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In Search of Lost Time
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Vous avez sélectionné:
In Search of Lost Time
Partitions à imprimer
38 partitions trouvées
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1
26
In Search of Lost Time
In Search of Lost Time
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Piano seul
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Contemporain
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Noah Fire
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In Search of Lost Time
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Noah Fire
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SheetMusicPlus
Piano Solo - SKU: A0.928405 Composed by Noah Fire. Contemporary. Score. 5 pages. Noah Fire #6115683. Published by Noah Fire (A0.928405).
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Piano Solo - SKU: A0.928405 Composed by Noah Fire. Contemporary. Score. 5 pages. Noah Fire #6115683. Published by Noah Fire (A0.928405). In Search of Lost Time This is really not a good time for this virus to show up. Not when I'm 68 years old. Couldn’t it have arrived ten years ago before I became elderly? I can make myself ten years younger. (Maybe twelve or fifteen. Why stop at ten?) My mother did that during the war. After she said we were safe they couldn't get to us because of the ocean. Now six feet apart no ocean protects us. Too bad we didn't learn to breathe under water. I watch television wonder why people are standing so close to each other. I walk in zigzags. My ponytail pulls at the strings of the mask suffocating me. At night I check the doors. But who will sneak in now? The virus is the only one out and about. How old will my grandchildren be when I hold them again? Will the youngest be surprised to see we have bodies attached to our heads that we don’t live on a.
$2.50 ≈
2.32€
July 4 - In Search of Lost Time
July 4 - In Search of Lost Time
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Piano seul
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FACILE
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Contemporain
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The Awakened Soul
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July 4 - In Search of Lost Tim
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The Awakened Soul
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1300427 By The Awakened Soul. By Aporosa Malo. 21st Century,Contemporary,Film/TV,New Age,Video Game. Score. 1 pages. The ...
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Piano Solo - Level 2 - SKU: A0.1300427 By The Awakened Soul. By Aporosa Malo. 21st Century,Contemporary,Film/TV,New Age,Video Game. Score. 1 pages. The Awakened Soul #890159. Published by The Awakened Soul (A0.1300427). This piece was composed of daily word prompts over the course of the month. These pieces originated as piano improvisations but then were programmed into Sibelius to be composed and arranged.This piece is designed to capture the prompt/feeling of the title mentioned as it is designed for casual enjoyment or to be improvised upon.Website: https://awakenedsoulproductions.comFollow Awakened Soul Productions (Business) on…Linktre: https://linktr.ee/awakenedsoulproductionsInstagram: https://www.instagram.com/awakenedsoulproductionsFollow The Awakened Soul (Artist/Composer) on…Spotify: https://open.spotify.com/artist/77ZEJmucpeTGRNzN9K2o3OInstagram: https://www.instagram.com/7he4wak3nd5ou1/.
$10.00 ≈
9.30€
In Search of Lost Meaning
In Search of Lost Meaning
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Piano seul
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Contemporain
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Alex Shapira
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In Search of Lost Meaning
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Alex Shapira
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SheetMusicPlus
Piano Solo - SKU: A0.1165914 Composed by Alex Shapira. 20th Century,Contemporary. Score. 24 pages. Alex Shapira #766277. Published by Alex Shapira (A0.1...
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Piano Solo - SKU: A0.1165914 Composed by Alex Shapira. 20th Century,Contemporary. Score. 24 pages. Alex Shapira #766277. Published by Alex Shapira (A0.1165914). The process of gestation for In Search of Lost Meaning took more than 40 years. It is a reflection on our relentless search for meaning, as perspectives change over long periods of time. I started working on the first movement - Abandoned Dreams - in 1977, when I was still in Romania. It was initially a cry against the limitations that Communist regimes inflict on people's dreams and free spirit. More than 40 years later, now living in Texas, I found a manuscript containing the first three movements, transformed them by adding a new perspective, reflecting on my adolescent dreams and what happened to them over time. And then, in 2021 I added the last movement - Never Look Back - closing the loop with an Orphic attempt to focus on the present and look into the future without regrets.
