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Vous avez sélectionné:
Four Forces
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51
Four Forces (First movement) I. Strong Forces
Four Forces (First movement) I. Strong Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00 ≈
276.75€
Four Forces (Second movement) II. Weak Forces
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00 ≈
138.38€
Colonel Bogey March, arranged for instruments in four parts
Colonel Bogey March, - instruments in four parts
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Contemporain
#
Kenneth J
#
Paul Burnell
#
Colonel Bogey March, - instrum
#
Paul Burnell
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835894 Composed by Kenneth J. Alford. Arranged by Paul Burnell. 20th Century. Score and parts. 37 pages. Paul Burnell...
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Small Ensemble - Level 3 - SKU: A0.835894 Composed by Kenneth J. Alford. Arranged by Paul Burnell. 20th Century. Score and parts. 37 pages. Paul Burnell #6612805. Published by Paul Burnell (A0.835894). Colonel Bogey March, Kenneth J. Alford, arranged by Paul Burnell for instruments in four partsDownload comprises both score and partsDuration 3:20Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.The key of this arrangement has been transposed from that of the original composition.Play cue-sized notes in brackets where the main notes are out of range.In part 4, bars 37-54, the upper octave may be played where the lower notes are out of range or impractical.Programme note:The 'Colonel Bogey March' was composed in 1914 by Lieutenant F. J. Ricketts (1881 - 1945) a British Army bandmaster who later became the director of music for the Royal Marines at Plymouth. Since service personnel were, at that time, not encouraged to have professional lives outside the armed forces, F. J. Ricketts published his compositions under the pseudonym Kenneth Alford. Supposedly, the tune was inspired by a British military officer who preferred to whistle a descending minor third rather than shout Fore! when playing golf. It is this descending interval that begins each line of the melody. English composer Malcolm Arnold added a counter-march, which he titled 'The River Kwai March' for the 1957 film 'The Bridge on the River Kwai'. On account of the movie the 'Colonel Bogey March' is often incorrectly credited as the 'River Kwai March'.
$3.99 ≈
3.68€
If Ye Love Me-Four Euphoniums or Trombones
If Ye Love Me-Four Euphoniums or Trombones
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Thomas Tallis
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John May
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If Ye Love Me-Four Euphoniums
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Lost Key Music
#
SheetMusicPlus
Euphonium,Trombone - Level 2 - SKU: A0.829803 Composed by Thomas Tallis. Arranged by John May. Christian,Christmas,Contest,Easter,Festival,Sacred. 12 pa...
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Euphonium,Trombone - Level 2 - SKU: A0.829803 Composed by Thomas Tallis. Arranged by John May. Christian,Christmas,Contest,Easter,Festival,Sacred. 12 pages. Lost Key Music #3564083. Published by Lost Key Music (A0.829803). On the Texas Prescribed Music ListIf Ye Love Me, by Thomas Tallis, is an English Anthem that was first published in 1560, and perhaps composed circa 1549. This arrangement for euphonium quartet, baritone quartet or trombone quartet can serve as an introduction to your students of music from the Renaissance Period. The polyphony within forces students to listen and count. https://www.youtube.com/watch?v=4x2nPwbByrQ www.lostkeymusic.comFollow Lost Key Music on social media:https://www.facebook.com/lostkeymusic...https://twitter.com/lostkeymusichttps://www.pinterest.com/lostkeymusic/https://www.instagram.com/lostkeymusic/
$12.00 ≈
11.07€
Symphonie Fantastique for Trombone Octet
Symphonie Fantastique for Trombone Octet
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Ensemble de Trombones
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AVANCÉ
#
Classique
#
Hector Berlioz
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Phil Thrift
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Symphonie Fantastique for Trom
#
Phil Thrift
#
SheetMusicPlus
Large Ensemble Bass Trombone - Level 5 - SKU: A0.955720 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical,Romantic Period. Score and parts....
