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It Is Not Death to Die Orchestration
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Vous avez sélectionné:
It Is Not Death to Die Orchestration
Partitions à imprimer
181 partitions trouvées
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It Is Not Death to Die - Orchestration
It Is Not Death to Die - Orchestration
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Robert Myers
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It Is Not Death to Die - Orche
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WheatMyer Music
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SheetMusicPlus
Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by ...
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Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00 ≈
69.11€
When I Survey the Wondrous Cross - Orchestration
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00 ≈
55.29€
Mozart: Requiem in D minor K626 III.Sequenz No.1 Dies irae - brass quintet
Mozart: Requiem in D minor K626 III.Sequenz No.1 Dies irae - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1109240 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 10 pag...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1109240 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 10 pages. RayThompsonMusic #711789. Published by RayThompsonMusic (A0.1109240). Arranged standard brass quintet. The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. This is no 1 of the Sequenz Dies irae The Dies irae (Day of Wrath) opens with a show of orchestral and choral might A rising chromatic scurry of sixteenth-notes leads into a chromatically rising harmonic progression with the chorus singing Quantus tremor est futurus (what trembling there will be in reference to the Last Judgment). This material is repeated with harmonic development before the texture suddenly drops to a trembling unison figure evocatively painting the Quantus tremor text. It suits the brass quintet. Interesting parts for every player. . Mozart Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95 ≈
4.56€
Mozart: Requiem in D minor K626 III.Sequenz No.1 Dies irae - symphonic wind
Mozart: Requiem in D minor K626 III.Sequenz No.1 Dies irae - symphonic wind
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1105074 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Praise...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1105074 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Praise & Worship,Religious,Sacred. 28 pages. RayThompsonMusic #708320. Published by RayThompsonMusic (A0.1105074). Arranged double wind quintet and contrabass. The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. This is no 1 of the Sequenz Dies irae The Dies irae (Day of Wrath) opens with a show of orchestral and choral might A rising chromatic scurry of sixteenth-notes leads into a chromatically rising harmonic progression with the chorus singing Quantus tremor est futurus (what trembling there will be in reference to the Last Judgment). This material is repeated with harmonic development before the texture suddenly drops to a trembling unison figure evocatively painting the Quantus tremor text. Mozart Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$9.95 ≈
9.17€
Another Day
Another Day
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95 ≈
4.56€
Back to the Heart
Back to the Heart
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95 ≈
4.56€
Die Walkure
Die Walkure
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Piano, Voix
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Opera
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Richard Wagner
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Die Walkure
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Schott Music - Digital
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SheetMusicPlus
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urte...
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.
An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.
The score corresponds to the performance materials from the Complete Edition.
For practical use in rehearsal cues and bar numbers throughout.
The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.
The forewords are given in three languages(German, English, French).
Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.
DIE WALKURE
In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.
The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.
(Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99 ≈
49.75€
The Death of Ase (semi-flexible 4-part woodwind)
The Death of Ase (semi-flexible 4-part woodwind)
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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E Grieg
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Catriona Melville-Mason
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The Death of Ase
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C Melville-Mason
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.956633 Composed by E Grieg. Arranged by Catriona Melville-Mason. Conc...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.956633 Composed by E Grieg. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. 8 pages. C Melville-Mason #6491197. Published by C Melville-Mason (A0.956633). The Death of Åse was originally composed as part of the incidental music for Ibsen’s play Peer Gynt. Over 10 years later, Grieg selected certain elements from this work, organising these into two orchestral suites. The Death of Åse features in the first suite, Op. 46, along with Morning, Anitra’s Dance and In the Hall of the Mountain King. Åse is the mother of Peer Gynt. When her son absconds with the daughter of an affluent local farmer, Åse sacrifices everything to pay the penalties on his behalf and, left destitute, dies of poverty and illness. Cheery stuff!Although fairly straightforward in terms of notes and rhythms, this piece has been classed as 'intermediate' as it requires good intonation and ensemble skills to perform effectively.
$4.50 ≈
4.15€
The Shepherd's Song
The Shepherd's Song
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Classique
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Felix Bartholdy Mendelssohn
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Berthold Tours
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The Shepherd's Song
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Schott Music - Digital
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SheetMusicPlus
Flute solo or with piano - easy to intermediate - SKU: S9.Q11445 Composed by Felix Bartholdy Mendelssohn. Arranged by Berthold Tours. This edition: Shee...