$12.00 ≈
11.16€
In Search of Lost Time
In Search of Lost Time
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Eric Bingham-Kumpf
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In Search of Lost Time
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Eric Bingham-Kumpf
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.703344 Composed by Eric Bingham-Kumpf. Contemporary. Score and parts. 54 pages. Eric Bingham-Kumpf #3421015. Publishe...
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Full Orchestra - Level 3 - SKU: A0.703344 Composed by Eric Bingham-Kumpf. Contemporary. Score and parts. 54 pages. Eric Bingham-Kumpf #3421015. Published by Eric Bingham-Kumpf (A0.703344).
$30.00 ≈
27.89€
Long Time
Long Time
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Chorale SATB
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AVANCÉ
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Gerald Barry
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Long Time
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) - difficult - SKU: S9.Q19039 For SATB choir. Composed by Gerald Barry. This edition: choral score. Choral Music of Our Time. D...
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Mixed choir (SATB) - difficult - SKU: S9.Q19039 For SATB choir. Composed by Gerald Barry. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 7 minutes. Schott Music - Digital #Q19039. Published by Schott Music - Digital (S9.Q19039). English.The opening lines of Marcel Proust’s In Search of Lost Time provide the text for Gerald Barry’s Long Time. Beginning ‘For a long time I used to go to bed early’, the work unfolds over gently rising and falling C major scales, voice parts handing over to each other in the strict rhythmic regularity that prevails throughout the piece.
$7.99 ≈
7.43€
He Lives In You (reprise)
He Lives In You (reprise)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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Jay Rifkin, Lebo M, and Mark M
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Andrea Smiley
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He Lives In You
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Andrea Smiley
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1309766 Composed by Jay Rifkin, Lebo M, and Mark Mancina. Arranged by Andrea Smiley. Broadway,Classical,Film/TV,Multicu...
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Concert Band - Level 4 - SKU: A0.1309766 Composed by Jay Rifkin, Lebo M, and Mark Mancina. Arranged by Andrea Smiley. Broadway,Classical,Film/TV,Multicultural,Musical/Show,World. 77 pages. Andrea Smiley #898932. Published by Andrea Smiley (A0.1309766). Several years ago, I lost my father suddenly. One of the things that helped me through the grieving proess was music. The music of Kings of the Past and He Lives in You from Disney's The Lion King resonated in me during this time and, being a musician, I started searching for an arrangement of this for symphonic wind ensemble. Much to my disappointment, I could not find such an arrangement. So, I sat down and wrote this out, developing the emotional tones I felt during the process, traveling from grief and despair to eventually hope and celebraton of who my father was and that he continues to abide in me in spirit, and developing the difficuty level I thought would be welcome in the type of ensemble I like to play in. I would recommend this score and parts to a community band or a skilled high school band, as ther are several chances to highlight the different sections of the band with multiple solos that will challenge the range on the instrumentalists.
$65.00 ≈
60.43€
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95 ≈
18.55€
Tuba - "Man of Sorrows" Theme and Variations
Tuba - "Man of Sorrows" Theme and Variations
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Tuba et Piano
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INTERMÉDIAIRE
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PHILLIP BLISS
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Dan Cutchen
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Tuba - "Man of Sorrows&qu
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844354 Composed by PHILLIP BLISS. Arranged by Dan Cutchen. Christian,Easter,Gospel,Sacred. Score and part. 9 pages. Dan C...
