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Vous avez sélectionné:
Focus on the Goal
Partitions à imprimer
72 partitions trouvées
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51
Focused on my goal
Focused on my goal
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Piano seul
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FACILE
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James McDonald
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Focused on my goal
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James McDonald
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.885694 Composed by James McDonald. 20th Century,Children,Contemporary,Instructional,Standards. Score. 6 pages. James McDo...
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Piano Solo - Level 2 - SKU: A0.885694 Composed by James McDonald. 20th Century,Children,Contemporary,Instructional,Standards. Score. 6 pages. James McDonald #12709. Published by James McDonald (A0.885694). Focused on my goal is an early intermediate piece for piano solo. It is relatively easy and fun to play since it has a very simple but catchy melody and an easy accompaniment made mostly of minimal chords but repeated very fast. The character of this piece is speed, enthusiasm and determination... I hope the music will inspire you that...
$1.99 ≈
$2.71
The Tale Of The Slightly Miffed Dancing Bear
The Tale Of The Slightly Miffed Dancing Bear
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James Pickering
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The Tale Of The Slightly Miffe
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Forton Music - Digital
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SheetMusicPlus
Tba. pft. - Intermediate-Advanced - SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digi...
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Tba. pft. - Intermediate-Advanced - SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digital #FM597. Published by Forton Music - Digital (F2.FM597). ISBN 9790570484966.The story of this composition really begins with another composition entitled 'Play-Time' for solo piano. I showed the score for 'Play-Time' to a friend, Boryana Petkova a very talented pianist from Bulgaria, to whom I eventually dedicated 'the Dancing Bear'. After showing her 'Play-Time' she commented that part of it sounded like a Bulgarian folk dance. The potential of this intrigued me quite a lot so I sketched out a few bars intent on writing another piano piece based around this idea (the melodic line first heard in the Tuba part in the fifth bar after letter A). However, upon discussing these sketches with Boryana she mentioned they no longer sounded particularly Bulgarian. As this was the main aim of the sketches that eventually became 'The Dancing Bear' it is fair to say I was slightly miffed. Undeterred I decided to shift focus and write for the instrument I knew best, the Tuba. The 'Bear' part of the title refers to the tendency of composers to use Tubas to represent angry bears, most famously in Stravinsky's ballet 'Petrushka'. Musically it still contains quite a few elements of eastern European dance including the use of drones, some typical scales with flattened seconds and sevenths as well as the rhythmic oscillation between bars of 2,2,2,2 and 3,3,2 quaver (8th note) division. However, the goal for me was to writes a slightly humorous piece, with a technically demanding Tuba part, that could show off the musicians abilities and still retain the feel of a rhythmical dance.
$7.95 ≈
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Ode to Joy (GUITAR TAB) Theme from 9th Symphony [Ludwig van Beethoven]
Ode to Joy (GUITAR TAB) Theme from 9th Symphony [Ludwig van Beethoven]
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Guitare notes et tablatures
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FACILE
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Classique
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Ludwig van Beethoven
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Darek
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Ode to Joy
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Darek
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SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - SKU: A0.1259058 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period,Wedding. ...