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Large Ensemble Bass Trombone - Level 5 - SKU: A0.955720 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical,Romantic Period. Score and parts. 56 pages. Phil Thrift #5322013. Published by Phil Thrift (A0.955720). This, the trombone octet adaptation of my trombone quartet arrangement of Hector Berlioz’ Symphonie Fantastique, again features all the well-known themes of the full orchestral symphony. The beginning is identical with the original, but then proceeds immediately to the March to the Scaffold of the fourth movement. The famous idée fixe of the symphony is first heard at measure 72, and this is followed by other themes from the first movement. The adagio at measure 164 re-creates the pastoral duet of the symphony’s third movement. As indicated on the charts, the first trombone (alto) should play this section offstage (as for the oboist in the original), while the others remain on stage. If this is not possible, then the first trombone should play this section muted. This very reflective interlude is followed by my personal favorite, the wondrously jolly waltz from the symphony’s second movement. The Witches’ Round Dance, a sort of fugue, comes next, and leads to the dies irae – played in four octaves here, but in this octet version heard together with the Witches’ Round Dance. The idée fixe is stated once again before the arrangement concludes in the same way as the original symphony.This is a light-hearted arrangement that is not intended to re-create exactly the grandeur of the original with its huge orchestral forces. Lasting nearly 9 min, depending on how fast you take some sections, this piece will require some stamina, but with many sections arranged for two, three or four trombones, every player does get a break. The first part requires a very capable alto trombonist with a good high register.Player 1 plays alto throughout, player 2 switches between alto and tenor, and parts 7 and 8 are for bass trombone.Sensible page turns were impossible to incorporate in some of the parts while at the same time not exceeding four pages. So in those parts the players are instructed – during longer breaks – to fetch the next page in good time, which is easily possible if the parts are printed out on separate sheets. Players using tablets won’t have any problems, of course.
$8.99 ≈
8.29€
Symphonie Fantastique for Trombone Quartet
Symphonie Fantastique for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Hector Berlioz
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Phil Thrift
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Symphonie Fantastique for Trom
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Phil Thrift
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SheetMusicPlus
Brass Ensemble Bass Trombone - Level 4 - SKU: A0.955716 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical. Score and parts. 47 pages. Phil ...
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Brass Ensemble Bass Trombone - Level 4 - SKU: A0.955716 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical. Score and parts. 47 pages. Phil Thrift #5306259. Published by Phil Thrift (A0.955716). This trombone quartet arrangement of Hector Berlioz’ Symphonie Fantastique contains all the well-known themes of the full orchestral symphony. The beginning is identical with the original, but then proceeds immediately to the March to the Scaffold of the fourth movement. The famous idée fixe of the symphony is first heard at measure 72, and this is followed by other themes from the first movement. The adagio at measure 164 re-creates the pastoral duet of the symphony’s third movement. As indicated on the charts, the first trombone should play this section offstage (as for the oboist in the original), while the others remain on stage. If this is not possible, then the first trombone should play this section muted. This very reflective interlude is followed by my personal favorite, the wondrously jolly waltz from the symphony’s second movement. This is followed by the Witches’ Round Dance, a sort of fugue, which leads to the dies irae – played in four octaves here, with a high Eflat to test your first trombonist! The idée fixe is stated once again before the arrangement concludes in the same way as the original symphony.This is a light-hearted arrangement that is not intended to re-create exactly the grandeur of the original with its huge orchestral forces. Lasting up to 8 min 50 sec, depending on how fast you take some sections, this piece will require some stamina, but every player does get a break and the lead shifts between all four trombones.If you’re not familiar with the full orchestral version, then I suggest you listen to it before attempting this arrangement.Alternative tenor clef parts are included for the tenor trombones.
$6.99 ≈
6.45€
A Mighty Fortress - Instrumental Parts
A Mighty Fortress - Instrumental Parts
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Cathy Moklebust
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A Mighty Fortress - Instrument
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Chorister's Guild - Digital
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SheetMusicPlus
Inst Pts - Level 3 - SKU: C7.CGRP22 Composed by Cathy Moklebust. G,r. Set of parts. 16 pages. Chorister's Guild - Digital #CGRP22. Published by Choriste...