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Piano,Tuba - Level 3 - SKU: A0.844354 Composed by PHILLIP BLISS. Arranged by Dan Cutchen. Christian,Easter,Gospel,Sacred. Score and part. 9 pages. Dan Cutchen Music #4297735. Published by Dan Cutchen Music (A0.844354). Man of Sorrows Theme and VariationsGreat Easter hymn by Phillip Bliss for solo tuba and piano.Concert C. Medium difficulty.Approximate time: 3:45For piano ACCOMPANIMENT track, copy and paste the following into the search bar:Tuba - Man of Sorrows ACCOMPANIMENT track, Dan Cutchen1 Man of sorrows what a name for the Son of God, who came ruined sinners to reclaim:Hallelujah, what a Savior!2 Bearing shame and scoffing rude, in my place condemned he stood, sealed my pardon with his blood:Hallelujah, what a Savior!3 Guilty, helpless, lost were we; blameless Lamb of God was he, sacrificed to set us free:Hallelujah, what a Savior!4 He was lifted up to die; It is finished was his cry; now in heaven exalted high:Hallelujah, what a Savior!5 When he comes, our glorious King, all his ransomed home to bring, then anew this song we'll sing:Hallelujah, what a Savior!https://youtu.be/h0ND4G2fzTU
$5.00 ≈
4.65€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septime regrettent!!!, Petite Valse,Ftes galantes, and Prlude ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
36.21€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prlude,Premire Fanfare, and La Mort de Cordlia,Toomai des lphants, Rodrigue et Chimne: Prlude l?acte 1p. Le Martyre de Saint Sbastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
36.21€
Lost In The Wilderness
Lost In The Wilderness
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Stephen Schwartz
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Jeffrey Bowen
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Lost In The Wilderness
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.1086607 Composed by Stephen Schwartz. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Musical/Show,Pop. Octa...
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Choral Choir (SAB) - Level 4 - SKU: A0.1086607 Composed by Stephen Schwartz. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Musical/Show,Pop. Octavo. 14 pages. Music Arrangement Services Inc. #690810. Published by Music Arrangement Services Inc. (A0.1086607). From the Musical “Children Of Edenâ€. Words and Music by Stephen Schwartz, this song is about Cain (son of Adam and Eve) and his desire to explore outside of his homeland. The song refers to desire, curiosity, standing up, being strong-willed, disobedience, searching for a better life, Genesis, Adam, Even, Cain and Abel. This arrangement includes the full introductions and is designed for high school or college show choir, concert choir or community choir. Concert Band Score accompaniment also available. Performance time is approximately 3:15.
$3.99 ≈
3.71€
Lost In The Wilderness
Lost In The Wilderness
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Stephen Schwartz
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Jeffrey Bowen
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Lost In The Wilderness
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1086603 Composed by Stephen Schwartz. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Musical/Show,Pop. Oct...
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Choral Choir (SATB) - Level 4 - SKU: A0.1086603 Composed by Stephen Schwartz. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Musical/Show,Pop. Octavo. 16 pages. Music Arrangement Services Inc. #690805. Published by Music Arrangement Services Inc. (A0.1086603). From the Musical “Children Of Edenâ€. Words and Music by Stephen Schwartz, this song is about Cain (son of Adam and Eve) and his desire to explore outside of his homeland. The song refers to desire, curiosity, standing up, being strong-willed, disobedience, searching for a better life, Genesis, Adam, Even, Cain and Abel. This arrangement includes the full introduction and is designed for high school or college show choir, concert choir or community choir. Concert Band Score accompaniment also available. Performance time is approximately 3:15.
$3.99 ≈
3.71€
Lost In The Wilderness
Lost In The Wilderness
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Stephen Schwartz
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Jeffrey Bowen
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Lost In The Wilderness
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1086606 Composed by Stephen Schwartz. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Musical/Show,Pop. Score and ...
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Concert Band - Level 4 - SKU: A0.1086606 Composed by Stephen Schwartz. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Musical/Show,Pop. Score and parts. 51 pages. Music Arrangement Services Inc. #690809. Published by Music Arrangement Services Inc. (A0.1086606). From the Musical “Children Of Edenâ€. This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. Words and Music by Stephen Schwartz, this song is about Cain (son of Adam and Eve) and his desire to explore outside of his homeland. The song refers to desire, curiosity, standing up, being strong-willed, disobedience, searching for a better life, Genesis, Adam, Even, Cain and Abel. This arrangement includes the full introduction and is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:15.
$49.99 ≈
46.48€
Funeral March of a Marionette (“Alfred Hitchcock Presents” Theme)
Funeral March of a Marionette (“Alfred Hitchcock Presents” Theme)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Charles Gounod
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F
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Funeral March of a Marionette
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Sweetwater Brass Press
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SheetMusicPlus
Composed by Charles Gounod (1818 ?1893). Arranged by F. Leslie Smith. Romantic Period, TV, Halloween, Children's Music, Recital. Score, Set of Parts. 24 pages. ...