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Easy Guitar (with TAB) - Level 2 - SKU: A0.1259058 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period,Wedding. Tablature. 1 pages. Darek #852323. Published by Darek (A0.1259058). Ode to Joy (GUITAR TAB) Theme from 9th Symphony [Ludwig van Beethoven]Guitar arrangement of Ode to Joy Theme from 9th Symphony by Ludwig van Beethoven. Simplified arrangement for guitarists. Easy-intermediate arrangement for beginners. Included: Sheet Music, Tabulature, Chords and Youtubue tutorial. I am delighted to present you with the opportunity to learn and master the Ode to Joy Theme from Beethoven's 9th Symphony on the guitar. As a passionate guitarist and music enthusiast, I am thrilled to offer you my meticulously crafted guitar tablature for this timeless composition. Designed specifically for beginner-intermediate guitarists, my sheet music provides a seamless learning experience. With a focus on accessibility and progressive difficulty, you can confidently embark on your musical journey with this remarkable piece. Whether you're just starting out or looking to expand your repertoire, this guitar tablature will guide you every step of the way. The Ode to Joy Theme is a true gem from the classical era, showcasing the genius of Ludwig van Beethoven. As you dive into this composition, you'll be transported to a world of beauty, passion, and musical brilliance. The chords and tablature included in my sheet music faithfully capture the essence of the original piece, allowing you to recreate the iconic melody with ease. To enhance your learning experience, I have also included detailed sheet music and a video tutorial on YouTube. This comprehensive approach ensures that you have all the resources necessary to master the Ode to Joy Theme. From understanding the notes and chords to refining your technique and expression, my goal is to empower you to bring this masterpiece to life. Unlock your musical potential and embrace the joy of playing the guitar with this exceptional sheet music. Whether you dream of performing solo, jamming with friends, or simply immersing yourself in the magic of Beethoven's music, this guitar tablature will serve as your trusted companion. Experience the thrill of mastering the Ode to Joy Theme on the guitar and create music that resonates with your soul. Order your copy today and embark on a musical journey that will leave a lasting impression. Let the timeless beauty of Beethoven's composition inspire you as you strum the strings and bring forth the joyous melody.
$2.00 ≈
$2.73
Etudes in the Third Octave (version for F recorders)
Etudes in the Third Octave (version for F recorders)
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Flûte à bec Alto
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INTERMÉDIAIRE
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James Devor
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Etudes in the Third Octave
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JDevor Music, LLC
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SheetMusicPlus
Alto Recorder,Recorder Solo - Level 3 - SKU: A0.1374647 Composed by James Devor. Contemporary,Early Music,Renaissance. Individual part. 10 pages. JDevor...
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Alto Recorder,Recorder Solo - Level 3 - SKU: A0.1374647 Composed by James Devor. Contemporary,Early Music,Renaissance. Individual part. 10 pages. JDevor Music, LLC #959175. Published by JDevor Music, LLC (A0.1374647). Etudes in the Third Octavefor improving solo recorder playing (version for F recorders)The intention of this book is to introduce the third octave of the recorder to intermediate and advanced students no matter their age. The first section introduces each chromatic pitch from Eb6 to C7 (the highest possible pitch on a standard F alto recorder) in a pedagogically appropriate fashion. Each etude should be practiced slowly at first, focusing on correct fingering, phrasing and articulation prior to attaining full tempo. All of these etudes are purposefully composed using a variety of rhythmic and harmonic materials. On some of the fingering charts, ‘bell’ is included underneath the fingering. This indicates that the bell is to be closed either by pushing it up against the leg or the use of a bell key. Throughout the musical examples this is also reminded to the student by the usage of the ‘+’ sign.The second and third sections take students through recommended exercises in octaves, fifths, and major/minor scales. The goal here is to practice clean and swift transitions between notes, especially when in distant registers.The last section comprises two page-long ‘Grand Etudes’, which each reinforce and combine material from earlier in this book. Each one is about a minute long and uses the entire range of the instrument. When practicing these, be sure to attempt to keep the sound of the recorder consistent across both low and high registers.
$5.99 ≈
$8.17
Etudes in the Third Octave (version for C recorders)
Etudes in the Third Octave (version for C recorders)
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Flûte à Bec
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INTERMÉDIAIRE
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James Devor
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Etudes in the Third Octave
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JDevor Music, LLC
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SheetMusicPlus
Recorder Solo - Level 3 - SKU: A0.1374642 Composed by James Devor. Contemporary,Early Music,Renaissance. Individual part. 10 pages. JDevor Music, LLC #9...
