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Mario Rap
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Vous avez sélectionné:
Mario Rap
Partitions à imprimer
27 partitions trouvées
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1
26
Mario Rap
Mario Rap
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Chorale 2 parties
#
INTERMÉDIAIRE
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Haim Saban and Shuki Levy
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Paul William Stewart
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Mario Rap
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Paul William Stewart
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 3 - SKU: A0.1319530 Composed by Haim Saban and Shuki Levy. Arranged by Paul William Stewart. 20th Century,Children,...
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Choral Choir,Choral (2-Part) - Level 3 - SKU: A0.1319530 Composed by Haim Saban and Shuki Levy. Arranged by Paul William Stewart. 20th Century,Children,Film/TV,Hip-Hop,Video Game. 8 pages. Paul William Stewart #908112. Published by Paul William Stewart (A0.1319530). From the hit The Super Mario Bros. Movie (though originally from The Super Mario Bros. Super Show), here is a fun 2-Part arrangement of the iconic Mario Brothers Rap that also incorporates several of the classic Super Mario Bros. video game themes by the legendary video game composer Koji Kondo. Your choir will have fun not only rapping, but scatting through the classic melodies. Accompaniment track download coming soon!
$1.99 ≈
1.84€
Mario Rap
Mario Rap
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Haim Saban and Shuki Levy
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SCMusic
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Mario Rap
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SCMusic
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1293950 Composed by Haim Saban and Shuki Levy. Arranged by SCMusic. Children,Film/TV,Pop,Rock,Video Game. S...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1293950 Composed by Haim Saban and Shuki Levy. Arranged by SCMusic. Children,Film/TV,Pop,Rock,Video Game. Score. 3 pages. SCMusic #884432. Published by SCMusic (A0.1293950). A piano and vocal sheet music with guitar chords, for the Super Mario Bros. Rap or the plumber rap, as featured in The Super Mario Bros. Movie (Original Motion Picture Soundtrack).
$4.99 ≈
4.61€
Super Mario World 2 Yoshi's Island Athletic Theme
Super Mario World 2 Yoshi's Island Athletic Theme
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Guitare notes et tablatures
#
Jeux Videos
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Nintendo®
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Super Mario World 2 Yoshi's Is
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar Tab - SKU: AX.00-PS-0015205 Super Mario World 2 - Yoshi's Island Athletic Theme. By Nintendo®. By Koji Kondo. Pop/Rock. 2 p...
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Guitar Tab - SKU: AX.00-PS-0015205 Super Mario World 2 - Yoshi's Island Athletic Theme. By Nintendo®. By Koji Kondo. Pop/Rock. 2 pages. Alfred Music - Digital Sheet Music #00-PS-0015205. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015205). ISBN 9780739082805. UPC: 038081427638.After decades of anticipation, Alfred Music is proud to release the officially licensed, collectible sheet music companion folios to the Super Mario Bros.a,,C/ video game series. This collection of 34 themes is arranged for solo guitar performance with full notation and TAB. Each song is arranged in easy guitar keys at an easy--intermediate level, and all pieces are suitable for recitals, concerts, and solo performances. Beloved by generations of gamers around the globe, these instantly recognizable melodies are drawn from more than two decades of Nintendo video games, from Koji Kondo's iconic Super Mario Bros.a,,C/ Ground Background Music to the New Super Mario Bros.a,,C/ Wiia,,C/ themes. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every guitarist. Titles: Super Mario Bros.a,,C/ Ground Background Music * Super Mario Bros.a,,C/ Underground Background Music * Super Mario Bros.a,,C/ Underwater Background Music * Super Mario Bros.a,,C/ Invincible Background Music * Super Mario Bros.a,,C/: The Lost Levels Ending * Super Mario Bros.a,,C/ 3 Map 1 * Super Mario Bros.a,,C/ 3 Ground Background Music * Super Mario Bros.a,,C/ 3 Boss of the Fortress * Super Mario Bros.a,,C/ 3 Skyship Background Music * Super Mario Worlda,,C/ Title * Super Mario Worlda,,C/ Castle Background Music * Dr. Marioa,,C/ Chill * Dr. Marioa,,C/ Title Background Music * Super Mario Karta,,C/ Mario Circuit * Super Mario Worlda,,C/ 2 Yoshi's Islanda,,C/ Athletic * Super Mario Worlda,,C/ 2 Yoshi's Islanda,,C/ Ground Background Music * Super Mario 64a,,C/ Main Theme * Super Mario 64a,,C/ Water Land * Mario Karta,,C/ 64 Circuit * Super Mario Sunshinea,,C/ Dolpic Town * New Super Mario Bros.a,,C/ Title * New Super Mario Bros.a,,C/ Giant Background Music * New Super Mario Bros.a,,C/ Battle Background Music 2 * New Super Mario Bros.a,,C/ Battle Background Music 1 * Super Mario Galaxya,,C/ Ending Staff Credit Roll * Mario Karta,,C/ Wiia,,C/ Rainbow Road * New Su.