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Composed by Charles Gounod (1818 ?1893). Arranged by F. Leslie Smith. Romantic Period, TV, Halloween, Children's Music, Recital. Score, Set of Parts. 24 pages. Published by Sweetwater Brass Press (S0.136443). - Score,Set of Parts - Romantic Period,TV,Halloween,Children's Music,Recital - Sweetwater Brass Press
Gounod wrote this in 1872 as a piano piece and orchestrated it seven years later. He originally conceived of it as one part of a satirical piano suite, the subject of which had nothing to do with puppetry. Once it was completed, however, he had it published as a stand-alone composition with the present title. The occasion of the music is that the Marionette has lost a duel and died; a funeral cortege takes place; the bereaved troupe takes a break then returns to the cortege. Recorded numerous times, the music was also used in several early films but reached its largest audience by far as the theme song for the TV series, ?Alfred Hitchcock Presents," 1955-1965. The current arrangement is based on the composer?s original piano score but has been augmented slightly to take advantage of brass quintet instrumentation. This arrangement was completed in 2016, and performance time runs about 5 minutes, 8 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$7.00 ≈
6.51€
The House We Build
The House We Build
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Lukas C Jaeger
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The House We Build
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Lukas C Jaeger
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.   So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.   School is a time of great change in our lives and often we are so focused on “getting through†that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house†being our self.
$3.00 ≈
2.79€
Marceline: The Clown - Score Only
Marceline: The Clown - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Victor Rebullida
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Marceline: The Clown - Score O
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Victor Rebullida
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1333010 Composed by Victor Rebullida. 21st Century,Comedy,Holiday,March. 27 pages. Victor Rebullida #919390. Published ...
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Concert Band - Level 4 - SKU: A0.1333010 Composed by Victor Rebullida. 21st Century,Comedy,Holiday,March. 27 pages. Victor Rebullida #919390. Published by Victor Rebullida (A0.1333010). With this composition I wanted to pay tribute to an artist who was famous in his time and fell into oblivion until recent times when his figure has been recovered by various research works.May this work serve as a vindication of the great Marceline.The piece has an optimistic character and in its nearly five minutes of duration I make nods to circus music and the atmosphere of the shows in which Marceline participated.Marceline is the stage name of Marcelino Orbés. He was a Spanish clown, mime, acrobat, comic actor and circus artist, with American nationality since 1922, who is considered the best clown in the world of his time.Marceline was Spanish artist born in 1873 who performed in several European countries. Around 1895 he had success at the London Hippodrome and then enticed by producers Thompson and Dundy to come to the New York Hippodrome, where he arrived with great fanfare in 1905. He was a part of shows at the Hippodrome through 1915, by which time his pantomime routine and falling gags were falling out of favor with the public. He did reappear at the Hippodrome for some later shows in 1920-21 and 1922-23.Attempts to succeed in the restaurant business in New York and Connecticut both failed, and he lost money in real estate ventures. Out of work and out of savings, Marceline was found dead by suicide in his hotel room on November 5, 1927, with photographs of his glory days on the bed.Marceline was long admired by Charlie Chaplin, who worked with Marceline at the London Hippodrome from December 1900 to April 1901, and is one of just a few performers from this period of his life that Chaplin discusses in his autobiography. Chaplin recounts seeing him years later in the United States with a circus, and though expecting to see him be a featured star, was surprised to see him only amongst other clowns.
$19.50 ≈
18.13€
Marceline: The Clown
Marceline: The Clown
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
Victor Rebullida
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Marceline: The Clown
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Victor Rebullida
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1333015 Composed by Victor Rebullida. 21st Century,Comedy,Holiday,March. 95 pages. Victor Rebullida #919400. Published ...
