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I Will Follow for Horn in F
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Vous avez sélectionné:
I Will Follow for Horn in F
Partitions à imprimer
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
13.05€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
13.05€
I Heard the Bells on Christmas Day - Horn in F solo (opt. duet)
I Heard the Bells on Christmas Day - Horn in F solo (opt. duet)
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2 Cors (duo)
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INTERMÉDIAIRE
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Noël
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Brian Buda
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Brian Buda
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I Heard the Bells on Christmas
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budaful music
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SheetMusicPlus
French Horn Duet Horn - Level 3 - SKU: A0.1040838 By Brian Buda. By John Calkin. Arranged by Brian Buda. Christmas,Contest,Festival,Holiday,Sacred,Tradi...
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French Horn Duet Horn - Level 3 - SKU: A0.1040838 By Brian Buda. By John Calkin. Arranged by Brian Buda. Christmas,Contest,Festival,Holiday,Sacred,Traditional. Score. 12 pages. Budaful music #645607. Published by budaful music (A0.1040838). This arrangement of the classic carol 'I Heard the Bells on Christmas Day' (WALTHAM) is a great addition to a holiday themed school program, church service, and Christmas contests and recitals. As with any song, the lyrics are very important, even when performed instrumentally as in this case. The emotions of the poem are imitated in the music. Encourage listeners to follow along by printing/displaying Henry W. Longfellow's well loved text: I heard the bells on Christmas day Their old familiar carols play, And wild and sweet the words repeat Of peace on earth, good will to men. This arrangement functions very well for both a moderately advanced solo horn in F and horn in F duet. The duet part is more intermediate, making it a great option for an intermediate level student, or a less experienced player. While the duet part has been written for its corresponding solo instrument, the duet part can be purchased for other instruments as well. Separate duet parts available for: Flute, Oboe, Soprano sax, Clarinet in Bb, Alto Sax, Horn in F, Trumpet in Bb, Trombone, Baritone (T.C.), Violin, Viola, and Cello. Search for this arrangement and its 'supplemental' parts. .
$5.99 ≈
5.61€
I Will Follow for Horn in F
I Will Follow for Horn in F
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Cor
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Christian contemporain
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Chris Tomlin
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José Daniel Morales A
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I Will Follow for Horn in F
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Jose Daniel Morales
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SheetMusicPlus
By Chris Tomlin. Arranged by José Daniel Morales A. Sheet Music Single. 2 pages. Published by Jose Daniel Morales (H0.177663-212738). - Sheet Music Single - -...
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By Chris Tomlin. Arranged by José Daniel Morales A. Sheet Music Single. 2 pages. Published by Jose Daniel Morales (H0.177663-212738). - Sheet Music Single - - Jose Daniel Morales
$4.99 ≈
4.67€
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classi...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99 ≈
9.35€
16 Favourite Hymns for Brass Quartet (Vol 2.)
16 Favourite Hymns for Brass Quartet (Vol 2.)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Hymns for Brass Q
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David McKeown
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.587217 Composed by Various. Arranged by David McKeown. Christian,Praise & Worship,Sacred,Standards. Score and parts. ...