$2.99 ≈
2.76€
Super Mario World 2 Yoshi's Island Ground Background Music
Super Mario World 2 Yoshi's Island Ground Background Music
#
Guitare notes et tablatures
#
Jeux Videos
#
Nintendo®
#
Super Mario World 2 Yoshi's Is
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Guitar Tab - SKU: AX.00-PS-0015204 Super Mario World 2 - Yoshi's Island Ground Background Music. By Nintendo®. By Koji Kondo. Pop/...
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Guitar Tab - SKU: AX.00-PS-0015204 Super Mario World 2 - Yoshi's Island Ground Background Music. By Nintendo®. By Koji Kondo. Pop/Rock. 2 pages. Alfred Music - Digital Sheet Music #00-PS-0015204. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015204). ISBN 9780739082805. UPC: 038081427638.After decades of anticipation, Alfred Music is proud to release the officially licensed, collectible sheet music companion folios to the Super Mario Bros.a,,C/ video game series. This collection of 34 themes is arranged for solo guitar performance with full notation and TAB. Each song is arranged in easy guitar keys at an easy--intermediate level, and all pieces are suitable for recitals, concerts, and solo performances. Beloved by generations of gamers around the globe, these instantly recognizable melodies are drawn from more than two decades of Nintendo video games, from Koji Kondo's iconic Super Mario Bros.a,,C/ Ground Background Music to the New Super Mario Bros.a,,C/ Wiia,,C/ themes. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every guitarist. Titles: Super Mario Bros.a,,C/ Ground Background Music * Super Mario Bros.a,,C/ Underground Background Music * Super Mario Bros.a,,C/ Underwater Background Music * Super Mario Bros.a,,C/ Invincible Background Music * Super Mario Bros.a,,C/: The Lost Levels Ending * Super Mario Bros.a,,C/ 3 Map 1 * Super Mario Bros.a,,C/ 3 Ground Background Music * Super Mario Bros.a,,C/ 3 Boss of the Fortress * Super Mario Bros.a,,C/ 3 Skyship Background Music * Super Mario Worlda,,C/ Title * Super Mario Worlda,,C/ Castle Background Music * Dr. Marioa,,C/ Chill * Dr. Marioa,,C/ Title Background Music * Super Mario Karta,,C/ Mario Circuit * Super Mario Worlda,,C/ 2 Yoshi's Islanda,,C/ Athletic * Super Mario Worlda,,C/ 2 Yoshi's Islanda,,C/ Ground Background Music * Super Mario 64a,,C/ Main Theme * Super Mario 64a,,C/ Water Land * Mario Karta,,C/ 64 Circuit * Super Mario Sunshinea,,C/ Dolpic Town * New Super Mario Bros.a,,C/ Title * New Super Mario Bros.a,,C/ Giant Background Music * New Super Mario Bros.a,,C/ Battle Background Music 2 * New Super Mario Bros.a,,C/ Battle Background Music 1 * Super Mario Galaxya,,C/ Ending Staff Credit Roll * Mario Karta,,C/ Wiia,,C/ Rainbow Road * New Su.