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Recorder Solo - Level 3 - SKU: A0.1374642 Composed by James Devor. Contemporary,Early Music,Renaissance. Individual part. 10 pages. JDevor Music, LLC #959170. Published by JDevor Music, LLC (A0.1374642). Etude in the Third Octavefor improving solo recorder playing (version for C recorders)The intention of this book is to introduce the third octave of the recorder to intermediate and advanced students no matter their age. The first section introduces each chromatic pitch from Bb6 to G6 (the highest possible pitch on a standard soprano recorder) in a pedagogically appropriate fashion. Each etude should be practiced slowly at first, focusing on correct fingering, phrasing and articulation prior to attaining full tempo. All of these etudes are purposefully composed using a variety of rhythmic and harmonic materials. On some of the fingering charts, ‘bell’ is included underneath the fingering. This indicates that the bell is to be closed either by pushing it up against the leg or the use of a bell key. Throughout the musical examples this is also reminded to the student by the usage of the ‘+’ sign.The second and third sections take students through recommended exercises in octaves, fifths, and major/minor scales. The goal here is to practice clean and swift transitions between notes, especially when in distant registers.The last section comprises two page-long ‘Grand Etudes’, which each reinforce and combine material from earlier in this book. Each one is about a minute long and uses the entire range of the instrument. When practicing these, be sure to attempt to keep the sound of the recorder consistent across both low and high registers.
$5.99 ≈
$8.17
Tangled in the Lines
Tangled in the Lines
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Kimberly Joy Minarich
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Tangled in the Lines
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Kimberly Joy Minarich
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1266946 Composed by Kimberly Joy Minarich. 21st Century,Christian. Score. 5 pages. Kimberly Joy Minarich #8...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1266946 Composed by Kimberly Joy Minarich. 21st Century,Christian. Score. 5 pages. Kimberly Joy Minarich #859591. Published by Kimberly Joy Minarich (A0.1266946). I have the privilege of directing high school, junior high, and elementary choir, as well as junior high handbells in a fantastic Christian school. As in many private schools, we adhere to a high expectation of both faculty and students, as we all work together to serve Christ in all that we do. It has become a home away from home for me, and I will forever be grateful for this institution that God has placed in my life, as a teacher today, as well as throughout my childhood, as I was a student here from preschool to high school graduation. When I was a student, and especially today from a teacher's perspective, I've witnessed that students seem to get frustrated with the rules when it comes to the dress code. The students are required to order uniforms from the Land's End catalogue, with polos and dress shirts in colors of green, yellow, or blue, along with the appropriate pants or skirts of white, black, or blue khaki. Modesty and professionalism is the standard as we seek to glorify God, even in the dress we choose. It's easy to get frustrated with rules anywhere you go. However, the goal of having rules is to put in place a line that we can all meet at according to the type of experience we are engaging in, or institution we are part of. This song encourages our students, or anyone frustrated with rules in any institution, to look past the rules themselves and focus on why you are here, and the overall purpose of what you are doing with others that are trying to do the same.Hopefully, this song will encourage you in your journey!
$7.99 ≈
$10.90
On My Way
On My Way
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Jennifer Lopez
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GP
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On My Way
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GP
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1410109 By Jennifer Lopez. By Ivy Adara, Leroy James Clampitt, and Michael Pollack. Arranged by GP. B...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1410109 By Jennifer Lopez. By Ivy Adara, Leroy James Clampitt, and Michael Pollack. Arranged by GP. Broadway,Film/TV,Musical/Show,Pop,Romantic Period,Wedding. 10 pages. GP #992566. Published by GP (A0.1410109). On My Way from Merry Me by Jennifer Lopez for Violin & Cello - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Score and parts included:Score - 3 pagesViolin - 2 pagesCello - 2 pages- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - About Us:We are a small team of professional musicians who have set ourselves the goal of creating high-quality sheet music for a variety of music pieces. Our main focus is on the clear readability of the notes. We avoid unnecessary repetitions and design the pieces in such a way that, if possible, they fit on just two pages. This allows you to play comfortably without constantly having to turn pages. Our mission is to enable you to play and enjoy your favorite music pieces.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Here you will find a selection of other beautiful songs from various genres, arranged by us for you:Our Songs for YouThank you for shopping with us!- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Â
$15.00 ≈
$20.45