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Flute solo or with piano - easy to intermediate - SKU: S9.Q11445 Composed by Felix Bartholdy Mendelssohn. Arranged by Berthold Tours. This edition: Sheet music. Il Flauto traverso. Downloadable. Schott Music - Digital #Q11445. Published by Schott Music - Digital (S9.Q11445). The work The Shepherd’s Song by Felix Mendelssohn, presented as a reprint for the first time, is his only known original composition for flute. Although Mendelssohn frequently and skilfully used wind instruments in his orchestral works, he never provided them with significant parts, neither in his chamber music works not as solo instrument, which may have been due to the technical shortcomings of the instrument prior to the revolutionary inventions of Theobald Böhm. The short composition The Shepherd’s Song was published for the first time after the death of the composer in 1889, including an additional piano accompaniment and an alternative violin part. The arranger and editor was the organist and composer Berthold Tours (1838-1897). Since the flute literature contains only few musical pieces of major composers of the Romantic era, it is surprising that this composition, which had been printed more than 100 years ago, has remained undiscovered for such a long time, thus remaining widely unknown to the public until today. The Shepherd’s Song can be performed with flute (violin) solo or with the piano accompaniment by Berthold Tours.The Shepherd’s Song ist Mendelssohns einzige bekannte Originalkomposition für Flöte. Die kurze Komposition wurde erst nach seinem Tod 1889 mit einer hinzugefügten Klavierbegleitung und einer alternativen Violinstimme publiziert. Da die Flötenliteratur nur wenig Musik bedeutender Komponisten der Romantik enthält, ist es verwunderlich, dass diese vor über 100 Jahren gedruckte Komposition so lange unentdeckt blieb und somit für die Allgemeinheit bis heute weitgehend unbekannt bleiben konnte.
$7.99 ≈
7.36€
An Orange for Soprano/Tenor and Piano
An Orange for Soprano/Tenor and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Apostolos Paraskevas
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An Orange for Soprano/Tenor an
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Silver Sickle Publications
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publication...
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Piano,Vocal,Voice - Level 3 - SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publications #4729017. Published by Silver Sickle Publications (A0.942058). This witty and extremely fun work to perform by composer Apostolos Paraskevas was conceived after real events. There is a version for Soprano/tenor and Piano and one for guitar as well. Easy to perform and the text was inspired of the following narrative. I Slaughtered an Orange over the Sink... ...and it just sat there…It didn't say a word, not a sound of anguish, not even when my teeth started to tear apart it's flesh little by little... I knew it was a special orange but I couldn't fathom the magnitude of its character…Even when gentle I took it away from its friends there at the top of the kitchen counter, it looked at me almost with a sense of gratitude. Yes, gratitude.! As if it was saying: Thank you! Thank you for helping me to fulfill the purpose of my life…Since I was a little seed I knew I would serve a higher purpose. My sacrifice will help a human to become a healthier mother, doctor, composer, a better scientist. Yes, I think I felt it said…a better composer as well. ...and there I was, sinking my teeth deep inside its flesh and taking all of what it had to offer. It's life, it's substance, it's gratitude for serving a higher purpose. I slaughtered it over the sink, to avoid any evidence of what had happen there. The remaining outer sell, I placed it on the stove top and lighted up with fire, as my mother use to do, to release the heavenly smell and there it was. Evaporated everywhere! I inhale it, It became totally a part of me. Today, I slaughtered an orange over the sink and I didn’t say thank you! Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas.
$8.99 ≈
8.28€
Intermezzo from "L'Arlesienne" for Trumpet and Piano
Intermezzo from "L'Arlesienne" for Trumpet and Piano
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Trompette, Piano
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INTERMÉDIAIRE
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Trumpet, piano - Level 3 - SKU: A0.527915 Composed by Georges Bizet. Arranged by Diego Marani. Concert,Instructional,Romantic Period,Standards,Wedding. ...
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Trumpet, piano - Level 3 - SKU: A0.527915 Composed by Georges Bizet. Arranged by Diego Marani. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 17 pages. Diego Marani #3583137. Published by Diego Marani (A0.527915). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for Bb trumpet and piano includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei. The arrangement includes also two different keys: Eb Major and Db Major to emphasize the musical skills of every single musician.2018 Instrumental Arranging Contest Entry
$9.90 ≈
9.12€
Intermezzo from "L'Arlesienne" for Flute and Piano
Intermezzo from "L'Arlesienne" for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.527912 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. S...
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Flute,Piano - Level 3 - SKU: A0.527912 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 8 pages. Diego Marani #3582655. Published by Diego Marani (A0.527912). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for flute and piano includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.2018 Instrumental Arranging Contest Entry
$9.90 ≈
9.12€
Intermezzo from "L'Arlésienne" for Clarinet and Piano
Intermezzo from "L'Arlésienne" for Clarinet and Piano
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Clarinette
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INTERMÉDIAIRE
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arl&ea
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Diego Marani
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.527911 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding...
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Clarinet,Piano - Level 3 - SKU: A0.527911 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 8 pages. Diego Marani #3582649. Published by Diego Marani (A0.527911). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for Bb clarinet and piano includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.2018 Instrumental Arranging Contest Entry
$9.90 ≈
9.12€
Intermezzo from "L'Arlesienne" for Bassoon and Piano
Intermezzo from "L'Arlesienne" for Bassoon and Piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.527914 Composed by Georges Bizet. Arranged by Diego Marani. Concert,Instructional,Romantic Period,Standards,Wedding. S...
