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Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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Instruments en Do
#
FACILE
#
Renaissance
#
Various
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
C Instrument - Level 2 - By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael...
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C Instrument - Level 2 - By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or ?choirs? of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.
Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.
I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.
At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at
https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS
As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the ?standards? that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46 ≈
10.57€
Ticket To Ride
Ticket To Ride
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Kenneth Martinson
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Ticket To Ride
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Kenneth Martinson
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1348119 By The Beatles. By John Lennon and Paul McCartney. Arranged by Kenneth Martinson. Chamber,Pop,...
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String Quartet String Quartet - Level 4 - SKU: A0.1348119 By The Beatles. By John Lennon and Paul McCartney. Arranged by Kenneth Martinson. Chamber,Pop,Rock,Wedding. 14 pages. Kenneth Martinson #932935. Published by Kenneth Martinson (A0.1348119). From the Album Help! Arranged for String Quartet.Kenneth Martinson arrangements attempt to mimick the Beatles recordings EXACTLY as played on the recording, down to every last articulation, note, nuance, phrase, dynamic, inflection, drum beat....everything!  WARNING:  No attempt is made to water these incredible songs down. These are professional arrangements...not for kids!
$14.99 ≈
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Got To Get You Into My Life
Got To Get You Into My Life
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Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
The Beatles
#
Kenneth Martinson
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Got To Get You Into My Life
#
Kenneth Martinson
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1352632 By The Beatles. By John Lennon and Paul McCartney. Arranged by Kenneth Martinson. Chamber,Pop,...
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String Quartet String Quartet - Level 4 - SKU: A0.1352632 By The Beatles. By John Lennon and Paul McCartney. Arranged by Kenneth Martinson. Chamber,Pop,Rock,Wedding. 18 pages. Kenneth Martinson #937428. Published by Kenneth Martinson (A0.1352632). From the Revolver album, 1966. Arranged for String Quartet.Kenneth Martinson arrangements attempt to mimick the Beatles recordings EXACTLY as played on the recording, down to every last articulation, note, nuance, phrase, dynamic, inflection, drum beat....everything!  WARNING:  No attempt is made to water these incredible songs down. These are professional arrangements...not for kids!
$14.99 ≈
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Last Kiss
Last Kiss
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Piano seul
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INTERMÉDIAIRE
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Rock
#
Pearl Jam
#
Henrique F Mangoni
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Last Kiss
#
Henrique Franke Mangoni
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.949612 By Pearl Jam. By Wayne Cochran. Arranged by Henrique F Mangoni. Pop,Rock. Score. 3 pages. Henrique Franke Mangoni ...
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Piano Solo - Level 3 - SKU: A0.949612 By Pearl Jam. By Wayne Cochran. Arranged by Henrique F Mangoni. Pop,Rock. Score. 3 pages. Henrique Franke Mangoni #6463859. Published by Henrique Franke Mangoni (A0.949612). Last Kiss by Wayne Cochran, made famous by Pearl Jam. Intermediate level arrangement for solo piano. This edition includes the chords of the song. Last Kiss, a sad love song originally composed and recorded by Wayne Cochran. Later the song was made famous with covers by J Frank Wilson and Pearl Jam. Learn how to play Last Kiss by Pearl Jam on the piano! Subscribe to my YouTube channel to know more about my work! last kiss piano sheet music, last kiss by pearl jam piano sheet music, last kiss by wayne cochran piano sheet music, how to play last kiss on the piano, last kiss piano chords, last kiss sheet music, last kiss solo piano sheet music, last kiss solo piano arrangement.
$5.99 ≈
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Last Kiss
Last Kiss
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Piano seul
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INTERMÉDIAIRE
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Rock
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Pearl Jam
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Henrique F Mangoni
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Last Kiss
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Henrique Franke Mangoni
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1113131 By Pearl Jam. By Wayne Cochran. Arranged by Henrique F Mangoni. Pop,Rock. Score. 3 pages. Henrique Franke Mangoni...