Bach, Air on the G String - for String Quartet
Bach, Air on the G String - for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Johann Sebastian Bach
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GP
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Bach, Air on the G String - fo
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GP
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1275555 Composed by Johann Sebastian Bach. Arranged by GP. Chamber,Classical,Spirit...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1275555 Composed by Johann Sebastian Bach. Arranged by GP. Chamber,Classical,Spiritual,Wedding. 8 pages. GP #867426. Published by GP (A0.1275555). Bach, Air - for String Quartet- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Score and parts included:Score - 3 pagesViolin - 1 pageViolin 2 - 1 pageViola - 1 pageCello - 1 page- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - About Us:We are a small team of professional musicians who have set ourselves the goal of creating high-quality sheet music for a variety of music pieces. Our main focus is on the clear readability of the notes. We avoid unnecessary repetitions and design the pieces in such a way that, if possible, they fit on just two pages. This allows you to play comfortably without constantly having to turn pages. Our mission is to enable you to play and enjoy your favorite music pieces.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Here you will find a selection of other beautiful songs from various genres, arranged by us for you:Our Songs for YouThank you for shopping with us!- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Â
$4.00 ≈
$5.45
Into The Sunset
Into The Sunset
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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John Powell
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GP
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Into The Sunset
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GP
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1347205 Composed by John Powell. Arranged by GP. Film/TV,Pop,Spiritual,Wedding. 9 p...
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1347205 Composed by John Powell. Arranged by GP. Film/TV,Pop,Spiritual,Wedding. 9 pages. GP #932005. Published by GP (A0.1347205). Goodnight Sweet Possums from Ice Age 2: The Meltdown for String Quartet- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Score and parts included:Score - 2 pagesViolin - 1 pageViolin 2 - 1 pageViola - 1 pageCello - 1 page- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - About Us:We are a small team of professional musicians who have set ourselves the goal of creating high-quality sheet music for a variety of music pieces. Our main focus is on the clear readability of the notes. We avoid unnecessary repetitions and design the pieces in such a way that, if possible, they fit on just two pages. This allows you to play comfortably without constantly having to turn pages. Our mission is to enable you to play and enjoy your favorite music pieces.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Here you will find a selection of other beautiful songs from various genres, arranged by us for you:Our Songs for YouThank you for shopping with us!- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -.
$13.00 ≈
$17.73
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00 ≈
$13.64
Focus on the Goal
Focus on the Goal
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Piano Facile
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DÉBUTANT
#
Joe Wiedemann
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Joe Wiedemann
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Focus on the Goal
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Joe Wiedemann
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1089598 By Joe Wiedemann. By Joe Wiedemann. Arranged by Joe Wiedemann. Baroque,Classical,Folk,Instructional,Romantic Peri...
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Easy Piano - Level 1 - SKU: A0.1089598 By Joe Wiedemann. By Joe Wiedemann. Arranged by Joe Wiedemann. Baroque,Classical,Folk,Instructional,Romantic Period. Score. 3 pages. Joe Wiedemann #693807. Published by Joe Wiedemann (A0.1089598). Easy soft piano short piece, great for lessons and practice. Hints of Bach, with passages of syncopation. Several simple key changes with few accidentals.
$2.99 ≈
$4.08
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
#
Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00 ≈
$13.64
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
#
Nathan Petitpas - Dots and Bea
#
I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00 ≈
$13.64
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
I encourage you to use both
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
#
SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Co...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00 ≈
$13.64
In the Garden-MP3 accompaniment
In the Garden-MP3 accompaniment
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Musique Sacrée
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Austin Miles
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Deborah Johnson
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In the Garden-MP3 accompanimen
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Deborah Johnson
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SheetMusicPlus
Choir,Piano - SKU: A0.1068170 Composed by Austin Miles. Arranged by Deborah Johnson. Easter,Praise & Worship,Sacred. Accompaniment. Duration 166. Debora...