$2.99 ≈
2.76€
Text: Music for Brass Trio, a Comprehensive Bibliography
Text: Music for Brass Trio, a Comprehensive Bibliography
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Richard Decker
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Text: Music for Brass Trio, a
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Charles Decker Music Press
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet - SKU: A0.817156 Composed by Richard Decker. 20th Century,Standards. 95 pages. Charles Decker Music Press #6050913. Publ...
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Euphonium,Horn,Trombone,Trumpet - SKU: A0.817156 Composed by Richard Decker. 20th Century,Standards. 95 pages. Charles Decker Music Press #6050913. Published by Charles Decker Music Press (A0.817156). Professional journal reviews for Richard Decker's Music for Brass Trio, A Comprehensive Bibliography The Horn Call: Mr. Decker . . . has brought a practical tone to this highly documented and valuable reference book. (Douglas Hill)Woodwind World – Brass & Percussion  Highly Recommended (Jean G. Ressum)School Music News: The book is a very worthwhile undertaking and should be in every school and public library (Harwood Simmons)International Trombone Journal The repertoire is extensive and varied, and we can appreciate the author for bringing so much of it to view.(Hugh Magliocco)This reissue of Music for Brass Trio, A Comprehensive Bibliography has 80 pages listing 544 original and transcribed works for three brass up to 1976 with most of the 544 works cited still available today. Included are 169 works for the Trumpet, Horn, and Trombone trio with detailed performance annotations and 63 works for the Two Trumpets and Trombone trio. An additional 312 original and transcribed works are listed for three heterogeneous brass instruments with keyboard, in chamber ensembles of up to nine performers, and with small orchestra using only three brass. This important brass literature resource was adopted by university libraries and distributed by major music companies including Robert King Music. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$9.95 ≈
9.20€
Final Fugue #12 from Fantasia Contrappuntistica for Brass Quintet
Final Fugue #12 from Fantasia Contrappuntistica for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Ferruccio Busoni
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Charles Decker
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Final Fugue #12 from Fantasia
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817110 Composed by Ferruccio Busoni. Arranged by Charles Decker. 20th Century,Bar...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817110 Composed by Ferruccio Busoni. Arranged by Charles Decker. 20th Century,Baroque,Chamber,Multicultural,World. 20 pages. Charles Decker Music Press #3540945. Published by Charles Decker Music Press (A0.817110). For ambitious brass quintets seeking innovative programming here is the final fugue from Italian composer and pianist Ferrucio Busoni's 1912 magnum opus treatise Fantasia Contrappuntistica that pays homage to J.S. Bach's Art of the Fugue with inventive counterpoint and harmonic transformations. Busoni’s ingenious Final Fugue #12 presents Bach’s uncompleted last fugue in an entirely new light. The audio file is an actual brass quintet performance of the entire work and not a computer playback of the score. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.    For more of Charles Decker quintet editions use these links to  Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$9.95 ≈
9.20€
Fugue #2 from Fantasia Contrappuntistica for Brass Quintet
Fugue #2 from Fantasia Contrappuntistica for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Ferruccio Busoni
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Charles Decker
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Fugue #2 from Fantasia Contrap
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817109 Composed by Ferruccio Busoni. Arranged by Charles Decker. 20th Century,Bar...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817109 Composed by Ferruccio Busoni. Arranged by Charles Decker. 20th Century,Baroque,Chamber,Historic,Multicultural,World. 22 pages. Charles Decker Music Press #3540269. Published by Charles Decker Music Press (A0.817109). For ambitious brass quintets seeking innovative programming here is the second fugue from Italian composer and pianist Ferrucio Busoni's 1912 magnum opus treatise, Fantasia Contrappuntistica, that pays homage to J.S. Bach's Art of the Fugue of which Busoni modifies the baroque master's fugues with inventive new counterpoint and harmonies. It is arranged for a brass quintet of two B-flat trumpets with alternate C trumpet parts, horn in F, trombone and tuba. The audio file is an actual brass quintet performance of the entire work and not a computer playback of the score. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians of mixed brass ensembles with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles.  Check out the Music of Black Composers Series wiht Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet editions use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$9.95 ≈
9.20€
Eminem - Lose Yourself (from "8 Mile")
Eminem - Lose Yourself (from "8 Mile")
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Piano, Voix
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INTERMÉDIAIRE
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Rock
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Eminem
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Mario Stallbaumer
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Eminem - Lose Yourself
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords, Piano Accompaniment - Intermediate - By Eminem. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallba...