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Piano Solo - Level 3 - SKU: A0.1113131 By Pearl Jam. By Wayne Cochran. Arranged by Henrique F Mangoni. Pop,Rock. Score. 3 pages. Henrique Franke Mangoni #715090. Published by Henrique Franke Mangoni (A0.1113131). Last Kiss by Wayne Cochran, made famous by Pearl Jam. Intermediate level arrangement for solo piano. Clean sheet music edition. Last Kiss, a sad love song originally composed and recorded by Wayne Cochran. Later the song was made famous with covers by J Frank Wilson and Pearl Jam. Learn how to play Last Kiss by Pearl Jam on the piano! Subscribe to my YouTube channel to know more about my work! last kiss piano sheet music, last kiss by pearl jam piano sheet music, last kiss by wayne cochran piano sheet music, how to play last kiss on the piano, last kiss sheet music, last kiss solo piano sheet music, last kiss solo piano arrangement.
$5.99 ≈
5.52€
Laid To Rest - simple lead sheet
Laid To Rest - simple lead sheet
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Piano Facile
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FACILE
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Contemporain
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Johnson Lee
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Laid To Rest - simple lead she
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johnson lee
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.912632 Composed by Johnson Lee. Contemporary. Score. 2 pages. Johnson lee #1920997. Published by johnson lee (A0.912632)....
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Piano Solo - Level 2 - SKU: A0.912632 Composed by Johnson Lee. Contemporary. Score. 2 pages. Johnson lee #1920997. Published by johnson lee (A0.912632). This tune was premiered at the funeral of the first Prime Minister of Singapore Mr Lee Kuan Yew. This tune pays tribute to the people who have made contributions to this world. Their sacrifice and generosity have enriched us. Their love and spirit is passed on to the future and their example for us to follow. https://www.youtube.com/watch?v=6lJP6M6klPkRemarks from my friend Samantha Tang:I like the first half and very last part. Last Part is like a link back to the beginning, like a you went round a full circle, depicting life cycle. Beginning Part is is soothing and gradual; Somewhat like a child starting his life. It builds up and peak like a peak of one's life or career. There is one part I like, sounded like a mix of regrets and acceptance. When I listen to this piece of music, the word reflections comes to my mind. The second half that sounded bold reminds me of part of one's life where he was leading at his best. Its a peaceful Song with a lot of emotions that developed progressively.Samantha showed this video to a boy with Autism and he calmed down. I was told that the usual Mozart music does not calm him down anymore and he paid no interest. I like the first half and very last part. Last Part is like a link back to the beginning, like a you went round a full circle, depicting life cycle. Beginning Part is is soothing and gradual; Somewhat like a child starting his life. It builds up and peak like a peak of one's life or career. There is one part I like, sounded like a mix of regrets and acceptance. When I listen to this piece of music, the word reflections comes to my mind. The second half that sounded bold reminds me of part of one's life where he was leading at his best. Its a peaceful Song with a lot of emotions that developed progressively. https://www.youtube.com/watch?v=6lJP6M6klPkRemarks from my friend Samantha Tang:I like the first half and very last part. Last Part is like a link back to the beginning, like a you went round a full circle, depicting life cycle. Beginning Part is is soothing and gradual; Somewhat like a child starting his life. It builds up and peak like a peak of one's life or career. There is one part I like, sounded like a mix of regrets and acceptance. When I listen to this piece of music, the word reflections comes to my mind. The second half that sounded bold reminds me of part of one's life where he was leading at his best. Its a peaceful Song with a lot of emotions that developed progressively.Samantha showed this video to a boy with Autism and he calmed down. I was told that the usual Mozart music does not calm him down anymore and he paid no interest.