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Brass Ensemble - Level 3 - SKU: A0.587217 Composed by Various. Arranged by David McKeown. Christian,Praise & Worship,Sacred,Standards. Score and parts. 79 pages. David McKeown #3107993. Published by David McKeown (A0.587217). 16 Favourite Hymns for Brass Quartet (Vol 2.) is a collection of commonly performed traditional hymns. They are arranged primarily for two Trumpets, one Trombone and one Tuba, but the file also contains alternative/additional parts for Horn in F, Tenor Horn in Eb and Bass Trombone. The file contains the score plus the separate parts. 16 Favourite Hymns for Brass Quartet (Vol 2.) are fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short audio sample and the linked youtube performance are from the Clarinet Quartet version of these arrangements. · There are also solo and duet versions available of the same hymns, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building repertoire for church bands and other ensembles. · The keys chosen are the standard singing keys The hymns are in alphabetical order and are as follows · Hail to the Lord’s Anointed, (Ellacombe) · He who would Valiant Be, (Monk’s Gate) · Holiness by Faith in Jesus, (Rousseau) · How Sweet the Name, (Lloyd) · I Vow to Thee My Country, (Thaxted) · I Will Sing the Wondrous Story, (Hyfrodol) · Just a Closer Walk with Thee, (Closer Walk) · The King of Love, (Dominus Regit Me) · The Lord’s My Shepherd, (Crimond) · Love Divine, (Austrian Hymn, Haydn) · Nearer My God to Thee, (Bethany) · Oh Love that will not Let Me Go, (St Margaret) · Purer Yet Purer, (Lyndhurst) · Shall We Gather by the River, · There is a Green Hill, (Horsley) · When I Survey the Wondrous Cross, (Rockingham) Volume 1 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$11.50 ≈
10.76€
When I Survey the Wondrous Cross (Brass Quartet)
When I Survey the Wondrous Cross (Brass Quartet)
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Musique Sacrée
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Lowell Mason
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Wesley D
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When I Survey the Wondrous Cro
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Asbury Publishing
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SheetMusicPlus
Brass Ensemble Baritone Horn TC,Euphonium,Trombone,Trumpet - Level 2 - SKU: A0.1146789 Composed by Lowell Mason. Arranged by Wesley D. Peters. Christian...
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Brass Ensemble Baritone Horn TC,Euphonium,Trombone,Trumpet - Level 2 - SKU: A0.1146789 Composed by Lowell Mason. Arranged by Wesley D. Peters. Christian,Easter,Sacred,Traditional. Score and parts. 22 pages. Asbury Publishing #747003. Published by Asbury Publishing (A0.1146789). The sturdy, and well-loved hymn tune, HAMBURG, is arranged for brass quartet (2 trumpets and 2 trombones). It offers a contemplative third verse in a minor key which transitions to a triumphant final stanza. Works well as a Call to Worship or Offertory. Alternate instrumentation will allow this to be performed by a variety of ensembles. Includes a score and the following parts: Part 1 - Trumpet Part 2 - Trumpet (alt. part for Horn in F) Part 3 - Trombone (alt. part for Horn in F) Part 4 - Trombone (alt. part for Baritone T.C.).
$12.99 ≈
12.16€
Procession in D Minor (for Full Orchestra and SATBB Choir)
Procession in D Minor (for Full Orchestra and SATBB Choir)
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Violon
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Contemporain
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Tito Abeleda
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Procession in D Minor
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Visionary Quest Records
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SheetMusicPlus
Alto Voice,Baritone Horn TC,Bass Voice,Bassoon,Cello,Choir,Clarinet,Double Bass,Drums,Flute,Oboe,Soprano voice,Tenor Voice,Timpani,Viola,Violin - SKU: A0.10...