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Piano Solo, Piano/Vocal/Chords, Piano Accompaniment - Intermediate - By Eminem. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
Here's how to play "Lose Yourself" by Eminem (from the "8 Mile" soundtrack) on piano!
With this piano sheet music, you get an accurate piano arrangement of the full song, from the beautiful piano intro and the groovy guitar chord pattern to the piano melody in the outro.
It's a playable piano version of the song which is fun to play, and sounds fantastic!
Eminem wrote "Lose Yourself" for the soundtrack of the 2002 film "8 Mile", in which he played the main character Jimmy "B-Rabbit" Smith Jr.
"Lose Yourself" served as the lead single from the film's soundtrack. The song topped the charts in 20 countries, won both an Academy Award (Bet Original Song) and a Grammy Award (Best Rap Song), and was the highest ranked rap song on Rolling Stone's list of the 500 Greatest Songs of All Time in 2004.
It's certainly one of the most iconic rap songs in music history, and it makes for a powerful piano cover - with this piano sheet music, you can play it, too!
If you like this arrangement, please consider leaving a review - it would mean a lot.
### Side note ###
The tempo indicated on the sheet music is an approximation - the original song starts at 64 bpm and increases to 67 bpm during the first 8 bars. The faster part (from bar 9) has a speed of 171.4 bpm.
$4.99 ≈
4.61€
Linkin Park - In the End - Piano Solo (original key)
Linkin Park - In the End - Piano Solo (original key)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Rock Alternatif
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Linkin Park
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Mario Stallbaumer
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Linkin Park - In the End - Pia
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Linkin Park. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer...
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Piano Solo - Advanced Intermediate - Digital Download By Linkin Park. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
With this sheet music, you can play "In the End" by Linkin Park on piano!
It's an accurate, carefully created piano arrangement of the full song, in the song's original key of Eb minor.
"In the End" is a song from Linkin Park's debut album "Hybrid Theory", and was released in October 2000 as the album's second single.
Praised for its flawless combination of different elements - the melancholic, immediately recognizable piano riff, prominent rap parts by Mike Shinoda, heavy guitar riffs, and the powerful voice of Chester Bennington (who initially disliked the song), "In the End" became arguably Linkin Park's most famous hit!
"In the End" became one of Linkin Park's signature songs and their highest charting single (#2 on the Billboard Hot 100), reached top 10 positions around the globe, and became Billboard's second most played rock song of the decade.
The song has been streamed over 900 million times on Spotify, and the music video has been watched over a billion times on Youtube!
The song re-entered the charts after the suicide of Linkin Park's lead singer, Chester Bennington, in July 2017.
Every Linkin Park fan knows the lyrics of the song's chorus:
"I tried so hard and got so far
But in the end, it doesn't even matter
I had to fall to lose it all
But in the end, it doesn't even matter"
What better way to remember Chester than to play his music yourself?
"In the End" makes for an amazing piano cover...
$4.99 ≈
4.61€
The Sound of Music
The Sound of Music
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Rodgers & Hammerstein
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Mario Stallbaumer
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Hammerstein
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The Sound of Music
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Rodgers & Hammerstein. Arranged by Mario Stallbaumer. 4 pages. Published by...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Rodgers & Hammerstein. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here's how to play "The Sound of Music" (as performed by Julie Andrews in the 1965 film) on piano!
With this sheet music, you get a piano transcription of the full song - it?s an accurate arrangement which is playable, and sounds beautiful!
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a system for the singer, as well as the song's full lyrics!
"The Sound of Music" is the title track from the 1965 musical film of the same name (directed by Robert Wise).
The film is itself an adaption of the 1959 stage musical "The Sound of Music", which was composed by Richard Rodgers (with lyrics by Oscar Hammerstein II).
In the film's iconic opening scene, "The Sound of Music" is performed by Julie Andrews (who plays Maria von Trapp) in a magnificent mountain scenery.
The film won five Academy Awards (including "Best Picture" and "Best Music"), two Golden Globe Awards, and is preserved in the United States Library of Congress.