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Inst Pts - Level 3 - SKU: C7.CGRP22 Composed by Cathy Moklebust. G,r. Set of parts. 16 pages. Chorister's Guild - Digital #CGRP22. Published by Chorister's Guild - Digital (C7.CGRP22). UPC: 749193015193.Level 3 • Flexibly designed, this piece may be used as a congregational hymn accompaniment with brass quintet, timpani, organ, and mixed chorus, or the vocal and instrumental forces may be omitted and the handbell part played alone. The arrangement includes an introductory fanfare, four musical verses with an interlude between the third and fourth, and an optional ending. The setting of the third stanza is particularly descriptive of the war-like text, using dissonant chords, martellato lifts, and shaking, then ending triumphantly.
$19.95 ≈
18.40€
A Mighty Fortress - Organ Score
A Mighty Fortress - Organ Score
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Cathy Moklebust
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A Mighty Fortress - Organ Scor
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Chorister's Guild - Digital
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SheetMusicPlus
Organ score - Level 3 - SKU: C7.CGB651 Composed by Cathy Moklebust. General, Reformation. Score. 8 pages. Chorister's Guild - Digital #CGB651. Published...
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Organ score - Level 3 - SKU: C7.CGB651 Composed by Cathy Moklebust. General, Reformation. Score. 8 pages. Chorister's Guild - Digital #CGB651. Published by Chorister's Guild - Digital (C7.CGB651). UPC: 749193015179.Level 3 • Flexibly designed, this piece may be used as a congregational hymn accompaniment with brass quintet, timpani, organ, and mixed chorus, or the vocal and instrumental forces may be omitted and the handbell part played alone. The arrangement includes an introductory fanfare, four musical verses with an interlude between the third and fourth, and an optional ending. The setting of the third stanza is particularly descriptive of the war-like text, using dissonant chords, martellato lifts, and shaking, then ending triumphantly.
$4.95 ≈
4.57€
Still, Still, Still
Still, Still, Still
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Cloches
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FACILE
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Noël
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Cathy Moklebust
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Still, Still, Still
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB644 Composed by Cathy Moklebust. Christmas. With Handchimes. Score. 4 pages. Chorister's Guild - Dig...
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3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB644 Composed by Cathy Moklebust. Christmas. With Handchimes. Score. 4 pages. Chorister's Guild - Digital #CGB644. Published by Chorister's Guild - Digital (C7.CGB644). UPC: 749193015100.Level 3 * Flexibly designed, this piece may be used as a congregational hymn accompaniment with brass quintet, timpani, organ, and mixed chorus, or the vocal and instrumental forces may be omitted and the handbell part played alone. The arrangement includes an introductory fanfare, four musical verses with an interlude between the third and fourth, and an optional ending. The setting of the third stanza is particularly descriptive of the war-like text, using dissonant chords, martellato lifts, and shaking, then ending triumphantly.
$3.95 ≈
3.64€
Fantasia on Greensleeves - Score and Parts
Fantasia on Greensleeves - Score and Parts
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Kevin McChesney and Ralph Vaug
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Fantasia on Greensleeves - Sco
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Chorister's Guild - Digital
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SheetMusicPlus
Fl(C Inst),Handchimes 3-5(Cello) - Level 4 - SKU: C7.CGB645 Composed by Kevin McChesney and Ralph Vaughan Williams. Arranged by Kevin McChesney and Ralp...
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Fl(C Inst),Handchimes 3-5(Cello) - Level 4 - SKU: C7.CGB645 Composed by Kevin McChesney and Ralph Vaughan Williams. Arranged by Kevin McChesney and Ralph Vaughan Williams. Christmas, General. Master Ringer. With Flute (C Instrument), 3, 4, or 5 octaves handchimes, cello. Score and parts. 20 pages. Chorister's Guild - Digital #CGB645. Published by Chorister's Guild - Digital (C7.CGB645). UPC: 749193015117.Level 3 * Flexibly designed, this piece may be used as a congregational hymn accompaniment with brass quintet, timpani, organ, and mixed chorus, or the vocal and instrumental forces may be omitted and the handbell part played alone. The arrangement includes an introductory fanfare, four musical verses with an interlude between the third and fourth, and an optional ending. The setting of the third stanza is particularly descriptive of the war-like text, using dissonant chords, martellato lifts, and shaking, then ending triumphantly.