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Alto Voice,Baritone Horn TC,Bass Voice,Bassoon,Cello,Choir,Clarinet,Double Bass,Drums,Flute,Oboe,Soprano voice,Tenor Voice,Timpani,Viola,Violin - SKU: A0.1070247 Composed by Tito Abeleda. Contemporary. Full Performance. Duration 260. Visionary Quest Records #4781001. Published by Visionary Quest Records (A0.1070247). Full Orchestra and SATBB Choir: Piccolo, E Flat Flute, Flute, Oboe, Cor Anglais, Clarinet in E Flat, Clarinet in B Flat, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bassoon, Horn in F 1-3, Trumpet in C 1-3, Bass Trumpet in E Flat, Trombone 1-2, Tenor Tuba in B Flat, Bass Tuba in F, Timpani, Snare Drums, Bass Drum, Cymbals, Anvil, Wood Blocks, Tubular Bells, Soprano, Alto, Tenor, Baritone, Bass, Violin I, Violin II, Viola I, Viola II, Violoncello, ContrabassProcession in D Minor (for Orchestra and SATBB Choir) was composed to honor those victims of gun violence. As the title implies, it is like a funeral procession. Although there is an undeniable sadness to it, that sadness is musically framed with boldness and courageousness, building continuously to its climactic end symbolizing our honor and tribute to the fallen, and that their memories and our love for them will never be forgotten.This song is the closing song on Tito Abeleda's album Mourning in the Rain released on 9/11/2019.Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$1.99 ≈
1.86€
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
23.40€
March (from "The Nutcracker Suite") (F) (Brass Octet - 4 Trp, 2 Hrn, 2 Trb)
March (from "The Nutcracker Suite") (F) (Brass Octet - 4 Trp, 2 Hrn, 2 Trb)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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March
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Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.814514 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructiona...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.814514 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 43 pages. Regis Bookshar #6612545. Published by Regis Bookshar (A0.814514). Brass Octet - Advanced/Intermediate - . This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (43 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Brass Octet, consisting of 4 Trumpets, 2 French Horns and 2 Trombones, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$32.00 ≈
29.95€
March (from "The Nutcracker Suite") (F) (Brass Quintet - 2 Trp, 2 Hrn, 1 Trb)
March (from "The Nutcracker Suite") (F) (Brass Quintet - 2 Trp, 2 Hrn, 1 Trb)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
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Regis Bookshar
#
March
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Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.814510 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructiona...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.814510 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Regis Bookshar #6612445. Published by Regis Bookshar (A0.814510). Brass Quintet - Advanced/Intermediate - . This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Brass Quintet, consisting of 2 Trumpets, 2 French Horns and 1 Trombone, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$20.00 ≈
18.72€
March (from "The Nutcracker Suite") (F) (Brass Quintet - 3 Trp, 2 Hrn)
March (from "The Nutcracker Suite") (F) (Brass Quintet - 3 Trp, 2 Hrn)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
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Regis Bookshar
#
March
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Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trumpet - Level 4 - SKU: A0.814513 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romanti...
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Brass Ensemble Horn,Trumpet - Level 4 - SKU: A0.814513 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Regis Bookshar #6612455. Published by Regis Bookshar (A0.814513). Brass Quintet - Advanced/Intermediate - . This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Brass Quintet, consisting of 3 Trumpets and 2 French Horns, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$20.00 ≈
18.72€
Russian Dance ("Trepak") (from "The Nutcracker Suite") (F) (Brass Octet - 4 Trp, 2 Hrn, 2 Trb)
Russian Dance ("Trepak") (from "The Nutcracker Suite") (F) (Brass Octet - 4 Trp, 2 Hrn, 2 Trb)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
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Regis Bookshar
#
Russian Dance
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.814525 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructiona...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.814525 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6615133. Published by Regis Bookshar (A0.814525). Brass Octet - Advanced/Intermediate - . This marvelous arrangement of the Russian Dance from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (15 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance, one of the character dances, based on the Russian and Ukrainian folk dance, Trepak, for a wide variety of instrumental ensembles. So, in addition to this version of the Russian Dance, for a Brass Octet, consisting of 4 Trumpets, 2 French Horns and 2 Trombones, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the Russian Dance, I would highly encourage you to also consider purchasing the arrangement of the March as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the Russian Dance from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will.
$16.00 ≈
14.97€
Procession in D Minor (for Full Orchestra and SATBB Choir)
Procession in D Minor (for Full Orchestra and SATBB Choir)
#
Contemporain
#
Tito Abeleda
#
Procession in D Minor
#
Visionary Quest Records
#
SheetMusicPlus
Large Ensemble Choir - Level 3 - SKU: A0.984538 Composed by Tito Abeleda. Contemporary. Score and parts. 80 pages. Visionary Quest Records #4780997. Pub...
