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Vous avez sélectionné:
FYI Communications Inc
Partitions à imprimer
71 partitions trouvées
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1
26
51
Blues in the Pockets
Blues in the Pockets
#
Joan Cartwright
#
Joan Cartwright
#
Blues in the Pockets
#
FYI Communications Inc
#
SheetMusicPlus
Bass Voice,Drums,Piano - Level 3 - SKU: A0.1325128 By Joan Cartwright. By Stafford James. Arranged by Joan Cartwright. 20th Century,21st Century,Blues. ...
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Bass Voice,Drums,Piano - Level 3 - SKU: A0.1325128 By Joan Cartwright. By Stafford James. Arranged by Joan Cartwright. 20th Century,21st Century,Blues. Full Performance. Duration 260. FYI Communications Inc #913352. Published by FYI Communications Inc (A0.1325128). Recorded in 1995.
$1.99 ≈
1.83€
Loneliblue
Loneliblue
#
Piano seul
#
FACILE
#
Joan Cartwright
#
Joan Cartwright
#
Loneliblue
#
FYI Communications Inc
#
SheetMusicPlus
Piano - Level 2 - SKU: A0.1273433 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Blues,Jazz,Soul. Score ...
(+)
Piano - Level 2 - SKU: A0.1273433 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Blues,Jazz,Soul. Score (Chords/Lyrics). 2 pages. FYI Communications Inc #865568. Published by FYI Communications Inc (A0.1273433).
$3.99 ≈
3.66€
A Natural Thing
A Natural Thing
#
Piano seul
#
INTERMÉDIAIRE
#
Joan Cartwright
#
Joan Cartwright
#
A Natural Thing
#
FYI Communications Inc
#
SheetMusicPlus
Piano - Level 3 - SKU: A0.1284719 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Jazz. Score (Chords/Lyr...
(+)
Piano - Level 3 - SKU: A0.1284719 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Jazz. Score (Chords/Lyrics). 3 pages. FYI Communications Inc #875894. Published by FYI Communications Inc (A0.1284719).
$2.99 ≈
2.74€
No Love
No Love
#
Piano seul
#
FACILE
#
Joan Cartwright
#
Joan Cartwright
#
No Love
#
FYI Communications Inc
#
SheetMusicPlus
Piano - Level 2 - SKU: A0.1273434 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Jazz,Singer/Songwriter....
(+)
Piano - Level 2 - SKU: A0.1273434 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Jazz,Singer/Songwriter. Score (Chords/Lyrics). 4 pages. FYI Communications Inc #865570. Published by FYI Communications Inc (A0.1273434).
$3.99 ≈
3.66€
Bright Moments
Bright Moments
#
Piano Facile
#
DÉBUTANT
#
Joan Cartwright
#
Joan Cartwright
#
Bright Moments
#
FYI Communications Inc
#
SheetMusicPlus
Piano - Level 1 - SKU: A0.1273430 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Jazz,Singer/Songwriter,...
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Piano - Level 1 - SKU: A0.1273430 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Jazz,Singer/Songwriter,Wedding. Score (Chords/Lyrics). 2 pages. FYI Communications Inc #865140. Published by FYI Communications Inc (A0.1273430).
$2.99 ≈
2.74€
The Glory Road
The Glory Road
#
Piano Facile
#
DÉBUTANT
#
Musique Sacrée
#
Joan Cartwright
#
Joan Cartwright
#
The Glory Road
#
FYI Communications Inc
#
SheetMusicPlus
Piano - Level 1 - SKU: A0.1273513 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Praise & Worship,Religi...
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Piano - Level 1 - SKU: A0.1273513 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Praise & Worship,Religious,Spiritual. Score (Chords/Lyrics). 2 pages. FYI Communications Inc #865652. Published by FYI Communications Inc (A0.1273513).
$3.99 ≈
3.66€
Countin' On The Count
Countin' On The Count
#
Piano Facile
#
DÉBUTANT
#
Joan Cartwright
#
Joan Cartwright
#
Countin' On The Count
#
FYI Communications Inc
#
SheetMusicPlus
Piano - Level 1 - SKU: A0.1273431 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 21st Century,Jazz,Singer/Songwriter. Score (Chord...
(+)
Piano - Level 1 - SKU: A0.1273431 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 21st Century,Jazz,Singer/Songwriter. Score (Chords/Lyrics). 3 pages. FYI Communications Inc #865144. Published by FYI Communications Inc (A0.1273431).