$13.95 ≈
12.87€
Rondeau - Reproducible Instrumental Parts
Rondeau - Reproducible Instrumental Parts
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Arnold B Sherman and Jean-Jose
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Rondeau - Reproducible Instrum
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Chorister's Guild - Digital
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SheetMusicPlus
Org,Timp,Brass Quintet - Level 2 - SKU: C7.CGRP14 Composed by Arnold B Sherman and Jean-Joseph Mouret. Arranged by Arnold B Sherman and Jean-Joseph Mour...
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Org,Timp,Brass Quintet - Level 2 - SKU: C7.CGRP14 Composed by Arnold B Sherman and Jean-Joseph Mouret. Arranged by Arnold B Sherman and Jean-Joseph Mouret. Set of parts. 16 pages. Chorister's Guild - Digital #CGRP14. Published by Chorister's Guild - Digital (C7.CGRP14). UPC: 749193011461.Level 3 * Flexibly designed, this piece may be used as a congregational hymn accompaniment with brass quintet, timpani, organ, and mixed chorus, or the vocal and instrumental forces may be omitted and the handbell part played alone. The arrangement includes an introductory fanfare, four musical verses with an interlude between the third and fourth, and an optional ending. The setting of the third stanza is particularly descriptive of the war-like text, using dissonant chords, martellato lifts, and shaking, then ending triumphantly.
$19.95 ≈
18.40€
A Mighty Fortress - Choral Score
A Mighty Fortress - Choral Score
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Chorale SATB
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INTERMÉDIAIRE
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Cathy Moklebust
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A Mighty Fortress - Choral Sco
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - Level 3 - SKU: C7.CGA1202 Composed by Cathy Moklebust. General, Reformation. Score. 8 pages. Chorister's Guild - Digital #CGA1202. Publish...
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SATB chorus - Level 3 - SKU: C7.CGA1202 Composed by Cathy Moklebust. General, Reformation. Score. 8 pages. Chorister's Guild - Digital #CGA1202. Published by Chorister's Guild - Digital (C7.CGA1202). UPC: 749193015186.Level 3 • Flexibly designed, this piece may be used as a congregational hymn accompaniment with brass quintet, timpani, organ, and mixed chorus, or the vocal and instrumental forces may be omitted and the handbell part played alone. The arrangement includes an introductory fanfare, four musical verses with an interlude between the third and fourth, and an optional ending. The setting of the third stanza is particularly descriptive of the war-like text, using dissonant chords, martellato lifts, and shaking, then ending triumphantly.
$1.95 ≈
1.80€
L'Arlésienne Suite No. 2
L'Arlésienne Suite No. 2
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Orchestre
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Georges Bizet
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L'Arlésienne Suite No.
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q21191 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Dow...
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Orchestra - SKU: S9.Q21191 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, study score. Ernst Eulenburg & Co. GmbH - Digital #Q21191. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21191). The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, given at the Théâtre du Vaudeville on 30 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet, however, did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death, the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.In 1872 Bizet wrote the incidental music to Daudet’s famous tragedy ‘L’Arlésienne’. He had to tailor his composition to an orchestra of only 26 players, but these limited forces turned out to pose a stimulating challenge rather than an obstacle. Shortly after the premiere, he arranged four of the movements and formed them into the Suite No. 1 for large orchestra. The Suite No. 2 was arranged by Ernest Guiraud four years after Bizet’s death.
$13.99 ≈
12.91€
Winged Victory
Winged Victory
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Trompette
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David Rose
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Travis Hayman
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Winged Victory
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Travis Hayman
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SheetMusicPlus
Trumpet Solo - SKU: A0.951607 Composed by David Rose. Arranged by Travis Hayman. Folk,Patriotic. Individual part. 7 pages. Travis Hayman #6414785. Publi...
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Trumpet Solo - SKU: A0.951607 Composed by David Rose. Arranged by Travis Hayman. Folk,Patriotic. Individual part. 7 pages. Travis Hayman #6414785. Published by Travis Hayman (A0.951607). The United States Air Force (USAF) is the air service branch of the United States Armed Forces. It is one of the eight U.S. uniformed services. Initially formed as a part of the United States Army on 1 August 1907, the USAF was established as a separate branch of the U.S. Armed Forces on 18 September 1947 with the passing of the National Security Act of 1947. It is the second youngest branch of the U.S. Armed Forces and the fourth in order of precedence. The U.S. Air Force articulates its core missions as air superiority, global integrated intelligence, surveillance and reconnaissance, rapid global mobility, global strike, and command and control.