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Choir,Piano - SKU: A0.1068170 Composed by Austin Miles. Arranged by Deborah Johnson. Easter,Praise & Worship,Sacred. Accompaniment. Duration 166. Deborah Johnson #6733707. Published by Deborah Johnson (A0.1068170). This is the MP3 accompaniment track for In the Garden, one of our top sellers because it is such a beloved song for so many. There is no piano or vocals included in the accompaniment track, but a easy-to-follow accompaniment guide to where you can just play along with one or two pianos and add the beautiful vocal oohs and ahs with your small ensemble or choir. NOTE: the track picks up at measure 27. The beginning of the piece is performed acoustically and the instrumental track adds a wonderful build to the arrangement.Our family performed In the Garden for both my grandparent’s memorial services as they loved the song. This arrangement is for piano I and II, octave unison and vocal chorus.In the Garden is arranged as a flowing ballad with piano as the focus. Simple ooh and ah vocals are added for color on a countermelody in this reflective arrangement. Piano II adds an octave melody in a higher register to add more color and can be played by even a beginner pianist. The whole arrangement is easy Intermediate level.Up for a GRAMMY Award, My Father’s Favorite Hymns album is available here: https://DJWorksMusic.com/products by Deborah Johnson. You can download the complete MP3 album or individual songs on Amazon here: https://www.amazon.com/music/player/albums/B008O86FQI There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on Amazon or direct from here: https://goalsforyourlife.com/gods-music-hymns/ In the Garden was written by Austin Miles (1912), a pharmacist who became an editor of hymnals and songbooks as well as a popular music director. His hobby was photography and he composed the beginning of this song as he waited for some film to develop.For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com
$8.99 ≈
$12.26
Lady Mary's Minuet
Lady Mary's Minuet
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Piano Facile
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DÉBUTANT
#
Scott Camp
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Lady Mary's Minuet
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Scott Camp
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.553055 Composed by Scott Camp. Concert,Instructional,Standards. Score. 2 pages. Scott Camp #3142419. Published by Scott C...
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Easy Piano - Level 1 - SKU: A0.553055 Composed by Scott Camp. Concert,Instructional,Standards. Score. 2 pages. Scott Camp #3142419. Published by Scott Camp (A0.553055). If you like Lady Allyson's Minuet from Robert Vandall's remarkable Book One of Celebrated Solos, I hope you will enjoy teaching and playing this piece. Mr. Vandall's love for his own students is manifest in his recognition that new pieces needed to be created for contemporary students. His students, like most others, were starved for something new and fresh. Mr. Vandall's compositions were a gift to them, and also to us!My compositions for Elementary and Intermediate piano students build on the ideas of composers including Robert Vandall, Catherine Rollin, Martha Mier, Dennis Alexander, E. L. Lancaster, and others. My unique presentation continues the spirit of Robert Vandall in an important way: not only are the sounds new for today's students, the means of communcation has also been updated to meet the needs of today's students. Having all of the fundamental technique on the page in terms understandable to elementary piano students enables students to spend more time playing music rather than figuring out how to play music.I know full well the consequences of this approach: weaker reading in the short term, which is more than compensated for by correct (and more advanced) technique and ability to play more, and more interesting, music. The approach I have chosen restores playing music on the piano as the primary focus of the piano student/teacher relationship. Learning to read music is an important secondary goal, and will, in my experience, stand a better chance of being mastered by students who have played a greater ranger of the compelling music that is available today.(PS I started putting in all the finger numbers and hand positions for elementary students because I couldn't stand hearing and seeing the incorrect technical solutions these wonderful children came up with on their own. They deserved better.)
$1.99 ≈
$2.71
Lesson ONE S-Cubed Sight Singing Program for Beginners
Lesson ONE S-Cubed Sight Singing Program for Beginners
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Chorale Unison
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DÉBUTANT
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Music in the Middle with Mr D
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Lesson ONE S-Cubed Sight Singi
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Music in the Middle with Mr. D
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.851245 By Music in the Middle with Mr D. By Music in the Middle with Mr D. A Cappella,Children,Instructional. ...