The film's soundtrack became a part of American cultural heritage, and is full of wonderful melodies.
"The Sound of Music" is certainly one of the most beautiful songs from the film's soundtrack, and it makes for an amazing piano cover!
If you like this arrangement, please consider leaving a review - it would mean a lot!
$4.99 ≈
4.61€
The Sound of Music - Piano Solo
The Sound of Music - Piano Solo
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Piano Facile
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FACILE
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Film/TV
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Rodgers & Hammerstein
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Mario Stallbaumer
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Hammerstein
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The Sound of Music - Piano Sol
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Mario Stallbaumer
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SheetMusicPlus
By Rodgers & Hammerstein. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer...
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By Rodgers & Hammerstein. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play "The Sound of Music" (as performed by Julie Andrews in the 1965 film) on piano!
With this sheet music, you get a piano transcription of the full song - it?s an accurate arrangement which is playable, and sounds beautiful!
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself!
"The Sound of Music" is the title track from the 1965 musical film of the same name (directed by Robert Wise).
The film is itself an adaption of the 1959 stage musical "The Sound of Music", which was composed by Richard Rodgers (with lyrics by Oscar Hammerstein II).
In the film's iconic opening scene, "The Sound of Music" is performed by Julie Andrews (who plays Maria von Trapp) in a magnificent mountain scenery.
The film won five Academy Awards (including "Best Picture" and "Best Music"), two Golden Globe Awards, and is preserved in the United States Library of Congress.
The film's soundtrack became a part of American cultural heritage, and is full of wonderful melodies.
"The Sound of Music" is certainly one of the most beautiful songs from the film's soundtrack, and it makes for an amazing piano cover!
If you like this arrangement, please consider leaving a review - it would mean a lot!
$4.99 ≈
4.61€
See You Again
See You Again
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Piano seul
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Wiz Khalifa Feat
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Mario Stallbaumer
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See You Again
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - SKU: A0.506958 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by Mario Stall...
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Piano Solo - SKU: A0.506958 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by Mario Stallbaumer. Film/TV,Hip-Hop,Pop,R & B. Score. 3 pages. Published by Mario Stallbaumer (A0.506958). With this sheet music, you can play See You Again by Wiz Khalifa & Charlie Puth on piano! It's an accurate, carefully created piano arrangement of the full song. The vocal melody is included in the piano part, so it makes for a perfect piano solo cover. See You Again was written as a tribute to American actor Paul Walker, who died in a car crash in November 2013. At the time of his death, the filming of Furious 7 (the 7th film in the Fast&Furious franchise) had not been completed. When the film was finally released (after rewrites and stand-ins), it became a record-breaking success, with the most successful opening weekend of all time, and the third highest-grossing film of 2015. The film's soundtrack became a huge success as well, topping the US Billboard 200 chart. See You Again became a huge international hit and the best-selling song of 2015 worldwide. The song's music video was the most viewed video on YouTube for a few weeks in 2017! With its beautiful piano intro, rap parts, and a great mix of calm melodic refrains and powerful interludes, See You Again truly has it all. See You Again is a fantastic song to play on the piano!
$4.99 ≈
4.61€
Creative Hymn Accompaniments For Organ, Vol. 1
Creative Hymn Accompaniments For Organ, Vol. 1
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Orgue
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INTERMÉDIAIRE
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Gerhard Krapf
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Creative Hymn Accompaniments F
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.KK519 Composed by Gerhard Krapf. Sacred, General, Hymn-Based Collection. Sacred Music Press #KK519. Published by Sa...
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Organ: 3-staff - Intermediate SKU: LO.KK519 Composed by Gerhard Krapf. Sacred, General, Hymn-Based Collection. Sacred Music Press #KK519. Published by Sacred Music Press (LO.KK519). UPC: 000308013337.Congregational singing often becomes monotonous and prosaic when unrelieved four-part harmony from the hymnal is used for every stanza. Creative Hymn Accompaniments can greatly enhance the vitality of well-known tunes, especially those with many stanzas. Each setting is playable on one or two manuals, allowing the organist to play the melody on a solo stop when desired. These accompaniments avoid extreme departures from traditional harmonies and instead provide alterations which will add interest and variety. 40 pages.
