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Vous avez sélectionné:
Harald Weiss
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1
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
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Am Anfang war das Wort
Am Anfang war das Wort
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Harald Weiss
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Am Anfang war das Wort
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Schott Music - Digital
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SheetMusicPlus
Schlagzeug (4 Spieler): I gr. Tr. · Trgl. · Amboss - II Kieselsteine in 3 Säckchen · Crot. (ad lib. Glsp.) - III Donnerblech · Tamt. · Glasspl...
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Schlagzeug (4 Spieler): I gr. Tr. · Trgl. · Amboss - II Kieselsteine in 3 Säckchen · Crot. (ad lib. Glsp.) - III Donnerblech · Tamt. · Glassplitter - IV Röhrengl. mixed choir (SSATBarB), children's voice, percussion and organ - intermediate - SKU: S9.Q21339 Für gemischten Chor (SSATBarB), Kinderstimme, Schlagzeug und Orgel. Composed by Harald Weiss. This edition: score. Downloadable, Score. Duration 14 minutes. Schott Music - Digital #Q21339. Published by Schott Music - Digital (S9.Q21339). German.As a child, I sometimes closed my eyes for an extended period of time and imagined what it would be like to experience the world exclusively through my ears. In doing this exercise, I found over and over, with increasing intensity, that my sense of hearing enabled a far denser differentiation of images and information to penetrate my soul. It is my wish that audiences listen to my composition with their eyes closed, at least partially. Perhaps this would permit a few particles of light to appear in their mind’s eye. Harald WeissAls Kind schloss ich manchmal für längere Zeit meine Augen, um mir vorzustellen, wie es wohl wäre, wenn man die Welt vorwiegend durch seine Ohren an sich heranliesse. Bei dieser Übung machte ich immer wieder und zunehmend intensiver die Feststellung, dass über den auditiven Sinn eine viel dichtere Differenzierung an Bildern und Informationen in mein Innerstes gelangten. Ich wünsche mir, dass der Hörer meine Komposition mit geschlossenen Augen, zumindest teilweise, wahrnehmen würde. Möglicherweise könnten dabei auch ein paar Lichtpartikel in seinem inneren Auge entstehen. Harald Weiss.
$25.99 ≈
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Kreuzende Spuren
Kreuzende Spuren
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Harald Weiss
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Kreuzende Spuren
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Schott Music - Digital
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SheetMusicPlus
Mezzo-soprano, clarinet in Bb (also bassclarinet in Bb), vibraphone (also marimba), viola and piano - advanced - SKU: S9.Q21540 Vier Lieder für Me...
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Mezzo-soprano, clarinet in Bb (also bassclarinet in Bb), vibraphone (also marimba), viola and piano - advanced - SKU: S9.Q21540 Vier Lieder für Mezzosopran und Kammerensemble. Composed by Harald Weiss. This edition: score and parts. Downloadable, Score and parts. Duration 19 minutes. Schott Music - Digital #Q21540. Published by Schott Music - Digital (S9.Q21540). German.Returning from Majorca one autumn evening, composer Harald Weiss met poet Maria Bögel at a defective ticket machine at the airport metro station in Hanover. The malfunctioning equipment brought them together, but since then their paths repeatedly crossed and a collaboration was planned combining words and sound. The result is this collection of four settings of Bögel’s poetry for mezzo soprano and small chamber ensemble composed by Weiss.
$47.99 ≈
44.26€
Und meine Seele spannte · Katharsis · Und das Licht scheint in der Finsternis
Und meine Seele spannte · Katharsis · Und das Licht scheint in der Finsternis
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Chorale SATB
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INTERMÉDIAIRE
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Harald Weiss
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Und meine Seele spannte &middo
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Schott Music - Digital
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SheetMusicPlus
Mixed choir a cappella (SATB / SSATB / SSATTB) - intermediate - SKU: S9.Q25031 Drei Sätze für gemischten Chor a cappella (SATB / SSATB / SSATTB...
