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Vous avez sélectionné:
Great Big Stuff
Partitions à imprimer
18 partitions trouvées
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1
DUFF STUFF
DUFF STUFF
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Ensemble Jazz
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AVANCÉ
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Jazz
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Jeff Steinberg
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Jeff Steinberg
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DUFF STUFF
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Tanry Doon Music Co
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1312734 By Jeff Steinberg. By Jeff Steinberg. Arranged by Jeff Steinberg. Jazz. 103 pages. Tanry Doon Mu...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1312734 By Jeff Steinberg. By Jeff Steinberg. Arranged by Jeff Steinberg. Jazz. 103 pages. Tanry Doon Music Co #901581. Published by Tanry Doon Music Co (A0.1312734). A high-energy Big-Band tribute to the great jazz drummer Duffy Jackson by his friend and colleague Jeff Steinberg (composer/arranger of Maynard Ferguson's Nice 'n Juicy and Gospel John.).
$60.00 ≈
55.29€
Great Big Stuff from Dirty Rotten Scoundrels - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Comédie Musicale
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Great Big Stuff from Dirty Rot
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Musicnotes
David Yazbek - Great Big Stuff - from Dirty Rotten Scoundrels Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital ...
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David Yazbek - Great Big Stuff - from Dirty Rotten Scoundrels Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar;Backup Vocals; 9 pages -- Show/Broadway~~Musical
$5.99 ≈
5.52€
Son of Great Big Stuff from Dirty Rotten Scoundrels - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Comédie Musicale
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Son of Great Big Stuff from Di
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Musicnotes
David Yazbek - Son of Great Big Stuff - from Dirty Rotten Scoundrels Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable d...
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David Yazbek - Son of Great Big Stuff - from Dirty Rotten Scoundrels Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Show/Broadway~~Musical
$5.50 ≈
5.07€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.68€
Jar Of Hearts
Jar Of Hearts
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Hautbois, Piano (duo)
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FACILE
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Film/TV
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Christina Perri
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Gail Ford
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Jar Of Hearts
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Gail Ford
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.798037 By Christina Perri. By Barrett Yeretsian, Christina Perri, and Drew Lawrence. Arranged by Gail Ford. Film/TV. Scor...
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Oboe,Piano - Level 2 - SKU: A0.798037 By Christina Perri. By Barrett Yeretsian, Christina Perri, and Drew Lawrence. Arranged by Gail Ford. Film/TV. Score and part. 8 pages. Gail Ford #6284893. Published by Gail Ford (A0.798037). Fabulous power ballad. Oboes get the 'melancholy' solos quite a lot, but we can do the big stuff, too. Great for an encore, for school or college music events, or just when you want to perform something different.
$5.99 ≈
5.52€
Great Big Stuff
Great Big Stuff
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Ligne De Mélodie, (Paroles) et Accords
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Comédie Musicale
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David Yazbek and Dirty Rotten
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Musical/Show
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Great Big Stuff
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By David Yazbek and Dirty Rotten Scoundrels (Musical). Broadway; Musical/Show. Fakebook. 2 pages. Published by Hal Leonard - Digital Sheet Music...
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By David Yazbek and Dirty Rotten Scoundrels (Musical). Broadway; Musical/Show. Fakebook. 2 pages. Published by Hal Leonard - Digital Sheet Music
$3.99 ≈
3.68€
Great Big Stuff
Great Big Stuff
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Piano, Voix
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Comédie Musicale
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David Yazbek
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Great Big Stuff
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By David Yazbek. For piano, voice, and guitar (chords only). Musical/Show. PV. 9 pages. Published by Hal Leonard - Digital Sheet Music...
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By David Yazbek. For piano, voice, and guitar (chords only). Musical/Show. PV. 9 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.60€
Great Big Stuff
Great Big Stuff
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Piano, Voix et Guitare
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Film/TV
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Comédie Musicale
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David Yazbek and Dirty Rotten
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Musical/Show
#
Great Big Stuff
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By David Yazbek and Dirty Rotten Scoundrels (Musical). For piano, voice, and guitar (chords only). Film/TV; Musical/Show. 9 pages. Published by Hal Leonard - Di...