Song List
: Regent Square Herr Jesu Christ, dich zu uns wend Hymn to Joy Kremser Lancashire Lasst uns erfreuen Lauda Anima Llanfair Marion St. Catherine St. George's Windsor Gethsemane Praise, My Soul Coronation Ton-Y-Botel Gaudeamus pariter Aurelia Cwm Rhondda Diademata Wachet Auf Psalm 42 Dix Ebenezer Ein Feste Burg Windsor Es ist ein Ros Freu dich sehr Festal Song Aberystwyth Stuttgart Dundee Webb Morning Light Hyfrydol Old Hundredth
$33.00 ≈
30.51€
Ice Ice Baby
Ice Ice Baby
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Chorale 3 parties
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INTERMÉDIAIRE
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Vanilla Ice
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Henrik Schaanning
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Ice Ice Baby
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Henrik Schaanning
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1356905 By Vanilla Ice. By Brian May, David Bowie, Floyd Brown, Freddie Mercury, John Deacon, Mario Johnso...
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Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1356905 By Vanilla Ice. By Brian May, David Bowie, Floyd Brown, Freddie Mercury, John Deacon, Mario Johnson, Robert Van Winkle, and Roger Taylor. Arranged by Henrik Schaanning. 20th Century,A Cappella,Contemporary,Hip-Hop,Pop. 10 pages. Henrik Schaanning #941520. Published by Henrik Schaanning (A0.1356905). The rap classic Ice Ice Baby arranged for SSAAB.
$2.50 ≈
2.31€
How Could You by Mario - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Mario
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How Could You
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Musicnotes
Performed by: Mario: How Could You Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arra...
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Performed by: Mario: How Could You Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 6 pages -- Rap~~Hip Hop~~Contemporary R & B
$5.79 ≈
5.35€
Que Garota Linda (Bb leadsheet)
Que Garota Linda (Bb leadsheet)
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Mark S
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Que Garota Linda
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica A...
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica Artistworks #6038067. Published by Geofonica Artistworks (A0.948698). This is a Bb lead sheet (including original flute and piano lines, transposed for Bb instruments) for Que Garota Linda. It's a high energy, very exciting, Brazilian-Latin style instrumental from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and flute interact, with the flute (performed by guest flutist Justo Almario) and piano trading sections of the main melody, and then providing dynamic background hooks and counterpoint. (These piano-flute lines are transposed here for Bb instruments. The tune is a great vehicle for musical interplay, jazz improvisation, and high energy rhythm section playing. The API track featured Eric Stiller on acoustic bass and Aldo Bentivegna on drums, with guest percussionist Alex Acuña of Weather Report, backing Mark Massey and Justo Almario. Que Garota Linda was also covered by jazz guitarist Charles Small, a dynamic version the style of Wes Montgomery, which can be heard here: https://youtu.be/wNS3m8rydEwABOUT MARK: In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions (including Que Garota Linda, offered here, inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, an.
$3.99 ≈
3.69€
Ice Box by Omarion - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Omarion
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Ice Box
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Musicnotes
Performed by: Omarion: Ice Box Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangem...
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Performed by: Omarion: Ice Box Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 10 pages -- Pop~~Rap~~Hip Hop~~R & B
$5.99 ≈
5.54€
Tu Vuo Fa L'americano
Tu Vuo Fa L'americano
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Renato Carosone
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Daryl McKenzie
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Tu Vuo Fa L'americano
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Daryl McKenzie
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.717822 By Renato Carosone. By Nicola Sa...