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Large Ensemble Choir - Level 3 - SKU: A0.984538 Composed by Tito Abeleda. Contemporary. Score and parts. 80 pages. Visionary Quest Records #4780997. Published by Visionary Quest Records (A0.984538). Full Orchestra and SATBB Choir: Piccolo, E Flat Flute, Flute, Oboe, Cor Anglais, Clarinet in E Flat, Clarinet in B Flat, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bassoon, Horn in F 1-3, Trumpet in C 1-3, Bass Trumpet in E Flat, Trombone 1-2, Tenor Tuba in B Flat, Bass Tuba in F, Timpani, Snare Drums, Bass Drum, Cymbals, Anvil, Wood Blocks, Tubular Bells, Soprano, Alto, Tenor, Baritone, Bass, Violin I, Violin II, Viola I, Viola II, Violoncello, ContrabassProcession in D Minor (for Orchestra and SATBB Choir) was composed to honor those victims of gun violence. As the title implies, it is like a funeral procession. Although there is an undeniable sadness to it, that sadness is musically framed with boldness and courageousness, building continuously to its climactic end symbolizing our honor and tribute to the fallen, and that their memories and our love for them will never be forgotten.Email: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$30.00 ≈
28.07€
St. Matthew Passion, Part I (Vocal Score)
St. Matthew Passion, Part I (Vocal Score)
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Piano, Voix
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AVANCÉ
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Contemporain
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William Hawley
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St. Matthew Passion, Part I
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William Hawley
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1167798 Composed by William Hawley. Classical,Contemporary. Score. 78 pages. William Hawley #768150. Published by ...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1167798 Composed by William Hawley. Classical,Contemporary. Score. 78 pages. William Hawley #768150. Published by William Hawley (A0.1167798). This is the Vocal Score with Piano Reduction of William Hawley's The Passion of Our Lord Jesus Christ According to St. Matthew, Part I, in the Composer's Edition. The oratorio is for Soprano, Mezzo-Soprano, Tenor, Baritone, and Bass Vocal Soloists, Mixed Choir, Mixed Chorus, and Orchestra with Organ.Instrumentation:2 Flutes2 Oboes2 Bassoons2 Horns in F2 Trumpets in Bb2 Trombones1 Bass TromboneTimpaniHarpOrganStringsThis Vocal Score is formatted for printing on 8.5 X 11 Letter  paper. The Full Score, also available on this site, is formatted for 9 X 12 Concert Size paper, but may readily be printed at 8.5 X 11 Letter Size or A4 by selecting Fit or Shrink Oversized Pages in Adobe Acrobat, Acrobat Reader, or other PDF printing application. The Full Score, Libretto, and Full Composer's Demo are also available for download from this site.The audio clip comprises the first four minutes of the Composer's Demo Recording, followed by the final three minutes of the demo. Approximate performance duration of Part I: 44' ASCAP https://williamhawley.net.
$6.99 ≈
6.54€
I'll Walk Alone
I'll Walk Alone
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Dinah Shore
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F
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I'll Walk Alone
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Leslie Smith. 20th C...