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Bassoon,Piano - Level 3 - SKU: A0.527914 Composed by Georges Bizet. Arranged by Diego Marani. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 8 pages. Diego Marani #3582819. Published by Diego Marani (A0.527914). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for bassoon and piano includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.2018 Instrumental Arranging Contest Entry
$9.90 ≈
9.12€
Intermezzo from "L'Arlesienne Suite No. 2" for Clarinet Quartet
Intermezzo from "L'Arlesienne Suite No. 2" for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.528039 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Roma...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.528039 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Sacred,Standards. 12 pages. Diego Marani #4608045. Published by Diego Marani (A0.528039). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.
$12.90 ≈
11.89€
Intermezzo from "L'Arlesienne Suite No. 2" for Flute Quartet
Intermezzo from "L'Arlesienne Suite No. 2" for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528040 Composed by Georges Bizet. Arranged by Diego Marani. Baroque,Classical,Instructional...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528040 Composed by Georges Bizet. Arranged by Diego Marani. Baroque,Classical,Instructional,Sacred,Standards. 11 pages. Diego Marani #4608781. Published by Diego Marani (A0.528040). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.
$12.90 ≈
11.89€
Intermezzo from "L'Arlesienne Suite No. 2" for Brass Quartet
Intermezzo from "L'Arlesienne Suite No. 2" for Brass Quartet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528042 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructiona...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528042 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 11 pages. Diego Marani #4609303. Published by Diego Marani (A0.528042). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for brass quartet (Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba) includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.
$12.90 ≈
11.89€
Intermezzo from "L'Arlesienne Suite No. 2" for Saxophone Quartet
Intermezzo from "L'Arlesienne Suite No. 2" for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528038 Composed by Georges Bi...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528038 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Sacred,Standards. 10 pages. Diego Marani #4607887. Published by Diego Marani (A0.528038). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.
$12.90 ≈
11.89€
Intermezzo from "L'Arlesienne Suite No. 2" for Saxophone Ensemble
Intermezzo from "L'Arlesienne Suite No. 2" for Saxophone Ensemble
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Ensemble de saxophones
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528044 Composed by Georges Bizet. Arranged by ...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528044 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 23 pages. Diego Marani #4612653. Published by Diego Marani (A0.528044). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for sax choir (Eb Sopranino, Bb Soprano 1-2, Eb Alto 1-2-3, Bb Tenor 1-2-3, Eb Baritone 1-2, Bb Bass) includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.
$19.90 ≈
18.34€
Intermezzo from "L'Arlesienne" for Soprano Saxophone and Piano
Intermezzo from "L'Arlesienne" for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.527913 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standard...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.527913 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 8 pages. Diego Marani #3582687. Published by Diego Marani (A0.527913). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for Bb soprano sax and piano includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.2018 Instrumental Arranging Contest Entry
$9.90 ≈
9.12€
Intermezzo from "L'Arlesienne Suite No. 2" for Brass Quintet
Intermezzo from "L'Arlesienne Suite No. 2" for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528043 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructiona...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528043 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 13 pages. Diego Marani #4610389. Published by Diego Marani (A0.528043). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for brass quintet (Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba) includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.
$14.90 ≈
13.73€
Intermezzo from "L'Arlesienne" for Cello and Piano
Intermezzo from "L'Arlesienne" for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.527920 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. S...
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Cello,Piano - Level 3 - SKU: A0.527920 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 8 pages. Diego Marani #3588611. Published by Diego Marani (A0.527920). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for cello and piano includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.2018 Instrumental Arranging Contest Entry
$9.90 ≈
9.12€
Intermezzo from "L'Arlesienne" for Violin and Piano
Intermezzo from "L'Arlesienne" for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.527922 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. ...
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Piano,Violin - Level 3 - SKU: A0.527922 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. 8 pages. Diego Marani #3588875. Published by Diego Marani (A0.527922). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for violin and piano includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.2018 Instrumental Arranging Contest Entry
$9.90 ≈
9.12€
Intermezzo from "L'Arlesienne Suite No. 2" for String Quartet
Intermezzo from "L'Arlesienne Suite No. 2" for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.528041 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.528041 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Sacred,Standards. Score and parts. 10 pages. Diego Marani #4609247. Published by Diego Marani (A0.528041). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for string quartet (Violin I, Violin II, Viola, Cello) includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.
$12.90 ≈
11.89€
Intermezzo from "L'Arlesienne Suite No. 2" for Concert Band
Intermezzo from "L'Arlesienne Suite No. 2" for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.528106 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Romantic Period,Standards. Score and part...
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Concert Band - Level 3 - SKU: A0.528106 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Romantic Period,Standards. Score and parts. 38 pages. Diego Marani #4742267. Published by Diego Marani (A0.528106). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for Concert Band includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.Set of parts includes: Flute, Oboe, Bassoon, Bb Clarinet 1-2-3, Bb Bass Clarinet, Eb Alto Saxophone 1-2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1-2, F/Eb Horn 1-2, C/Bb Trombone 1-2, C/Bb Baritone, C/Bb Tuba, String Bass, Timpani, Harp or Piano (optional part).
$34.99 ≈
32.24€
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It Is Not Death to Die Orchestration
