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Vous avez sélectionné:
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146 partitions trouvées
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126
Keyboard Orchestra - Score Only
Keyboard Orchestra - Score Only
#
Orchestre
#
INTERMÉDIAIRE
#
Orchestronics
#
Joe Wiedemann
#
Keyboard Orchestra - Score Onl
#
Joe Wiedemann
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1226904 By Orchestronics. By Joe Wiedemann. Arranged by Joe Wiedemann. Classical,Instructional. 8 pages. Joe Wiedeman...
(+)
Full Orchestra - Level 3 - SKU: A0.1226904 By Orchestronics. By Joe Wiedemann. Arranged by Joe Wiedemann. Classical,Instructional. 8 pages. Joe Wiedemann #822916. Published by Joe Wiedemann (A0.1226904). A full orchestra built on a keyboard using acoustic samples plus synthesizer. Expression, vibrato and dynamic range make acoustic and electronic sounds come alive with some traditional orchestrations. This is the title track of an entire album using the same elements that film composers use to create vivid soundtracks.
$3.99 ≈
3.68€
Bull: In Nomine CXIX for String Orchestra - Score Only
Bull: In Nomine CXIX for String Orchestra - Score Only
#
Orchestre à Cordes
#
FACILE
#
John Bull
#
James M
#
Bull: In Nomine CXIX for Strin
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renais...
(+)
String Orchestra - Level 2 - SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. 20 pages. Jmsgu3 #882823. Published by jmsgu3 (A0.1292216). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95 ≈
30.39€
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
#
Orchestre à Cordes
#
FACILE
#
Dr
#
James M
#
Bull: A Gigge - Doctor Bull's
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,...
(+)
String Orchestra - Level 2 - SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 5 pages. Jmsgu3 #883325. Published by jmsgu3 (A0.1292762). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95 ≈
30.39€
Bull: Salvator mundi for String Orchestra - Score Only
Bull: Salvator mundi for String Orchestra - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Dr
#
James M
#
Bull: Salvator mundi for Strin
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1291707 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Early Music,Festival,Renaissance...
(+)
String Orchestra - Level 3 - SKU: A0.1291707 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Early Music,Festival,Renaissance,Traditional. 23 pages. Jmsgu3 #882313. Published by jmsgu3 (A0.1291707). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95 ≈
30.39€
Sweelinck: Echo Fantasia No. 3 for String Orchestra - Score Only
Sweelinck: Echo Fantasia No. 3 for String Orchestra - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 3
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1297060 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
(+)
String Orchestra - Level 3 - SKU: A0.1297060 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 10 pages. Jmsgu3 #887184. Published by jmsgu3 (A0.1297060). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95 ≈
30.39€
Sweelinck: Fantasia Do Sol Fa Mi for String Orchestra - Score Only
Sweelinck: Fantasia Do Sol Fa Mi for String Orchestra - Score Only
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Orchestre à Cordes
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FACILE
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Jan Pieterszoon Sweelinck, 156
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James M
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Sweelinck: Fantasia Do Sol Fa
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1265090 Composed by Jan Pieterszoon Sweelinck, 1562-1621. Arranged by James M. Guthrie. Contest,Early Music,Festiva...
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String Orchestra - Level 2 - SKU: A0.1265090 Composed by Jan Pieterszoon Sweelinck, 1562-1621. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Standards. 15 pages. Jmsgu3 #857933. Published by jmsgu3 (A0.1265090). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Fantasia Do Sol Fa Mi is an ostinato-based composition that showcases Sweelinck's mastery of counterpoint.
$38.95 ≈
35.93€
Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Instructional,Renaissance. 88 pages. Jmsgu3 #887923. Published by jmsgu3 (A0.1298022). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$98.85 ≈
91.17€
Sweelinck: Fantasia Chromatica for String Orchestra - Score Only
Sweelinck: Fantasia Chromatica for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck
#
James M
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Sweelinck: Fantasia Chromatica
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1294900 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1294900 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 21 pages. Jmsgu3 #885220. Published by jmsgu3 (A0.1294900). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Fantasia Chromatica is based on a descending chromatic tetrachord from D to A. The theme is later developed in various ways, including canons, augmentation, diminution, and double augmentation. The piece forms an essential link between the Renaissance and the Baroque.