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Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Leslie Smith. 20th Century,Jazz,Pop,Standards. 20 pages. Sweetwater Brass Press #936564. Published by Sweetwater Brass Press (A0.1351942). “I’ll Walk Alone†is a World War II era ballad whose poignant melody sounds as though it could have been written just yesterday.  First introduced in the 1944 movie Follow the Boys, it was hugely popular and has since been recorded by numerous artists.   Universal Pictures produced Follow the Boys in an effort to help boost morale for both overseas military and folks on the home front.  Despite being filled with stars and songs, critics tended to dismiss it as hokey and trite.  The exception was a scene in which Dinah Shore sang “I’ll Walk Alone.† Nominated for the Academy Award for Best Original Song, Ms. Shore’s follow-up Victor recording spent 20 weeks on the top ten Best Selling Records chart.  The song was used yet again in 1952 for another motion picture, With a Song in My Heart, the Jane Froman biographical film, and the melody eventually developed as a standard, particularly in the world of jazz.   Sammy Cahn’s lyrics for this song express the feelings and the promise of a woman who has been separated from her lover by the war.  She pledges that she will be true, that she will wait for him, and that “'till you're walking beside me, I'll walk alone.† Jule Styne’s melody is both plaintiff and simple. an eight-measure phrase, a repeat of the phrase, an eight-measure second phrase, then another repeat of the first phrase.   For this arrangement, the suggested tempo is a relatively slow, blues-like 72 bpm.  It features a tenor saxophone as lead and solo instrument accompanied by brass quintet.  A four-measure introduction opens the piece with Trumpet 1 playing melody and the other four brass providing background.  Following the intro, Tenor Sax plays its first three notes alone; the other instruments begin their accompaniment on measure 6.  Trumpet 1 is tacit during measures 6-11 but begins adding counterpoint in measure 12.     In performing this arrangement, brass instruments should ensure that, when the Sax plays, their volume as a group is under (i.e., softer than) the melody.  The exception begins at measure 36, when a crescendo leads to the quintet playing fortissimo.  During this section, the Tenor Sax plays a couple of responses.  At measures 43 a decrescendo lowers the brass volume back to its original soft accompaniment level.  The piece ends with brass recapping the introduction and Sax providing a final statement.   This piece, completed in 2023, consists of 57 measures, a little over three minutes in length.  Written in the key of G major, Tuba’s lowest note is a G below the staff.  Other than that, all notes are well within the normal playing range of each instrument.   The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99 ≈
12.16€
The High Priestess (for flute, violin, horn in F, & piano)
The High Priestess (for flute, violin, horn in F, & piano)
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Contemporain
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JohnWillard Utuk
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The High Priestess
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JohnWillard Utuk
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SheetMusicPlus
Flute,Horn,Piano,Violin - Level 3 - SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard...
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Flute,Horn,Piano,Violin - Level 3 - SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964). The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo†that ultimately inspired this chamber work in the first place. This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.
$40.00 ≈
37.43€
March (from "The Nutcracker Suite") (F) (Brass Quintet - 2 Trp, 1 Hrn, 2 Trb)
March (from "The Nutcracker Suite") (F) (Brass Quintet - 2 Trp, 1 Hrn, 2 Trb)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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March
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.814509 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructiona...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.814509 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Regis Bookshar #6612443. Published by Regis Bookshar (A0.814509). Brass Quintet - Advanced/Intermediate - . This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn and 2 Trombones, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$20.00 ≈
18.72€
March (from "The Nutcracker Suite") (F) (Brass Quintet - 3 Trp, 1 Hrn, 1 Trb)
March (from "The Nutcracker Suite") (F) (Brass Quintet - 3 Trp, 1 Hrn, 1 Trb)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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March
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Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.814512 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructiona...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.814512 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Regis Bookshar #6612451. Published by Regis Bookshar (A0.814512). Brass Quintet - Advanced/Intermediate - . This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Brass Quintet, consisting of 3 Trumpets, 1 French Horn and 1 Trombone, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$20.00 ≈
18.72€
March (from "The Nutcracker Suite") (F) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoo
March (from "The Nutcracker Suite") (F) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoo