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Large Ensemble Alto Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.717822 By Renato Carosone. By Nicola Salerno and Renato Carosone. Arranged by Daryl McKenzie. Contemporary,Film/TV,Multicultural,World. Score and parts. 26 pages. Daryl McKenzie #3691919. Published by Daryl McKenzie (A0.717822). Based on the Renato Carson version. Male vocal (no lyrics included), Alto Sax, Tenor Sax, Trumpet 1, Trumpet 2, Trombone, Piano, Guitar, Bass, Drums. Key of B minor.Tu vuò fà l'americano (You Want to Play American) is a Neapolitan language song by Italian singer Renato Carosone.Carosone wrote the song in collaboration with Nicola Nisa Salerno in 1956. Commissioned by Ricordi director Rapetti for a radio contest, the music was composed by Carosone in a very short time after reading Nisa's lyrics; he immediately believed the song would become a great success.Carosone's original version of the song was performed by him in the film Totò, Peppino e le fanatiche (directed by Mario Mattoli, 1958). The song was featured in the 1960 Melville Shavelson film It Started in Naples, in which it was sung by Sophia Loren. It was also performed by Rosario Fiorello in the 1999 film The Talented Mr. Ripley.(Wikipedia)More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$49.99 ≈
46.22€
Flowers for Dorothy
Flowers for Dorothy
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
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Mark S
#
Flowers for Dorothy
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Geofonica Artistworks
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofon...
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Piano Solo - Level 4 - SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99 ≈
3.69€
Jacques Leguerney: Trio for violin, violoncello and piano
Jacques Leguerney: Trio for violin, violoncello and piano
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jacques Leguerney
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Jacques Leguerney: Trio for vi
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 48 page...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 48 pages. Musik Fabrik Music Publishing #2343071. Published by Musik Fabrik Music Publishing (A0.533315). French composer Jacques Leguerney (1906-1997) has been recognized for hisoutstanding oeuvre of songs for voice and piano, mostly composed upon poems of theFrench poets of the Pleiade. After his death, the Leguerney Estate decided to allow thepublication of his instrumental chamber music. These works, many of which werewritten in his early years, are valuable contributions to the French chamber musicrepertoire, representing the 20th century from its early years through World War II.This Trio was composed in 1928, but not performed until December 3, 1932. Therespected French musicians Hortense de Sampigny (violinist) and Jacques Serres(cellist) gave its first and, as far as we know, only performance along withLeguerney’s friend and mentor, Thérèse Cahen, at the piano. The concert includingthis work was organized by the Société Musicale Indépendante at the concert hall ofthe Ecole Normale de Musique in Paris. A review, in the Journal des débâts, reads:“We do not know this composer. Judging from his composition, whose variegatedstyle reminds us of [Cesar] Franck, of Maurice Ravel and of Spanish dances, he mustbe quite young.â€The same month as this performance, Leguerney’s father, Marcel Leguerney, died. Atthis point, he interrupted his musical activity in order to take over his father’s businessto support his mother and sister. He was not able to resume musical composition until1940, when the outbreak of the war led him to close the business.This edition is based upon two autograph manuscript sources of the full score, as wellas copyist’s parts for the violin and ‘cello. His first completed sketch as well as hisfinal copy are in the Leguerney archives. The parts, made by a copyist, were obviouslyused for a performance, and contain suggested phrasing, as well as bowings (whichwe have not reproduced). We surmise that the violin and ’cello parts were used for thefirst performance. We also think that Thérèse Cahen must have kept her piano score,as the copyist's score of it was not found with the other parts.We have added rehearsal numbers, and corrected a few notational mistakes in themanuscript.We would like to thank Jean Libermann, cellist, and Marion Larigaudrie, violinist,for their advice in the preparation of this edition.
$25.95 ≈
23.99€
Jacques Leguerney: Première Sonate for piano and violin
Jacques Leguerney: Première Sonate for piano and violin
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Violon et Piano
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AVANCÉ
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Jacques Leguerney
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Jacques Leguerney: Premi&egrav
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publishing #2343095....