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Choral Choir (Unison) - Level 1 - SKU: A0.851245 By Music in the Middle with Mr D. By Music in the Middle with Mr D. A Cappella,Children,Instructional. Octavo. 33 pages. Music in the Middle with Mr. D #457905. Published by Music in the Middle with Mr. D (A0.851245). SCHOOL DISTRICTS! If you are interested in purchasing more than license, you are eligible for excellent discounts. The first S-Cubed license is regular price, but all subsequent licenses are sold at a significant discount. Or reach out directly to me at inthemiddlewithmrd@gmail.com. Please write Multiple License Purchase in the subject line. This discount is also available for schools with more than one music teacher. Recognize what the children don't know. Don't fault them for not knowing it... Then, teach it to them in a fun way they will remember forever. ...That's the philosophy of S-Cubed. Motivate your beginners! That is the goal of S-Cubed Middle School Sight Singing Program! You should purchase this Kodaly Hand/Ladder Chart from Dancing Crayon to help your students on this journey! This lesson is the first in a series of lessons called S-Cubed that Music in the Middle with Mr D is offering for your upper elementary and middle school music students that will help you teach your children how to sight sing 2 part music with syncopated rhythms and skips as wide as an octave in 27 weeks if you see your students daily. It is the perfect game for the first weeks of school! It will help you establish a positive relationship with your students. It will help their focus, and it will teach them valuable skills for sight singing that are critical to the S-Cubed method of Sight Singing! In this lesson, you will learn about the FUN part of the method! You will learn the rules and philosophies associated with the game Forbidden Pattern that will reflect your approach throughout your teaching of the entire method. It is presented in a Power Point that includes YouTube links to Mr D actually teaching the method to real students. It also includes YouTube links of Mr D explaining the rules of the game. This game is the hook for your young singers. They love playing this game because they want to beat the teacher! For the best value, purchase the MEGA Bundle It includes Levels ONE and TWO combine. It is essentially a two to three year commitment depending on how often you see your students and other factors.
$20.00 ≈
$27.27
A Breath of Life
A Breath of Life
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Chun-Wai Wong
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A Breath of Life
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Imagine Music - Digital
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SheetMusicPlus
Oboe, basson, violin, viola, double bass - SKU: IZ.BCMW164 Composed by Chun-Wai Wong. BCMCC (Bassoon Chamber Music Composition Competition). Score and P...
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Oboe, basson, violin, viola, double bass - SKU: IZ.BCMW164 Composed by Chun-Wai Wong. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 77 pages. Imagine Music - Digital #BCMW164. Published by Imagine Music - Digital (IZ.BCMW164). 9 x 12 in inches.What is life for? Wealth? Power? Happiness? Are you really feeling happy with your pursuits? Or would you just go ontirelessly? Do you really feel happy when chasing after those things?And what will you get by the end of your life?I have seen everything that is done under the sun, and behold, all is vanity and a striving after wind. (Ecclesiastes 1:14)The piece is inspired by the book of Ecclesiastes from the Bible. Musically, it is inspired by a traditional Japanese theatricalperformance Kabuki. It is purely musical theatre: the piece unfolds with the wheezing of hollowness of work and life, andit is followed by a wild dance of chase -- a chase after fame and fortune in hopes of getting rid of the depression. Yet, thestruggle only brings fleeting pleasure and pressing anxiety to chase after another goal. Feeling exhausted, one realizes thatwhat one has done are all meaningless: the hollowness never goes away. Only after a hoarse cry does one start to realize themeaning of life, a meaning that transcends all materialistic goals; and only after understanding the reason to live can one take abreath of life.There are references to traditional Japanese instrumental writings, including the sound of Shamisen imitated by pizzicato instrings, drum imitated by pizzicato chords and beating of strings on fingerboard, Japanese flute imitated by the high oboe. Theshifting focus between different musical layers represents the movement of the imaginary dancer who moves forward andbackward on the stage unceasingly.ABreath of Life was commissioned by the Hong Kong Composers' Guild.