$2.99 ≈
2.74€
A Night in Tunisia
A Night in Tunisia
#
Joan Cartwright
#
Joan Cartwright
#
A Night in Tunisia
#
FYI Communications Inc
#
SheetMusicPlus
Alto Saxophone,Bass Voice,Drums,Keyboard - Level 3 - SKU: A0.1325114 By Joan Cartwright. By Dizzy Gillespie. Arranged by Joan Cartwright. 20th Century,2...
(+)
Alto Saxophone,Bass Voice,Drums,Keyboard - Level 3 - SKU: A0.1325114 By Joan Cartwright. By Dizzy Gillespie. Arranged by Joan Cartwright. 20th Century,21st Century,Jazz. Full Performance. Duration 334. FYI Communications Inc #913336. Published by FYI Communications Inc (A0.1325114). A NIGHT IN TUNISIAMusic by Dizzy Gillespie and Lyrics by Joan Cartwright It was a beautiful night in Tunisia She followed him back to his door The hour was late when he seized her But she hung around for more The mystery started unfolding Exciting adventure befell The end of that night in Tunisia Left exotic dreams to tell Warm was the kiss his lips kept taking Breathless was she, her inhibitions forsaken (Drum roll) The mystery started unfolding Exciting adventure befell The end of that night in Tunisia Left exotic dreams to tell She remembers the night in Tunisia As a moment of magic explored And each time she comes back to Tunisia He finds her waiting at his door She comes running back for more She finds her way back to his door.
$1.99 ≈
1.83€
Astrud
Astrud
#
Joan Cartwright
#
Joan Cartwright
#
Astrud
#
FYI Communications Inc
#
SheetMusicPlus
Alto Saxophone,Double Bass,Drums,Piano,Voice - Level 3 - SKU: A0.1325138 By Joan Cartwright. By Basia. Arranged by Joan Cartwright. 21st Century,Jazz,La...
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Alto Saxophone,Double Bass,Drums,Piano,Voice - Level 3 - SKU: A0.1325138 By Joan Cartwright. By Basia. Arranged by Joan Cartwright. 21st Century,Jazz,Latin. Full Performance. Duration 227. FYI Communications Inc #913366. Published by FYI Communications Inc (A0.1325138). Recorded in 1995.
$1.99 ≈
1.83€
Tell The Blues Bye Bye
Tell The Blues Bye Bye
#
Piano seul
#
FACILE
#
Joan Cartwright
#
Joan Cartwright
#
Tell The Blues Bye Bye
#
FYI Communications Inc
#
SheetMusicPlus
Piano - Level 2 - SKU: A0.1273435 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Blues,Film/TV,Jazz. Sco...
(+)
Piano - Level 2 - SKU: A0.1273435 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Blues,Film/TV,Jazz. Score (Chords/Lyrics). 1 pages. FYI Communications Inc #865573. Published by FYI Communications Inc (A0.1273435).
$3.99 ≈
3.66€
Dreamin'
Dreamin'
#
Piano Facile
#
DÉBUTANT
#
Joan Cartwright
#
Joan Cartwright
#
Dreamin'
#
FYI Communications Inc
#
SheetMusicPlus
Piano - Level 1 - SKU: A0.1273442 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Blues,Jazz,Singer/Songw...
(+)
Piano - Level 1 - SKU: A0.1273442 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Blues,Jazz,Singer/Songwriter. Score (Chords/Lyrics). 3 pages. FYI Communications Inc #865581. Published by FYI Communications Inc (A0.1273442).
$3.99 ≈
3.66€
Love Translation (Spiritual)
Love Translation (Spiritual)
#
Piano, Voix
#
DÉBUTANT
#
Joan Cartwright
#
Joan Cartwright
#
Love Translation
#
FYI Communications Inc
#
SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1273447 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Singer/Song...
(+)
Piano,Vocal,Voice - Level 1 - SKU: A0.1273447 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Singer/Songwriter,Soul,Spiritual. Score. 1 pages. FYI Communications Inc #865586. Published by FYI Communications Inc (A0.1273447).
$1.99 ≈
1.83€
Love Translation (Reggae Mix)
Love Translation (Reggae Mix)
#
Voix duo, Piano
#
DÉBUTANT
#
Joan Cartwright
#
Joan Cartwright
#
Love Translation
#
FYI Communications Inc
#
SheetMusicPlus
Piano,Voice Duet Alto Voice,Medium Voice,Piano - Level 1 - SKU: A0.1273450 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Cen...