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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March
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Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.813870 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis B...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.813870 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. 24 pages. Regis Bookshar #6612509. Published by Regis Bookshar (A0.813870). Woodwind Quintet - Advanced/Intermediate - . This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$20.00 ≈
18.72€
I Heard the Bells on Christmas Day - Baritone/Euphonium solo (opt. duet)
I Heard the Bells on Christmas Day - Baritone/Euphonium solo (opt. duet)
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Noël
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Brian Buda
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Brian Buda
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I Heard the Bells on Christmas
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budaful music
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet,Trombone/Baritone B.C. - Level 3 - SKU: A0.1040842 By Brian Buda. By John Calkin. Arrange...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet,Trombone/Baritone B.C. - Level 3 - SKU: A0.1040842 By Brian Buda. By John Calkin. Arranged by Brian Buda. Christmas,Contest,Festival,Holiday,Sacred,Traditional. Score and parts. 15 pages. Budaful music #645611. Published by budaful music (A0.1040842). This arrangement of the classic carol 'I Heard the Bells on Christmas Day' (WALTHAM) is a great addition to a holiday themed school program, church service, and Christmas contests and recitals. As with any song, the lyrics are very important, even when performed instrumentally as in this case. The emotions of the poem are imitated in the music. Encourage listeners to follow along by printing/displaying Henry W. Longfellow's well loved text: I heard the bells on Christmas day Their old familiar carols play, And wild and sweet the words repeat Of peace on earth, good will to men. This arrangement functions very well for both a moderately advanced solo baritone/euphonium and bari/euph duet. (T.C. part included) The duet part is more intermediate, making it a great option for an intermediate level student, or a less experienced player. While the duet part has been written for its corresponding solo instrument, the duet part can be purchased for other instruments as well. Separate duet parts available for: Flute, Oboe, Soprano sax, Clarinet in Bb, Alto Sax, Horn in F, Trumpet in Bb, Trombone, Baritone (T.C.), Violin, Viola, and Cello. Search for this arrangement and its 'supplemental' parts. .
$5.99 ≈
5.61€
Silent Night, Holy Night (for Orchestra)
Silent Night, Holy Night (for Orchestra)
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Trompette
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Noël
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Trumpet - SKU: A0.1070263 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Full Performance. Duration 270. Visionary Quest Records #489...
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Trumpet - SKU: A0.1070263 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Full Performance. Duration 270. Visionary Quest Records #4895615. Published by Visionary Quest Records (A0.1070263). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival.The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451
$1.99 ≈
1.86€
I Heard the Bells on Christmas Day - Viola solo (opt. duet)
I Heard the Bells on Christmas Day - Viola solo (opt. duet)
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2 Altos (duo)
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INTERMÉDIAIRE
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Noël
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Brian Buda
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Brian Buda
#
I Heard the Bells on Christmas
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budaful music
#
SheetMusicPlus
Viola Duet Viola - Level 3 - SKU: A0.1040852 By Brian Buda. By John Calkin. Arranged by Brian Buda. Christmas,Contest,Festival,Holiday,Sacred,Traditiona...
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Viola Duet Viola - Level 3 - SKU: A0.1040852 By Brian Buda. By John Calkin. Arranged by Brian Buda. Christmas,Contest,Festival,Holiday,Sacred,Traditional. Score. 12 pages. Budaful music #645621. Published by budaful music (A0.1040852). This arrangement of the classic carol 'I Heard the Bells on Christmas Day' (WALTHAM) is a great addition to a holiday themed school program, church service, and Christmas contests and recitals. As with any song, the lyrics are very important, even when performed instrumentally as in this case. The emotions of the poem are imitated in the music. Encourage listeners to follow along by printing/displaying Henry W. Longfellow's well loved text: I heard the bells on Christmas day Their old familiar carols play, And wild and sweet the words repeat Of peace on earth, good will to men. This arrangement functions very well for both a moderately advanced solo viola and viola duet. The duet part is more intermediate, making it a great option for an intermediate level student, or a less experienced player. While the duet part has been written for its corresponding solo instrument, the duet part can be purchased for other instruments as well. Separate duet parts available for: Flute, Oboe, Soprano sax, Clarinet in Bb, Alto Sax, Horn in F, Trumpet in Bb, Trombone, Baritone (T.C.), Violin, Viola, and Cello. Search for this arrangement and its 'supplemental' parts. .