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Mixed choir a cappella (SATB / SSATB / SSATTB) - intermediate - SKU: S9.Q25031 Drei Sätze für gemischten Chor a cappella (SATB / SSATB / SSATTB). Composed by Harald Weiss. This edition: score. Schott Choral Music. Downloadable, Score. Duration 9 minutes. Schott Music - Digital #Q25031. Published by Schott Music - Digital (S9.Q25031). German.These three a cappella movements each originate from different largescale compositions, some for fairly substantial forces. In these works, when the focus is turned on the essence of a statement, I have (probably out of pure instinct) permitted all adjuncts – such as subtle orchestral accompaniment, opulent percussion, soloists, electronics etc. – to fall silent and tried to express myself through pure choral singing. There is a saying originating from the Judeo-Christian tradition of thought: ‘The last shirt has no pockets.’ Perhaps this can also be applied within the field of music when one is attempting to penetrate to the essentials. Harald Weiss.
$6.99 ≈
6.45€
Looking back to Ararat
Looking back to Ararat
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Violoncelle, Piano
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INTERMÉDIAIRE
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Harald Weiss
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Looking back to Ararat
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Schott Music - Digital
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SheetMusicPlus
Violin, cello and piano - intermediate - SKU: S9.Q48078 For piano trio. Composed by Harald Weiss. This edition: score and parts. Downloadable, Sc...
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Violin, cello and piano - intermediate - SKU: S9.Q48078 For piano trio. Composed by Harald Weiss. This edition: score and parts. Downloadable, Score and parts. Duration 2 minutes. Schott Music - Digital #Q48078. Published by Schott Music - Digital (S9.Q48078). Das Klaviertrio Looking back to Ararat von Harald Weiss wurde durch den 1962 in Armenien geborenen Komponisten, Dirigenten und Musikwissenschaftler David Haldjian inspiriert. Dem gleichermaßen sehnsuchtsgeladenen wie hoffnungsvollen Adagiosatz hat der Komponist - frei nach Paul Celan - ein bildstarkes Motto vorangestellt. Der Blick fällt zurück auf den mythen- und legendenumrankten erloschenen Vulkan Ararat: Majestätisch und voller Würde ragt der Berg gen Himmel. Nichts, nichts ist verloren..
$11.99 ≈
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Adagio
Adagio
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Piano seul
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INTERMÉDIAIRE
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Harald Weiss
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Adagio
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate - SKU: S9.Q41303 Ode an Mozart. Composed by Harald Weiss. This edition: Sheet music. Downloadable. Schott Music - Digital #Q...
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Piano - intermediate - SKU: S9.Q41303 Ode an Mozart. Composed by Harald Weiss. This edition: Sheet music. Downloadable. Schott Music - Digital #Q41303. Published by Schott Music - Digital (S9.Q41303).
$2.99 ≈
2.76€
Tanz auf leisen Sohlen
Tanz auf leisen Sohlen
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Piano seul
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Harald Weiss
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Tanz auf leisen Sohlen
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Schott Music - Digital
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SheetMusicPlus
Piano - SKU: S9.Q11796 For piano. Composed by Harald Weiss. This edition: single sheet. Downloadable, Separate edition. Duration 3 minutes. Schot...
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Piano - SKU: S9.Q11796 For piano. Composed by Harald Weiss. This edition: single sheet. Downloadable, Separate edition. Duration 3 minutes. Schott Music - Digital #Q11796. Published by Schott Music - Digital (S9.Q11796).
$2.99 ≈
2.76€
Und meine Seele spannte
Und meine Seele spannte
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Chorale SATB
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INTERMÉDIAIRE
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Harald Weiss
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Und meine Seele spannte
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) - intermediate - SKU: S9.Q25250 From the Requiem. Composed by Harald Weiss. This edition: score. Downloadable. Duration 1 minu...
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Mixed choir (SATB) - intermediate - SKU: S9.Q25250 From the Requiem. Composed by Harald Weiss. This edition: score. Downloadable. Duration 1 minute. Schott Music - Digital #Q25250. Published by Schott Music - Digital (S9.Q25250). German.
$3.99 ≈
3.68€
Und das Licht scheint in der Finsternis
Und das Licht scheint in der Finsternis
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Chorale SATB
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INTERMÉDIAIRE
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Harald Weiss
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Und das Licht scheint in der F
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) - intermediate - SKU: S9.Q25252 From Am Anfang war das Wort. Composed by Harald Weiss. This edition: score. Downloadable. Dura...
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Mixed choir (SATB) - intermediate - SKU: S9.Q25252 From Am Anfang war das Wort. Composed by Harald Weiss. This edition: score. Downloadable. Duration 4 minutes. Schott Music - Digital #Q25252. Published by Schott Music - Digital (S9.Q25252). German.