$5.00 ≈
4.61€
The Horsewatcher's Songs
The Horsewatcher's Songs
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Chorale SATB
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Eugene E
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The Horsewatcher's Songs
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Little Woods Editions
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1010631 Composed by Eugene E. Lassek. 20th Century,A Cappella,Contemporary. Octavo. 23 pages. Little Woods Editions #19197...
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Choral Choir (SATB) - SKU: A0.1010631 Composed by Eugene E. Lassek. 20th Century,A Cappella,Contemporary. Octavo. 23 pages. Little Woods Editions #1919741. Published by Little Woods Editions (A0.1010631). S.A.T.B. mixed chorus a cappella with narrator Visual artist Elizabeth Mossman created a series of batiks featuring horses as forces of nature, inspiring the lyricist to write a cycle of poems exploring the same theme. The cycle begins with the narrator visiting the site of a meteor impact and having a vision of a unicorn that challenges him to find her kin on earth. The remaining poems describe four mythic creatures related to the four ancient elements-water, air, earth, and fire. Chat Conversation End.
$5.99 ≈
5.53€
Spring from "The Seasons" (Downloadable Piano/Choral Score)
Spring from "The Seasons" (Downloadable Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Frank Ferko
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Spring from "The Seasons&
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and string quartet - Medium - SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part...
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SATB choir and string quartet - Medium - SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part. 10 pages. Duration 2 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8559-E. Published by E. C. Schirmer Music Company - Digital (MQ.8559-E). UPC: 600313485596. English.The Seasons was commissioned by the South Bend Chamber Singers, Nancy Menk, conductor, and first performed on March 3, 2013 by the South Bend Chamber Singers with the Euclid Quartet in a concert devoted to music about the weather. The texts for this work were selected by the composer, and they represent three different time periods, the 17th, 19th and early 20th centuries, to show that writers have long been fascinated by the seasons and by the distinct weather conditions that each season brings. Although certain types of weather, such as wind or rain, may occur in any of the seasons, the descriptions of weather in these four poems present specific weather conditions which commonly occur in each of the four seasons: a still, hot, sultry day interrupted by the movement of a light breeze from the hills (summer); the cooling morning mists and light frost which signal the coming of winter (autumn); the bitter iciness of fierce winds and frozen air-in this poem, further compared with man's ingratitude (winter); the warm rains and southerly winds that melt the ice and bring about new life (spring). Throughout this piece various musical devices are employed to underscore or even interpret the words. These devices include text painting, contrapuntal structures (double canon and fugue), and dramatically shifting harmonic colors as each season unfolds. The contrasting performing forces of mixed choir and string quartet are particularly well-suited for presenting, very colorfully, the various musical depictions of the weather conditions and characteristics of each of the seasons. -Frank FerkoDuration: 2:40.
$2.65 ≈
2.44€
Great Is Thy Faithfulness
Great Is Thy Faithfulness
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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Lloyd Larson and Molly Ijames
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Great Is Thy Faithfulness
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Piano 4-hand - Intermediate - SKU: LX.70-2163L A Four-Hand Celebration of God’s Love and Care. Composed by Various. Arranged by Lloyd Lars...
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Piano 4-hand - Intermediate - SKU: LX.70-2163L A Four-Hand Celebration of God’s Love and Care. Composed by Various. Arranged by Lloyd Larson and Molly Ijames. General, Sacred. Church Piano. 48 pages. Lorenz Publishing - Digital Sheet Music #e70/2163L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2163L). ISBN 9780787765989.Three prominent piano arrangers--Molly Ijames, Lloyd Larson, and Larry Shackley--joined forces to create a hymn celebration of God's loving care and unbreakable promises. This collection of four-hand duets provides programming flexibility, offering a variety of moods and tempos to fit your church and concert needs.