$1.99 ≈
1.84€
Grieg: 2 Elegiac Melodies Op.34 No.2 “Våren” (Last Spring) - wind quintet
Grieg: 2 Elegiac Melodies Op.34 No.2 “Våren” (Last Spring) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ray Thompson Music
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Ray Thompson
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Grieg: 2 Elegiac Melodies Op.3
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.540374 By Ray Thompson Music. By Edvard Grieg. Arranged by Ray T...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.540374 By Ray Thompson Music. By Edvard Grieg. Arranged by Ray Thompson. Romantic Period. 11 pages. RayThompsonMusic #150525. Published by RayThompsonMusic (A0.540374). Two Elegiac Melodies, Op. 34, is a composition in two movements for string orchestra by Edvard Grieg, completed in 1880 and first published in 1881.The two movements are instrumental arrangements Grieg made of two of his 12 Melodies, Op. 33, published in 1880: these were settings for voice and piano of words by the Norwegian poet and journalist Aasmund Olavsson Vinje.The Two Elegiac Melodies were dedicated to Heinrich von Herzogenberg.Grieg also made an arrangement for solo piano.This arrangement is of No.2 - VÃ¥ren ( Last Spring).. In Vinje's words, from Grieg's Op. 33 No. 2, the poet describes the beauty of the countryside in spring, appearing after the snow of winter; he thinks he might be seeing it for the last time.It is arranged for standard wind quintet.My other Grieg arrangements.
$14.95 ≈
13.79€
At Last
At Last
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Instruments en Do
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Celine Dion
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Mark W
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At Last
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808230 By Celine Dion. By Harry Warren. Arranged by Mark W. Huxhold. Oldies. Lead Sheet / Fake Book. 6 pages. Mark Wayne Music, L...
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C Instrument - SKU: A0.808230 By Celine Dion. By Harry Warren. Arranged by Mark W. Huxhold. Oldies. Lead Sheet / Fake Book. 6 pages. Mark Wayne Music, LLC #3531991. Published by Mark Wayne Music, LLC (A0.808230). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.
$4.99 ≈
4.60€
Last picnic at Blue Lake for flute and guitar
Last picnic at Blue Lake for flute and guitar
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Flûte et Guitare
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Last picnic at Blue Lake for f
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.575805 Composed by David Warin Solomons. Contemporary. Score and parts. 8 pages. Da...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.575805 Composed by David Warin Solomons. Contemporary. Score and parts. 8 pages. David Warin Solomons #2028307. Published by David Warin Solomons (A0.575805). This is a bittersweet duet for flute and guitar in a jaunty 6/8 time but which continually varies from major to minor. It was originally an ecology song, which I wrote in 1976, but this year I made it into an instrumental piece. Discussions with various flautists finally led to this preferred title (Last picnic at Blue Lake and the French equivalent Dernier Pique-Nique au Lac Bleu) The pdf file contains the score and separate parts. The audio sample is an electronic preview.
$10.00 ≈
9.22€
At Last
At Last
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Etta James
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BARRY MOLINSKI
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At Last
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Barry Molinski
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1272205 By Et...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1272205 By Etta James. By Harry Warren and Mack Gordon. Arranged by BARRY MOLINSKI. Blues,Broadway,Jazz,Musical/Show,Pop,Soul. 16 pages. Barry Molinski #864504. Published by Barry Molinski (A0.1272205). Etta James hit AT LAST for Saxophone Quartet (SS/AS) AS TS BSEasy to play. Enjoyable music. Also made famous by vocalist Celine Dion.Saxophone Quartet, Woodwind Ensemble: Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 3 - Lyric by Mack Gordon Music by Harry WarrenThis arrangement by BARRY MOLINSKI brings the good vibes from the heart of of New York right up to your bandstand.Broadway, Film/TV, Musical/Show, Pop. 16 pages.
$16.99 ≈
15.67€
There'll Be Some Changes Made
There'll Be Some Changes Made
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Instruments en Do
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Jazz
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Higgins/Overstreet
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Mark Huxhold
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There'll Be Some Changes Made
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808148 Composed by Higgins/Overstreet. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #23...
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C Instrument - SKU: A0.808148 Composed by Higgins/Overstreet. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #2343163. Published by Mark Wayne Music, LLC (A0.808148). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$1.99 ≈
1.84€
I'm Sorry I Made You Cry
I'm Sorry I Made You Cry
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Ligne De Mélodie, (Paroles) et Accords
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Jazz
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N
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Mark Huxhold
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I'm Sorry I Made You Cry
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808115 Composed by N.J. Clesi. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #2332227. P...