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Concert Band - Level 4 - SKU: A0.1333015 Composed by Victor Rebullida. 21st Century,Comedy,Holiday,March. 95 pages. Victor Rebullida #919400. Published by Victor Rebullida (A0.1333015). With this composition I wanted to pay tribute to an artist who was famous in his time and fell into oblivion until recent times when his figure has been recovered by various research works.May this work serve as a vindication of the great Marceline.The piece has an optimistic character and in its nearly five minutes of duration I make nods to circus music and the atmosphere of the shows in which Marceline participated.Marceline is the stage name of Marcelino Orbés. He was a Spanish clown, mime, acrobat, comic actor and circus artist, with American nationality since 1922, who is considered the best clown in the world of his time.Marceline was Spanish artist born in 1873 who performed in several European countries. Around 1895 he had success at the London Hippodrome and then enticed by producers Thompson and Dundy to come to the New York Hippodrome, where he arrived with great fanfare in 1905. He was a part of shows at the Hippodrome through 1915, by which time his pantomime routine and falling gags were falling out of favor with the public. He did reappear at the Hippodrome for some later shows in 1920-21 and 1922-23.Attempts to succeed in the restaurant business in New York and Connecticut both failed, and he lost money in real estate ventures. Out of work and out of savings, Marceline was found dead by suicide in his hotel room on November 5, 1927, with photographs of his glory days on the bed.Marceline was long admired by Charlie Chaplin, who worked with Marceline at the London Hippodrome from December 1900 to April 1901, and is one of just a few performers from this period of his life that Chaplin discusses in his autobiography. Chaplin recounts seeing him years later in the United States with a circus, and though expecting to see him be a featured star, was surprised to see him only amongst other clowns.
$90.50 ≈
84.14€
Basquing
Basquing
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Violon et Piano
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AVANCÉ
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Aaryn S
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Basquing
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Abundant Silence
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.1224504 Composed by Aaryn S. Ricucci-Hill. 21st Century,Classical. 26 pages. Abundant Silence #820608. Published by Abu...
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Piano,Violin - Level 5 - SKU: A0.1224504 Composed by Aaryn S. Ricucci-Hill. 21st Century,Classical. 26 pages. Abundant Silence #820608. Published by Abundant Silence (A0.1224504). In 2022 I was commissioned to write a piece which would accompany a proposal submitted to the College Music Society conference in Boise, ID. Part of the proposal suggested music that celebrated the rich musical heritage of the Northwest. In looking around at what that meant, I discovered a curious fact about Boise: it has the only Basque heritage museum in the country. Suddenly the wheels got to turning! Basquing (2022) seeks to invoke... bask, if one will, in the sounds and feelings of another time and place. The inspiration of the piece comes from the Basque region of France with quotations from folksong, fiddle music, and a general vibe of French impressionism. The piece opens with the folksong Atzo Goizean, the lyrics to which invoke the folksy elements of village living (talking about waking to the thrush’s song, fathers arranging marriages, etc.). The urge to ‘word paint’ the folk song with it references to thrushes and partridges, is tempting, but the urge was avoided in this case, instead opting for a general “vibeâ€, or feeling. The next section avoids quotation altogether, instead opting to steep into the mystique environment created before. The last major portion of the piece utilizes what was billed (to me at least) as a Basque fiddle tune (the title lost as it seems the scholarly research on the subject and tunes that comprise the genre are lacking even by those who claim to have some knowledge of it). Assuming the best, however, the fiddle tune quoted in Basquing is meant to be a musical representation of familial resemblance to the fiddle music of the Pacific Northwest and how folk music of all varieties is at one time so specific yet at the same time broad in its understanding across cultures. Commissioned in 2022 by Arthur Houle (pianist) and Joung Hoon Song (violinist) for the Pacific Northwest College Music Society Conference 2023 in Boise, ID and premiered at said conference on March 17th, 2023.
$23.00 ≈
21.38€
Hear The Shepherd's Voice, a sacred hymn
Hear The Shepherd's Voice, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Hear The Shepherd's Voice, a s
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1319747 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1319747 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #908304. Published by Kevin G. Pace (A0.1319747). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:The shepherds were watching and guardingEach sauntering sheep in their folds.When one began straying instead of remaining,His shepherd would search in the cold.Oh, listen for the Shepherd’s voiceAnd He will guide back to His fold.Like small lambs, at times, we may wanderAway from God’s teachings of old.But then as we ponder, each truth becomes fonderBecause love for Jesus unfolds.Oh, when we hear the Shepherd’s voiceHe’ll be our guide back to His fold.Like Bethlehem shepherds in darknessWhen lost sheep are meant to enfold,We need not feel restless, for God does still bless us.His voice of pure love will be told.Oh, since we hear the Shepherd’s voice,A sheep we will be in His fold.