$32.95 ≈
30.39€
Sweelinck: Echo Fantasia No. 5 for String Orchestra - Score Only
Sweelinck: Echo Fantasia No. 5 for String Orchestra - Score Only
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck
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James M
#
Sweelinck: Echo Fantasia No. 5
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 14 pages. Jmsgu3 #887669. Published by jmsgu3 (A0.1297695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95 ≈
30.39€
Sweelinck: Echo Fantasia No. 4 for String Orchestra - Score Only
Sweelinck: Echo Fantasia No. 4 for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Jan Pieterszoon Sweelinck
#
James M
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Sweelinck: Echo Fantasia No. 4
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1297517 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 3 - SKU: A0.1297517 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 20 pages. Jmsgu3 #887560. Published by jmsgu3 (A0.1297517). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95 ≈
30.39€
Farnaby: Fantasia CXXIX for String Orchestra - Score Only
Farnaby: Fantasia CXXIX for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Giles Farnaby
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James M
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Farnaby: Fantasia CXXIX for St
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,...
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String Orchestra - Level 4 - SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 17 pages. Jmsgu3 #888221. Published by jmsgu3 (A0.1298242). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$32.95 ≈
30.39€
Sweelinck: Fantasia Ut, re, mi, fa, sol, la for String Orchestra - Score Only
Sweelinck: Fantasia Ut, re, mi, fa, sol, la for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Fantasia Ut, re, mi
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1293478 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1293478 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 23 pages. Jmsgu3 #883964. Published by jmsgu3 (A0.1293478). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.
$32.95 ≈
30.39€
Sweelinck: Echo Fantasia No. 6 for String Orchestra - Score Only
Sweelinck: Echo Fantasia No. 6 for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck was
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James M
#
Sweelinck: Echo Fantasia No. 6
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297998 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histo...
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String Orchestra - Level 4 - SKU: A0.1297998 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 12 pages. Jmsgu3 #887903. Published by jmsgu3 (A0.1297998). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95 ≈
30.39€
Byrd: Rowland for String Orchestra - Score Only
Byrd: Rowland for String Orchestra - Score Only
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Orchestre à Cordes
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FACILE
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William Byrd
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James M
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Byrd: Rowland for String Orche
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1290870 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,T...
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String Orchestra - Level 2 - SKU: A0.1290870 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 8 pages. Jmsgu3 #881555. Published by jmsgu3 (A0.1290870). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$32.95 ≈
30.39€
Byrd: The Queenes Alman for String Orchestra - Score Only
Byrd: The Queenes Alman for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
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William Byrd
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James M
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Byrd: The Queenes Alman for St
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1290432 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,T...
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String Orchestra - Level 3 - SKU: A0.1290432 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 9 pages. Jmsgu3 #881143. Published by jmsgu3 (A0.1290432). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$32.95 ≈
30.39€
Philips: Amarilli di Julio Romano for String Orchestra - Score Only
Philips: Amarilli di Julio Romano for String Orchestra - Score Only
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Orchestre à Cordes
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FACILE
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Peter Philips
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James M
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Philips: Amarilli di Julio Rom
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1287876 Composed by Peter Philips. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,...
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String Orchestra - Level 2 - SKU: A0.1287876 Composed by Peter Philips. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 8 pages. Jmsgu3 #878960. Published by jmsgu3 (A0.1287876). Peter Philips, the composer, was born in 1560 or 1561 and died in 1628. He was an English composer, organist, and Catholic priest exiled to Flanders. Philips was known for his keyboard virtuosity and transcribing or arranging Italian motets and madrigals for his instruments. He composed a large number of sacred choral works, with his surviving motets numbering in the hundreds.
$24.95 ≈
23.01€
Byrd: The Maidens Songe for String Orchestra - Score Only
Byrd: The Maidens Songe for String Orchestra - Score Only
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Orchestre à Cordes
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FACILE
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William Byrd
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James M
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Byrd: The Maidens Songe for St
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1288889 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,T...