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C Instrument - SKU: A0.808115 Composed by N.J. Clesi. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #2332227. Published by Mark Wayne Music, LLC (A0.808115). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$1.99 ≈
1.84€
At Last
At Last
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Etta James
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K
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At Last
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K. Speck
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.915220 By Etta James. By Harry Warren. Arranged by K. Speck. Contemporary. Score. 7 pages. K. Speck #6332861. Publi...
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Cello Duet Cello - Level 4 - SKU: A0.915220 By Etta James. By Harry Warren. Arranged by K. Speck. Contemporary. Score. 7 pages. K. Speck #6332861. Published by K. Speck (A0.915220). At Last in the style of Etta James Cello Duet. Arranged by K. Speck (@kspeckmusic)Key- F major ; *Chord symbols included for optional piano/guitar additionScore- 3 pagesCello 1- 2 pages (with chord symbols)Cello 2- 2 pages(Cello 1 transcription is accurate to Etta James vocal riffs, slight changes made for playability)
$7.99 ≈
7.37€
At Last
At Last
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Etta James
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K
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At Last
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K. Speck
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.915309 By Etta James. By Harry Warren. Arranged by K. Speck. Contemporary. Score an...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.915309 By Etta James. By Harry Warren. Arranged by K. Speck. Contemporary. Score and parts. 7 pages. K. Speck #6873157. Published by K. Speck (A0.915309). At Last in the style of Etta James, Violin and Cello Duet. Arranged by K. Speck (@kspeckmusic)Key- F major ; *Chord symbols included for optional piano/guitar additionScore- 3 pagesViolin- 2 pages (with chord symbols)Cello- 2 pages(Violin transcription is accurate to Etta James vocal riffs, slight changes made for playability)
$7.99 ≈
7.37€
At Last
At Last
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Violon, Alto (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Etta James
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K
#
At Last
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K. Speck
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.915310 By Etta James. By Harry Warren. Arranged by K. Speck. Contemporary. Score an...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.915310 By Etta James. By Harry Warren. Arranged by K. Speck. Contemporary. Score and parts. 7 pages. K. Speck #6873159. Published by K. Speck (A0.915310). At Last in the style of Etta James, Violin and Viola Duet. Arranged by K. Speck (@kspeckmusic)Key- F major ; *Chord symbols included for optional piano/guitar additionScore- 3 pagesViolin- 2 pages (with chord symbols)Viola- 2 pages(Violin transcription is accurate to Etta James vocal riffs, slight changes made for playability)
$7.99 ≈
7.37€
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
11.07€
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
#
Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
#
SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
11.07€
The Best Is Yet To Come
The Best Is Yet To Come
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Instruments en Do
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AVANCÉ
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Andrew Dorff, Jon Lyle Mc Elro
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John Fries
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The Best Is Yet To Come
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John Fries
#
SheetMusicPlus
C Instrument - Level 5 - SKU: A0.1165158 Composed by Andrew Dorff, Jon Lyle Mc Elroy, and Skip Black. Arranged by John Fries. 20th Century,Jazz,Standard...
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C Instrument - Level 5 - SKU: A0.1165158 Composed by Andrew Dorff, Jon Lyle Mc Elroy, and Skip Black. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #765508. Published by John Fries (A0.1165158). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. The Best Is Yet to Come is a 1959 song composed by Cy Coleman to lyrics by Carolyn Leigh. It is associated with Frank Sinatra, who recorded it on his 1964 album It Might as Well Be Swing accompanied by Count Basie under the direction of Quincy Jones. It was the last song Sinatra sang in public, on February 25, 1995, and the words The Best is Yet to Come are etched on Sinatra's tombstone. Although Sinatra made it popular, the song was written for and introduced by Tony Bennett.