$1.99 ≈
1.85€
Hear The Shepherd's Voice, a jazzy, sacred hymn
Hear The Shepherd's Voice, a jazzy, sacred hymn
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
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Kevin G
#
Hear The Shepherd's Voice, a j
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1320270 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Blues,Christian,Praise & Worship,Religio...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1320270 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Blues,Christian,Praise & Worship,Religious,Spiritual. 3 pages. Kevin G. Pace #908782. Published by Kevin G. Pace (A0.1320270). A fun, jazzy hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:The shepherds were watching and guardingEach sauntering sheep in their folds.When one began straying instead of remaining,His shepherd would search in the cold.Oh, listen for the Shepherd’s voiceAnd He will guide back to His fold.Like small lambs, at times, we may wanderAway from God’s teachings of old.But then as we ponder, each truth becomes fonderBecause love for Jesus unfolds.Oh, when we hear the Shepherd’s voiceHe’ll be our guide back to His fold.Like Bethlehem shepherds in darknessWhen lost sheep are meant to enfold,We need not feel restless, for God does still bless us.His voice of pure love will be told.Oh, since we hear the Shepherd’s voice,A sheep we will be in His fold.
$1.99 ≈
1.85€
ATON part 12-Was passiert - 2 tenor voices, 1 bass voice, bassoon, strings
ATON part 12-Was passiert - 2 tenor voices, 1 bass voice, bassoon, strings
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Voix duo
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INTERMÉDIAIRE
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David Warin Solomons
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ATON part 12-Was passiert - 2
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.576190 Composed by David Warin Solomons. Contemporary,Opera,World. 14 pages. David Warin Solomons #4579. Published ...
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Voice Duet Voice - Level 3 - SKU: A0.576190 Composed by David Warin Solomons. Contemporary,Opera,World. 14 pages. David Warin Solomons #4579. Published by David Warin Solomons (A0.576190). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
4.65€
ATON part 15-Bitte des Eje (Eje's plea) - bassoon and tenor voice
ATON part 15-Bitte des Eje (Eje's plea) - bassoon and tenor voice
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David Warin Solomons
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ATON part 15-Bitte des Eje
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - SKU: A0.576193 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts...
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Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - SKU: A0.576193 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 3 pages. David Warin Solomons #4585. Published by David Warin Solomons (A0.576193). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
4.65€
ATON part 13-Denken und Bedenken - 2 tenor voices, 1 bass voice, flute, classical guitar
ATON part 13-Denken und Bedenken - 2 tenor voices, 1 bass voice, flute, classical guitar
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Voix duo
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INTERMÉDIAIRE
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David Warin Solomons
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ATON part 13-Denken und Bedenk
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.576191 Composed by David Warin Solomons. Contemporary,Opera,World. 7 pages. David Warin Solomons #4581. Published b...
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Voice Duet Voice - Level 3 - SKU: A0.576191 Composed by David Warin Solomons. Contemporary,Opera,World. 7 pages. David Warin Solomons #4581. Published by David Warin Solomons (A0.576191). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
4.65€
ATON part 9-Duett der Nofretete und der Baketaton - soprano, mezzo soprano, flute, classical guitar
ATON part 9-Duett der Nofretete und der Baketaton - soprano, mezzo soprano, flute, classical guitar
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David Warin Solomons
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ATON part 9-Duett der Nofretet
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Flute,Guitar,High Voice,Medium Voice - Level 3 - SKU: A0.576187 Composed by David Warin Solomons. Contemporary,Opera,World. Score and par...
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Small Ensemble Flute,Guitar,High Voice,Medium Voice - Level 3 - SKU: A0.576187 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 9 pages. David Warin Solomons #4571. Published by David Warin Solomons (A0.576187). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
4.65€
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In Search of Lost Time