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String Orchestra - Level 2 - SKU: A0.1288889 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 12 pages. Jmsgu3 #879728. Published by jmsgu3 (A0.1288889). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$28.95 ≈
26.70€
Byrd: Fantasia in A Minor for String Orchestra - Score Only
Byrd: Fantasia in A Minor for String Orchestra - Score Only
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Orchestre à Cordes
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FACILE
#
William Byrd
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James M
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Byrd: Fantasia in A Minor for
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1289766 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,T...
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String Orchestra - Level 2 - SKU: A0.1289766 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 44 pages. Jmsgu3 #880459. Published by jmsgu3 (A0.1289766). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$28.95 ≈
26.70€
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
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Orchestre
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INTERMÉDIAIRE
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Opera
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Classique
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Johann Simon Mayr
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Concerto n° 1 for cembalo
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Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,...
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Full Orchestra - Level 3 - SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00 ≈
41.51€
Carson Cooman: Concerto for Portatif Organ and Strings, score only
Carson Cooman: Concerto for Portatif Organ and Strings, score only
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Orchestre à Cordes
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AVANCÉ
#
Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95 ≈
23.93€
Sweelinck: Echo Fantasia No. 2 for String Orchesrta - Score Only
Sweelinck: Echo Fantasia No. 2 for String Orchesrta - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 2
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1296238 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 3 - SKU: A0.1296238 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886483. Published by jmsgu3 (A0.1296238). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95 ≈
30.39€
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Jan Pieterszoon Sweelinck was
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James M
#
Sweelinck: Echo Fantasia No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1296237 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histo...
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String Orchestra - Level 3 - SKU: A0.1296237 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886480. Published by jmsgu3 (A0.1296237). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95 ≈
30.39€
Hallelujah (from Messiah) - Score Only
Hallelujah (from Messiah) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Emily Crocker
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Hallelujah
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Emily Holt Crocker
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.714086 By Emily Crocker. By George Frideric Handel. Arranged by Emily Crocker/orchestrated by Dean Crocker. Baroqu...
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Chamber Orchestra - Level 3 - SKU: A0.714086 By Emily Crocker. By George Frideric Handel. Arranged by Emily Crocker/orchestrated by Dean Crocker. Baroque,Christmas,Easter. Score and parts. 12 pages. Emily Holt Crocker #322398. Published by Emily Holt Crocker (A0.714086). This arrangement accompanies the 2-Part setting of the Hallelujah Chorus from Handel's Messiah, arranged by Emily Crocker. It is lowered one step to the key of C and contains several cuts and adaptations from the original work. (Opt. 2 oboes, opt. bassoon, 2 trumpets in C, timpani, keyboard, violin 1 & 2, viola, cello, bass). Mp3 is computerized playback.
$10.00 ≈
9.22€
Instrument Ranges, Transpositions and Frequencies - an Overview - Score Only
Instrument Ranges, Transpositions and Frequencies - an Overview - Score Only
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Orchestre
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FACILE
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Contemporain
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Frieder Schmidt
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Instrument Ranges, Transpositi
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Frieder Schmidt
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1142130 Composed by Frieder Schmidt. 20th Century. Score and parts. 2 pages. Frieder Schmidt #742500. Published by Fr...
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Full Orchestra - Level 2 - SKU: A0.1142130 Composed by Frieder Schmidt. 20th Century. Score and parts. 2 pages. Frieder Schmidt #742500. Published by Frieder Schmidt (A0.1142130). From the banjo to the oboe d'amore: Ranges and Transpositions of 55 instruments on one PDF page – graphically depicted with the keyboard serving as a ruler Plus: Frequency information and empty strings are indicated.Great for: Those who compose, arrange, master the sound, or produce music Instruments included: Strings, saxophones, vocal choir, piano, fender rhodes, celesta, harpsichord, organ, harp, glockenspiel, xylophone, marimba, vibraphone, tubular bells, crotales, 5 timpanis, guitar, e-bass, banjo, mandolin, ukulele, piccolo flute, flute, alto flute, clarinet in Bb, clarinet in A, basset horn, bass clarinet in Bb, oboe, oboe d'amore, heckelphone, english horn, bassoon, contrabassoon, trumpet in Bb, trumpet in C, tenor trombone, tenor-bass trombone, horn in F, tubas (common range).
$5.99 ≈
5.52€
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Keyboard Orchestra Score Only