$4.99 ≈
4.60€
The Best Is Yet To Come
The Best Is Yet To Come
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Anders Wikstrom, Eric Bazilian
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John Fries
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The Best Is Yet To Come
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John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198891 Composed by Anders Wikstrom, Eric Bazilian, Fredrik Thomander, and Rudolph Schenker. Arranged by Jo...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198891 Composed by Anders Wikstrom, Eric Bazilian, Fredrik Thomander, and Rudolph Schenker. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #797980. Published by John Fries (A0.1198891). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  The Best Is Yet to Come is a 1959 song composed by Cy Coleman to lyrics by Carolyn Leigh. It is associated with Frank Sinatra, who recorded it on his 1964 album It Might as Well Be Swing accompanied by Count Basie under the direction of Quincy Jones. It was the last song Sinatra sang in public, on February 25, 1995, and the words The Best is Yet to Come are etched on Sinatra's tombstone. Although Sinatra made it popular, the song was written for and introduced by Tony Bennett.
$4.99 ≈
4.60€
The Cello Orchestral Companion to the Suzuki Violin School Vol. 2
The Cello Orchestral Companion to the Suzuki Violin School Vol. 2
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Classique
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Various
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Michele Galvagno
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The Cello Orchestral Companion
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.841327 Composed by Various. Arranged by Michele Galvagno. Baroque,Children,Classical,Romantic Period. Score and part...
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String Ensemble - Level 2 - SKU: A0.841327 Composed by Various. Arranged by Michele Galvagno. Baroque,Children,Classical,Romantic Period. Score and parts. 29 pages. Artistic Score Engraving di Galvagno Michele #3501893. Published by Artistic Score Engraving di Galvagno Michele (A0.841327). In schools using the Suzuki Method it is usual to perform music taken from the children's repertoire books. The main problem with this is that, being violinists usually many more than their cellist fellows, these last ones have to add to their normal weekly practice also the study of the accompaniments of the pieces for violin. This can drain a lot of time from the cello teacher's weekly lesson's already limited time.This edition aims to solve this problem by providing already made parts for accompanying all of the pieces presented in the Suzuki Violin School - Volume 2, ready to use with fingerings, bowings and other editorial marks. Printing the whole score in recto-verso will give you a ready to play book with page turns already set up. The solo violin part is not shown in this publication. The teacher or the orchestra wishing to perform this is required to own a legal copy of the Suzuki Violin School - Volume 2
$14.95 ≈
13.79€
Hope of the World 06: On the Road to Bethlehem
Hope of the World 06: On the Road to Bethlehem
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
#
Hope of the World 06: On the R
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Stephen R Dalrymple
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.847874 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.847874 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 34 pages. Stephen R Dalrymple #454566. Published by Stephen R Dalrymple (A0.847874). Hope of the World 06: On the Road to Bethlehemoriginal song for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999, 2022 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2023♫ based on Genesis 35, Jeremiah 36, Matthew 2♫ This prophecy alludes to Rachel’s death near Bethlehem. Rachel dies in bitterness. Jeremiah prophecies the grief of the mothers of Jerusalem will experience at the sack of Jerusalem by Nebuchadnezzar and personifies it as Rachel weeping. A third use of the metaphor is the mothers whose babies are destroyed at Herod the Great’s command. ♫ Coventry Carol is 1 of 3 songs belonging to Pageant of the Shearmen and Tailors, a Coventry Mystery play of the nativity. The only surviving copy of the play (and the song) is dated 1534. The text of Coventry Carol expresses horror of the murder of the innocents by Herod.♫ To balance the darkness and grief of the music, the composer has concluded the song with a reminder of how God intervened to protect His Son and the redemption of mankind.♫ Hope of the World is made of 2 suites of songs that present messianic prophecies from the Old Testament that are referenced in the New Testament. The first 8 songs center on the birth of Christ, the last 9, Christ’s life and passion.♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$2.00 ≈
1.84€
To Strive, To Seek, To Find
To Strive, To Seek, To Find
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Chorale SATB
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Douglas E
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To Strive, To Seek, To Find
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Heritage Music Press
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SheetMusicPlus
SATB choir, Piano (With Optional Accompaniment MP3) - SKU: LX.15-3835H Composed by Douglas E. Wagner. Educational. Octavo. 8 pages. Heritage Music Press...