$3.99 ≈
3.68€
Katharsis
Katharsis
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Chorale SATB
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INTERMÉDIAIRE
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Harald Weiss
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Katharsis
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) - intermediate - SKU: S9.Q25251 From Reise in der Nacht. Composed by Harald Weiss. This edition: score. Downloadable. Duration...
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Mixed choir (SATB) - intermediate - SKU: S9.Q25251 From Reise in der Nacht. Composed by Harald Weiss. This edition: score. Downloadable. Duration 4 minutes. Schott Music - Digital #Q25251. Published by Schott Music - Digital (S9.Q25251). German.
$3.99 ≈
3.68€
Prayer
Prayer
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Orgue
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INTERMÉDIAIRE
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Harald Weiss
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Prayer
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate - SKU: S9.Q40295 Fragment of the string quartet Silent Walls for organ. Composed by Harald Weiss. This edition: Sheet music....
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Organ - intermediate - SKU: S9.Q40295 Fragment of the string quartet Silent Walls for organ. Composed by Harald Weiss. This edition: Sheet music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q40295. Published by Schott Music - Digital (S9.Q40295).
$7.99 ≈
7.37€
…verweht
…verweht
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Alto seul
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AVANCÉ
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Harald Weiss
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…verweht
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Schott Music - Digital
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SheetMusicPlus
Viola - advanced - SKU: S9.Q24589 Für Viola solo. Composed by Harald Weiss. This edition: Sheet music. Viola Library. Downloadable. Duration 4...
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Viola - advanced - SKU: S9.Q24589 Für Viola solo. Composed by Harald Weiss. This edition: Sheet music. Viola Library. Downloadable. Duration 4 minutes. Schott Music - Digital #Q24589. Published by Schott Music - Digital (S9.Q24589).
$7.99 ≈
7.37€
Am Anfang war das Wort
Am Anfang war das Wort
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Harald Weiss
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Am Anfang war das Wort
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSATBarB), children's voice, percussion and organ - SKU: S9.Q21488 Für gemischten Chor (SSATBarB), Kinderstimme, Schlagzeug und Orgel...
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Mixed choir (SSATBarB), children's voice, percussion and organ - SKU: S9.Q21488 Für gemischten Chor (SSATBarB), Kinderstimme, Schlagzeug und Orgel. Composed by Harald Weiss. This edition: set of parts. Downloadable, Set of parts. Duration 14 minutes. Schott Music - Digital #Q21488. Published by Schott Music - Digital (S9.Q21488). German.
$12.99 ≈
11.98€
Secret Dancing
Secret Dancing
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Violoncelle, Piano
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AVANCÉ
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Harald Weiss
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Secret Dancing
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Schott Music - Digital
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SheetMusicPlus
Violin, cello and piano - advanced - SKU: S9.Q43312 For piano trio. Composed by Harald Weiss. This edition: score and parts. Downloadable, score ...
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Violin, cello and piano - advanced - SKU: S9.Q43312 For piano trio. Composed by Harald Weiss. This edition: score and parts. Downloadable, score and parts. Duration 7 minutes. Schott Music - Digital #Q43312. Published by Schott Music - Digital (S9.Q43312).
$15.99 ≈
14.75€
…verweht
…verweht
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Violoncelle
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AVANCÉ
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Harald Weiss
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…verweht
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Schott Music - Digital
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SheetMusicPlus
Cello - advanced - SKU: S9.Q24573 For violoncello solo. Composed by Harald Weiss. This edition: Sheet music. Cello Library. Downloadable. Duratio...
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Cello - advanced - SKU: S9.Q24573 For violoncello solo. Composed by Harald Weiss. This edition: Sheet music. Cello Library. Downloadable. Duration 4 minutes. Schott Music - Digital #Q24573. Published by Schott Music - Digital (S9.Q24573).
$7.99 ≈
7.37€
…verweht
…verweht
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Harald Weiss
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…verweht
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Schott Music - Digital
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SheetMusicPlus
Violin - advanced - SKU: S9.Q24591 For violin solo. Composed by Harald Weiss. This edition: Sheet music. Violin Library. Downloadable. Duration 4...
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Violin - advanced - SKU: S9.Q24591 For violin solo. Composed by Harald Weiss. This edition: Sheet music. Violin Library. Downloadable. Duration 4 minutes. Schott Music - Digital #Q24591. Published by Schott Music - Digital (S9.Q24591).