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Piano,Violin - Level 5 - SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publishing #2343095. Published by Musik Fabrik Music Publishing (A0.533318). Première Sonate pour piano et violonI. ModéréII. Assez lentIII. AniméIV. Bien allant, mais d'expression tranquilleJacques Leguerney began the composition of his First Sonata for Piano and Violin in 1926, shortly after beginning composition studies with Nadia Boulanger. She was reportedly quite enthusiastic about the natural talent of her new student, and offered to give him private lessons to supplement her analysis classes. Leguerney was already reticent about studying composition. In an interview in 1989, he remembered his feeling at that time, saying that I found that this was useless work. If one is gifted for music, one is capable of writing harmonies. instead, Leguerney showed his Sonata to the French composer Albert Roussel, who was renting an apartment on Avenue Wagram in a building next to that of the Leguerney family. Leguerneyremembered Roussel's apartment with its dark blue walls and gilded Indian statues! Roussel encouraged his efforts and said of the second theme of the first movement: I would have liked to have written that. (J'aurais été très content d'avoir écrit ça.)The first performance of the Sonata was given by the pianist Thérèse Cahen (1897-1944) and the violinist Hortense de Sampigny (? – 1970) in a private concert. The violinist was already a well-known concert artist. De Sampigny finished her studies at the Paris Conservatory in 1915, where she was in the class of Jules Boucherit. In 1918 she married the French author Auguste Bailly (1878-1967). From 1921, she was a member of the Trio Trillat, founded by the pianist Ennemond Trillat with the collaboration of cellist Jean Witkowski. The Trio was active in concerts and recordings in France and abroad for about thirty years. De Sampigny later taught at the Conservatory as assistant to René Benedetti. Thérèse Cahen had studied piano, harmony and counterpoint at the Schola Cantorum, where she obtained a Second Prize. She was a faithful friend and muse for Leguerney, and recruited many musicians for first performances of his vocal and chamber works. She was deported to Auschwitz on July 31, 1944, a few weeks before the Liberation of Paris. This edition of the Sonata was performed at a private concert in Vernon (France) in July 2011 by French violinist Marion Larigaudrie and pianist Mary Dibbern. It is based upon the autograph manuscript OL 23, on deposit at the Music Department of the Bibliothèque national in Paris.
$25.95 ≈
23.99€
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
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Mark S
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Professor M & M's Jive Det
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 ...
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99 ≈
3.69€
Professor M & M's Jive Detector (C lead sheet, with piano & tenor sax melody)
Professor M & M's Jive Detector (C lead sheet, with piano & tenor sax melody)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Mark S
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Professor M & M's Jive Det
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Geofonica Artistworks
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.948697 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038029....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.948697 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038029. Published by Geofonica Artistworks (A0.948697). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in lead sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. (NOTE: A Bb leadsheet is also available.) The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track features Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been released. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, bop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and .
$3.99 ≈
3.69€
Imperial Fanfares for an Equestrian Ballet (1667) for Trumpet Ensemble
Imperial Fanfares for an Equestrian Ballet (1667) for Trumpet Ensemble
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Ensemble de Trompettes
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INTERMÉDIAIRE
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Johann Heinrich Schmelzer
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Charles Decker
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Imperial Fanfares for an Eques
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Charles Decker Music Press
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SheetMusicPlus
Trumpet Ensemble Trumpet - Level 3 - SKU: A0.817151 Composed by Johann Heinrich Schmelzer. Arranged by Charles Decker. Baroque,Chamber,Contest,Festival,...
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Trumpet Ensemble Trumpet - Level 3 - SKU: A0.817151 Composed by Johann Heinrich Schmelzer. Arranged by Charles Decker. Baroque,Chamber,Contest,Festival,Historic,Multicultural,World. 19 pages. Charles Decker Music Press #5356047. Published by Charles Decker Music Press (A0.817151). You don’t have to be an emperor to admire these three regal and stately fanfares composed for an elaborately staged Equestrian Ballet at the Hofburg Imperial Palace in Vienna highlighting the 1667 imperial court marriage celebrations of Emperor Leopold the First to the Infanta Margareta of Spain. Performed in its day by court trumpeters with valveless instruments and a pair of timpani, each fanfare announced with a different articulation style a new portion for the choreographed cavalry Equestrian Ballet. Accessible for students using B-flat or C trumpets and with timpani parts in both keys, they provide useful material for ceremonies and programs, even an exciting opening work to a band or orchestra concert featuring the trumpet section. Doubling parts enhances the musical impact of Baroque trumpet corps timbre and creates options for antiphonal treatment. The sound file is an actual trumpet ensemble performance of the entire edition and not a computer playback of the score.See 40+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Kendor Music for more of my trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.
$6.99 ≈
6.46€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.18€
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Mario Rap