$24.00 ≈
$32.73
Etudes for Two - Concert Duets for Intermediate Pianists
Etudes for Two - Concert Duets for Intermediate Pianists
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Nancy Bachmann
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imaginative and expressive
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Etudes for Two - Concert Duets
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Nancy Bachmann
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1085779 Composed by Nancy Bachmann. Classical,Contemporary,Instructional. Score. 32 pages. Nancy Bachmann...
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1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1085779 Composed by Nancy Bachmann. Classical,Contemporary,Instructional. Score. 32 pages. Nancy Bachmann #689948. Published by Nancy Bachmann (A0.1085779). This volume contains five engaging four-hand Concert Duets, each with a different musical character to expand the players' interpretive experience and please audiences. In addition, every piece focuses on a specific technique or skill that the intermediate pianist needs to master. I composed these pieces to address some of the problems common to intermediate-level piano players. There are special advantages to playing duets at this stage of advancement, beyond encouraging technical and musical progress. Working on duets with another player will inject fresh enthusiasm into music study at a time when some intermediate students may experience a plateau in progress. We are, undeniably, social creatures, and making music together has a special joy. However, unlike choral singers and band or orchestral players, the pianist is often left out of the ensemble experience until relatively advanced. Intermediate pianists will truly benefit from the energizing effects of studying a piece of music with one another. Indeed, striving toward the shared goal of an expressive duet performance requires each player to develop the entire spectrum of skills: aural, technical, personal and interpretive that combine to make a complete musician. || These Concert Duets for Intermediate Pianists are fascinating and attractive pieces, and they will be a valuable contribution to the duet repertory. The highly instructive directions to the players will prepare them to enter the world of duet playing and explore its treasures. —William Corbett-Jones, Concert Pianist, International Award-Winning Recording Artist, SFSU Professor Emeritus || These are great duets; imaginative and expressive. What a wonderful way tor my intermediate students to learn essential skills! —Joan Cifarelli, Jazz/Classical Pianist, Pedagogue.
$10.00 ≈
$13.64
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
$13.64
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
$13.64
Three Duets for Flute
Three Duets for Flute
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Darian Thompkins
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Three Duets for Flute
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Darian Thompkins
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1410567 Composed by Darian Thompkins. 20th Century,Chamber,Contest,Festival,Holiday,Instructional. Score. 11 pages....
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Flute Duet Flute - Level 3 - SKU: A0.1410567 Composed by Darian Thompkins. 20th Century,Chamber,Contest,Festival,Holiday,Instructional. Score. 11 pages. Darian Thompkins #992988. Published by Darian Thompkins (A0.1410567). Three Duets for Flute are wonderful additions for performances regarding small crowds, church events and even holidays. These three duets make practicing both fun and instructional, ensuring the primary focus is on intonation, technique, and articulation. A wonderful gift for the Intermediate – Advanced Flute players looking for something to work on together while really focusing on those key goals all flute players strive for in the practice room. Except in this case, you will need a second person. The first piece uses simple rhythms and is wonderful for beginner to intermediate flute players. The second and third piece make for a wonderful challenge for advanced players as they continue to sharpen their articulation and breath support. I hope you enjoy!
$2.75 ≈
$3.75
Godzilla Main Title (godzilla 1954)
Godzilla Main Title (godzilla 1954)
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Piano seul
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DÉBUTANT
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Film/TV
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Alan Silvestri
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Fernando Ramos
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Godzilla Main Title
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Fernando Ramos
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.895225 By Alan Silvestri. By Akira Ifukube. Arranged by Fernando Ramos. Film/TV. Score. 2 pages. Fernando Ramos #6574975....