(+)
Piano,Voice Duet Alto Voice,Medium Voice,Piano - Level 1 - SKU: A0.1273450 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Reggae,Singer/Songwriter,Soul. 1 pages. FYI Communications Inc #865589. Published by FYI Communications Inc (A0.1273450).
$1.99 ≈
1.83€
Mellow Autumn
Mellow Autumn
#
Piano Facile
#
DÉBUTANT
#
Joan Cartwright
#
Joan Cartwright
#
Mellow Autumn
#
FYI Communications Inc
#
SheetMusicPlus
Piano - Level 1 - SKU: A0.1273453 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Film/TV,Holiday,Singer/...
(+)
Piano - Level 1 - SKU: A0.1273453 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Film/TV,Holiday,Singer/Songwriter. Score (Chords/Lyrics). 2 pages. FYI Communications Inc #865592. Published by FYI Communications Inc (A0.1273453).
$2.99 ≈
2.74€
I Don't Want Nobody's Husband
I Don't Want Nobody's Husband
#
Piano Facile
#
DÉBUTANT
#
Joan Cartwright
#
Joan Cartwright
#
I Don't Want Nobody's Husband
#
FYI Communications Inc
#
SheetMusicPlus
Piano - Level 1 - SKU: A0.1273432 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Blues,Jazz,Singer/Songw...
(+)
Piano - Level 1 - SKU: A0.1273432 By Joan Cartwright. By Joan Cartwright. Arranged by Joan Cartwright. 20th Century,21st Century,Blues,Jazz,Singer/Songwriter. Score (Chords/Lyrics). 2 pages. FYI Communications Inc #865146. Published by FYI Communications Inc (A0.1273432).
$2.99 ≈
2.74€
A Woman Knows
A Woman Knows
#
Piano seul
#
DÉBUTANT
#
Joan Cartwright
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A Woman Knows
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FYI Communications Inc
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SheetMusicPlus
Piano - Level 1 - SKU: A0.1273429 By Joan Cartwright. By Joan Cartwright. 20th Century,21st Century,A Cappella,Opera,Wedding. Score (Chords/Lyrics). 3 p...
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Piano - Level 1 - SKU: A0.1273429 By Joan Cartwright. By Joan Cartwright. 20th Century,21st Century,A Cappella,Opera,Wedding. Score (Chords/Lyrics). 3 pages. FYI Communications Inc #865137. Published by FYI Communications Inc (A0.1273429).
$2.99 ≈
2.74€
We Must Learn to Walk Together
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99 ≈
3.66€
Op. 47, No. 7: Verse sans fin from Songs of Gouvy, V1 (Downloadable)
Op. 47, No. 7: Verse sans fin from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 47, No. 7: Verse sans fin
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-40E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-40E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-40E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-40E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00 ≈
2.75€
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1 (Downloadable)
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 47, No. 3: Chanson, voici
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-36E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00 ≈
2.75€
Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1 (Downloadable)
Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 47, No. 1: Page, suis-moi
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Sc...
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-34E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00 ≈
2.75€
Op. 41, No. 7: Que dites-vous, que faites-vous, mignonne? from Songs of Gouvy, V1 (Downloadable)
Op. 41, No. 7: Que dites-vous, que faites-vous, mignonne? from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
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Op. 41, No. 7: Que dites-vous,
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-13E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-13E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-13E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-13E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00 ≈
2.75€
Op. 41, No. 2: Prends cette rose from Songs of Gouvy, V1 (Downloadable)
Op. 41, No. 2: Prends cette rose from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
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Op. 41, No. 2: Prends cette ro
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-08E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-08E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00 ≈
2.75€
Op. 41, No. 1: Aubade from Songs of Gouvy, V1 (Downloadable)
Op. 41, No. 1: Aubade from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 41, No. 1: Aubade from Son
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-07E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00 ≈
2.75€
Op. 37, No. 2: Du grand Turc je n’ai souci from Songs of Gouvy, V1 (Downloadable)
Op. 37, No. 2: Du grand Turc je n’ai souci from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 37, No. 2: Du grand Turc j
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Schirmer Music Company - Digital #8491-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-02E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00 ≈
2.75€
Op. 37, No. 4: Lorsque Bacchus entre chez moi from Songs of Gouvy, V1 (Downloadable)
Op. 37, No. 4: Lorsque Bacchus entre chez moi from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 37, No. 4: Lorsque Bacchus
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-04E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00 ≈
2.75€
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