$5.99 ≈
5.61€
I Heard the Bells on Christmas Day - Clarinet solo (opt. duet)
I Heard the Bells on Christmas Day - Clarinet solo (opt. duet)
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2 Clarinettes (duo)
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INTERMÉDIAIRE
#
Noël
#
Brian Buda
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Brian Buda
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I Heard the Bells on Christmas
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budaful music
#
SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - SKU: A0.1040835 By Brian Buda. By John Calkin. Arranged by Brian Buda. Christmas,Contest,Festival,Holiday,Sacred,Trad...
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Clarinet Duet Clarinet - Level 3 - SKU: A0.1040835 By Brian Buda. By John Calkin. Arranged by Brian Buda. Christmas,Contest,Festival,Holiday,Sacred,Traditional. 2 scores. 12 pages. Budaful music #645604. Published by budaful music (A0.1040835). This arrangement of the classic carol 'I Heard the Bells on Christmas Day' (WALTHAM) is a great addition to a holiday themed school program, church service, and Christmas contests and recitals. As with any song, the lyrics are very important, even when performed instrumentally as in this case. The emotions of the poem are imitated in the music. Encourage listeners to follow along by printing/displaying Henry W. Longfellow's well loved text: I heard the bells on Christmas day Their old familiar carols play, And wild and sweet the words repeat Of peace on earth, good will to men. This arrangement functions very well for both a moderately advanced solo clarinet and clarinet duet. The duet part is more intermediate, making it a great option for an intermediate level student, or a less experienced player. While the duet part has been written for its corresponding solo instrument, the duet part can be purchased for other instruments as well. Separate duet parts available for: Flute, Oboe, Soprano sax, Clarinet in Bb, Alto Sax, Horn in F, Trumpet in Bb, Trombone, Baritone (T.C.), Violin, Viola, and Cello. Search for this arrangement and its 'supplemental' parts. .
$5.99 ≈
5.61€
I Heard the Bells on Christmas Day - Cello solo (opt. duet)
I Heard the Bells on Christmas Day - Cello solo (opt. duet)
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2 Violoncelles (duo)
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INTERMÉDIAIRE
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Noël
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Brian Buda
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Brian Buda
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I Heard the Bells on Christmas
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budaful music
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SheetMusicPlus
Cello Duet Cello - Level 3 - SKU: A0.1040855 By Brian Buda. By John Calkin. Arranged by Brian Buda. Christmas,Contest,Festival,Holiday,Sacred,Traditiona...
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Cello Duet Cello - Level 3 - SKU: A0.1040855 By Brian Buda. By John Calkin. Arranged by Brian Buda. Christmas,Contest,Festival,Holiday,Sacred,Traditional. Score. 12 pages. Budaful music #645624. Published by budaful music (A0.1040855). This arrangement of the classic carol 'I Heard the Bells on Christmas Day' (WALTHAM) is a great addition to a holiday themed school program, church service, and Christmas contests and recitals. As with any song, the lyrics are very important, even when performed instrumentally as in this case. The emotions of the poem are imitated in the music. Encourage listeners to follow along by printing/displaying Henry W. Longfellow's well loved text: I heard the bells on Christmas day Their old familiar carols play, And wild and sweet the words repeat Of peace on earth, good will to men. This arrangement functions very well for both a moderately advanced solo cello and cello duet. The duet part is more intermediate, making it a great option for an intermediate level student, or a less experienced player. While the duet part has been written for its corresponding solo instrument, the duet part can be purchased for other instruments as well. Separate duet parts available for: Flute, Oboe, Soprano sax, Clarinet in Bb, Alto Sax, Horn in F, Trumpet in Bb, Trombone, Baritone (T.C.), Violin, Viola, and Cello. Search for this arrangement and its 'supplemental' parts. .
$5.99 ≈
5.61€
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I Will Follow for Horn in F