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Piano Solo - Level 1 - SKU: A0.895225 By Alan Silvestri. By Akira Ifukube. Arranged by Fernando Ramos. Film/TV. Score. 2 pages. Fernando Ramos #6574975. Published by Fernando Ramos (A0.895225). Hear it on YouTube:https://youtu.be/CwppXelFw4MI make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music, but most importantly, that it actually makes pianistic sense. Sometimes I even hide exercises in the arrangements that I want a student to work on. All of my arrangements are usually made for a specific student, so the results will always vary.This arrangement was made for a late beginner, Primary III, student working on Level 1-2 of the Alfred's Masterwork Classics series. He is a huge Godzilla fan and was thrilled to be playing this. It was not an easy arrangement for him! But he was resilient and persevered even after I offered to make it easier. It has been a year since he performed it, and he can still play it from memory. The rhythmic melody is difficult to keep up with. Good focus on the pedal and accented notes will help with this. The sudden jump to a higher octave might take some time. Also, the split voices at the end should be encouraged, but can always be ignored.Pedal and fingering suggestions are included.
$4.99 ≈
$6.80
Hamlet V
Hamlet V
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Classique
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Sina Babajani-Feremi
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Hamlet V
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Sina Babajani-Feremi
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Oboe,Percussion,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Interactive Download SKU: A0.923239 ...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Oboe,Percussion,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Interactive Download SKU: A0.923239 Composed by Sina Babajani-Feremi. This edition: Interactive Download. Classical. Score and parts. 20 pages. Duration 60. Sina Babajani-Feremi #IogDEcbq8TZJtlcGrObE4. Published by Sina Babajani-Feremi (A0.923239). Key: C major.This work is very abstract, as in the last act of hamlet this work is specifically focused on the last part of the last act where we can see many of the characters dying one by one in a grand amalgamation of death, we can see here that there is no rhyme or reason to the parts being played, they are all independent, remincant of the lack of reason to the deaths in the final act and also a reminder that as they are independent voices with seperate stories journies and goals as with everyone who died in the final act, they slowly fade away and there remains the timpani, drumming out a repetative marching tune as homage to the militaristic tradition that rought the bodies of elsinore cold, followed by at last 3 notes played on a harp as a church bell to the funerary service of those who died in this act.
$3.00 ≈
$4.09
Blessed Assurance - Brass Quartet For Trumpet and Trombone (Easy) Score And All Part Included
Blessed Assurance - Brass Quartet For Trumpet and Trombone (Easy) Score And All Part Included
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Trompette, Trombone (duo)
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FACILE
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Musique Sacrée
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Joshua Popovici
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Blessed Assurance - Brass Quar
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Joshua Popovici
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SheetMusicPlus
Small Ensemble Euphonium,Trombone,Trumpet - Level 2 - SKU: A0.1029077 Composed by Joshua Popovici. Christian,Classical,Instructional,Praise & Worship,Sa...
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Small Ensemble Euphonium,Trombone,Trumpet - Level 2 - SKU: A0.1029077 Composed by Joshua Popovici. Christian,Classical,Instructional,Praise & Worship,Sacred. Score and parts. 5 pages. Joshua Popovici #4616399. Published by Joshua Popovici (A0.1029077). Here’s the thing… There’re a lot of arrangements out there. But unlike everyone else. I keep the arrangement clean and simple for you. So, don’t fear! This song has been played live. And based on my 8 years of experience, it’s then tweaked to perfection. I believe you’re better off playing songs that focus on beautiful harmony. Not complexity. This song is an arrangement of Blessed Assurance for a brass quartet. 2 Trumpets & 2 Trombones (or any low brass instrument). Share this link with someone who might be like this song! As you play through this arrangement, you'll notice how all the parts interact with one another. Every instrument clearly cutting through. It’s a rich and satisfying arrangement. Not only will you enjoy playing this, but listeners will also experience something unforgettable. Buy now. Practice Tomorrow. Preform later. And experience the joy of performing quality arrangements. Money back Guaranteed! Contact me if you need anything. If you want the music arranged in differently (ex. instrumentation, keys, clefs, etc...). Just let me know! I'll respond ASAP. I'll be your free assistant :) Email me at josh1pop@gmail.com. The Goal: Professional Scores. Amazing Service. Best Value!
$3.98 ≈
$5.43
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