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By David Yazbek and Dirty Rotten Scoundrels (Musical). For piano, voice, and guitar (chords only). Film/TV; Musical/Show. 9 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.60€
David Yazbek: Great Big Stuff for voice & piano
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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David Yazbek
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Virtualsheetmusic
Instantly printable sheet music by David Yazbek for voice & piano of MEDIUM skill level. / musical/show
Instantly printable sheet music by David Yazbek for voice & piano of MEDIUM skill level. / musical/show
$7.97 ≈
7.34€
David Yazbek: Son Of Great Big Stuff for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Film/TV
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David Yazbek
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Virtualsheetmusic
Instantly printable sheet music by David Yazbek for voice, piano or guitar of MEDIUM skill level. / film/tv,musical/show,movies
Instantly printable sheet music by David Yazbek for voice, piano or guitar of MEDIUM skill level. / film/tv,musical/show,movies
$6.97 ≈
6.42€
David Yazbek: Great Big Stuff for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Film/TV
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David Yazbek
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Virtualsheetmusic
Instantly printable sheet music by David Yazbek for voice, piano or guitar of MEDIUM skill level. / film/tv,musical/show,movies
Instantly printable sheet music by David Yazbek for voice, piano or guitar of MEDIUM skill level. / film/tv,musical/show,movies
$7.97 ≈
7.34€
David Yazbek: Great Big Stuff for voice & other instruments
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Comédie Musicale
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David Yazbek
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Virtualsheetmusic
Instantly printable sheet music by David Yazbek for voice & other instruments (fake book) of MEDIUM skill level. / musical/show,broadway
Instantly printable sheet music by David Yazbek for voice & other instruments (fake book) of MEDIUM skill level. / musical/show,broadway
$4.97 ≈
4.58€
Son Of Great Big Stuff
Son Of Great Big Stuff
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Piano, Voix et Guitare
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Film/TV
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Comédie Musicale
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David Yazbek and Dirty Rotten
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Musical/Show
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Son Of Great Big Stuff
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By David Yazbek and Dirty Rotten Scoundrels (Musical). For piano, voice, and guitar (chords only). Film/TV; Musical/Show. 4 pages. Published by Hal Leonard - Di...
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By David Yazbek and Dirty Rotten Scoundrels (Musical). For piano, voice, and guitar (chords only). Film/TV; Musical/Show. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.60€
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99 ≈
11.05€
Infinite Possibilities
Infinite Possibilities
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Piano seul
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AVANCÉ
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Don Hodell Chilcote
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Don Hodell Chilcote
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Infinite Possibilities
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Don Hodell Chilcote
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.778736 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Gospel,Jazz,Sacred. Score. 6 pages. Don ...
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Piano Solo - Level 5 - SKU: A0.778736 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Gospel,Jazz,Sacred. Score. 6 pages. Don Hodell Chilcote #2151347. Published by Don Hodell Chilcote (A0.778736). Infinite Possibilities is for piano solo or ensemble. This is an original tune with a great funky vibe. The piece is a reduction of a big band chart that I wrote, but is self contained in this version. Great angular melody with introduction, 2 themes and development. 5 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.
$3.99 ≈
3.68€
En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano seul
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AVANCÉ
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Ma...
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Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar?s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar?s best piano pieces; O Christmas, Isadar?s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar?s releases since his second piano album, 1999?s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar?s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar?s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with ?Broken Valentine,? a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. ?The Man Who Broke My Heart? is energetic and in constant swirling motion - also very free and from deep within. ?The Stairwell? is darker and much more mysterious, overflowing with Isadar?s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute ?Letting Go,? a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! ?En Face Du Miroir (Facing the Mirror)? is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with ?Blood ... Thicker Than Water,? again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar?s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar?s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn?t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9?x12? format with a stapled binding.
If you enjoy listening to Isadar?s music, I?m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
5.52€
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Great Big Stuff