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SATB choir, Piano (With Optional Accompaniment MP3) - SKU: LX.15-3835H Composed by Douglas E. Wagner. Educational. Octavo. 8 pages. Heritage Music Press #e15/3835H. Published by Heritage Music Press (LX.15-3835H). ISBN 9780787772581.That which we are, we are; one equal temper of heroic hearts, made weak by time and fate, but strong in will to strive, to seek, to find, and not to yield. Immortal lines of undaunted courage and striving to the last, from Tennyson's Ulysses, dynamically set with dignity and conviction. Powerful and inspiring!
$2.40 ≈
2.21€
Slave To The Rhythm
Slave To The Rhythm
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Piano, Voix
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FACILE
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Contemporain
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Bruce Woolley, Simon Darlow, S
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Jeff Tincher
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Slave To The Rhythm
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Jeff Tincher
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.584441 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. Arranged by Jeff Tincher. Contempor...
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Piano,Vocal,Voice - Level 2 - SKU: A0.584441 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. Arranged by Jeff Tincher. Contemporary. Score. 14 pages. Jeff Tincher #5754945. Published by Jeff Tincher (A0.584441). This is the song that turned me onto Grace Jones music. I borrowed the Slave To The Rhythm LP from the library, put it on the turntable, and thought this is different. This track was the last track on the A-side. As I further listened to the LP I realized that the album used the same song in different genres, format, and keys. You wouldn't know it unless you really listened to the LP. This arrangement, however, is in the original key from her Island Life LP. This song has funk all over it. Grace is a strange character but has a great voice. What made me pick this song is I was searching through youtube to find a song to arrange and I found Grace doing this song live. Again, Grace surprised me. You think female stars today has energy. She sang the song while hula hooping. She was 64 when she did this. She still does this on her concerts. Here is the link to amaze you...https://www.youtube.com/watch?v=vSa5EvWqB7g. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99 ≈
5.52€
Slave To The Rhythm
Slave To The Rhythm
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Contemporain
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Bruce Woolley, Simon Darlow, S
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Jeff Tincher
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Slave To The Rhythm
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584445 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. Arranged by Jeff...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584445 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. Arranged by Jeff Tincher. Contemporary. Score and parts. 23 pages. Jeff Tincher #5754955. Published by Jeff Tincher (A0.584445). This is the song that turned me onto Grace Jones music. I borrowed the Slave To The Rhythm LP from the library, put it on the turntable, and thought this is different. This track was the last track on the A-side. As I further listened to the LP I realized that the album used the same song in different genres, format, and keys. You wouldn't know it unless you really listened to the LP. This arrangement, however, is in the original key from her Island Life LP. This song has funk all over it. Grace is a strange character but has a great voice. What made me pick this song is I was searching through youtube to find a song to arrange and I found Grace doing this song live. Again, Grace surprised me. You think female stars today has energy. She sang the song while hula hooping. She was 64 when she did this. She still does this on her concerts. Here is the link to amaze you...https://www.youtube.com/watch?v=vSa5EvWqB7g. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
11.98€
Slave To The Rhythm
Slave To The Rhythm
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Contemporain
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Bruce Woolley, Simon Darlow, S
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Jeff Tincher
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Slave To The Rhythm
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.584443 Composed by Bruce Wool...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.584443 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. Arranged by Jeff Tincher. Contemporary. 22 pages. Jeff Tincher #5754949. Published by Jeff Tincher (A0.584443). This is the song that turned me onto Grace Jones music. I borrowed the Slave To The Rhythm LP from the library, put it on the turntable, and thought this is different. This track was the last track on the A-side. As I further listened to the LP I realized that the album used the same song in different genres, format, and keys. You wouldn't know it unless you really listened to the LP. This arrangement, however, is in the original key from her Island Life LP. This song has funk all over it. Grace is a strange character but has a great voice. What made me pick this song is I was searching through youtube to find a song to arrange and I found Grace doing this song live. Again, Grace surprised me. You think female stars today has energy. She sang the song while hula hooping. She was 64 when she did this. She still does this on her concerts. Here is the link to amaze you...https://www.youtube.com/watch?v=vSa5EvWqB7g. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
11.98€
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