$22.95 ≈
21.17€
Divertimento in G Major H 642
Divertimento in G Major H 642
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Classique
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Bach, C P E
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Divertimento in G Major H 642
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Brett Thompson
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Guitar,Harpsichord,Viola,Violin - Level 5 - SKU: A0.851555 Composed by Bach, C P E. Arranged by Brett Thompson (Four ...
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Small Ensemble Bassoon,Cello,Flute,Guitar,Harpsichord,Viola,Violin - Level 5 - SKU: A0.851555 Composed by Bach, C P E. Arranged by Brett Thompson (Four and Twenty Music). Baroque. Score and parts. 32 pages. Brett Thompson #6794389. Published by Brett Thompson (A0.851555). Four and Twenty Music is very proud to present this new edition. The Divertimento in G H642 (a Flute Quartet with Basso Continuo) is hitherto unpublished. Its archive in Berlin was hidden during the Second World War to protect it from allied bombing, sequestered by USSR forces in 1945, and was long thought to have been lost or destroyed.The archive was discovered in Kyiv, Ukraine in 1999, returned to Berlin in 2001, and deposited in the Staatsbibliothek.This edition has remained faithful to Bach’s manuscript with a few minor alterations for inconsistencies with articulations and dynamics. A realisation for the Basso has been included for keyboard and also guitar.
$34.95 ≈
32.24€
Pini di Roma for brass quintet and organ
Pini di Roma for brass quintet and organ
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Orgue
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O
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Marc Goris
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#
Pini di Roma for brass quintet
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Brassery Publications
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SheetMusicPlus
Small Ensemble Organ - SKU: A0.999612 Composed by O. Respighi. Arranged by Marc Goris. 20th Century,Romantic Period. Score and parts. 130 pages. Brasser...
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Small Ensemble Organ - SKU: A0.999612 Composed by O. Respighi. Arranged by Marc Goris. 20th Century,Romantic Period. Score and parts. 130 pages. Brassery Publications #5993657. Published by Brassery Publications (A0.999612). Pini di Roma, for brass quintet and organ music : O. Respighi / arr. Marc Goris duration : 22. minThis arrangement is written for the first edition of 'Organ Pipes and Brassery Bells'. A project from Brassery wherein the brass quintet joins forces with an organ in the magnificant Sint- Paul's Church in Antwerp, Belgium.more info : https://brassery.be/english/production/organ-pipes-and-brassery-bells-(eng).html Pini di Roma is a four-movement symphonic poem which depicts pine trees in four locations in Rome at different times of the day. We hear children playing, priests chanting near a catacomb, a nocturne, a triumphant legion approaching Rome, and more...parts Included : Score/ organ 1. Trumpet Eb/ Flugelhorn Bb 1. Trumpet Bb/ Flugelhorn Bb 2. Trumpet C 2. Trumpet Bb 3. Horn F 4. Trombone C 5. Tuba C
$45.00 ≈
41.51€
Homage to O'Keeffe for Orchestra
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99 ≈
36.89€
Karussell - Carousel
Karussell - Carousel
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Contemporain
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Andreas Kleinert
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Karussell - Carousel
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Andreas Kleinert
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SheetMusicPlus
Small Ensemble - SKU: A0.1017907 Composed by Andreas Kleinert. Contemporary. Score and parts. 1 pages. Andreas Kleinert #6327381. Published by Andreas K...
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Small Ensemble - SKU: A0.1017907 Composed by Andreas Kleinert. Contemporary. Score and parts. 1 pages. Andreas Kleinert #6327381. Published by Andreas Kleinert (A0.1017907). Hier spürst du die Fliehkräfte beim Karussell Fahren! Die Terzen werden zu Quarten und die zu Quinten! Und das ganze in Sequenzen und in Umkehrung! Und zugleich ist es etwas Nettes, Beschauliches; es ist kein Karussell, bei dem du gleich Angst hast hinausgeschleudert zu werden! Gib dich ganz der Freude der Kinder auf dem Jahrmarkt hin und werde dabei selbst wieder zum Kind! Here you feel the centrifugal forces when you are riding a carousel! The thirds become to fourths and they become to fifths! And the whole also in inversions! At the same time there is something kind, comtemplative. It is no carousel riding with fear and you are not afraid to get thrown out! Surrender completely to the childrens´ joy in the fair and so become a child again!