$7.99 ≈
7.37€
Prayer
Prayer
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Harald Weiss
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Prayer
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Schott Music - Digital
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SheetMusicPlus
String quartet - intermediate - SKU: S9.Q6366 Fragment of the string quartet Silent Walls. Composed by Harald Weiss. This edition: score and part...
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String quartet - intermediate - SKU: S9.Q6366 Fragment of the string quartet Silent Walls. Composed by Harald Weiss. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6366. Published by Schott Music - Digital (S9.Q6366).
$11.99 ≈
11.06€
Night music
Night music
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Harald Weiss
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Night music
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Schott Music - Digital
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SheetMusicPlus
Sologuitar, guitar ensemble, string orchestra and percussion - intermediate - SKU: S9.Q16345 Composed by Harald Weiss. This edition: score. Concertino. ...
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Sologuitar, guitar ensemble, string orchestra and percussion - intermediate - SKU: S9.Q16345 Composed by Harald Weiss. This edition: score. Concertino. Downloadable, Score. Duration 15 minutes. Schott Music - Digital #Q16345. Published by Schott Music - Digital (S9.Q16345). A modern instrumental piece with technically easy playing processes and a distinctive instrumentation. Strings are mostly divided, their number and range can be extended as one likes, the same applies to the guitar ensemble. Alternative instruments are indicated for the two percussionists. An attraction for young guitar and string ensembles.
$19.99 ≈
18.44€
Am Anfang war das Wort
Am Anfang war das Wort
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Orgue
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Harald Weiss
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Am Anfang war das Wort
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSATBarB), children's voice, percussion and organ - SKU: S9.Q21340 Für gemischten Chor (SSATBarB), Kinderstimme, Schlagzeug und Orgel...
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Mixed choir (SSATBarB), children's voice, percussion and organ - SKU: S9.Q21340 Für gemischten Chor (SSATBarB), Kinderstimme, Schlagzeug und Orgel. Composed by Harald Weiss. This edition: organ score. Downloadable, Organ reduction. Duration 14 minutes. Schott Music - Digital #Q21340. Published by Schott Music - Digital (S9.Q21340). German.
$13.99 ≈
12.90€
Der ewige Atem
Der ewige Atem
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Ensemble d'Accordéons
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Der ewige Atem
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Schott Music - Digital
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SheetMusicPlus
4 accordion groups and tape - intermediate to advanced - Version for 4 accordions and pre-recorded sounds. Composed by Harald Weiss. This edition: s...
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4 accordion groups and tape - intermediate to advanced - Version for 4 accordions and pre-recorded sounds. Composed by Harald Weiss. This edition: score and parts. Downloadable, score and parts. Duration 40 minutes. Schott Music - Digital #Q47199. Published by Schott Music - Digital
$75.99 ≈
70.08€
Lieder einer Insel
Lieder einer Insel
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Chorale SATB
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Harald Genzmer
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Lieder einer Insel
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Schott Music - Digital
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SheetMusicPlus
Mixed choir - intermediate to advanced - SKU: S9.Q19895 Composed by Harald Genzmer. This edition: choral score. Downloadable, choral score. Duration 31 ...
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Mixed choir - intermediate to advanced - SKU: S9.Q19895 Composed by Harald Genzmer. This edition: choral score. Downloadable, choral score. Duration 31 minutes and 30 seconds. Schott Music - Digital #Q19895. Published by Schott Music - Digital (S9.Q19895). German.Since an invitation to the Emerald Isle, Harald Genzmer (1909-2007) has been fascinated with the local tradition and culture. Therefore, after the songs 'Irische Harfe', he wrote another cycle for mixed choir at a ripe old age: 'Lieder einer Insel'. In three parts with ten choral settings altogether, the composer tells stories from the mythology of the Emerald Isle in the Irish poems, in the texts of old and modern lyricists, describes emotions, desires, laments: from 'Weissagung Cathbads' to 'Lobgesang der Gerechten', from the bright 'Mönch und seinem Lieblingskater' to the sad lament 'Das Lied in einem Mädchenherzen', from the tender 'Anrufung des Friedens' to the contemplate 'Abendgebet'. The freely tonal settings range from simple, chordal-homophonic via declamatory to expressive. Of intermediate difficulty, these choral miniatures are suitable not only for professional ensembles but also for ambitious amateur choirs.
$9.99 ≈
9.21€
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