Harriet B. Stowe. Arranged by Alden Vines. A Cappella,Religious,Sacred. Octavo. 4 pages. Alden Vines #793750. Published by Alden Vines (A0.1194378). Featuring a soprano solo and tenor feature, this arrangement of Harriet B. Stowe's text Still, Still with Thee set to Song Without Words from Op.30 no.3 by Felix Mendelssohn-Bartholdy, as appears in the 1933 Cokesbury Worship Hymnal, makes an excellent call to prayer, prayer response, or communion number.
$3.99 ≈
3.70€
Luther: Out of the Depths for Clarinet & Piano
Luther: Out of the Depths for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411741. Published by jmsgu3 (A0.548715). Out of the Depths I Cry to You by Martin Luther arranged for clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
23.11€
Bach: Wachet auf for Clarinet & Piano
Bach: Wachet auf for Clarinet & Piano
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Clarinette et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Clarinet
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jmsgu3
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
23.11€
Bach: Wachet auf for Trombone & Piano
Bach: Wachet auf for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trombone
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jmsgu3
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Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standard...
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Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
23.11€
Bach: Wachet auf for Bass Flute & Piano
Bach: Wachet auf for Bass Flute & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bass Flut
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jmsgu3
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
23.11€
Luther: Out of the Depths for Alto Flute & Piano
Luther: Out of the Depths for Alto Flute & Piano
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Flûte traversière et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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Flute,Piano - Level 1 - SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4...
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Flute,Piano - Level 1 - SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411715. Published by jmsgu3 (A0.548707). Out of the Depths I Cry to You by Martin Luther arranged for alto flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms.Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
23.11€
Hark! The Herald Angels Sing (MENDELSSOHN)
Hark! The Herald Angels Sing (MENDELSSOHN)
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Musique Sacrée
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Adapted from Felix Mendelssohn
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Richard Giszczak
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Hark! The Herald Angels Sing
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Singing Winds Music Company
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Carillon,Instrumental Solo - Level 3 - SKU: A0.823627 Composed by Adapted from Felix Mendelssohn (1809-1847). Arranged by Richard Giszczak. Christmas,Pr...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.823627 Composed by Adapted from Felix Mendelssohn (1809-1847). Arranged by Richard Giszczak. Christmas,Praise & Worship,Sacred. Individual part. 3 pages. Singing Winds Music Company #4766587. Published by Singing Winds Music Company (A0.823627). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 3 variations, and a D.S al Fine. The hymn tune name is MENDELSSOHN. It was written in 1840. The words Hark! The Herald Angels Sing are associated with Christmas.
$2.00 ≈
1.85€
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Mendelssohn Hymn Sacred