$3.99 ≈
3.68€
Theme From "The A Team"
Theme From "The A Team"
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Mike Post and Pete Carpenter
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Kevin Riley
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Law and Order
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Theme From "The A Team"
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1374380 Composed by Mike Post and Pete Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV. 71 pages. Kevin Rile...
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Full Orchestra - Level 4 - SKU: A0.1374380 Composed by Mike Post and Pete Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV. 71 pages. Kevin Riley #958983. Published by Kevin Riley (A0.1374380). The A-Team is an American action-adventure television series that ran on NBC from January 1983 to March 1987 about former members of a fictitious United States Army Special Forces unit. The four members of the team were tried by court martial for a crime they had not committed. They were convicted and sentenced to serve terms in a military prison, but later escaped to Los Angeles and began working as soldiers of fortune, while trying to clear their names and avoid capture by law enforcement and military authorities. The series was created by Stephen J. Cannell and Frank Lupo. A feature film based on the series was released by 20th Century Fox in 2010.Mike Post (born Leland Michael Postil, September 29, 1944) is an American composer, best known for his television theme music for various shows, including The White Shadow; Law and Order; Law and Order: Special Victims Unit; The A-Team; The Byrds of Paradise; NYPD Blue; Renegade; The Rockford Files; L.A. Law; Quantum Leap; Magnum, P.I.; and Hill Street Blues. He was also the producer of the Van Halen IIIalbum by the band Van Halen.
$80.00 ≈
73.80€
Lightless Luster (Dunkler Lichtglanz)
Lightless Luster (Dunkler Lichtglanz)
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Chorale 3 parties
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INTERMÉDIAIRE
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Robert Schumann
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William J
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Lightless Luster
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T.U.X. People's Music
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.1247251 Composed by Robert Schumann. Arranged by William J. Bullock. Contest,Festival,Romantic Period,Standards. ...
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Choral Choir (SSA) - Level 3 - SKU: A0.1247251 Composed by Robert Schumann. Arranged by William J. Bullock. Contest,Festival,Romantic Period,Standards. Octavo. 12 pages. T.U.X. People's Music #841798. Published by T.U.X. People's Music (A0.1247251). Built around the idea of disparity, Lightless Luster is a beautifully haunting work from composer Robert Schumann, featuring a prosodic, rhyming translation by William J. Bullock. Utilizing full SSA forces, as well as piano four-hands, Schumann's work is deliberate and methodical, but moves delicately toward a gentle conclusion.
$3.50 ≈
3.23€
Minuet For My Pet (music: Minuet in G, Beethoven)
Minuet For My Pet (music: Minuet in G, Beethoven)
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Piano, Voix
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FACILE
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Richard Perlmutter, Ludwig van
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Minuet For My Pet
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Beethoven's Wig, Inc.
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.928571 Composed by Richard Perlmutter, Ludwig van Beethoven. Contemporary,Instructional,Romantic Period,Standards....
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Piano,Vocal,Voice - Level 2 - SKU: A0.928571 Composed by Richard Perlmutter, Ludwig van Beethoven. Contemporary,Instructional,Romantic Period,Standards. Score. 4 pages. Beethoven's Wig, Inc. #6349651. Published by Beethoven's Wig, Inc. (A0.928571). Inspired and wildly imaginative, Minuet For My Pet contains zany, stick-in-your-head lyrics set to Minuet in G as originally written for piano by Beethoven. With lyric by Richard Perlmutter, it's an enchanting story of a dancing horse who does the minuet elegantly despite having two left feet! It's filled with fact and fancy and opens a door to serious music that's fun. GREAT FOR PIANO STUDENTS AND TEACHERSPiano teachers often tell their students they should sing the pieces they play to improve their performance. This forces students to interpret pieces lyrically. They become more aware how phrases rise and fall, where pauses should be taken for breaths, and what notes should be emphasized. The witty and delightful lyrics in this song provide an entertaining means to this end. It is fun to sing along with and makes practicing both educational and fun!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children... and a classical piece. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer. - Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.- Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association.
$4.99 ≈
4.60€
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.23€
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Four Forces
